Diane Keaton

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Diane Keaton
Diane Keaton 2012-1 (cropped).jpg
Keaton in February 2012
BornDiane Hall
(1946-01-05) January 5, 1946 (age 72)
Los Angeles, California, U.S.
ResidenceBeverly Hills, California, U.S.[1]
EducationSanta Ana High School
Occupation
  • Actress
  • director
  • producer
Years active1968–present
Children2

Diane Keaton (née Hall; born January 5, 1946) is an American film actress, director, and producer. She began her career on stage and made her screen debut in 1970. Her first major film role was as Kay Adams-Corleone in The Godfather (1972), but the films that shaped her early career were those with director and co-star Woody Allen, beginning with Play It Again, Sam in 1972. Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, Annie Hall (1977), won her the Academy Award for Best Actress.

Keaton subsequently expanded her range to avoid becoming typecast as her Annie Hall persona. She became an accomplished dramatic performer, starring in Looking for Mr. Goodbar (1977) and received Academy Award nominations for Reds (1981), Marvin's Room (1996) and Something's Gotta Give (2003).

Some of her popular later films include Baby Boom (1987), Father of the Bride (1991), Father of the Bride Part II (1995), The First Wives Club (1996), and The Other Sister (2001), The Family Stone (2005). Keaton's films have earned a cumulative gross of over US$1.1 billion in North America.[2] In addition to acting, she is also a photographer, real estate developer, author, and occasional singer.

Early life and education[edit]

Diane Keaton was born as Diane Hall on January 5, 1946, in Los Angeles, California.[3] Her mother, Dorothy Deanne (née Keaton; 1921–2008), was a homemaker and amateur photographer; her father, John Newton Ignatius "Jack" Hall (1922–1990), was a real estate broker and civil engineer.[4][5][6] Keaton was raised a Free Methodist by her mother.[7][8][9] Her mother won the "Mrs. Los Angeles" pageant for homemakers; Keaton has said that the theatricality of the event inspired her first impulse to be an actress, and led to her wanting to work on stage.[10] She has also credited Katharine Hepburn, whom she admires for playing strong and independent women, as one of her inspirations.[11]

Keaton is a 1964[12] graduate of Santa Ana High School in Santa Ana, California. During her time there, she participated in singing and acting clubs at school, and starred as Blanche DuBois in a school production of A Streetcar Named Desire. After graduation, she attended Santa Ana College, and later Orange Coast College as an acting student, but dropped out after a year to pursue an entertainment career in Manhattan.[13] Upon joining the Actors' Equity Association, she changed her surname to Keaton, her mother's maiden name, as there was already an actress registered under the name of Diane Hall.[14] For a brief time, she also moonlighted at nightclubs with a singing act.[15] She would later revisit her nightclub act in Annie Hall (1977) and And So It Goes (2014), and a cameo in Radio Days (1987).

Keaton with Woody Allen and Jerry Lacy in the play Play It Again, Sam (1969/1970)

Keaton began studying acting at the Neighborhood Playhouse in New York City. She initially studied acting under the Meisner technique, an ensemble acting technique first evolved in the 1930s by Sanford Meisner, a New York stage actor/acting coach/director who had been a member of The Group Theater (1931–1940). She has described her acting technique as, "[being] only as good as the person you're acting with ... As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. I always need the help of everyone!"[15] According to Jack Nicholson, "She approaches a script sort of like a play in that she has the entire script memorized before you start doing the movie, which I don't know any other actors doing that."[16]

In 1968, Keaton became a member of the "Tribe" and understudy to Sheila in the original Broadway production of Hair.[17] She gained some notoriety for her refusal to disrobe at the end of Act I when the cast performs nude, even though nudity in the production was optional for actors (Those who performed nude received a $50 bonus).[10][18] After acting in Hair for nine months, she auditioned for a part in Woody Allen's production of Play It Again, Sam. After nearly being passed over for being too tall (at 5 ft 8 in./1.73 m she is two inches/five cm taller than Allen), she won the part.[4]

Career[edit]

1970s[edit]

After being nominated for a Tony Award for Play It Again, Sam, Keaton made her film debut in Lovers and Other Strangers (1970). She followed with guest roles on the television series Love, American Style and Night Gallery, and Mannix. Between films, Keaton appeared in a series of deodorant commercials.

