Deerhoof

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Deerhoof
Deerhoof performing at Haldern Pop 2018
Deerhoof performing at Haldern Pop 2018
Background information
OriginSan Francisco, California, United States
Genres
Years active1994 (1994)–present
Labels
Websitedeerhoof.net
Members
Past members

Deerhoof is an American independent music group formed in San Francisco in 1994. It currently consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine "noise, sugary [pop] melodies, and an experimental spirit into utterly distinctive music".[1]

They have released fifteen studio albums since 1997; their most recent album Future Teenage Cave Artists was released on 29 May, 2020.[2][3]

History[edit]

Formation[edit]

Deerhoof were formed in San Francisco in 1994 as Rob Fisk's improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later.[4][5] They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival.[6] Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof's singer only a week later, opening for Caroliner.[7] Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape.

Breakthrough[edit]

Chris Cohen joined Deerhoof on guitar in 2002, between Reveille's completion and release.[5]

In contrast to Reveille's protracted, painstaking, and digital production process, 2003's Apple O' was played almost entirely live to tape in one nine-hour session with Jay Pellicci engineering.[5] Extinction, nuclear holocaust, invasive species, and the Greek god of music all figure prominently in the album's themes.[citation needed] Karen O chose Apple O’ in the Rolling Stone 2003 Music Awards, Artists’ Top Albums,[8] and the album received some critical praise, notably in the New York Times.[citation needed] But in what was to become a pattern for Deerhoof, the album's critical appraisal improved with time, and Apple O' was later listed by Pitchfork as one of the top albums of the 2000s.[9] The anti-war themes of the record were underscored by Deerhoof's outspoken opposition to that year's invasion of Iraq.[10]

By 2003 Deerhoof had become the longest-running band on Kill Rock Stars.[8] Matsuzaki was editing a Bay Area Japanese magazine, Cohen was waiting tables at a Thai restaurant, and Dieterich and Saunier were doing data entry for legal and consulting firms,[5] but that year they all decided to quit their jobs simultaneously and focus on touring.[5] That year they contributed to Azadi! A Benefit Compilation for the Revolutionary Association of the Women of Afghanistan.[11] Saunier also released Nervous Cop, a collaboration album with Zach Hill and Joanna Newsom.[citation needed]

Deerhoof performing in 2004

Deerhoof's next record took its inspiration from a crudely drawn character created by Japanese artist Ken Kagami.[5] 2004's Milk Man the album featured an opulent, campy sound inspired by Broadway and Igor Stravinsky.[5][failed verification] It was nominated for "Outstanding Alternative Album" in the California Music Awards,[8] and stayed at #1 on the Dusted Radio Chart for six straight weeks, and reached #1 on the CMJ Core Chart.[8] Also in 2004 Deerhoof received the Editor's Choice Award from 7X7 Magazine, and was voted "Best Local Rock Band" by readers of SF Weekly.[8] In 2006 Milk Man was adapted to a children's ballet.[12]

Deerhoof's next release was their first to be sung in Matsuzaki's native language of Japanese.[5] 2005's mini-album Green Cosmos combined an orchestral sound with dance music styles.[citation needed]

Deerhoof spent several months in 2005 in a rented rehearsal space in Oakland, writing and recording daily as a full band.[citation needed] When the result was released that fall, the double album The Runners Four featured each band member taking turns as vocalist, singing unusually wordy lyrics in which Arks and time capsules recur, as though foretelling that this would be the final recording of this lineup.[citation needed] Instrumental roles were reversed for Matsuzaki (now on guitar) and Cohen (now on bass).[citation needed]

In 2006, Danielson released the critically acclaimed Ships, which featured Deerhoof as the backing band for many of the tracks.[13] Later that year, after an extensive world tour that ended at Coachella, Deerhoof composed and performed a live soundtrack to Harry Smith's hour-long animation masterpiece Heaven and Earth Magic at the San Francisco International Film Festival.[14] This was to be Cohen's last activity with Deerhoof.[15] The split was amicable and, to commemorate Cohen, Deerhoof posted a free EP on their website, one of several they have posted over the years.[5] Chris Cohen now records and tours as a solo act.[16]

