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The Death of Superman

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"The Death of Superman"
Superman75.jpg
Cover of Superman vol. 2, #75 (Jan 1993).
Art by Dan Jurgens and Brett Breeding.
Publisher DC Comics
Publication date
Genre
Main character(s)
Creative team
Writer(s)
Penciller(s)
Inker(s)
Editor(s) Mike Carlin
The Death of Superman ISBN 1-56389-097-6
World Without a Superman ISBN 1563891182
The Return of Superman ISBN 1563891492
The Death and Return of Superman Omnibus ISBN 1401215505

"The Death of Superman" was an American comic book crossover event published by DC Comics in its Superman-related comics. The crossover was devised by editor Mike Carlin and the Superman writing team of Dan Jurgens, Roger Stern, Louise Simonson, Jerry Ordway and Karl Kesel. "The Death of Superman" began in December 1992 and lasted until October 1993. It was published in Superman, Action Comics, The Adventures of Superman, Superman: The Man of Steel, Justice League America, and Green Lantern. Since its initial publication, the story has been reprinted in various formats and editions.

The crossover was conceived after Warner Bros. ordered the Superman writing team to halt production on a story in which Clark Kent (Superman) and Lois Lane would be married until the television series Lois & Clark: The New Adventures of Superman reached its wedding episode. While brainstorming for new ideas, Ordway jokingly suggested they should kill Superman; Carlin, reflecting on poor sales of the Superman books, decided it was the best option. "The Death of Superman" was written to surprise readers and show Superman is not invincible.

"The Death of Superman" is divided into three parts. The first, "Doomsday!", chronicles Superman's deadly fight with the bloodthirsty monster Doomsday and concludes with his apparent death. The second, "Funeral for a Friend", depicts Superman's fellow superheroes and the rest of the world mourning to his death and Jonathan Kent's eventual heart attack. The final part, "Reign of the Supermen!", sees the emergence of four individuals claiming to be Superman and the original Superman's return.

When news broke that DC planned to kill off Superman, a beloved American pop icon, "The Death of Superman" gained unprecedented coverage from the mainstream media and caused a sensation. Issue #75, which features Superman's death, sold over six million copies and was the top selling comic book issue of 1992. Retrospective reviewers found the story powerful, but some commentators dismissed it as little more than a publicity stunt. The story has been repeatedly adapted into various forms of media, including two novelizations and a video game. A loose animated adaptation, Superman: Doomsday, was released in 2007. A second animated adaptation will be released as a two-part film in 2018 and 2019.

Publication history[edit]

Background[edit]

A middle-aged man with graying brown hair, a beard, glasses, and a Three Stooges shirt sitting at a table.
Jerry Ordway (pictured in 2012) jokingly suggested that DC should kill Superman

Superman is a superhero appearing in American comic books published by DC Comics. He was created by Jerry Siegel and Joe Shuster in 1933 as a villain, but the duo retooled him as a hero, feeling he would be easier to market.[1] Superman made his debut in Action Comics #1 on April 18, 1938[2] to immediate success.[3] In 1939, Superman became the first superhero to headline his own comic book, Superman.[4] Superman's comics take place within a shared universe called the DC Universe, which also includes Batman, Wonder Woman, and the Flash, among others. This allows plot elements, characters, and settings to cross over with each other.[5]

In 1985, DC launched Crisis on Infinite Earths, a crossover event that resulted in the DC Universe being rebooted. Superman was re-envisioned in the 1986 limited series The Man of Steel by writer and artist John Byrne. The following year, Byrne relaunched Superman with a new first issue and the original Superman series was renamed The Adventures of Superman.[6] The relaunch was a major success for DC[7] and The Man of Steel #1 was the bestselling comic book issue of 1986.[8] Byrne spent two years on the Superman comics before leaving, becoming dissatisfied with DC's lack of "conscious support" for him and that the version of Superman which DC licensed for merchandising was contrary to Byrne's representation in the comic books.[9]