Keaton's breakthrough role came two years later when she was cast as Kay Adams, the girlfriend and eventual wife of Michael Corleone (played by Al Pacino) in Francis Ford Coppola's 1972 film The Godfather. Coppola noted that he first noticed Keaton in Lovers and Other Strangers, and cast her because of her reputation for eccentricity that he wanted her to bring to the role[19] (Keaton claims that at the time she was commonly referred to as "the kooky actress" of the film industry).[10] Her performance in the film was loosely based on her real life experience of making the film, both of which she has described as being "the woman in a world of men."[10] The Godfather was an unparalleled critical and financial success, becoming the highest-grossing film of the year and winning the Best Picture Oscar of 1972.

Two years later, she reprised her role as Kay Adams in The Godfather Part II. She was initially reluctant, stating that, "At first, I was skeptical about playing Kay again in the Godfather sequel. But when I read the script, the character seemed much more substantial than in the first movie."[13] In Part II, her character changed dramatically, becoming more embittered about her husband's activities. Even though Keaton received widespread exposure from the films, her character's importance was minimal. Time wrote that she was "invisible in The Godfather and pallid in The Godfather, Part II."[20]

Keaton's other notable films of the 1970s included many collaborations with Woody Allen; although by the time they made films together, their romantic involvement had ended. She played many eccentric characters in several of his comic and dramatic films, including Sleeper, Love and Death, Interiors, Manhattan, Manhattan Murder Mystery and the film version of Play It Again, Sam, directed by Herbert Ross. Allen has credited Keaton as his muse during his early film career.[21]

In 1977, Keaton starred with Allen in the romantic comedy Annie Hall, one of her most famous roles. Annie Hall, written by Allen and Marshall Brickman and directed by Allen, was believed to be autobiographical of his relationship with Keaton. Allen based the character of Annie Hall loosely on Keaton ("Annie" is a nickname of hers, and "Hall" is her original surname). Many of Keaton's mannerisms and her self-deprecating sense of humor were added into the role by Allen. (Director Nancy Meyers has claimed "Diane's the most self-deprecating person alive."[22]) Keaton has also said that Allen wrote the character as an "idealized version" of herself.[23] The two starred as a frequently on-again, off-again couple living in New York City. Her acting was later summed up by CNN as "awkward, self-deprecating, speaking in endearing little whirlwinds of semi-logic",[24] and by Allen as a "nervous breakdown in slow motion."[25] The film was both a major financial and critical success, and won the Academy Award for Best Picture. Keaton's performance also won the Academy Award for Best Actress. In 2006, Premiere magazine ranked Keaton in Annie Hall as 60th on its list of the "100 Greatest Performances of All Time", and noted:

It's hard to play ditzy. ... The genius of Annie is that despite her loopy backhand, awful driving, and nervous tics, she's also a complicated, intelligent woman. Keaton brilliantly displays this dichotomy of her character, especially when she yammers away on a first date with Alvy (Woody Allen), while the subtitle reads, 'He probably thinks I'm a yoyo.' Yo-yo? Hardly.[26]

Keaton's eccentric wardrobe in Annie Hall, which consisted mainly of vintage men's clothing, including neckties, vests, baggy pants, and fedora hats, made her an unlikely fashion icon of the late 1970s. A small amount of the clothing seen in the film came from Keaton herself, who was already known for her tomboyish clothing style years before Annie Hall, and Ruth Morley designed the movie's costumes.[27] Soon after the film's release, men's clothing and pantsuits became popular attire for women.[28] She is known to favor men's vintage clothing, and usually appears in public wearing gloves and conservative attire. (A 2005 profile in the San Francisco Chronicle described her as "easy to find. Look for the only woman in sight dressed in a turtleneck on a 90-degree afternoon in Pasadena.")[29]