Reconfiguration[edit]

Matsuzaki, Saunier, and Dieterich began a new recording as a trio. Despite being recorded mostly in Dieterich's bedroom and being mixed on the band's laptop in hotel rooms during tours with Radiohead, The Flaming Lips, and Beck,[5] Some material was from the "Heaven and Earth Magic" soundtrack, some was completely orchestral (without drums or guitars), and one song ("Matchbook Seeks Maniac") was created specifically for the end credits of a Hollywood film.[17][failed verification] The album was highly praised in Pitchfork and Rolling Stone.[18]

Deerhoof at Prospect Park in Brooklyn in 2008

By January 2008 Deerhoof became a quartet again with the addition of The Flying Luttenbachers/Gorge Trio/XBXRX guitarist and longtime friend Ed Rodriguez. That summer Deerhoof released the song "Fresh Born" online as sheet music only, anticipating similar experiments by Beck and Blur by several years. Fans recorded and uploaded their own versions of the song to a special site, before anyone outside the band had heard Deerhoof's own version.[19] The October 2008s album Offend Maggie received critical praise from VH1, NPR, Entertainment Weekly, Alternative Press, The Guardian, and Mojo.[20]

Deerhoof performing in 2009

In April 2010 Deerhoof curated the Belgian music festival Sonic City, inviting an eclectic array of European acts including The Go! Team, Paolo Pandolfo, and sitting in with the Belgian punk band The Kids. Then in April and July 2010, Deerhoof and Xiu Xiu joined to perform Joy Division's album Unknown Pleasures live at the Donaufestival in Austria, and at Brooklyn's Williamsburg Waterfront.

Format experimentation[edit]

Building on "I Did Crimes For You," they continued during this time to record themselves in a rented rehearsal space in Oakland. Musical influences from The Beach Boys, new romanticism, tropicalia, and the Congotronics series all found their way onto 2011's Deerhoof vs. Evil. The band released the album one track at a time via different media outlets online, with a full map and schedule available on their own website.[21] The album received critical acclaim notably from Entertainment Weekly, MOJO, and Paste.[22] Matt Goldman's design was the second Deerhoof album cover to feature a mushroom cloud. A remix of "Behold a Marvel in the Darkness" was done by Shugo Tokumaru.[23] Deerhoof immediately initiated a 7" series wherein guest vocalists (including Jeff Tweedy of Wilco, Kevin Barnes of Of Montreal, singer-songwriter David Bazan, rapper Busdriver, and others) sang new lyrics over an instrumental of a Deerhoof vs. Evil song of their choice.

Deerhoof were Wire Magazine's January 2011 cover story.[24] They contributed to Polyvinyl's benefit compilation Japan 3.11.11 joining in the relief efforts to help with the devastation from March's earthquake and tsunami.[25] Throughout the summer of 2011, Deerhoof toured in an international supergroup alongside Konono N°1, Juana Molina, Kasai Allstars and others, called Congotronics Vs. Rockers. Their onstage repertoire included the Deerhoof song "Super Duper Rescue Heads" from Deerhoof Vs. Evil.[26] In April 2012 Deerhoof collaborated with Questlove, Reggie Watts, Sasha Grey and others in a conceptual concert event called Shuffle Culture at Brooklyn Academy of Music.[27] April 2012 also saw the release of young adult fiction book Rules to Rock By, by Josh Farrar, about a 12-year-old girl who's inspired by Deerhoof to form her own band. Deerhoof's version of LiLiPUT's "Hitchhike" appears on the soundtrack.[28] In June 2012 at a Deerhoof performance in Chicago's Millennium Park, contemporary classical music ensemble Dal Niente performed Marcos Balter's arrangement of Deerhoof's "Eaguru Guru".[29] The same month, Deerhoof and The Flaming Lips performed onstage together playing songs by King Crimson, Canned Heat, and Deerhoof.[30]