After Byrne's departure, the Superman comics experienced a decline in sales.[10] By 1992, there were four Superman-focused comic books being sold: Action Comics, Superman, The Adventures of Superman, and Superman: The Man of Steel. A new Superman comic was released every week, each selling roughly 150,000 copies an issue.[11][6] The Superman writing team attempted to make the comics more appealing by increasing the romantic tension between Clark Kent (Superman's civilian identity) and Lois Lane. Eventually, the writers had Kent propose to Lane and reveal he was Superman, and began to plan a storyline about their marriage.[10] This became the 1996 comic Superman: The Wedding Album.[6]

Because of the close connection between each series, the writing team regularly attended a "Superman Summit",[12] which started in 1988. The summit was a unique method of making the writers work together and focused all Superman writers' attention on the next year's worth of stories. These meetings were often dysfunctional. According to Dan Jurgens, "Generally, we all got in a room and toss around story ideas. A lot of times we disagreed, had some big fights, and the last person left standing was the winner and ultimately got their way."[13] Superman group editor Mike Carlin recalled that he was often forced to act like a babysitter for the 18 divergent, artistic egos crowded in one room. Often, the teams had to compromise.[13] At the end of one meeting, The Adventures of Superman writer Jerry Ordway jokingly suggested that they should kill Superman.[10][14] The joke became a running gag in story meetings.[13]

Development[edit]

By 1992, while the Superman comics struggled, Warner Bros. (DC's owner) began developing Lois & Clark: The New Adventures of Superman, a television series for ABC which was premised upon a romantic relationship between Lane and Kent. One of the ideas that arose during production was the wedding of Lane and Kent. Warner Bros. learned that DC was planning the wedding in the Superman comic books, and as a result, DC, Warner Bros., and the Superman writing staff came together and reached an agreement: the wedding arc in the comic book would be put on hold, to resume once Lois & Clark reached its wedding episode. With the original storyline set aside in the comic, a new event was needed to replace it.[10][12]

The writing team was enraged they had to put aside a year's worth of story planning and flustered for ideas;[14] according to Louise Simonson, the team essentially had to come up with something at the last minute.[12] With the postponing, Carlin decided that Ordway's idea was the best.[14] In the documentary film Look, Up in the Sky: The Amazing Story of Superman, Carlin recalled, "the world was taking Superman for granted, so we literally said 'let's show what the world would be like without Superman'."[15] Jurgens was the one who formally pitched the idea.[16]

Ordway was shocked when DC allowed the project to proceed.[17] Carlin asked Siegel if he had any concerns prior to moving forward with the plot. Siegel felt it was "a good way to shake things up." The creative teams felt better knowing he approved.[18] Jon Bogdanove recalled the story "almost began to write itself, from the end backwards. It felt like a story that could make the readers care again, the way we had always cared about Superman."[17] "The Death of Superman" forced DC to cancel a non-canon, four-issue limited series that Sandman creators Neil Gaiman and Matt Wagner were working on, which would have also featured Superman's death.[19]

Dan Jurgens in 2018

Jurgens created the concept of a monster tearing apart Metropolis and an issue that was a single fight separately from "The Death of Superman"; the team eventually decided to combine the ideas.[12][16][17] Carlin had rejected the fight idea whenever Jurgens brought it up, feeling it would not be effective without a good story.[17] The writers felt that Superman's foes relied too much on technology and intellect, and desired a villain who could take him on physically. The name "Doomsday" was chosen after the phrase "doomsday for Superman" was written on the whiteboard used for planning. Doomsday's design—a massive, muscular humanoid with bones ripping through his skin—was also from Jurgens; the team wanted the character to have a distinctive look, so they gave all artists a few minutes to create designs and voted for the one they thought was best.[12] Doomsday's final look was inspired by Image Comics.[20] The team did not feel giving Doomsday an origin was important.[12]