Her photo by Douglas Kirkland appeared on the cover of the September 26, 1977, issue of Time magazine, with the story dubbing her "the funniest woman now working in films."[20] Later that year, she departed from her usual lighthearted comic roles when she won the highly coveted lead role in the drama Looking for Mr. Goodbar, based on the novel by Judith Rossner. In the film, she played a Catholic schoolteacher for deaf children, who lives a double life, spending nights frequenting singles bars and engaging in promiscuous sex. Keaton became interested in the role after seeing it as a "psychological case history."[30] The same issue of Time commended her role choice and criticized the restricted roles available for female actors in American films:

A male actor can fly a plane, fight a war, shoot a badman, pull off a sting, impersonate a big cheese in business or politics. Men are presumed to be interesting. A female can play a wife, play a whore, get pregnant, lose her baby, and, um, let's see ... Women are presumed to be dull. ... Now a determined trend spotter can point to a handful of new films whose makers think that women can bear the dramatic weight of a production alone, or virtually so. Then there is Diane Keaton in Looking for Mr. Goodbar. As Theresa Dunn, Keaton dominates this raunchy, risky, violent dramatization of Judith Rossner's 1975 novel about a schoolteacher who cruises singles bars.[20]

In addition to acting, Keaton has stated that "[I] had a lifelong ambition to be a singer."[31] She had a brief, unrealized career as a recording artist in the 1970s. Her first record was an original cast recording of Hair, in 1971. In 1977, she began recording tracks for a solo album, but the finished record never materialized.[4]

Keaton met with more success in the medium of still photography. Like her character in Annie Hall, Keaton had long relished photography as a favorite hobby, an interest she picked up as a teenager from her mother. While traveling in the late 1970s, she began exploring her avocation more seriously. "Rolling Stone had asked me to take photographs for them, and I thought, 'Wait a minute, what I'm really interested in is these lobbies, and these strange ballrooms in these old hotels.' So I began shooting them", she recalled in 2003. "These places were deserted, and I could just sneak in anytime and nobody cared. It was so easy and I could do it myself. It was an adventure for me." Reservations, her collection of photos of hotel interiors, was published in book form in 1980.[32]

1980s[edit]

Keaton (right) at the White House with First Lady Nancy Reagan and Warren Beatty (December 1981)

In Manhattan in 1979, Keaton and Woody Allen ended their long working relationship; the film would be their last major collaboration until 1993. In 1978, she became romantically involved with Warren Beatty, and two years later he cast her to play opposite him in Reds. In the film, she played Louise Bryant, a journalist and feminist, who flees from her husband to work with radical journalist John Reed (Beatty), and later enters Russia to locate him as he chronicles the Russian Civil War. The New York Times wrote that Keaton was, "nothing less than splendid as Louise Bryant – beautiful, selfish, funny and driven. It's the best work she has done to date."[33] Keaton received her second Academy Award nomination for the film.

Beatty cast Keaton after seeing her in Annie Hall, as he wanted to bring her natural nervousness and insecure attitude to the role. The production of Reds was delayed several times following its conception in 1977, and Keaton almost left the project when she believed it would never be produced. Filming finally began two years later. In a 2006 Vanity Fair story, Keaton described her role as "the everyman of that piece, as someone who wanted to be extraordinary but was probably more ordinary ... I knew what it felt like to be extremely insecure." Assistant director Simon Relph later stated that Louise Bryant was one of Keaton's most difficult roles, and that "[she] almost got broken."[34]

1984 brought The Little Drummer Girl, Keaton's first excursion into the thriller and action genre. The Little Drummer Girl was both a financial and critical failure, with critics claiming that Keaton was miscast for the genre, such as one review from The New Republic claiming that "the title role, the pivotal role, is played by Diane Keaton, and around her the picture collapses in tatters. She is so feeble, so inappropriate."[35] However, that same year she received positive reviews for her performance in Mrs. Soffel, a film based on the true story of a repressed prison warden's wife who falls in love with a convicted murderer and arranges for his escape. Two years later she starred with Jessica Lange and Sissy Spacek in Crimes of the Heart, adapted from Beth Henley's Pulitzer Prize-winning play into a moderately successful screen comedy. In 1987, she starred in Baby Boom, her first of four collaborations with writer-producer Nancy Meyers. In Baby Boom, Keaton starred as a Manhattan career woman who is suddenly forced to care for a toddler. That same year she made a cameo in Allen's film Radio Days as a nightclub singer. 1988's The Good Mother was a misstep for Keaton. The film was a financial disappointment (according to Keaton, the film was "a Big Failure. Like, BIG failure"),[36] and some critics panned her performance, such as one review from The Washington Post: "her acting degenerates into hype – as if she's trying to sell an idea she can't fully believe in."[37]