In 2012 Deerhoof also began home-recording their next record Breakup Song. The band said that the album was a response to the tradition of breakup songs, which they felt included too many sad songs and too few empowering ones. After a long final mixing session at Saunier's apartment, Matsuzaki took the front cover photo of a garbage truck in the early morning hours.[31] The Polyvinyl Records release was also released on Joyful Noise Recordings in "flexi-book" format, allowing the listener to flip from song to song as if each track were a page in a storybook.[32] Deerhoof hero Simeon of Silver Apples made a remix of "Mario's Flaming Whiskers III".[33] Revealing some of Deerhoof's working methods and group chemistry, a rare full-band interview, with former MTV VJ John Norris, appeared in the fall 2012 Interview Magazine.[34]

In October, they released a single "Sexy, but Sparkly," produced by Fear of a Black Planet co-producer Chris Shaw, marking the first time Deerhoof worked with a producer.[35] It was recorded as part of the series of short documentaries Masters From Their Day, which chronicles the efforts of a band and a record-producer as they attempt to record and mix a new single in one day.[36] The song then appeared in the LAMC split-7" series, in which a more known artist chooses a lesser-known one (Deerhoof chose Half Waif) to make their recorded debut, with proceeds going to the Ariel Panero Memorial Fund at VH1 Save the Music.[37]

Deerhoof's twelfth album, 2014's La Isla Bonita was self-recorded live in guitarist Ed Rodriguez's basement during a "weeklong sleepover arguing over whether to try and sound like Joan Jett or Janet Jackson". The recordings were meant as demos to be rerecorded with former music journalist and Mr. Dream drummer Nick Sylvester, but the band liked the raw DIY versions so much, they just kept them and recorded the vocals with Sylvester. The lyrics were heavily influenced by 24/7, a book by Columbia professor Jonathan Crary.[38] The album art was by Sara Cwynar.[39] Their music video for "Exit Only" featured Michael Shannon playing two roles, with a cameo by Rodriguez.[40] The Guardian, on their exclusive preview stream of La Isla Bonita, collected testimonials about Deerhoof from a variety of notable musicians and artists, including Radiohead's Jonny Greenwood, Henry Rollins, Blur's Graham Coxon, Adam Green, the Yeah Yeah Yeahs's Brian Chase, and David Shrigley.[41] The album received high praise from NPR, A.V. Club, Alternative Press, and The Wire,[42] and was reviewed by Tune-Yards' Merril Garbus for Talkhouse.[43]

20-year anniversary[edit]

For Deerhoof and Lightning Bolt's mutual 20-year anniversary, Matt Conboy directed a Pitchfork-premiered documentary called "Checking in at 20" about their respective drummers.[44] 2014 also saw the release of Deerhoof's contribution to the BOATS compilation, an international arts project featuring and supporting Dalit "untouchable" children in south-east India and featuring samples of the Light of Love Children's Choir.[45]

During the world tour for La Isla Bonita, three complete-performance live videos were shot: their November 4 record release show in Brooklyn,[46] a nine-song Boiler Room session recorded in London while both Rodriguez and Matsuzaki were ill with fevers and Saunier had a black eye,[47] and a December 16 performance recorded at a tiny Tokyo rock club called Fever, resulting in a live album, Fever 121614. The 2015 release included a downloadable video of the entire show, edited by longtime friend and collaborator Noriko Oishi. The LP/CD artwork included a massive collage of fan-contributed drawings of the band in manga style.[48] Also in 2015 Deerhoof contributed a track in support of gay and transgender Hoosiers on the Joyful Noise compilation 50 Bands & a Cat for Indiana Equality.[49]

In August of 2015, the band was the first act invited to perform improvisational site-specific noise music at CERN’s Large Hadron Collider, as part of the Ex/Noise/CERN project,[50] founded by particle physicist James Beacham, who stated, “Musical curiosity is similar to scientific curiosity and, on a personal level, Deerhoof has inspired me as much as Einstein”.[51] The resulting film[52][53][54] of the project quickly became one of the top ten most-watched videos ever produced by CERN and received wide coverage in the music, art, and science press,[55][56][57][58][59][60] as well as positive responses from notable artists, musicians, and writers.

