Deane Keller

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Deane Keller
Deane Keller in army fatigues
Deane Keller while a U.S. Army Captain, c. 1945
Born (1901-12-14)December 14, 1901
New Haven, Connecticut
Died April 12, 1992(1992-04-12) (aged 90)
Hamden, Connecticut
Resting place New Britain, Connecticut, Pisa, Italy
Nationality  United States
Alma mater Yale University
Known for Portraiture
Style Traditional
Awards Prix de Rome (1926)
Legion of Merit (1946)
British Empire Medal (1945)

Deane Keller (December 14, 1901 – April 12, 1992) was an American artist, academic, soldier, art restorer and preservationist. He taught for forty years at Yale University's School of Fine Arts and during World War II was an officer with the Monuments, Fine Arts, and Archives program.


Keller was born in New Haven, Connecticut in 1901.[1] His father, Albert Galloway Keller, was a member of the junior faculty at Yale; but during young Deane's formative years, his father would become the first William Graham Sumner Professor of Sociology.[2] Keller attended the Taft School in Watertown, Connecticut, graduating in 1919.[3]

As a student at Yale, he earned degrees in history and science in 1923. Further studies led to a B.F.A. from the Yale School of Fine Arts in 1926.[1] Keller was awarded the Gran Prix de Rome in 1926.[4] He was a Fellow of the American Academy in Rome (FAAR) for three years.[1] After returning from Rome in 1929, Keller began his career as a member of the Yale faculty.[5]

His academic career was interrupted by the Second World War, when he was asked by School of Fine Arts dean Theodore Sizer to serve as a fine arts officer in the U.S. Army's Monuments, Fine Arts, and Archives program. At war's end, he returned to teach at Yale's School of Fine Arts.[5] In total, Keller taught at Yale for forty years, retiring in 1979, and was also professor emeritus of painting at the Paier College of Art.[3][5]

Keller married Katherine Parkhurst Hall in 1938. He had two sons, Deane G. Keller, 1940 – 2005, and William Keller, born in 1950.[5]

World War II[edit]

Keller with the head of the Cosimo I de Medici statue, recovered in Poggio a Caiano, Italy

From 1943 to 1946, Keller served as an officer of the U.S. 5th Army in the Monuments, Fine Arts, and Archives program.[6] Captain Keller was primarily responsible for the identification and transportation of artworks in Tuscany, Italy, the center of the Italian Renaissance and a major site of Nazi looting.[1][7] He worked in Pisa and Florence, where Nazi troops had bombed churches, destroyed or dislocated public art, and seized paintings from museums including the Uffizi.[7] As they were discovered during the invasion of Italy, Keller repatriated lost works, including Giambologna's statue of Cosimo I de Medici, a fixture of Florence's Piazza della Signoria. He also documented damage to buildings and murals across Tuscany, taking thousands of photographs with Charles Bernholz.[7]

One of Keller's most significant wartime undertakings was his attempt to preserve the murals of the Camposanto, a medieval cemetery in Pisa. In July 1944, an American shelling started a fire that caused the frescoes to fracture.[3] Keller organized art experts and enlisted men to protect the mural pieces and protect the cemetery from further damage.[3] Restoration of the frescoes has continued for seventy years. In recognition of his preservation efforts, an urn containing Keller's ashes was interred in the Camposanto in 2000.[3]


Keller was posthumously recognized for his wartime activities. He was the first to enter Pisa liberated from Nazi, 02 Sept.1944, with the partisan Pierino Fornaciari, liaison officer, with whom he rescued many art works, in particular in the Camposanto Monumentale. His remains were apportioned and interred in New Britain, Connecticut and the Camposanto Monumentale in Pisa; that site is identified with an engraved marble slab.[8]


In addition to his academic career, Keller was a prolific portrait painter. He was known as the "unofficial portraitist of the Yale faculty," completing over 160 portrait commissions for the university, including faculty, corporation board members, and two presidents. With one of his portrait subjects, Thomas G. Bergin, Keller worked in collaboration by illustrating the book, On Sepulchers.[9] Portraits for clients outside these Yale commissions included Senator Robert A. Taft, Governor John Davis Lodge, and Presidents William Howard Taft and Herbert Hoover.[5]

See also[edit]


  1. ^ a b c d "Deane Keller, Painter And Art Teacher, 91". New York Times. 4 April 1992. Retrieved 28 January 2015. 
  2. ^ "Albert G. Keller, at Yale 42 Years; Professor Emeritus of the Science of Society Dies -- Taught 16,000 in Career". New York Times. 1 November 1956. p. 39. Retrieved 28 January 2015. (Subscription required (help)). 
  3. ^ a b c d e "Taft's Own Monuments Man". Taft School. 24 February 2014. Retrieved 28 January 2015. 
  4. ^ a b "Two Get Awards in Art Competition; Grand Prix de Rome Fellowships Go to Deane Keller and Joseph Kissilewski". New York Times. 5 May 1926. Retrieved 28 January 2015. (Subscription required (help)). 
  5. ^ a b c d e "Deane Keller papers". Yale University Manuscripts and Archives. Yale University Library. 
  6. ^ "Keller, Capt. Deane". Monuments Men Foundation. Retrieved 28 January 2015. 
  7. ^ a b c Roach, Catherine (March 2003). "Collateral Damage". Yale Alumni Magazine. Retrieved 28 January 2015. 
  8. ^ Berge, Robert; Cohen, Bonni; Newnham, Nicole (2006). The Rape of Europa (film). Oregon Public Broadcasting. 
  9. ^ Foscolo, Ugo. Bergin, Thomas G., translator. Keller, Deane, illustrator. On Sepulchers. The Bethany Press. 1971

Further reading[edit]

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