DeWitt H. Fessenden

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
DeWitt H. Fessenden
Diedafter 1952
Alma materCornell University

DeWitt Harvey Fessenden (1885 – after 1952) was an American architect, critic, sketch artist, and author of The Life and Works of Claude Deruet (1952). He received a bachelor's degree in architecture from Cornell University.


DeWitt Fessenden’s father was Harvey George Fessenden (July 26, 1844–Feb. 19, 1901) of Ithaca, New York. Harvey married Isabelle Tichenor Atwater (Sept. 26, 1850–May 10, 1937) of Van Eltenville, New York. The wedding was at Waverly, New York. The roots of the Fessenden family lay in Chilam, Kent, England. They were Puritans, arriving at Cambridge, Massachusetts sometime before 1677. Dewitt’s great-great-grandfather was born in Franklin, Connecticut and emigrated into northeastern Pennsylvania when that territory was claimed by Hartford. The Fessendens settled at South Montrose, Pennsylvania and married into the Lathrops of Bridgewater, Susquehanna, Pennsylvania. Harvey’s great-grandfather moved the family into the Ithaca valley sometime before 1839, settling at the village of Candor, New York. When Fessenden arrived at Cornell, he joined the New York Alpha chapter of Phi Kappa Psi. Fessenden was among the members of this fraternity that rendered comfort to dying members of Chi Psi when that group's lodge caught on fire.[1] He was also a member of the Irving Literary Society. Fessenden joined the freshman baseball team, and was considered part of a strong infield.[2]

Academically, Fessenden worked from Samuel F.B. Morse Hall, now the site of the Johnson Museum of Art, in a bachelors’ architecture program known for its practical exercises.[3]


Within a decade of graduating from Cornell, DeWitt’s work as an architect gained regional notice. As the Cornell Daily Sun noted,

D. H. Fessenden '05, architect and etcher, has been spoken of in the April issue of the International Studio, as a "serious etcher who is plodding along the difficult road to success and not trying to cut corners by eccentric methods."

Fessenden after leaving Cornell traveled considerably in France and Italy, where he made a special study of the old churches and cathedrals. The International Studio says:

"Mr. Fessenden grasps essentials, is a capital draughtsman and handles his etching needle with great sensitiveness."[4]

Fessenden lived at the Cornell Club, 145 Madison Avenue, New York, New York during the 1930s.[citation needed]

Published works[edit]

For both marketing purposes and as a means of expressing his artistic interests, Fessenden began to write professionally after he graduated. Generally, his architectural designs and later writings showed an understanding of the discipline that urban and suburban living would require of an industrialized society. But he was also very conscious of the need to use design to define one’s own space, separate from the outside world.[5] He adored “high style”, trying to bring its essence down to scale for the average homeowner.[6] [7][8] In December 1914, The International Studio published Fessenden's sketches of Rheims Cathedral;[9] In 1922, the Architectural Record featured Fessenden’s art work.[10]

Magazines and journals[edit]

Fessenden's work was published in the magazines Good Housekeeping,[5] House & Garden,[7] The International Studio,[9] and Architectural Record.[10]

By 1937, DeWitt was working in the architectural trade press, notably with Sketch Book Magazine.[citation needed] Among DeWitt’s writings in Sketch Bookwas the “Pageant of French Architecture”.


Fessenden's sole published book was an architectural professional's biography of his favorite artist, Claude Deruet. The Life and Works of Claude Deruet was published late in Fessenden's life, and is now included among the Rare Books departments of academic libraries.[11]

  • Fessenden, DeWitt H. (1952). The Life and Works of Claude Deruet: court painter, 1588–1660. Brooklyn. ASIN B0006ATLM2. LCCN 53015220.


  1. ^ "Fraternity Initiates; List of men taken into local chapters of various college fraternities". Cornell Daily Sun. 25 (29). October 31, 1904. p. 1.
  2. ^ "Freshman Baseball Regristration [sic]". Cornell Daily Sun. 25 (11). October 10, 1904. p. 3. The Freshman baseball team is badly in need of pitchers and catchers, and this fact will greatly jeopardize their chances in the undergraduate games. The infield should be fairly strong, judging from the amount of good material which has turned out. … Infield: A. M. Berryman. Long Island Academy; D.H. Fessenden, Ithaca High School….
  3. ^ "University Notices". Cornell Daily Sun. 25 (16). October 15, 1904. p. 5. In making surveys, the following points are to be observed : Locate the house, giving grade, cellar or first floor plan, steps, verandas, chimneys, etc. Grounds : Locate all trees, giving size, kind, diameter of trunk, spread and condition. Same for shrubs. In case of shrub belt plantation, give outline of such plantation, with list of kind of shrubs included. Roads and Paths: Give width, material and condition. Locate all such features as pumps, clothes-poles, serviceyards, condition of turf, rocks, or peculiar formations of any sort, etc. Designate lawn areas as highly kept, or ordinary turf plots. Locate gardens, if any, giving size and location of paths, conditions, etc. Brinckerhoff, plot 5 ; Clark, plot; Fessenden, plot 8; Goodrich, plot 2; Griffith, plot 3; Hoover, plot 4; Lyford, plot 7.
  4. ^ "D. H. Fessenden, '05, Making A Success in His Profession: "International Studio" marks cornellian as coming architect". Cornell Daily Sun. 33 (152). April 24, 1912. p. 3.
  5. ^ a b Fessenden, DeWitt (March 1917). "The Bungalow in a Garden". Good Housekeeping. 64 (3): 82. Retrieved September 6, 2010.
  6. ^ Fessenden, De Witt H. (July 25, 1916). "Problem of Large Rooms and Comforts Well Worked Out at Moderate Cost" (PDF). The New York Times. Retrieved September 6, 2010.
  7. ^ a b Fessenden, DeWitt H. (July 1918). "A Formal Bungalow for a Small Family". House & Garden. Retrieved September 6, 2010. In designing the type of bungalow which is produced here I had in mind a small, dignified home which would meet the general requirements of a family whose means would not permit a servant or for people who preferred to do their own work.
  8. ^ De Witt H. Fessenden, The Country House of Ormond G. Smith, Esq., Oyster Bay, L.I., Hoppin & Koen, Architects, Architectural Record (August 1916) at 114 (extolling the architectural profession’s 25-year record in country home design).
  9. ^ a b "Pen-and-Ink Sketches of Rheims Cathedral by De Witt H. Fessenden". The International Studio. John Lane Company. 54 (214). December 1914.
  10. ^ a b Fessenden, DeWitt K. (September 1922). "Nôtre Dame, Paris (etching)". Architectural Record. New York. 52 (3): 248.
  11. ^ Fessenden, DeWitt H. (1952). The Life and Works of Claude Deruet: court painter, 1588–1660. Brooklyn. ASIN B0006ATLM2. LCCN 53015220.