Derek Lawrence

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Derek Lawrence
Born 1930s - 1940s
Genres Rock Music
Years active 1960s-present

Derek Lawrence is an English record producer, famous for his work for Joe Meek's Outlaws,[1] Deep Purple,[2] Flash,[3] Machiavel and Wishbone Ash.

Lawrence came in contact with Meek circa at the end of 1963, when he managed a group, Laurie Black and the Men of Mystery, that won a recording session at Joe Meek's studio. He continued working for him until 1965. He brought him Merseybeaters Freddie Starr and the Midnighters.

In the late 1960s he worked for Harold Shampan at Film Music (part of Top Rank) and as freelance producer (inspired by Meek) for The Pretty Things, The Zephyrs, The Nocturnes etc. He produced Jethro Tull's debut single "Sunshine Day" (1968). He also produced Deep Purple's first 3 albums, the first at Pye Studios in London and the next 2 at De Lane Lea Studios, Kingsway, London. He produced Flash's first two albums, Flash (1972) and In The Can (1973), both at De Lane Lea. After struggling with Flash's ex-Yes guitarist, Peter Banks, he recommended that the band replace Banks, and suggested several top names. It was advice that they failed to heed, which led to the band's abrupt break up while on tour after the release of their third self-produced album, Out Of Our Hands (1973). He produced Wishbone Ash's first three albums Wishbone Ash (1970), Pilgrimage (1971) and Argus (1972), and returned to produce their ninth album No Smoke Without Fire (1978).

In 1974, Lawrence partnered with noted session musician Big Jim Sullivan to form the record label Retreat Records, also the home for Sullivan's Big Jim's Back (1975). Lawrence co-produced Sullivan's new band Tiger, featuring future Samson vocalist Nicky Moore, who released three albums before splitting up. Stateside, Lawrence and Sullivan co-produced the first two albums by the Kiss championed Casablanca signing Angel, Angel (1975) and Helluva Band (1976), respectively. Lawrence also helmed Legs Diamond's self-titled 1976 debut. At the turn of the decade, he would oversee the MCA debuts by a pair of NWOBHM contenders, Fist's Turn the Hell On and Stand Up and Fight by one-time Tony Iommi protégées Quartz, both issued in 1980.

References[edit]

  1. ^ Watts, Derek (2008). Country Boy: A Biography of Albert Lee. McFarland. p. 87. ISBN 9780786482955. Retrieved 9 November 2015. 
  2. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. p. 47. ISBN 9781550226188. Retrieved 9 November 2015. 
  3. ^ Romano, Will (2014). Prog Rock FAQ: All That's Left to Know About Rock's Most Progressive Music. Backbeat Books. p. 21. ISBN 9781617136207. Retrieved 9 November 2015. 

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