In 2016 Deerhoof released The Magic. The album blends glam metal, punk, and noise, but also includes a cover of "I Don't Want to Set the World on Fire" by The Ink Spots. The cover art was by Matsuzaki.[61] Joseph Baughman created the stop-motion music video for the album's "The Devil and his Anarchic Surrealist Retinue". Baughman described his style as a slow-motion improvisation. The clay animated video features chessboard pieces and multicolored minotaurs.[62]

The Magic was the first Deerhoof album to hit #1 on CMJ, and was highly praised by NPR, A.V. Club and Exclaim.[63] A.V. Club invited them to participate in A.V. Undercover, where bands choose from an ever-dwindling list of songs to cover on video. They ended up with "Goody Two Shoes" by Adam Ant but included an excerpt of "Hot for Teacher" by Van Halen.[64] Those who pre-ordered The Magic from Polyvinyl were treated to a surprise cassette that included Deerhoof doing covers of Def Leppard, Van Halen, David Bowie, Madonna, Sonic Youth, Malaria!, and Public Enemy. Their cover of "Fight the Power" appears on the Planned Parenthood benefit compilation Cover Your Ass.[65] They contributed a cover of Xiu Xiu's "Hi," played in the style of White Reaper, to the Polyvinyl Plays Polyvinyl compilation.[66]

The academic world has gradually come to take the musical, philosophical, and political aspects of Deerhoof's work seriously, an example of which can be seen in an article from The Night Mail about The Magic.[67] After a long world tour for The Magic, Deerhoof was invited by Red Hot Chili Peppers to open their concerts in northern European arenas in November 2016.[68] Deerhoof is confirmed to open for Red Hot Chili Peppers again in summer 2017. They were one of the headliners of 2017's Big Ears Festival.[69]

Joyful Noise Recordings[edit]

In 2017 Deerhoof was chosen as Joyful Noise Recordings' Artist in Residence. Deerhoof and several Deerhoof-related collaborative projects will be releasing five new LPs in 2017. Proceeds will be donated to a variety of causes, the first of which will be Brand New Congress. On June 28 Deerhoof announced a new album titled Mountain Moves and premiered the first single "I Will Spite Survive" (featuring Jenn Wasner on guest vocals) on Democracy Now!.[70] A second single "Your Dystopic Creation Does Not Fear You" (featuring rapper Awkwafina) was premiered on the Adult Swim Singles Series.[71] Mountain Moves was released on September 8, 2017.

On May 29, 2020, the band released their sixteenth album, Future Teenage Cave Artists. They had previously released three singles from it: the title track, "The Loved One", and "Farewell Symphony".[72] Future Teenage Cave Artists is notable in that it is Deerhoof’s first overt concept record.[73]

Greg Saunier said in an August 2020 interview that a "sort of a sequel" to Future Teenage Cave Artists would be "coming out in a couple months".[74]

Musical style and legacy[edit]

Deerhoof's style has been described as indie rock,[75][1] noise pop,[1][76] punk rock,[77][78][79] and "experimental pop mired in a pure punk sense of adventure".[80] AllMusic characterizes them as "highly revered indie rockers ... who play fractured, whimsical noise pop with an avant-garde edge",[1] while MaineToday describes them as "the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll".[79]

According to Noisey, Deerhoof formed as a "minimal noise improv" act before shifting to "pop-infused noise-punk".[81] According to AllMusic, their early releases "had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts ... [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s."[1] Impose writes that since "their beginnings as a noise punk band ... [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could've never imagined... [and] ultimately [proving] that punk can fit into an artistic world."[82] According to LA Phil, they made "some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock's most renowned and influential groups ... too "pop" for "noise," and too "noise" for "pop."[83] For the Guardian, their breakthrough after many albums of "elliptical art-pop" came with Friend Opportunity, which showcased "a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. ... [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world.[84] Deerhoof also experiment with contemporary classical music.[78]

