Death Warrant (film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Death Warrant
Death warrant poster.jpg
Theatrical release poster
Directed by Deran Sarafian
Produced by Mark DiSalle
Written by David S. Goyer
Music by Gary Chang
Cinematography Russell Carpenter
Edited by John A. Barton
Cheryl Kroll
G. Gregg McLaughlin
Distributed by Metro-Goldwyn-Mayer
Release date
  • September 14, 1990 (1990-09-14)
Running time
89 minutes
Country United States[2]
Language English
Budget $6 million[3]
Box office $46.7 million[4]

Death Warrant is a 1990 American action crime mystery-thriller film directed by Deran Sarafian and produced by Mark DiSalle. The film was written by David S. Goyer while a student at USC, and was Goyer's first screenplay to be sold and produced commercially. In the film, the police detective Louis Burke is going into a prison facility at California as an undercover cop in order to find out who stands behind a mysterious series of murders, and finds himself locked up with his nemesis; Christian Naylor, a psychotic serial killer who calls himself "The Sandman" whom sets out to exact revenge upon him after getting into prison.

Death Warrant was released on September 14, 1990. Upon its release, the film grossed $46 million against production budget of only $6 million. The film received general mixed to poor critical reaction from critics who found the direction, its storyline, villain, and the plot poor, but highly praised the acting as well as the action scenes and the thrilling atmosphere.


Detective Louis Burke (Jean-Claude Van Damme) of the Royal Canadian Mounted Police from Quebec, confronts the maniac that killed his partner on the force. Later, Burke confronts his nemesis; Christian Naylor (Patrick Kilpatrick), a psychopathic serial killer who calls himself "The Sandman" who is tracked down to an abandoned house in Los Angeles. Although the Sandman nearly kills him, Burke is able to shoot the Sandman several times, but not killing him.

Sixteen months later, Burke joins a task force put together by the governor to investigate a series of unexplained deaths in the Harrison State Prison in California. While Burke poses as an inmate, attorney Amanda Beckett (Cynthia Gibb) acts the role of his wife. Burke and Beckett don't care for each other much in the beginning.

In the penitentiary, Burke is forced to survive in a dismal and dangerous environment. Even though he is surrounded by hostility and suspicion, Burke succeeds in befriending a few of the inmates, including his cellmate Konefke (Conrad Dunn), Hawkins (Robert Guillaume) and Priest (Abdul Salaam El Razzac), who help him with the investigation. It is later revealed that the prisoners are being murdered for their body organs.

Meanwhile, more inmates are mysteriously murdered with one being set on fire in his own cell for giving Burke information about the murders and also Konefke is killed, and stone-faced prison guard DeGraff (Art LaFleur) puts Burke in solitary confinement, where he's interrogated and beaten. Burke is then released upon a visit from Beckett, the two are taken to a trailer for a private discussion but end up having sex. Afterwards, back in the prison Burke inquires about the sudden interest his fellow prisoners are taking in one particular new prisoner who is entering the grounds. Much to Burke's surprise it turns out to be The Sandman and surprise turns to horror as the Sandman knows that Burke is really a cop. The Sandman then kidnaps Burke and tortures him and then reveals to the prisoners and the guards that he is really a cop, turning the whole prison against him, and his fight for survival begins.

Beckett attends a party hosted by Tom Vogler (George Dickerson), the state's attorney general. Just as she's preparing to tell him about the murders at the prison, who she believes Ben Keane (Jack Bannon) is responsible, she then receives a call from Tisdale (Joshua John Miller), Burke's adolescent computer hacker assistant who has been helping Beckett gain information from the prison files, who identifies Vogler as the man behind the murders, which also involve Dr. Gottesman (Armin Shimerman), the prison doctor and surgeon who harvests the organs to be sold to people who are in desperate need of them.

The assistant's suspicions are confirmed when Vogler then explains his motives and also reveals he had The Sandman transferred to the prison to kill Burke. Volger then tries to kill Beckett. She escapes only by the grace of Vogler's wife Helen entering the room, but not before saying to him, "Tell her how you murdered for her", as Helen was a recipient of a liver harvested from his business.

Burke begins an escape from the penitentiary, pursued by DeGraff, the Sandman and hundreds of angry inmates, Gottesman is cornered by the inmates, while DeGraff tries to finish off Hawkins, only to be shot from behind by Priest. During the escape, Priest is killed by the Sandman.

Burke and the Sandman have a final, brutal showdown. The Sandman uses brutal force to watch Burke suffer. Burke gets the upper hand and kicks The Sandman into a lit furnace, but he survives with minor burns. Then Burke kicks the Sandman again and impales his head onto a spike, Sandman taunts him by saying he cannot be killed. Burke grabs his jaw and pushes it further into the spike killing him. Burke leaves and then the inmates allow him to pass and respect him for his brave act. Burke is greeted by Beckett, along with Hawkins who is taken to hospital via ambulance due to a gunshot wound.



The film was originally known as Dusted.[3] It was the second script ever written by David Goyer and the first one he sold.[5]

Filming started August 1989.[6]

Box office[edit]

The film debuted strongly at the box office at No.3.[7]


  1. ^ "Credits". BFI Film & Television Database. British Film Institute. Retrieved May 6, 2014. 
  2. ^ "Death Warrant". BFI Film & Television Database. British Film Institute. Retrieved May 6, 2014. 
  3. ^ a b Thompson, A. (1989, Aug 27). Punch lineage. Chicago Tribune (1963-Current File) Retrieved from
  4. ^ Death Warrant at Box Office Mojo
  5. ^
  6. ^ Cinefile Klady, Leonard. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 18 June 1989: 327.
  7. ^ Pat H. Broeske. "Postcards Takes No. 1 at Box Office Movies: Mother-daughter comedy sales hit $8.1 million. Paramount's `Ghost' is in second place on $5.8 million in sales". The Los Angeles Times. Retrieved 2011-01-01. 

External links[edit]