In 1987, Keaton directed and edited her first feature film, a documentary named Heaven about the possibility of an afterlife. Heaven met with mixed critical reaction, with The New York Times likening it to "a conceit imposed on its subjects."[38] Over the next four years, Keaton went on to direct music videos for artists such as Belinda Carlisle, including the video for Carlisle's chart-topping hit "Heaven Is a Place on Earth," two television films starring Patricia Arquette, and episodes of the series China Beach and Twin Peaks.

1990s[edit]

By the 1990s, Keaton had established herself as one of the most popular and versatile actors in Hollywood. She shifted to more mature roles, frequently playing matriarchs of middle-class families. Of her role choices and avoidance of becoming typecast, she said: "Most often a particular role does you some good and Bang! You have loads of offers, all of them for similar roles ... I have tried to break away from the usual roles and have tried my hand at several things."[39]

She began the decade with The Lemon Sisters, a poorly received comedy/drama that she starred in and produced, which was shelved for a year after its completion. In 1991, Keaton starred with Steve Martin in the family comedy Father of the Bride. She was almost not cast in the film, as the commercial failure of The Good Mother had strained her relationship with Walt Disney Pictures, the studio of both films.[36] Father of the Bride was Keaton's first major hit after four years of commercial disappointments.

Keaton reprised her role four years later in the sequel, as a woman who becomes pregnant in middle age at the same time as her daughter. A review of the film for The San Francisco Examiner was one of many in which Keaton once again received comparison to Katharine Hepburn: "No longer relying on that stuttering uncertainty that seeped into all her characterizations of the 1970s, she has somehow become Katharine Hepburn with a deep maternal instinct, that is, she is a fine and intelligent actress who doesn't need to be tough and edgy in order to prove her feminism."[40]

Keaton reprised her role of Kay Adams in 1990's The Godfather Part III. Set 20 years after the end of The Godfather, Part II, Keaton's part had evolved into the estranged ex-wife of Michael Corleone. Criticism of the film and Keaton again centered on her character's unimportance in the film. The Washington Post wrote: "Even though she is authoritative in the role, Keaton suffers tremendously from having no real function except to nag Michael for his past sins."[41] In 1993, Keaton starred in Manhattan Murder Mystery, her first major film role in a Woody Allen film since 1979, having made a cameo in 1987's Radio Days. Her part was originally intended for Mia Farrow, but Farrow dropped out of the project after her split with Allen.[42]

In 1995, Keaton directed Unstrung Heroes, her first theatrically released narrative film. The movie, adapted from Franz Lidz's memoir, starred Nathan Watt as a boy in 1960s whose mother (Andie MacDowell) becomes ill with cancer. As her sickness advances and his inventor father (John Turturro) grows increasingly distant, the boy is sent to live with his two eccentric uncles (Maury Chaykin and Michael Richards). In a geographic switch, Keaton shifted the story's setting from the New York of Lidz's book to the Southern California of her own childhood. And the four mad uncles were reduced to a whimsical odd couple.[43] In an essay for The New York Times, Lidz said that the cinematic Selma had died not of cancer, but of 'Old Movie Disease'. "Someday somebody may find a cure for cancer, but the terminal sappiness of cancer movies is probably beyond remedy."[44] Though it played in a relatively limited release and made little impression at the box office, the film and its direction were generally well-received critically.[45]

Keaton's most successful film of the decade was the 1996 comedy The First Wives Club. She starred with Goldie Hawn and Bette Midler as a trio of "first wives": middle-aged women who had been divorced by their husbands in favor of younger women. Keaton claimed that making the film "saved [her] life."[46] The film was a major success, grossing US$105 million at the North American box office,[47] and it developed a cult following among middle-aged women.[48] Reviews of the film were generally positive for Keaton and her co-stars, and she was even referred to by The San Francisco Chronicle as "probably [one of] the best comic film actresses alive."[49] In 1997, Keaton, along Hawn and Midler, was a recipient of the Women in Film Crystal Award, which honors "outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry."[50]