The band has been appreciated by and/or influential to other artists, notably Radiohead,[41] Questlove,[85][86] St. Vincent,[87] Foo Fighters,[88] Dirty Projectors,[89] Tune-Yards,[43] Stereolab,[90] Henry Rollins,[41] Sleigh Bells,[91] and of Montreal.[92] Deerhoof's songs are covered often by other artists (notably Phil Lesh,[93] Los Campesinos!,[94] Marco Benevento,[95] David Bazan, and classical composer Marcos Balter[29]).

Members[edit]

Timeline[edit]

Discography[edit]

Studio albums
EPs
Live albums
Collaborations

Deerhoof has also released a large number of 7" singles, split releases with other artists, tracks on compilations, and free downloadable EPs.

References[edit]

  1. ^ a b c d e Heather Phares. "Deerhoof | Biography". AllMusic. Retrieved August 14, 2014.
  2. ^ Clarke, Patrick (June 15, 2020). "The Strange World Of...Deerhoof". The Quietus. Retrieved June 15, 2020.
  3. ^ Neale, Matthew (May 28, 2020). "Deerhoof – 'Future Teenage Cave Artists' review: experimental rock veterans dig deep to cement legacy". NME. Retrieved May 29, 2020.
  4. ^ "Deerhoof - Interview: On Forming The Band - Juan's Basement". Retrieved April 29, 2019 – via YouTube.
  5. ^ a b c d e f g h i j "Walker Art Center Presents Art-Rock Trio Deerhoof". Huliq.com. September 19, 2007. Retrieved July 12, 2012.
  6. ^ Pilchak, Angela (January 2005). "Deerhoof". Contemporary Musicians: Profiles of the People in Music. Farmington Hills, MI: Gale. 50: 23.
  7. ^ Peters, Alexa (November 30, 2016). "Smartists: Deerhoof's Satomi Matsuzaki". Amy Poehler's Smart Girls. Retrieved September 11, 2020.
  8. ^ a b c d e "Press I Deerhoof I The Runners Four". Killrockstars.com. Archived from the original on January 9, 2016. Retrieved January 6, 2018.
  9. ^ Staff Lists: The Top 200 Albums of the 2000s: 200–151. Pitchfork (September 28, 2009). Retrieved 2010-11-26.
  10. ^ "The Party Panda Loves Me". March 24, 2003. Archived from the original on March 24, 2003. Retrieved January 6, 2018.
  11. ^ ♫ Azadi! A Benefit Compilation for the Revolutionary Association of the Women of Afghanistan - Various Artists. Listen @cdbaby, retrieved January 6, 2018
  12. ^ "Deerhoof's Milk Man Ballet". Milkmanballet.com. Archived from the original on March 24, 2008. Retrieved November 26, 2010.
  13. ^ "Deerhoof, Sufjan to Appear On New Danielson Record". Stereogum. March 1, 2006. Retrieved November 26, 2010.
  14. ^ "49th San Francisco International Film Festival Music/Film Programming Spans Diverse Genres". San Francisco Film Society. March 2, 2006. Archived from the original on July 16, 2011. Retrieved November 26, 2011.
  15. ^ Azerrad, Michael. "Deerhoof". ATP Recordings. Archived from the original on October 11, 2007. Retrieved January 18, 2008.
  16. ^ "Chris Cohen Captured Tracks page". Captured Tracks. Retrieved February 23, 2019.
  17. ^ "Dedication Soundtrack – - Song Listings". Archived from the original on June 6, 2011. Retrieved June 6, 2011.CS1 maint: BOT: original-url status unknown (link). Mp3.com (November 9, 2007). Retrieved 2010-11-26.
