Desmond Richardson is an American dancer, co-founder, and co-artistic director of Complexions Contemporary Ballet. He has mastered a wide range of dance forms including hip hop, classical, modern, classical ballet, and contemporary ballet.
He remained the principal dancer at Alvin Ailey American Dance Theater from 1987 to 1994.
Life and career
Born in 1969 and raised in Queens, NY, Richardson discovered dance at a block party at the age of 10. His grandmother was a singer and church choir director while his absentee father was a rhythm and blues musician with the group The Manhattans. Richardson auditioned for the Fiorello H. LaGuardia High School for the Performing Arts where he studied classical ballet technique and modern dance.
The next year, he auditioned for the Alvin Ailey American Dance Center (1983-1986) and received a scholarship to study under Alvin Ailey. He also received a merit scholarship for the Internationale Akademie des Tanzes in Köln, Germany (1984-1985) and was the recipient of a Presidential Scholar Award for the Arts (1986) from YoungArts. In 1986, Alvin Ailey personally invited him to become a member of his junior company, the Ailey Repertory Company. Richardson then danced with the Alvin Ailey American Dance Theater as a principal dancer from 1987 to 1994 before starting his own company with fellow Ailey dancer, Dwight Rhoden. In his seven years with the company, Richardson danced works by José Limón, John Butler, Elisa Monte, and many others.
In 1994, Complexions Contemporary Ballet was formed by Desmond Richardson and Dwight Rhoden. The company sought to diverge from the hetero-normative black masculinity of the "Soul" aesthetic that was cultivated in companies such as the Alvin Ailey American Dance Theater. The company, rather, produced its own "Post-Soul" aesthetic rooted in black exploration and individual eccentricity. Through Richardson's and Rhoden's direction, Complexions introduced heterogeneity into American concert dance with their emphasis on gender ambivalence and the plurality of race, sexuality, and dance formality.
In 1997, he joined the American Ballet Theatre where he performed the lead role in the company's production of Othello and quickly was promoted to become the first African American principal dancer since the inception of the company. Aiding in the transformation of ballet from a predominately white form, Richardson performed many other lead roles to critical acclaim.
In 1998, Richardson joined the premiere cast of the Broadway musical Fosse for which he received a 1999 Tony Award Nomination. He has also appeared on Broadway in the musicals The Look of Love: The songs of Burt Bacharach, City Center Encores, Movin' Out, and most recently, the Tony-winning hit show After Midnight.
He has appeared on TV shows as a celebrity performer and choreographer for SYTYCD, Amici(Italy), Israel(SYTYCD), and Australia(SYTYCD). He performed at Larry Rosen's Jazz Roots where he and Grammy Artist Bobby Mcferrin performed an impromptu improv to an astounded audience in Miami at the Adrienne Arsht Performing Arts Venue.
Richardson has worked in television, film, and video in the United States and abroad.
Additional performances include being a featured guest artist in the 71st Academy Awards live television presentation and a principal role in Debbie Allen's a dance/theatrical presentation, Soul Possessed, which had its world premiere at the John F. Kennedy Center for the Performing Arts in 1999.
On July 16, 2008, Richardson was featured as a choreographer on So You Think You Can Dance.
His most prominent film role, however, is yet to appear on screens. In the fall of 2017, he began work on the set of High Strung Free: Dance alongside actors Harry Jarvis, Juliet Doherty, and Thomas Doherty. Richardson plays the role of Sammy an assistant choreographer working alongside Zander Reins.
- "Desmond Richardson." Contemporary Black Biography, vol. 39, Gale, 2003. Gale In Context: Biography, https://link.gale.com/apps/doc/K1606002485/BIC?u=columbiau&sid=BIC&xid=f703db6b.
- Osterweis, Ariel. [https://www.jstor.org/stable/43966083 "The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto". Dance Research Journal, vol. 45, no. 3, 2013, pp. 53–74. JSTOR.
- Complexions Contemporary Ballet website
- Desmond Richardson at the Internet Broadway Database
- Archive film of Desmond Richardson and Karine Plantadit-Bageot performing Episodes (Living in the Present Moment) in 2000 at Jacob's Pillow
- Desmond Richardson Biography
- "The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto"