David Sawer

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David Sawer (born 14 September 1961), is a British composer of opera and choral, orchestral and chamber music.

Biography[edit]

Sawer was born in Stockport, England. After attending Ipswich School,[1] he studied music at the University of York where he began composing for contemporary music-theatre pieces. He directed the UK premieres of Kagel's Kantrimiusik and Mare Nostrum at the ICA, appeared as soloist in Phonophonie, and conducted the UK premiere of Kagel's Szenario at the South Bank Centre, London. He performed in the world premiere productions of Birtwistle's Gawain and Cage's Europeras 3 & 4.

In 1984 he won a DAAD scholarship to study with Mauricio Kagel in Cologne. Even from this point his career, Sawer's music tends to define each piece within theatrical terms. Indeed, Sawer has described himself as a "theatre person". His works often reference the visual arts, and in particular surrealist imagery. For example, his piano piece, The Melancholy of Departure was inspired by the shadowy and irrational perspectives of a De Chirico painting.

In 1992 Sawer was awarded the Fulbright-Chester-Schirmer-Scholarship and lived in the USA for a year. He won a Paul Hamlyn Foundation Award in 1993, an Arts Foundation Fellowship in 1995 and a residence with the Bournemouth Symphony Orchestra in 1996. He was awarded a Civitella Ranieri Foundation Fellowship in 2006 and a MacDowell Colony Fellowship, taking residence in 2016. He is a Professor of Composition at the Royal Academy of Music, London.

Sawer has received numerous commissions that have resulted in impressive works for the concert hall, dance, film, theatre and radio. His 50-minute radio composition Swansong (1989), a collage of orchestral, choral and electronic sounds, inspired by the work of Hector Berlioz, won a Sony Radio Award[2] and a Prix Italia Special Mention.

Sawer's work reflects a variety of influences, from Igor Stravinsky[3] to György Ligeti and Luciano Berio. Certain characteristics remain from his early music: for instance the blurring of background and foreground in his first orchestral work, Trompe l'oeil (1982; since withdrawn).

Ensembles who have performed his work include Asko/Schoenberg Ensemble, Birmingham Contemporary Music Group, Continuum Ensemble, Israel Contemporary Players, Juilliard Ensemble, Klangforum Wien, London Sinfonietta, Lontano, musikFabrik, Oberlin Sinfonietta, Remix Ensemble/Porto and Tokyo Sinfonietta. Orchestras who have performed his work include Aarhus Symphony Orchestra, Basel Sinfonietta, Bournemouth Symphony Orchestra, BBC Symphony Orchestra, BBC National Orchestra of Wales, BBC Philharmonic, Britten Sinfonia, Hallé, Hessischer Rundfunk Frankfurt, Netherlands Radio Symphony, Norddeutscher Rundfunk Sinfonieorchester, Norrköping Symfoniorkester, ORF Symphonieorchester, Philharmonia Orchestra.

In the theatre, he has worked with playwrights Howard Barker, Edward Bond, Nick Dear, Paul Godfrey and David Harrower.

Selected works[edit]

Stage works[edit]

  • The Panic, a chamber opera, premiered in 1991
  • From Morning to Midnight, an opera in seven scenes, based on Georg Kaiser's play, premiered in 2001 by English National Opera, for which he a received Laurence Olivier Award nomination for Outstanding Achievement in Opera and a Royal Philharmonic Society Award nomination (Large Scale Composition).
  • Skin Deep, an operetta on the theme of plastic surgery, to a libretto by Armando Iannucci, and co-commissioned by Opera North, Bregenz Festival, Royal Danish Opera Copenhagen and Komische Oper Berlin, premiered on 16 January 2009.[4]
  • Rumpelstiltskin, a ballet in eight scenes, for six dancers and thirteen players, commissioned by BCMG, premiered on 14 November 2009 at the CBSO Centre, Birmingham, and toured to Tramway, Glasgow the Huddersfield Contemporary Music Festival and the Spitalfields Music Festival.[5]

Recent works include Flesh and Blood, a dramatic scene for two voices and orchestra, premiered at the Barbican by the BBC Symphony Orchestra conducted by Ilan Volkov, with soloists Christine Rice and Marcus Farnsworth, Wonder, for SATB choir, included in the Choirbook for the Queen, a concert suite of Rumpelstiltskin , premiered by BCMG at the Wigmore Hall, conducted by George Benjamin, and The Lighthouse Keepers, a radio play based on a Grand Guignol play, adapted by David Harrower, for the 2013 Cheltenham Festival. Future works include commissions for Onyx Brass/2014 New Music Biennial, Aurora Orchestra/NMC Recordings/Science Museum, Royal Ballet/London Sinfonietta/RPS Drummond Fund, Birmingham Contemporary Music Group/Feeney Trust, and the BBC Singers.

Orchestral works[edit]

  • Byrnan Wood (1992)
  • Trumpet Concerto (1994)
  • Tiroirs, for chamber ensemble (1996)
  • the greatest happiness principle (1997)
  • Piano Concerto (2002) winner of British Academy British Composer Award in the orchestra category/Venice Biennale.
  • Rebus, for chamber ensemble (2004)
  • April \ March for large chamber ensemble (2016)

Choral works[edit]

  • Songs of Love and War (1990)
  • Sounds: Three Kandinsky Poems (1996–99)
  • Stramm Gedichte (2002)

Chamber works[edit]

  • Cat's-eye for 2 clarinets, trumpet, trombone, harp, piano, viola and violoncello (1986); choreographed by Richard Alston for Ballet Rambert
  • Take Off for flute, 2 clarinets, piano, violin, viola and violoncello (1987)
  • Between for harp; first performed by Osian Ellis in 1989
  • Good Night for alto flute/piccolo, harp, violin, viola and violoncello (1989)
  • Satz for violin, violoncello and piano (2007)
  • Bronze and Iron for brass quintet (2013)
  • Coachman Chronos for nine players (2014)
  • Caravanserai for 14 players (2015) commissioned by The John Feeney Charitable Trust

Theatre[edit]

  • The Trial, Public Enemy, Government Inspector, The Good Soul of Szechuan (Young Vic); Hamlet (RSC); The Blue Ball (National Theatre); Food of Love (Almeida); Jackets (Bush).

Radio[edit]

  • Swansong, The Long Time Ago Story (with Rose English/BBC Radio 3 Between the Ears)

External links[edit]

Sources[edit]


References[edit]

https://www.theguardian.com/theobserver/2001/may/06/featuresreview.review3

https://www.independent.co.uk/arts-entertainment/classical/reviews/rumpelstiltskin-cbso-centre-birmingham-swanhunter-howard-assembly-room-leeds-1825237.html