Deirdre Sullivan Beeman
Deirdre Sullivan Beeman | |
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| Born | Cincinnati, Ohio, United States |
| Known for | Painting, Magical Realism, Lowbrow Pop Surrealism, Installation Art |
| Spouse | |
| Website | http://www.sullivanbeeman.com |
Deirdre Sullivan Beeman (née Deirdre Sullivan, Cincinnati, Ohio, United States) is an artist living and working in Los Angeles, California and Vancouver, Canada. She is a contemporary surrealist and magical realist painter whose work is born out of third wave feminism.[1] She is best known for her use of the mische technique; combining egg tempera and oil paint.[2][3]
Paintings[edit]
Sullivan-Beeman’s work focuses on a central female figure which she denotes as a “heroine”, who is often accompanied by a force she calls a “daemon”, typified most frequently by an animal, or some other symbol of the natural world.[4] The current environmental state of disarray informs her work; her view that “animals don’t often exist as equal partners in this big world” influences the nuance with which she includes animals as “sidekicks” to her heroine subjects.[3] Sullivan-Beeman references her traditionalist Western painting style in the intellectual content of her works as well.
For example, while her Long Ago Girl (2018) is painted in the mische technique and is represented wearing 18th century garments, she is also positioned in a protective manner reminiscent of and illusory to “historic images of the Madonna of Mercy, where humanity kneels under the cloak of the Virgin Mary”.[5] Here, Sullivan-Beeman’s heroine is presented traditionally in terms of style and culture; she also draws on feminist ideals in that she posits the heroine as a protector figure of nature.[5] The artist’s imagery is often pulled from the subconscious awareness of femininity; a dream journal functions as the conception place for much of her work. Her heroines and their positioning in the context of the painting are also highly symbolic of inner knowledge, worth, and discovery: in Seahorse Girl (2018), the seahorse is a symbol of the heroine’s “benevolent protection,” while the treasure chest bullion represents the heroine’s inner “fortitude, knowledge, and wisdom”.[6]
References[edit]
- ^ Dambrot, Shana Nys (6 December 2017). "Deirdre Sullivan-Beeman in the Optical Dimension". Huffington Post.
- ^ Laden, Tanja M. (26 May 2016). "Magical Paintings Bring an Ancient Art Form Back from the Dead - City of the Seekers". VICE.
- ^ a b Caro (26 January 2016). "Deirdre Sullivan-Beeman Adds Fairytale Charm to 14th Century Painting". Hi Fructose. Retrieved 17 December 2021.
- ^ Calderon, Trina (28 August 2019). "BEST OF L.A. ARTS: FALL ART PREVIEW PICK: DEIRDRE SULLIVAN-BEEMAN AT LA LUZ DE JESUS". LA Weekly. Retrieved 17 December 2021.
- ^ a b Brown, Betty Ann (19 July 2020). "Beauty and the Beast: New Visions of Women's Relationship with Animals". Art and Cake.
- ^ Abrahams, Megan (November 2017). "Deirdre Sullivan-Beeman's "Girls, Girls, Girls" Evoke Dreams and Nightmares". White Hot Magazine. Retrieved 17 December 2021.