|Fate||Acquired by and folded into Cookie Jar Group|
|Successor||Cookie Jar Group
|Defunct||December 6, 2008|
|Headquarters||Burbank, California, U.S.
|Andy Heyward (Chairman & CEO)|
|Products||Children's television shows|
DiC Entertainment ( //) was an international film and television production company. The company was also known as The Incredible World of DiC, DiC Audiovisuel, DiC Enterprises, DiC Animation City and DiC Productions at various times in its history. In 2008, DiC was acquired by the Cookie Jar Group and was folded into it. Most of the DiC library is currently owned by DHX Media after DHX acquired the Cookie Jar Group in October 2012.
In addition to animated and live-action television shows such as Inspector Gadget (1983–1986), Heathcliff (1984–1988), Dennis the Menace (1986–1988), The Real Ghostbusters (1986—1991), The Super Mario Bros. Super Show! (1989–1990), Captain Planet and the Planeteers (1990–1993), Madeline (1993, 1995, 2000–2001), Sonic the Hedgehog (1993–1994), Sabrina: The Animated Series (1999–2000), Liberty's Kids (2002–2003), Super Duper Sumos (2002–2003), Strawberry Shortcake (2003–2008), Trollz (2005–2006) and Horseland (2006–2008), while under Disney, DiC produced live-action feature films, including Meet the Deedles (1998) and Inspector Gadget (1999), and licensed various anime series such as Sailor Moon, Saint Seiya and Speed Racer X.
DiC's American arm was founded in April 1982 in Burbank, California by Andy Heyward, a former story writer at Hanna-Barbera, to translate DiC productions into English. The company produced television animation for both network broadcast and syndication, outsourced its non-creative work overseas, enforced anti-union policies and hired staff on a per-program basis to cut costs. For some in the industry, DiC stood for "Do It Cheap". With directors Bruno Bianchi and Bernard Deyriès, Chalopin and Heyward were able to make DiC an effective but restrained animation company.
Soon after joining DiC, Heyward developed Inspector Gadget, which became a successful production out of the American office. DiC partnered with toy makers and greeting card companies for character based product lines that could be made into animated series. Thus DiC productions came with built in advertisers and some time financiers. Between Inspector Gadget and The Littles (the latter produced for ABC), the company became profitable.
As the only non-union animation firm, in 1984 DiC faced a unionization effort which failed. In 1985, DiC opened its own Japan-based animation facility for animation production on their shows in order to bypass overseas animation subcontractors. In April 1986, DiC launched a syndicated block called Kideo TV with LBS Communications and Mattel.
From late 1986 to 1987, Heyward, along with investors Bear Stearns & Co. and Prudential Insurance Co, bought Chalopin and Radio Television Luxembourg's 52% stake in DiC in a $70 million leveraged buyout and made the US headquarters the company's main base of operations. After the buyout, Chalopin, Bianchi, Deyriès and producer Tetsuo Katayama left the company to be replaced by Robby London and Michael Maliani as key employees. After selling his shares in DiC, Chalopin formed the company C&D (Creativity & Development) in 1987 and continued to make animated shows during the late 1980s and the 1990s.
After the buyout, DiC was heavily in debt and the foreign rights to the DiC library were sold in 1987 to Saban Productions, who then sold the rights to Chalopin's C&D. At the time, Heyward considered Chalopin an enemy because of the purchase and the situation permanently poisoned DiC and Saban's relationship. DIC sued Saban for damages; in 1991, both companies reached a settlement.
By 1987, DiC Enterprises' parent company was known as DiC Animation City, Inc. DiC also entered the toy industry with the development of the Old MacDonald talking toyline. In December, DiC arranged a deal to merge with Computer Memories Inc., a former computer component manufacturer and then public shell company. A dissident Computer Memories shareholder scuttled the deal in February 1988.
With the buyout debt still a burden, the animation market beginning to soften with the rise of video tape viewing and a glut of new shows & new kids cable channels, Japanese contract animation companies rates increased 40% from 1986 to 1988 due to the yen exchange rate. In 1987, DiC moved production of Dennis the Menace to a Canadian animation firm for grants and tax breaks from the Canadian government. The company started moving some work to Korea and Taiwan. By the 1987-1988 season, DiC had shows on all three major networks Saturday mornings: six half-hours of shows and 50 half-hours per week in syndication.