  18. ^ Friend Opportunity Reviews, Ratings, Credits, and More at Metacritic. Metacritic.com (January 23, 2007). Retrieved 2010-11-26.
  19. ^ "Fresh Born". Deerhoof.cashmusic.org. Archived from the original on July 25, 2011. Retrieved November 26, 2011.
  20. ^ Offend Maggie Reviews, Ratings, Credits, and More at Metacritic. Metacritic.com (October 7, 2008). Retrieved 2010-11-26.
  21. ^ "Global Album Leak". Deerhoof vs. Evil. Archived from the original on January 28, 2011. Retrieved October 5, 2016.
  22. ^ Steve LaBate (January 25, 2011). "Deerhoof: Deerhoof vs. Evil :: Music :: Reviews :: Paste". Paste. Retrieved August 14, 2014.
  23. ^ "Deerhoof - Behold a Marvel in the Darkness (Shugo Tokumaru remix)". May 5, 2011. Retrieved April 10, 2018 – via YouTube.
  24. ^ "Deerhoof exclusive". The Wire. Retrieved August 14, 2014.
  25. ^ "Of Montreal, St. Vincent, Deerhoof, Love Is All Contribute to Polyvinyl Japan Benefit Compilation - Pitchfork". Pitchfork. Retrieved April 10, 2018.
  26. ^ "Deerhoof: "Congotronics Vs. Rockers" Tour on JamBase". Jambase.com. Retrieved July 12, 2012.
  27. ^ "Questlove's 'Shuffle Culture' at the Brooklyn Academy of Music". Rolling Stone. Retrieved July 12, 2012.
  28. ^ "Listen: Deerhoof Cover LiLiPUT for Young Adult Book Soundtrack". Pitchfork. April 12, 2010. Retrieved August 14, 2014.
  29. ^ a b "Ensemble Dal Niente - "Eaguru Guru" (Deerhoof cover)". June 15, 2012. Retrieved October 6, 2012 – via YouTube.
  30. ^ "The Flaming Lips and Deerhoof '21st Century Schizoid Man' (King Crimson) Lawrence, KS 6/22/12". Retrieved July 16, 2012.
  31. ^ "Progress Report: Deerhoof". Stereogum. August 9, 2012. Retrieved August 14, 2014.
  32. ^ "Deerhoof Release 'Break-Up Song' as Flexi-Book via Joyful Noise!". Joyful Noise Recordings. Archived from the original on October 3, 2013. Retrieved May 22, 2013.
  33. ^ "Mario's Flaming Dessert (Remix by Simeon Silver Apples)". soundcloud.com. Retrieved April 10, 2018.
  34. ^ "Deerhoof Does Parties - Page". Interview Magazine. Retrieved August 14, 2014.
  35. ^ "Deerhoof: "Sexy, But Sparkly" | Tracks". Pitchfork. October 22, 2012. Retrieved August 14, 2014.
  36. ^ "Deerhoof with Chris Shaw – Episode 6". Masters From Their Day. Retrieved August 14, 2014.
  37. ^ "LAMC # 4, by Deerhoof/ Half Waif". FAMOUS CLASS RECORDS / LAMC 7" SERIES. Retrieved April 10, 2018.
  38. ^ Bagish, Corinne. "Deerhoof on two decades of weirdness and a brand new video". mashable.com. Retrieved April 10, 2018.
  39. ^ "Deerhoof Announce New Album - La Isla Bonita". Polyvinyl Records. August 20, 2014.
  40. ^ "Deerhoof - Exit Only [OFFICIAL MUSIC VIDEO]". November 11, 2014. Retrieved April 10, 2018 – via YouTube.
  41. ^ a b c "Deerhoof – La Isla Bonita: Exclusive album stream". The Guardian. October 27, 2014. Retrieved April 10, 2018.
  42. ^ "La Isla Bonita by Deerhoof". Metacritic. Retrieved April 10, 2018.
  43. ^ a b "Merrill Garbus (Tune-Yards) Talks Deerhoof's La Isla Bonita". talkhouse.com. Retrieved April 10, 2018.
  44. ^ "Checking in at 20 (Documentary)". November 20, 2014. Retrieved April 10, 2018 – via YouTube.