Also in 1996, Keaton starred as Bessie, a woman with leukemia, in Marvin's Room, an adaptation of the play by Scott McPherson. Meryl Streep played her estranged sister Lee, and had also initially been considered for the role of Bessie. The film also starred a young Leonardo DiCaprio as Lee's rebellious son. Roger Ebert stated that "Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems."[51] Keaton earned a third Academy Award nomination for the film, which was critically acclaimed. Keaton said that the biggest challenge of the role was understanding the mentality of a person with a terminal illness.[10]

In 1999, Keaton narrated the one-hour public-radio documentary "If I Get Out Alive", the first to focus on the conditions and brutality faced by young people in the adult correctional system. The program, produced by Lichtenstein Creative Media, aired on public radio stations across the country, and was honored with a First Place National Headliner Award and a Casey Medal for Meritorious Journalism.[52]

2000s[edit]

Keaton's first film of 2000 was Hanging Up with Meg Ryan and Lisa Kudrow. Keaton also directed the film, despite claiming in a 1996 interview that she would never direct herself in a film, saying "as a director, you automatically have different goals. I can't think about directing when I'm acting."[36] The film was a drama about three sisters coping with the senility and eventual death of their elderly father, played by Walter Matthau. Hanging Up rated poorly with critics and grossed a modest US$36 million at the North American box office.[53]

In 2001, Keaton co-starred with Warren Beatty in Town & Country, a critical and financial fiasco. Budgeted at an estimated US$90 million, the film opened to little notice and grossed only US$7 million in its North American theatrical run.[54] Peter Travers of Rolling Stone wrote that Town & Country was "less deserving of a review than it is an obituary....The corpse took with it the reputations of its starry cast, including Warren Beatty and Diane Keaton."[55] Also in 2001, and 2002, Keaton starred in four low-budget television films. She played a fanatical nun in the religious drama Sister Mary Explains It All, an impoverished mother in the drama On Thin Ice, and a bookkeeper in the mob comedy Plan B. In Crossed Over, she played Beverly Lowry, a woman who forms an unusual friendship with the only woman executed while on death row in Texas, Karla Faye Tucker.

Keaton in 2009

Keaton's first major hit since 1996 came in 2003's Something's Gotta Give, directed by Nancy Meyers and co-starring Jack Nicholson. Nicholson and Keaton, aged 63 and 56 respectively, were seen as bold casting choices for leads in a romantic comedy. Twentieth Century Fox, the film's original studio, reportedly declined to produce the film, fearing that the lead characters were too old to be bankable. Keaton commented about the situation in Ladies' Home Journal: "Let's face it, people my age and Jack's age are much deeper, much more soulful, because they've seen a lot of life. They have a great deal of passion and hope—why shouldn't they fall in love? Why shouldn't movies show that?"[56] Keaton played a middle-aged playwright who falls in love with her daughter's much older boyfriend. The film was a major success at the box office, grossing US$125 million in North America.[57] Roger Ebert wrote that "Nicholson and Keaton bring so much experience, knowledge and humor to their characters that the film works in ways the screenplay might not have even hoped for."[58] The following year, Keaton received her fourth Academy Award nomination for her role in the film.

Keaton's only film between the years of 2004 and 2006 was the comedy The Family Stone (2005), starring an ensemble cast that also included Sarah Jessica Parker, Claire Danes, Rachel McAdams, and Craig T. Nelson. In the film, scripted and directed by Thomas Bezucha, Keaton played a breast cancer survivor and matriarch of a big New England family, who reunite at the parents' home for their annual Christmas holidays.[59] The film was released to moderate critical and commercial success,[60] and earned US$92.2 million worldwide.[61] Keaton received her second Satellite Award nomination for her portrayal,[62] on which Peter Travers of Rolling Stone commented, "Keaton, a sorceress at blending humor and heartbreak, honors the film with a grace that makes it stick in the memory."[63]

