De Prospectiva pingendi
De Prospectiva pingendi (On the Perspective of painting) is the earliest and only pre-1500 Renaissance treatise solely devoted to the subject of perspective. It was written by the Italian master Piero della Francesca in the mid-1470s to 1480s, and possibly by about 1474. Despite its Latin title, the opus is written in Italian.
The script consists of three parts:
- Part One Disegno, describing techniques for painting faces
- Part Two Commensurazio, describing perspectives
- Part Three Coloro, describing techniques for creating perspectives by using colours
The writings were inspired by the book De pictura by Leon Battista Alberti and references Euclid's Elements and Optics. The manuscript later came into the possession of the Biblioteca Palatina in Parma before it was transferred to the Biblioteca Ambrosiana.
Much of Piero's work was later absorbed into the writing of others, notably Luca Pacioli, whose Divina proportione (1509) discusses Piero's use of perspective, as well featuring a translation of Piero's entire work on solid geometry, Short Book on the Five Regular Solids.
In 1899 the work was first published in book form.
|Wikimedia Commons has media related to De Prospectiva pingendi.|
- Andersen, Kirsti (2007). The Geometry of Art. New York, NY: Springer. p. 17. ISBN 978-0-387-25961-1.
- Livio, Mario (2003). The Golden Ratio. New York: Broadway Books. p. 126. ISBN 0-7679-0816-3.
- Kemp, Martin (1990). The Science of Art. New Haven and London: Yale University Press. p. 27. ISBN 0-300-05241-3.
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- "Archived copy". Archived from the original on 2010-03-29. Retrieved 2010-04-11.CS1 maint: Archived copy as title (link), Computer Animation Lab
- Calter, Paul (1998). "Geometry in Art & Architecture Unit 13". Dartmouth College. Retrieved December 23, 2018.
- , Encyclopædia Britannica
- , Google Books.com