  45. ^ "About Us". Everything is New Project. Archived from the original on August 12, 2014. Retrieved August 14, 2014.
  46. ^ "Deerhoof - Live in Brooklyn - FULL CONCERT". January 3, 2015. Retrieved April 10, 2018 – via YouTube.
  47. ^ "Deerhoof - Boiler Room in Stereo". January 12, 2016. Retrieved April 10, 2018 – via YouTube.
  48. ^ "Deerhoof Announce Live Album Fever 121614 - Pitchfork". Pitchfork. Retrieved April 10, 2018.
  49. ^ "Benefit music compilation supports Indiana LGBT community - Freedom Indiana". Freedomindiana.org. Retrieved April 10, 2018.
  50. ^ "Ex/Noise/CERN".
  51. ^ "Physicist says band Deerhoof inspires him like Einstein, asks them to rock at LHC - Ars Technica". arstechnica.com. Retrieved September 2, 2019.
  52. ^ "Deerhoof vs. the Large Hadron Collider, Ex/Noise/CERN".
  53. ^ "Deerhoof vs. the Large Hadron Collider, CERN Document Server".
  54. ^ "Deerhoof vs. the Large Hadron Collider, YouTube".
  55. ^ "Deerhoof Perform at the Large Hadron Collider - Pitchfork". pitchfork.com. Retrieved September 2, 2019.
  56. ^ "Deerhoof play CERN's Large Hadron Collider – watch - NME". nme.com. Retrieved September 2, 2019.
  57. ^ "Watch the rock band Deerhoof experiment with sound at CERN - Engadget". engadget.com. Retrieved September 2, 2019.
  58. ^ "This Is What Happens When an Indie Band Experiments at the LHC - Gizmodo". gizmodo.com. Retrieved September 2, 2019.
  59. ^ "Watch Deerhoof Play Inside the World's Largest Particle Collider - Noisey, VICE". vice.com. Retrieved September 2, 2019.
  60. ^ "Why Noise Bands Are Playing at the European Organization for Nuclear Research - Motherboard, VICE". vice.com. Retrieved September 2, 2019.
  61. ^ "The Magic". polyvinylrecords.com. Retrieved April 10, 2018.
  62. ^ "Deerhoof Share 'The Devil and his Anarchic Surrealist Retinue' Music Video". Paste. Retrieved April 10, 2018.
  63. ^ "The Magic by Deerhoof". Metacritic. Retrieved April 10, 2018.
  64. ^ "The A.V. Club - Video". The A.V. Club. Retrieved April 10, 2018.
  65. ^ "Cass McCombs, Speedy Ortiz, Deerhoof, More Appear on Planned Parenthood Covers Compilation - Pitchfork". Pitchfork. Retrieved April 10, 2018.
  66. ^ "Deerhoof – "Hi" (Xiu Xiu Cover in the Style Of White Reaper)". stereogum.com. September 15, 2016. Retrieved April 10, 2018.
  67. ^ "Albums of 2016: Deerhoof's The Magic". thenightmail.blogspot.de. Retrieved April 10, 2018.
  68. ^ "Deerhoof Touring With Red Hot Chili Peppers - Pitchfork". Pitchfork. Retrieved April 10, 2018.
  69. ^ "Archived copy". Archived from the original on May 4, 2017. Retrieved April 26, 2017.CS1 maint: archived copy as title (link)
  70. ^ "Song Premiere: Deerhoof–"I Will Spite Survive" (ft. Jenn Wasner)". democracynow.org. Retrieved April 10, 2018.
  71. ^ "Deerhoof – "Your Dystopic Creation Doesn't Fear You" (Feat. Awkwafina)". stereogum.com. July 18, 2017. Retrieved April 10, 2018.
  72. ^ "Deerhoof Announce New Album Future Teenage Cave Artists, Share New Songs". Pitchfork. Retrieved March 26, 2020.