The issues showing Superman's fight with Doomsday featured a "countdown" of panels: the first had four panels per page, while the second had three, the third had two, and the last simply comprised splash pages.[21] The story was partly an effort to show the horrible ramifications of a superpowered fight in a city.[22] Ordway recalled the most exciting part for him was exploring what the DC Universe would be like without Superman and had fun writing about peoples' reactions to his death.[17] Jon Bogdanove agreed, feeling that "showing the world what it would be like without Superman" was "the real story".[13]

"The Death of Superman" was written to surprise readers: the writing team wanted to show readers that Superman was not invincible and could be killed by something other than Kryptonite. The eventual resurrection of Superman afterwards was also always planned and kept a secret. Simonson stated, "we had to sign nondisclosure agreements saying we couldn’t talk about it. We couldn’t reassure people that he was coming back.”[12] Carlin expected fans to know the death was temporary.[18] As the comics showed a sad world without Superman, many fans began to request that he be revived, which made the team happy. They considered bringing Superman back harder than killing him, as they did not want to make fans feel like they had been cheated.[13]

The team planned to resurrect Superman in The Adventures of Superman #500 (June 1993), but the media attention the story got caused Carlin to delay this.[19] This issue was Ordway's last issue; his contract was supposed to expire with issue #499 (February 1993) but he wanted to end his run on a "historical" note. He wanted to use characters from The Sandman, such as Death, in issue #500 but was unable to do so because of an editorial mandate barring Vertigo characters appearing in mainstream books like Superman.[23]

The team decided to use several existing characters (Eradicator, Superboy, Hank Henshaw, and John Henry Irons) and turn them into "new" versions of Superman before bringing back the original.[19] According to Bogdanove, they were interested in discovering "what makes Superman so super".[13] The Supermen each represent an aspect of Superman taken to the extreme. Action Comics writer Roger Stern characterized Eradicator as an "Old Testament" Superman who was more alien than human. He compared the character to Jack Kirby's Silver Surfer. Superboy was designed to be "an MTV generation" version of Superman, while the design of Henshaw (Cyborg Superman) resembles the Terminator. Irons (Steel) was based on the African American folk hero John Henry.[23] Additional replacements were created, including "Little-Boy Superman" and "Rock-Creature Superman", but were not included. Even if their original idea was altered, each writer was able to maintain a sense of individuality for their Superman.[13] The team knew that Steel would maintain a presence within the comics, so began to plan a series starring him. Spinoffs about Superboy, Supergirl, and Doomsday also began development toward the end of "The Death of Superman".[13][23]

Publication[edit]

DC began to "aggressively" promote the story towards the end of 1992.[12] The first reference to the story within the comics was placed in Simonson's Superman: The Man of Steel #17 (November 1992); after the issue's story, Doomsday's fist is shown repeatedly punching a wall.[6] The crossover officially began the following issue, in which Doomsday is unleashed and begins to carve a brutal path of destruction across America.[12] Superman #75 (January 1993) contained Superman's fight to the death with Doomsday.[12] There were four variants of issue #75: a standard newsstand edition; a direct market edition; a collector's edition sold in a polybag with a black armband, poster, stickers, and a trading card; and a platinum edition.[6][19][24] The collector's edition of the issue cost more than the standard edition.[25] DC issued a press kit to stores with a cardboard coffin, stickers, and a poster for the issue.[26]

In May 1993, DC published a special issue, Newstime: The Life and Death of The Man of Steel, compiling fictional news stories about Superman's death and funeral.[27] Following the funeral, all the Superman comics went on hiatus for three to four months[28] to make the death seem real,[13] resembling a cancellation.[23] The hiatus ended with the release of The Adventures of Superman #500;[28] despite the gap between the release, no time passed within the continuity of the comics. The final parts crossed into the larger DC Universe.[23] "The Death of Superman" concluded in October 1993 with The Adventures of Superman #505, in which Superman returns to Metropolis.[29]