In 2007, Keaton starred in both Because I Said So and Mama's Boy. In the romantic comedy Because I Said So, directed by Michael Lehmann, Keaton played a long-divorced mother of three daughters, determined to pair off her only single daughter, Milly, played by Mandy Moore.[64] Also starring Stephen Collins and Gabriel Macht, the project opened to overwhelmingly negative reviews by critics, with Wesley Morris of The Boston Globe calling it "a sloppily made bowl of reheated chick-flick cliches", and was ranked among the worst-reviewed films of the year.[65][66][67] The following year, Keaton received her first and only Golden Raspberry Award nomination to date, for the film.[62] In Mama's Boy, director Tim Hamilton's feature film debut, Keaton starred as the mother of a self-absorbed 29-year-old (played by Jon Heder) whose world turns upside down when his widowed mother starts dating and considers booting him out of the house. Distributed for a limited release to certain parts of the United States only, the independent comedy garnered largely negative reviews.[68]

In 2008, Keaton starred alongside Dax Shepard and Liv Tyler in Vince Di Meglio's dramedy Smother, playing the overbearing mother of an unemployed therapist, who decides to move in with him and his girlfriend following the split from her husband, played by Ken Howard. As with Mama's Boy, the film received a limited release only, resulting in a gross of US$1.8 million worldwide.[69] Critical reaction to the film was generally unfavorable,[70] and once again Keaton was dismissed for her role choices, with Sandra Hall of the New York Post writing, "Diane's career is dyin' [...] this time, sadly, she's gone too far. She's turned herself into a mother-in-law joke."[71] Also in 2008, Keaton appeared alongside Katie Holmes and Queen Latifah in the crime-comedy film Mad Money, directed by Callie Khouri. Based on the British television drama Hot Money (2001), the film revolves around three female employees of the Federal Reserve who scheme to steal money that is about to be destroyed.[72] As with Keaton's previous projects, the film bombed at the box offices with a gross total of US$26.4 million,[73] and was universally panned by critics, ranking third in the New York Post's Top 10 Worst Movies of 2008 overview.[74]

2010s[edit]

In 2010, Keaton starred alongside Rachel McAdams and Harrison Ford in Roger Michell's comedy Morning Glory, playing the veteran TV host of a fictional morning talk show that desperately needs to boost its lagging ratings. Portraying a narcissistic character who would do anything to please the audience, Keaton described her role as "the kind of woman you love to hate."[75] Inspired by Neil Simon's 1972 Broadway play The Sunshine Boys,[76] the film became a moderate success at the box office for a worldwide total of almost US$59 million.[77] Though some critics found that Keaton was underused in the film,[78] the actress was generally praised for her performance, with James Berardinelli of ReelViews noting that "Diane Keaton is so good at her part that one can see her sliding effortlessly into an anchor's chair on a real morning show."[79]

Keaton in January 2012

In fall 2010, Keaton joined the production of the comedy drama Darling Companion by Lawrence Kasdan, which was released in 2012. Co-starring Kevin Kline and Dianne Wiest and set in Telluride, Colorado,[80] the film follows a woman, played by Keaton, whose husband loses her much-beloved dog at a wedding held at their vacation home in the Rocky Mountains, resulting in a search party to find the pet.[81] Kasdan's first film in nine years, the film bombed at the US box office, where it scored about US$790,000 throughout its entire theatrical run.[82] Generally negative with the film, critics dismissed the film as "an overwritten, underplotted vanity project", but applauded Keaton's performance.[83][84] Ty Burr from The Boston Globe felt that the film "would be instantly forgettable if not for Keaton, who imbues [her role] with a sorrow, warmth, wisdom, and rage that feel earned [...] Her performance here is an extension of worn, resilient grace."[84]

Also in 2011, Keaton began production on Justin Zackham's 2013 ensemble comedy The Big Wedding, in which she, along with Robert De Niro, played a long-divorced couple who, for the sake of their adopted son's wedding and his very religious biological mother, pretend they are still married.[85] Upon release, the remake of the original 2006 French film Mon frère se marie received largely negative reviews.[86] In his review for The New York Post, Lou Lumenick stated that "the brutally unfunny, cringe-worthy The Big Wedding provides ample opportunities for Robert De Niro, Diane Keaton, Susan Sarandon, and Robin Williams to embarrass themselves".[87]