  73. ^ "Deerhoof: Future Teenage Cave Artists". Pitchfork. Retrieved June 21, 2020.
  74. ^ Webb, Dan (August 7, 2020). "Deep dive with Deerhoof: Greg Saunier reveals 'sequel to Cave Artists' out 'in a couple months'". Sungenre. Retrieved August 7, 2020.
  75. ^ Lifton, Dave (June 21, 2016). "Watch Derhoof's Cover of Def Leppard's "Pour Some Sugar on Me"". Diffuser. Retrieved August 26, 2017.
  76. ^ Kellmurray, Beth (April 19, 2016). "Deerhoof Announce New Album The Magic, Share Energetic "Plastic Thrills"". Diffuser. Retrieved August 26, 2017.
  77. ^ Kuchik, Natalie (September 13, 2014). "Deerhoof going on tour this fall". AXS. Retrieved August 26, 2017.
  78. ^ a b Meyer, Graham (October 16, 2014). "Chicago's New Music Scene Cuts Loose". Chicago Magazine. Retrieved August 26, 2017.
  79. ^ a b Nunan, Holly (July 31, 2014). "Deerhoof returns to Portland with special guest Krill at SPACE Gallery". MaineToday. Retrieved August 26, 2014.
  80. ^ Stottrup, Jeni Wren (July 6, 2016). "Deerhoof Set Pop on Fire". The Portland Mercury. Retrieved August 26, 2017.
  81. ^ Goldstein, Danielle (October 22, 2014). "Deerhoof: 20 Years In and Still Blowing up Amps". Noisey. Retrieved August 26, 2017.
  82. ^ Saunders, Jake (October 27, 2014). "Stream Deerhoof's La Isla Bonita". Impose. Retrieved August 26, 2017.
  83. ^ "Deerhoof". LA Phil. Archived from the original on August 28, 2017. Retrieved August 26, 2017.
  84. ^ Mulholland, Garry (November 9, 2008). "Pop review: Deerhoof, Offend Maggie". The Guardian. Retrieved August 26, 2017.
  85. ^ "T'Questlove on Twitter". Twitter. Retrieved April 10, 2018.[non-primary source needed]
  86. ^ "Questlove's 'Shuffle Culture' at the Brooklyn Academy of Music". Rolling Stone. Retrieved April 10, 2018.
  87. ^ St. Vincent Interview on Kevchino Archived April 26, 2014, at the Wayback Machine. Webcache.googleusercontent.com. Retrieved November 26, 2010.
  88. ^ "TIME Magazine Interviews: Dave Grohl". December 8, 2009. Retrieved August 14, 2014 – via YouTube.
  89. ^ Album Reviews: Dirty Projectors: Rise Above. Pitchfork (September 7, 2007). Retrieved 2010-11-26.
  90. ^ "Guest Lists: Stereolab | Features". Pitchfork. September 3, 2008. Retrieved August 14, 2014.
  91. ^ RA: Breaking through: Sleigh Bells - Interview. Residentadvisor.net (November 16, 2009). Retrieved 2010-11-26.
  92. ^ Of Montreal’s Kevin Barnes on Hissing Fauna, Are You the Destroyer? | Remix interview with Of Montreal's Kevin Barnes Archived June 1, 2010, at the Wayback Machine. Emusician.com. Retrieved November 26, 2010.
  93. ^ "Need We Say More? > News > Marco Benevento and Phil Lesh Play Deerhoof". Jambands.com. September 16, 2012. Retrieved August 14, 2014.
  94. ^ "Los Campesinos!'s The Eyebright Bugler cover of Deerhoof's The Eyebright Bugler". WhoSampled.
  95. ^ Kim, Junho. "Marco Benevento Trio - 2009-06-12 - Twin Killers". Retrieved August 14, 2014 – via YouTube.
  96. ^ Shteamer, Hank (June 18, 2020). "Deerhoof and Wadada Leo Smith's 'Breakup Songs' Is Musical Democracy in Action". Rolling Stone. Retrieved July 3, 2020.

External links[edit]