Collected editions[edit]

The storyline was published in three separate collected volumes from 1992 to 1993: The Death of Superman (ISBN 1-56389-097-6), which compiles the "Doomsday!" issues; World Without a Superman (ISBN 1563891182), which compiles the "Funeral for a Friend" issues; and The Return of Superman (ISBN 1563891492), which compiles the "Reign of the Supermen!" issues. The Death of Superman was released in time for the 1992 holiday shopping season[19] and, according to comics historian Matthew K. Manning, is the bestselling trade paperback of all time.[6]

In September 2007, a DC Omnibus Edition of the story, The Death and Return of Superman Omnibus (ISBN 1401215505), was released. It collects the entire story and features 40 pages dedicated to promotional materials, for a total of 784 pages. The Death and Return of Superman Omnibus also features cover art by Jurgens.

DC reissued "The Death of Superman" in four "New Edition" volumes in 2016: Superman: The Death of Superman (ISBN 1401266657); Superman: Funeral for a Friend (ISBN 1401266649); Superman: Reign of the Supermen (ISBN 1401266630); and Superman: The Return of Superman (ISBN 1401266622). Another collection, Superman: Doomsday, was released around the same time and includes issues that feature Doomsday's return (ISBN 1401266665).

Overview[edit]

Arcs[edit]

Title Issues Cover dates Writers Pencilers Inkers
"Doomsday!" Action Comics #684; The Adventures of Superman #497; Justice League America #69; Superman: The Man of Steel #18–19; Superman #74–75 December 1992 – January 1993 Dan Jurgens; Louise Simonson; Roger Stern; Jerry Ordway Dan Jurgens; Jon Bogdanove; Tom Grummett; Jackson Guice Brett Breeding; Doug Hazelwood; Dennis Janke; Denis Rodier; Rick Burchett
"Funeral for a Friend" Action Comics #685–686; The Adventures of Superman #498–500; Justice League America #70; Superman #76–77, #83; Superman: The Man of Steel #20–21 January–April 1993 Dan Jurgens; Louise Simonson; Roger Stern; Jerry Ordway; Karl Kesel; William Messner-Loebs Jon Bogdanove; Tom Grummett; Jackson Guice; Dan Jurgens; Dennis Janke; Denis Rodier; Walt Simonson; Curt Swan Brett Breeding; Doug Hazelwood; Dennis Janke; Denis Rodier; Rick Burchett; Mike Machlan; Ande Parks; Josef Rubinstein; Trevor Scott; Walter Simonson
"Reign of the Supermen!" Action Comics #687–691; The Adventures of Superman #501–505; Green Lantern #46; Superman #78–82; Superman: The Man of Steel #22–26 June–November 1993 Dan Jurgens; Louise Simonson; Roger Stern; Karl Kesel; Gerard Jones Jon Bogdanove; Tom Grummett; Jackson Guice; Dan Jurgens; M. D. Bright Brett Breeding; Doug Hazelwood; Dennis Janke; Denis Rodier; Romeo Tanghal

Characters[edit]