Prudential Insurance Co. purchased additional equity of DiC Animation City in August 1989 while increasing DiC's debt capacity. For the 1989-1990 season, DiC provided 30% of the networks' Saturday morning schedule with a total 60 hours per week on networks, local stations and cable channels. Four new programs debuted that season on cable and syndication.
On September 11, 1989, DiC launched the 26-hours-a-week Funtown programming block on CBN Family Channel. DIC was also to produce four specials, with the first launching on Funtown with the others, mostly holiday specials, for the fourth quarter of 1989. A special based on The New Archie Show was slated for the first quarter of 1990.
In 1993, DiC Animation City and Capital Cities/ABC formed a joint venture called DiC Entertainment L.P. with Heyward retaining a small ownership stake. With ABC in 1994, DiC programmed two children's blocks, Dragon Club and Panda Club, in China. In 1995, DiC became part of The Walt Disney Company conglomerate following Disney's acquisition of Capital Cities/ABC.
DiC launched a direct to video division in April 1998 with Riley Katherine Ellis, a Caravan Pictures producer, hired as division head. The first release planned was Madeline in spring 1999, with all the division's DVDs to be released by Buena Vista Home Entertainment. In May 1998, DiC signed a deal to provide a children's programming block, Freddy's Firehouse, for the Pax Net television network.
In 2000, with an investment by Bain Capital and Chase Capital Partners, Heyward re-purchased DiC Enterprises. He purchased Bain Capital's interest in 2004 and took the company public the following year.
In January 2003, DiC announced three syndicated children's programming E/I blocks called DiC Kids Network. Later in July, DiC Entertainment signed a television production deal with POW! Entertainment for Stan Lee's Secret Super Six, a series about teens with alien superpowers who are taught about humanity by Lee.
DiC Entertainment, KOL (AOL's kids online) and CBS Corporation agreed to a new three hour long programming block for Saturday mornings on CBS called KOL Secret Slumber Party, which was launched on September 15, 2006. On September 15, 2007, a new programming block KEWLopolis premiered, a joint venture between DiC, CBS, and American Greetings.
Cookie Jar Group/DHX Media
On June 20, 2008, it was announced that DiC Entertainment would be acquired by Cookie Jar Group. The deal was completed on July 23, 2008 and the company was immediately folded into Cookie Jar Entertainment. Cookie Jar was in turn acquired by DHX Media on October 22, 2012.
- DiC Kids Network – a set of three syndicated children's programming E/I blocks announced in January 2003.
- Chinese blocks with ABC:
- Dragon Club (1994–)
- Panda Club (1994–)
- CBS broadcast blocks, both with one additional partner:
Freddy's Firehouse (FFH) was a children's educational programming block produced by DIC Entertainment and distributed by Buena Vista International, both Disney affiliates in May 1998. At the block's start, most of the programming would be from DiC's library and was planned to air on Pax Net for two years with it running on weekends with three hours on Saturday and two hours on Sunday. Buena Vista would be free to sell to other outlets international. However, Pax went with its own Cloud 9 block.
Funtown was a programming block on CBN Family Channel. The block was launched on September 11, 1989 with 26-hours-a-week programming. DiC was tasked with the advertising sales while the Family Channel handled distribution and marketing. Funtown ran from 7 to 9 a.m. on weekdays and from 4 to 6 p.m and 8 a.m. to 11 a.m. on weekends. The line up of shows was a mix of formats, from live action-animated hybrids to live action, and programs ranging from original to off-network shows, whether produced by DiC or other companies. In addition, a companion club program was supposed to be developed. DiC was also going to produce four specials each quarter with the launching of Funtown, combined with the others, mostly holiday specials, for the fourth quarter of 1989.
|This section relies largely or entirely on a single source. (February 2017)|
|I'm Telling||Game show||Off-network|
|Little Clowns of Happytown||Animated||Off-network|
|The Get Along Gang||Animated||Off-network|
|Starcom: The U.S. Space Force||Animated||Off-network|
|Fonzie & Friends|
|Swiss Family Robinson||Foreign premiere|
|New Generation||Foreign premiere|
|Hello Kitty's Furry Tale Theater|
Kideo TV was a programming block by DiC with LBS Communications and Mattel. Metromedia stations agreed to carry the block by January 1986. Kideo TV was launched in April 1986. Series in the block included Rainbow Brite, Popples and Ulysses 31 plus The Get Along Gang reruns.
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