|Directed by||Oliver Hirschbiegel|
|Produced by||Robert Bernstein
|Screenplay by||Stephen Jeffreys|
|Based on||Diana: Her Last Love
by Kate Snell
|Music by||Keefus Ciancia
|Edited by||Hans Funck|
|Distributed by||Entertainment One|
|Box office||$21.7 million|
Diana is a 2013 biographical drama film, directed by Oliver Hirschbiegel, about the last two years of the life of Diana, Princess of Wales. The screenplay is based on Kate Snell's 2001 book, Diana: Her Last Love, and was written by Stephen Jeffreys. Anglo-Australian actress Naomi Watts plays the title role of Diana.
The world premiere of the film was held in London on 5 September 2013. It was released in the UK on 20 September 2013. The film received negative reviews from both the British and American critics.
The film depicts the last two years of the princess's life, beginning with events when Diana (Naomi Watts) divorces Charles, Prince of Wales. She meets and falls in love with Pakistani heart surgeon, Hasnat Khan (Naveen Andrews). The film depicts her historic tours of Angola, in her campaign against the use of land mines. Trips to causes in Australia, Pakistan, New York City, Bosnia, Italy, and ultimately, Paris are also shown, with recreations of the fashions she wore in real life. Her desire for a life with Khan ends due to his wish for a private life and objections to her celebrity. The film depicts her dating of Egyptian Dodi Fayed as an attempt to make Khan jealous, but it ends with the car crash that killed Diana, Fayed, and Fayed's driver in the Pont Alma Tunnel, in Paris – however, there is no re-enactment of the crash scene.
- Naomi Watts as Diana, Princess of Wales
- Naveen Andrews as Dr. Hasnat Khan
- Cas Anvar as Dodi Fayed
- Laurence Belcher as Prince William of Wales
- Harry Holland as Prince Harry of Wales
- Douglas Hodge as Paul Burrell
- Geraldine James as Oonagh Toffolo
- Charles Edwards as Patrick Jephson
- Mary Stockley as Assistant
- Juliet Stevenson as Sonia
The screenplay, which is based on Kate Snell's 2001 book, Diana: Her Last Love, was written by Stephen Jeffreys. Robert Bernstein and Douglas Rae produced the movie for Ecosse Films. British actress Naomi Watts plays the title role.
Key scenes involving Diana and Dodi Fayed on his family yacht, Jonikal, were filmed on the 45m Luxury Charter Yacht Princess Iolanthe. The opening and closing scenes at the Paris Ritz Imperial Suite were filmed at Fetcham Park House in Fetcham, Surrey.
The film has received overwhelmingly negative reviews. On review aggregator Rotten Tomatoes, it has an 8% approval rating based on reviews from 97 critics and an average score of 3.5/10. The consensus states: "Naomi Watts tries hard in the title role, but Diana buries her efforts under a shoddy script and clumsy direction." On Metacritic, the film has a 35 (out of 100), based on 28 reviews.
David Edwards from The Mirror said it was a "cheap and cheerless effort that looks like a Channel 5 mid-week matinee" and that "Wesley Snipes in a blonde wig would be more convincing", awarding the film one star out of five. Peter Bradshaw of The Guardian also awarded it one star out of five and called the film "car crash cinema".
Joshua Rothkopf of Time Out New York called Watts's performance "extraordinary" and gave the film 3 stars out of 5, calling it "a restrained biopic that affords its subject the romantic privacy that life denied her." Nigel Andrews of the Financial Times said that "once again Watts supplies the wattage" but that her performance is "frighteningly isolated... the compensating passion in a torpid drama." Jim Schembri of 3AW praised Watts' "impressive performance" but remarked that the film "could actually have done with another half-hour putting more meat onto the bones of these underdeveloped chapters of her story. " Dominic Corry of flicks.co.nz called the film "bad in the blandest way possible" and lamented that "Watts is let down by the Mills & Boon-level script". Fionnuala Halligan of Screen Daily also criticised the writing, saying that Watts' "brave performance should not be under-estimated given the poverty of the dialogue and the pressure of the part."
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