Four promotional images for "Reign of the Supermen!" Clockwise from top left, Eradicator, Steel, Superboy, and Cyborg Superman
  • Superman (Clark Kent) is a superhero and the last remaining resident from the planet Krypton. He has incredible powers, including the ability to fly and super-strength.
  • Jonathan and Martha Kent are Kent's adoptive parents. They found him after he crash-landed on their farm and raised him from his youth.
  • Lois Lane is a reporter for the Daily Planet. She is Kent's fiancée and knows he is Superman.
  • Jimmy Olsen is a photographer for the Daily Planet. He is close friends with Kent and Lane.
  • The Justice League International (Guy Gardner, Blue Beetle, Booster Gold, Maxima, Fire, Ice, and Bloodwynd) is a team of superheroes who defend the world from catastrophic threats.
  • Supergirl is a being made from a protoplasm. She possesses powers similar to Superman's but can also shape shift.
  • Lex Luthor is Superman's archenemy. He is wealthy, power-obsessed, and very intelligent, viewing Superman as a threat to humanity.
  • Guardian is a skilled fighter with enhanced strength and reflexes.
  • Doomsday is a bloodthirsty monster from space. His name comes from Booster Gold comparing his rampage to end times.
  • Professor Hamilton is a former employee of S.T.A.R. Labs and Superman's scientific advisor.
  • Bibbo Bibbowski is a former boxer who admires Superman.
  • Gangbuster is a vigilante. He is a skilled boxer and martial artist.
  • Thorn is a vigilante and an ally of Superman.
  • The Supermen are four individuals who claim to be Superman, each representing a different moniker or trait he is associated with.
    • Steel represents Superman's nickname "the Man of Steel" and wears a suit of armor and wields a hammer.
    • The Cyborg Superman represents Superman's nickname "the Man of Tomorrow" and has augmented Kryptonian technology.
    • Superboy represents Superman's residence in Metropolis and is a reckless teenage clone of him.
    • Eradicator represents Superman's status as "the Last Son of Krypton" and is a visored, energy-powered alien.
  • Mongul is an enemy of Superman who is much stronger than him and invulnerable to harm. He can also teleport and use telekinesis.
  • Hal Jordan (Green Lantern) is a member of the Green Lantern Corps and a former fighter pilot.

Synopsis[edit]

Doomsday emerges from an underground bunker and encounters the Justice League International. The monster easily defeats them, but Superman arrives and the two fight across the country. Lois Lane and Jimmy Olsen are sent to cover the battle for television, while Superman's archenemy Lex Luthor dissuades Supergirl from joining the fight and convinces her that she is needed in Metropolis. Doomsday sees a commercial for a wrestling show being held in Metropolis and heads for the city.

Superman engages Doomsday and throws him, where he lands on the mountain housing Project Cadmus and leaps toward Metropolis. Supergirl goes to Superman's aid, but a single punch from Doomsday knocks her to the ground. Professor Emil Hamilton and Bibbo Bibbowski, Superman's allies, fire a laser cannon at Doomsday, but it does not harm him. Doomsday and an exhausted Superman fight and strike each other with so much force that the shockwaves from their punches shatter windows. At the struggle's culminating moment in front of the Daily Planet building, both lay a massive blow upon each other, killing Doomsday and mortally wounding Superman. In the arms of a frantic Lane, Superman succumbs to his wounds and dies. Jimmy, Ice, Bloodwynd, and Guardian are also present at the end, with Jimmy bitterly photographing the images of Superman's fall.

The world is stunned and traumatized by Superman's death. A mausoleum is built in Metropolis in his honor, provided by Luthor, who says that if he could not kill Superman, then the least he wants is to bury him. His funeral is attended by nearly every single superhero, as well as some supervillains and Bill and Hillary Clinton. Every hero wear a black arm band featuring Superman's S-shield logo. After the funeral, Project Cadmus steals Superman's body from his mausoleum, allegedly to clone him. The body is recovered by Lane and Supergirl. With Superman gone, the crime rate rises and the costumed heroes of Metropolis rise to fill in as protectors. Supergirl, Gangbuster, Thorn, and a team funded by Luthor all try but are insufficient.

Jonathan Kent, Superman's adoptive father, takes his death the hardest. One night, while reading a newspaper story written by Lane in honor of Superman, Jonathan begins to feel responsible for his son's death and has a heart attack in his wife Martha's arms. While in a coma, Jonathan meets Superman and convinces him to come back, before reawakening. Coinciding with the awakening is the arrival of four men—Steel, the Cyborg Superman, Superboy, and Eradicator—who claim to be Superman and Lane's discovery that his grave is empty. Steel and Superboy are disproven as the original Superman, but the Cyborg and Eradicator both seem to recall memories he had. Hamilton tests the Cyborg and states he is the real Superman. In actuality, Eradicator stole Superman's body and placed it in a regeneration matrix in the Fortress of Solitude, drawing on his recovering energies to power himself.