In 2014, Keaton starred in And So It Goes and 5 Flights Up. In Rob Reiner's romantic dramedy And So It Goes, Keaton portrayed a widowed lounge singer, who finds autumnal love with a bad boy, played by Michael Douglas.[88] The film received largely negative reviews from critics, who felt that "And So It Goes aims for comedy, but with two talented actors stuck in a half-hearted effort from a once-mighty filmmaker, it ends in unintentional tragedy."[89] Keaton co-starred with Morgan Freeman in Richard Loncraine's comedy film 5 Flights Up. Based on the novel Heroic Measures by Jill Ciment, they play a long-married couple who have an eventful weekend after they are forced to contemplate selling their beloved Brooklyn apartment.[90][91] Shot in New York, the film premiered, under its former name Ruth & Alex, at the 2014 Toronto International Film Festival.[92] The same year, Keaton became the first woman to receive the Golden Lion Award from the Zurich Film Festival.[93][94]

Keaton's only film of 2015 was Love the Coopers, an ensemble comedy about a troubled family getting together for Christmas, for which she reunited with Because I Said So writer Jessie Nelson.[95] Also starring John Goodman, Ed Helms, and Marisa Tomei, Keaton was attached for several years before the film went into production.[95] Her cast was instrumental in financing and recruiting most other actors, which led her to an executive producer credit in the film.[95] Upon its release, Love the Coopers received largely negative reviews from critics, who called it a "bittersweet blend of holiday cheer",[96] and became a moderate commercial success at a worldwide total of US$41.1 million against a budget of US$17 million.[97] Also in 2015, Netflix announced the comedy Divanation, for which Keaton was expected to reunite with her First Wives Club co-stars Midler and Hawn to portray a former singing group, but the project failed to materialize.[98]

Keaton voiced amnesiac fish Dory's mother in Disney and Pixar's Finding Dory (2016), the sequel to the 2003 Pixar computer-animated film Finding Nemo. Upon release, the film was a critical and commercial success, grossing over US$1 billion worldwide, becoming the second Pixar film to cross this mark following Toy Story 3 (2010). It also set numerous records, including the biggest animated opening of all time in North America, emerging as the biggest animated film of all time in the US.[99][100] Keaton's other project of 2016 was the HBO eight-part series The Young Pope opposite Jude Law, in which she plays a nun who raised the newly elected Pope and helped him reach the papacy.[101] The mini series received two nominations for the 69th Primetime Creative Arts Emmy Awards, becoming the first Italian TV series to be nominated for Primetime Emmy Awards.[102]

In 2017, Keaton appeared opposite Brendan Gleeson in the British dramedy film Hampstead.[103] Based on the life of Harry Hallowes, it depicts Keaton as an American widow who helps a local man defending his ramshackle hut, and the life he has been leading on Hampstead Heath for 17 years.[104] The specialty release earned a mixed reception from critics, who were less impressed with the film's "deeply mediocre story,"[105] and became a minor commercial success.[106] Keaton's only project of 2018 was Book Club in which she starred alongside Jane Fonda, Candice Bergen, and Mary Steenburgen as four friends who read Fifty Shades of Grey as part of their monthly book club, and subsequently begin to change how they view their personal relationships. The romantic comedy film received mixed reviews from critics who felt that Book Club only "intermittently rises to the level of its impressive veteran cast,"[107][108] but at a worldwide gross of over $78 million, became Keaton's biggest commercial success in a non-voice role since 2003's Something's Gotta Give.[109]

Personal life[edit]

Relationships and family[edit]

Woody Allen[edit]

Keaton in 2012

Keaton has had several romantic associations with noted entertainment industry personalities, starting with her time with the Broadway production of Play It Again, Sam when she auditioned for director Woody Allen. Their association became personal following a dinner after a late-night rehearsal. It was her sense of humor that attracted Allen.[110] They briefly lived together during the Broadway production, but by the time of the film release of the same name in 1972, their living arrangements became informal.[111] They worked together on eight films between 1971 and 1993, and Keaton has said that Allen remains one of her closest friends.[23]

Warren Beatty[edit]

