Theatrical poster by Bill Gold
|Directed by||Sidney Lumet|
|Produced by||Burtt Harris|
|Written by||Ira Levin (play)
Jay Presson Allen (screenplay)
|Music by||Johnny Mandel|
|Edited by||Jack Fitzstephens|
|Distributed by||Warner Bros.|
Deathtrap is a 1982 American thriller film based on Ira Levin's play of the same name, directed by Sidney Lumet from a screenplay by Levin and Jay Presson Allen, starring Michael Caine, Dyan Cannon and Christopher Reeve. Critics gave the film mostly favorable reviews while noting its plot similarities to Caine's 1972 film Sleuth.
Famed playwright Sidney Bruhl (Caine) debuts the latest in a series of Broadway flops and returns to his opulent Long Island home and his wife, Myra (Cannon). Although their financial situation is not dire, Sidney is hungry for a hit. He has received a manuscript of a play called Deathtrap written by one of his students, Clifford Anderson, that he considers near perfection. Clifford recently attended one of Sidney's writing workshops and now asks for input on his play. Sidney tells Myra the best idea he has had lately is to murder Clifford and produce the play as his own, and Myra realizes he is not just idly talking.
Sidney invites Clifford to their secluded home, which is decorated with weapons from his plays, to discuss the play. Clifford (Reeve) arrives by train. Myra tries desperately over the course of an evening to convince Sidney to work with Clifford as equal partners, but to no avail; Sidney attacks Clifford, strangling him with a chain. Sidney removes the body but still has to convince Myra to conspire with him. She reveals nothing when they receive an unexpected visit from the psychic Helga Ten Dorp (Irene Worth), a minor celebrity who is staying with the Bruhls' neighbors. Helga senses pain and death in the house; before she leaves she warns Sidney about a man in boots who will attack him.
As she prepares for bed, Myra is beginning to come to terms with what Sidney has done. All is calm until Clifford bursts through the bedroom window and beats Sidney with a log. Clifford chases Myra through the house until her weak heart gives out; she collapses and dies. Sidney calmly descends the stairs, uninjured, and sidles unperturbed to Clifford's side. They exchange a few words about what to do with Myra's body, then exchange a passionate kiss. The previous few hours had all been an elaborate ruse to kill Myra.
Clifford moves in with Sidney. The two work together at a partner's desk, Sidney suffering from writer's block but Clifford busily typing page after page of a new play that he keeps suspiciously under lock and key. While Clifford is out grocery shopping, Sidney tries to break into the drawer but fails before Clifford returns home. He waits for Clifford to retrieve his play, then switches Clifford's manuscript with a fake. He is horrified to read that Clifford is using the true story of Myra's murder as the basis of an actual play called Deathtrap. He angrily confronts Clifford, who boasts about the play's potential and insists he will write it, with or without Sidney's approval. Clifford offers to share the credit with Sidney, who comes to believe that Clifford is a sociopath, so pretends to agree to collaborate with Clifford on the play while he plots a solution.
A few days later, Helga stops by, ostensibly for candles in anticipation of a predicted thunderstorm. Almost immediately after meeting Clifford, she warns Sidney that Clifford is the man in boots.
Sidney double crosses Clifford by asking him to arm himself with an axe to demonstrate a bit of stage business, then producing a gun, intending to shoot Clifford (he will claim it was in self-defence) and dispose of the Deathtrap manuscript. But Sidney's gun is empty, Clifford has anticipated some such scheme from Sidney – he now intends to use Sidney’s attempted betrayal and axe scheme in the play – and has loaded the bullets into a different gun. He secures Sidney to a chair with manacles, tells him he is going to pack up and leave, and warns Sidney to not try to stop the production of the play. However Clifford is unaware the manacles are trick shackles once the property of Harry Houdini. Sidney easily releases himself, grabs a crossbow and incapacitates Clifford with a single shot. Before Sidney can dispose of the body, the storm hits with full force, plunging the scene into darkness. A flash of lightning illuminates the living room and a fleeting figure scurries through. It is Helga, come to help thinking Sidney is in danger, but now realizing Sidney poses the threat. Sidney finds a knife while Helga grabs a gun. Clifford regains consciousness and trips Helga. The gun goes flying and a struggle for it ensues that ...
... culminates on a stage with actors before a full house, where "Clifford" stabs "Sidney" and both die, leaving "Helga" victorious. The opening night audience erupts in thunderous applause, and at the back of the theatre stands an exultant Helga Ten Dorp, now the author of a hit Broadway play called Deathtrap.
- Michael Caine as Sidney Bruhl
- Christopher Reeve as Clifford Anderson
- Dyan Cannon as Myra Bruhl
- Irene Worth as Helga Ten Dorp
- Henry Jones as Porter Milgrim
- Joe Silver as Seymour Starger
Deathtrap has an aggregate rating of 75% at Rotten Tomatoes. Critic Roger Ebert gave it three stars, calling it "a comic study of ancient and honorable human defects, including greed, envy, lust, pride, avarice, sloth, and falsehood." Ebert, along with Janet Maslin, and Gary Arnold of The Washington Post noted the similarities to Caine's 1972 film Sleuth, and similarities have subsequently been noted by film historians.
The kissing scene between Sidney and Clifford is not in the original play (although they are revealed to be lovers). In his book The Celluloid Closet, gay film historian Vito Russo reports that Reeve said that the kiss was booed by preview audiences in Denver, Colorado, and estimated that a Time magazine report of the kiss spoiled a key plot element and cost the film $10 million in ticket sales. (The film earned more than $19 million at the box office.) In his book Murder Most Queer (2014), Jordan Schildcrout describes attending a screening at which an audience member screamed, "No, Superman, don't do it!" at the moment of the Caine-Reeve kiss. The controversy over the kiss inspired the Tom Smith song "Two Guys Kissin' (Ruined My Life)".
Home video release
Deathtrap was released on Region 1 DVD on July 27, 1999. It was re-released on November 8, 2003, as half of a two-pack with the Henry Winkler/Michael Keaton buddy film Night Shift. Warner Home Video released Deathtrap on Blu-ray Disc on November 20, 2012, as part of the Warner Archive Collection.
- Ebert, Roger (January 1, 1982). "Deathtrap". Chicago Sun-Times.
- Maslin, Janet (March 19, 1982). "FILM: 'DEATHTRAP' WITH MICHAEL CAINE". The New York Times.
- Arnold, Gary (March 18, 1982). "A Winning 'Deathtrap'". The Washington Post.
- Deathtrap entry, Rotten Tomatoes. Accessed Jan. 14, 2014.
- Carlson, Marvin. "Deathtraps: The Postmodern Comedy Thriller" p. 80
- Dick, Bernard. "Claudette Colbert: She Walked in Beauty" p.276
- Field, Matthew. "Michael Caine: You're A Big Man"
- Mad #234 (Oct. 1982).
- "Box office/business for Deathtrap," IMDb.com. Accessed Jan. 13, 2014.
- Schildcrout, Jordan (2014). Murder Most Queer: The Homicidal Homosexual in the American Theater. University of Michigan Press. p. 201. ISBN 9780472072323.
- "Two Guys Kissin' (Ruined My Life)". Tomsmithonline.com.
- Deathtrap on Blu-Ray, WBShop.com. Accessed Jan. 13, 2014.