A powerless Superman, wearing a black costume, escapes the matrix. The Cyborg helps Mongul destroy Coast City and begins to build Engine City in its ruins. Superboy asks Steel to help him fight the Cyborg. Superman and Supergirl join the two and they travel to Engine City. During a fight, the Cyborg launches a missile at Metropolis with the intent of destroying it and putting a second Engine City in its place. Superboy manages to stop the missile before it strikes Metropolis. Hal Jordan returns from space to find Coast City destroyed. Devastated, Jordan immediately attacks Engine City and defeats Mongul. Meanwhile, Eradicator joins the fight and shields Superman from Kryptonite gas. The gas interacts with Eradicator before passing into Superman, allowing Superman to regain his powers but causing Eradicator to die. Superman then defeats the Cyborg. Supergirl uses her powers to reconstruct Superman's original costume, and they return to Metropolis.

Reception[edit]

At release[edit]

As DC did not make the fact that Superman would be revived at the end public, many fans believed "The Death of Superman" had permanently killed Superman, a beloved American pop icon.[12] Thus, the story attracted unprecedented coverage from the mainstream media; NPR reviewer Glen Weldon stated "news outlets like Newsweek, People, and New York's Newsday pounced upon the 'story.'"[4] This sensation was partially caused by it being a slow news day.[26] Mark Potts (The Washington Post) speculated the event was simply a publicity stunt, but nonetheless was interested what a world without Superman would be like.[11] The story made the front page of Newsday.[18] Details of the storyline hit the media before DC wanted them to[25] and its publicists were not ready to talk about "The Death of Superman" when it appeared in Newsday.[26]

Saturday Night Live parodied "The Death of Superman" in the eighth episode of its 18th season. The sketch depicts Superman's funeral being attended by the cast of DC, as well as several characters from Marvel Comics. Black Lightning (Sinbad) tries to enter the funeral, but no one knows him even though he claims to have taught Superman how to fly.[30] Jerry Siegel, who in 1961 had written a story featuring Superman's death, met with Carlin to tell him that he was very impressed by "The Death of Superman".[17] Gerard Jones speculated that the phenomenon may have been due in part to the poor ending to the relatively recent Superman film franchise.[18]

The attention caused "The Death of Superman" to become an unforeseen success. Comic book retailers ordered five million copies of Superman #75 in advance, and many people who had never read comics bought the issue in hopes of it becoming an expensive collector's item.[4] DC shipped between 2.5 and three million copies of the issue when it was released on November 17, 1992 and it sold out across America. Some stores had one-per-customer limits on the issue to avoid mobs[18] and lines of customers longer than a city block.[25] Issue #75 brought in a total of US$30 million during its first day on sale[31] and ultimately sold more than six million copies,[4] making it the bestselling comic book issue of 1992.[32] The month of release, sales from Superman #75 doubled DC's market share.[22]

The four bestselling issues of 1993 were Superman-related.[33] The first installments of "Reign of the Supermen!" were within the top five bestselling comic books for the month.[34] Each installment of the story received a second printing.[19] Valiant Comics timed the release of Bloodshot #1 to the release of #75, and Turok: Dinosaur Hunter #1 to the release of The Adventures of Superman #500 to take advantage of the high traffic and boost sales. Both books included fancy cover enhancements to attract customer's attention.[35] However, many retailers say The Adventures of Superman #500 was the beginning of a decline in the comic industry. Retailers and distributors were stuck with unsold copies.[25]

In later years[edit]

In the years since its release, some commentators have dismissed "The Death of Superman" as little more than a publicity stunt to give the Superman comics a brief surge in sales.[4][17][28] Indeed, each series' sales immediately declined following Superman's resurrection.[4] Most fans knew the death was only temporary,[26] but those who did not felt they had been deceived.[12] This frustration was mocked in "Worst Episode Ever" (2001), the eleventh episode of The Simpsons' twelfth season, in which Nelson Muntz holds the comic The Death Of Sad Sack and declares "this better not be another fake-out", in reference to the angry reaction to the revival.[36] Wizard compared the phenomenon to the New Coke debacle, in which The Coca-Cola Company updated the formula to its signature drink before quickly changing it back after negative publicity, leading to rumors that the company simply did so in an effort to spike sales.[23]

ComicsAlliance writer Chris Sims believed that most people bought Superman #75 just to see Superman's death,[21] while Weldon speculated its sales were propelled by hopes it would become valuable.[6] Sims recalled that when he worked in a comic book store in 2009, some customers were shocked that DC was still publishing Superman comics, as they did not read the story's conclusion.[21] Many of the customers who showed up to buy issue #75 were former readers looking for nostalgia.[24] Investors in Superman #75 could only sell first printings for cover price a few months after its release.[20]

Stern denied "The Death of Superman" was a publicity stunt, believing the sensation was caused only because it was a good story: "The word got out on a slow news day, and the media storm that followed was greater than anything we could have hoped for. But it was all thanks to the story's power."[17] Paul Levitz said DC had no reason to think the wider public would care because they had killed Superman in stories before.[22] Jurgens also stated he did not anticipate the attention.[16] Curt Swan disliked the story, stating he felt it "came out of the blue. There was no build-up, no suspense developed. Superman had no foreboding of some force out there that would conquer him. It all occurred too quickly."[23]

Aside from this, "The Death of Superman" has been generally seen favorably. Sims called the event DC's greatest success of the 1990s and one of the definitive Superman stories, noting while killing off an important comics character was not an original idea, "The Death of Superman" seemed more ambitious and had a greater legacy.[21] Steve Morris (Comics Beat) also thought it had a major impact, saying it had "strong storytelling and a simple, if well-done, central narrative."[37] Morris said the story was well planned, especially considering the fact it could have easily misfired.[37] Brian Salvatore (Multiversity Comics) thought the story was effective and "present[ed] some pretty compelling arguments for why Superman is the greatest superhero of all time, without ever really coming out and saying that." He also praised the characterization for forcing Superman not to predict the movements of Doomsday, and rather rely on pure instinct.[38]

Not all reviewers have been as positive. Chad Nevett (Comic Book Resources) called the story boring and jumbled (comparing issue #75 to "more of trading cards that intend to tell a story than an actual comic story") and viewed it as just another typical event crossover.[39] Morris did criticize its subplots (calling them nonsensical) and felt Doomsday was terribly designed, disagreeing with Sims that it was a definitive Superman story.[37] Salvatore felt it had missed opportunities and criticized the Justice League's role in the story, comparing them to punching bags. Both Salvatore and Nevett thought Doomsday came out of nowhere,[38][39] and Nevett joked he was a "walking plot device" rather than a true villain.[39]

Legacy in comics[edit]

"The Death of Superman" had an immediate effect on DC's comics.[4] DC timed a similar event featuring Batman, "Knightfall", to happen shortly after "The Death of Superman". This was followed by the deaths of Wonder Woman, Green Lantern, Green Arrow, and the Flash.[4][6] Green Lantern's event, "Emerald Twilight", in which he turned into the villain Parallax, was directly caused by events that occurred during "The Death of Superman".[10] Marvel Comics published the Spider-Man "Clone Saga" as a response to the media attention "The Death of Superman" garnered. It featured Spider-Man having a baby, which Marvel believed would appeal to news outlets.[22] "With the industry in freefall," wrote Weldon, "it didn't matter much ... that death/disabling stunts offered only brief sales spikes."[4]

The characters established during "The Death of Superman"—Doomsday, Steel, Superboy, and the Cyborg Superman—would all become recurring characters in DC's comics. Superboy and Steel both received their own ongoing series after the story's conclusion[6] and Steel went on to star in his own film, in which he was portrayed by Superman fan Shaquille O'Neal.[40] Superboy remained a fixture of the DC Universe until he was killed in Infinite Crisis (2005–2006).[6] The Cyborg Superman became a recurring nemesis of Superman and Green Lantern.[6] Doomsday's origin story was explored in Superman/Doomsday: Hunter/Prey (1995)[12] and the character returned in later storylines, most notably in "Reign of Doomsday" (2011), which heavily references "The Death of Superman" and features Doomsday hunting down the Supermen.[41]

In 2011, DC relaunched its entire comics line in an initiative called the New 52, which revamped the DC Universe and erased certain events. Superman was altered considerably, being shorter-tempered and was no longer in love with Lois Lane.[42] However, "The Death of Superman" remained intact in the new DC Universe.[43]

Adaptations[edit]

Stern wrote a novelization of "The Death of Superman", The Death and Life of Superman, in 1993 (hardcover ISBN 0-553-09582-X; paperback ISBN 0-553-56930-9). A young adult book was written by Simonson under the title Superman: Doomsday & Beyond and released at the same time as the hardcover of Death and Life. It features cover art by Alex Ross (ISBN 0-553-48168-1).

A video game based on the story, The Death and Return of Superman, was developed by Blizzard Entertainment and Sunsoft and released in 1994 for the Super Nintendo Entertainment System and 1995 for the Sega Genesis. The Death and Return of Superman is a side-scrolling beat 'em up in which the player controls Superman, Superboy, Steel, Eradicator, and the Cyborg Superman as they attempt to save Metropolis. Nintendo Life's Dave Cook considered it the game that "finally [gave] Superman the video game justice he deserves in what is undoubtedly one of his most celebrated stories"[44] and IGN's Greg Miller called it one of his favorite games and said it was what inspired him to become a video game journalist.[45]

In the wake of "The Death of Superman", Warner Bros. acquired the rights to produce Superman films. It hired Jon Peters to write a script for a sequel to Superman IV: The Quest for Peace. The film, called Superman Reborn, would have heavily borrowed from "The Death of Superman", including the fight-to-the-death between Superman and Doomsday. However, Warner Bros. disliked the script due to its similar themes to Batman Forever (1995). Later script rewrites altered the story considerably and the film ultimately never came to fruition.[46]

In 2007, an animated adaptation, Superman: Doomsday, was released direct-to-video.[47] Superman: Doomsday is only loosely based on "The Death of Superman"; in order to fit it within a 75-minute runtime, the story was condensed and greatly altered.[48] The film was a commercial success[6] and started the DC Universe Original Animated Movies line of direct-to-video releases.[48][49]

Batman v Superman: Dawn of Justice (2016) draws narrative elements from "The Death of Superman". In the film's climax, Lex Luthor uses forbidden Kryptonian genetic engineering projects to combine General Zod's corpse with his own DNA, causing Doomsday's creation. Using a Kryptonite spear, Superman stabs Doomsday, but Doomsday stabs Superman in return with a bone spur emerging from his right wrist after Wonder Woman cut off the monster's hand, resulting in both combatants dying in the battle.[50]

In 2017, DC announced a two-part animated adaptation, The Death of Superman and Reign of the Supermen, to be released as part of the DC Universe Original Animated Movies line in late 2018 and early 2019.[51] The new adaptation will be more faithful to the original story; according to DC's Tim Beedle, the film is "much less condensed and will include many of the fan-favorite moments from the story that were left out of Doomsday."[48]

References[edit]

  1. ^ Andrae, Thomas (August 1983). "Of Supermen and Kids with Dreams". Nemo: The Classic Comics Library (2). Gary G. Groth. pp. 6–19. 
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External links[edit]