She was already dating Warren Beatty from 1979 when they had co-lead roles in the film Reds.[112] Beatty was a regular subject in tabloid magazines and media coverage in which she was included much to her bewilderment. Her avoidance of the spotlight earned her in 1985 from Vanity Fair the attribution as "the most reclusive star since Garbo."[14] This relationship ended shortly after Reds wrapped. Troubles with the production are thought to have caused strain on the relationship, including numerous financial and scheduling problems.[34] Keaton remains friends with Beatty.[23]

Al Pacino[edit]

Keaton also had a relationship with her The Godfather Trilogy costar Al Pacino. Their on-again, off-again relationship ended following the filming of The Godfather Part III. Keaton said of Pacino, "Al was simply the most entertaining man... To me, that's, that is the most beautiful face. I think Warren was gorgeous, very pretty, but Al's face is like whoa. Killer, killer face."[113]

Later thoughts on marriage[edit]

In July 2001, Keaton revealed her thoughts on being older and unmarried: "I don't think that because I'm not married it's made my life any less. That old maid myth is garbage."[114] Keaton has two adopted children, daughter Dexter (adopted 1996) and son Duke (2001). Her father's death made mortality more apparent to her, and she decided to become a mother at age 50.[46] She later said of having children, "Motherhood has completely changed me. It's just about the most completely humbling experience that I've ever had."[115]

Religious beliefs[edit]

Keaton stated that she produced her 1987 documentary Heaven because, "I was always pretty religious as a kid ... I was primarily interested in religion because I wanted to go to heaven." Nevertheless, she has also stated that she considered herself a Christian.[116]

Other activities[edit]

Keaton is active in campaigns with the Los Angeles Conservancy to save and restore historic buildings, particularly in the Los Angeles area.[15] Among the buildings she has been active in restoring is the Ennis House in the Hollywood Hills designed by Frank Lloyd Wright.[29] Keaton had also been active in the failed campaign to save the Ambassador Hotel in Los Angeles (a hotel featured in Reservations), the location of Robert Kennedy's assassination in 1968. She is an enthusiast of Spanish Colonial Revival architecture [117]

Since May 2005, she has been a contributing blogger at The Huffington Post. Since summer 2006, Keaton has been the new face of L'Oréal.[118]

Keaton has served as a producer on films and television series. She produced the Fox series Pasadena that was canceled after airing only four episodes in 2001 but later completed its run on cable in 2005. In 2003, she produced the Gus Van Sant drama Elephant, about a school shooting. On why she produced the film, she said "It really makes me think about my responsibilities as an adult to try and understand what's going on with young people."[119]

Outside of the film industry, Keaton has continued to pursue her interest in photography. As a collector, she told Vanity Fair in 1987: "I have amassed a huge library of images – kissing scenes from movies, pictures I like. Visual things are really key for me."[116] She has published several more collections of her own photographs, and has also served as an editor for collections of vintage photography. Works she has edited in the last decade include a book of photographs by paparazzo Ron Galella; an anthology of reproductions of clown paintings; and a collection of photos of California's Spanish-Colonial-style houses.

Keaton has also established herself as a real estate developer. She has resold several mansions in Southern California after renovating and redesigning them. One of her clients is Madonna, who purchased a US$6.5 million Beverly Hills mansion from Keaton in 2003.[120] She received the Film Society of Lincoln Center's Gala Tribute in 2007.

Keaton wrote her first memoir, entitled Then Again, for Random House in November 2011.[121] Much of the autobiography relies on her mother Dorothy's private journals, in which she writes at one point: "Diane...is a mystery...At times, she's so basic, at others so wise it frightens me."[122] In 2012, Keaton's audiobook recording of Joan Didion's Slouching Towards Bethlehem was released at Audible.com.[123] Her performance was nominated for a 2013 Audie Award in the Short Stories/Collections category.

Filmography[edit]

Film[edit]

Year Title Role Notes
1970 Lovers and Other Strangers Joan Vecchio
1971 Men of Crisis: The Harvey Wallinger Story Renata Wallinger Short film
1972 The Godfather Kay Adams
Play It Again, Sam Linda Christie
1973 Sleeper Luna Schlosser
1974 The Godfather Part II Kay Adams Corleone
1975 Love and Death Sonja
1976 I Will, I Will... for Now Katie Bingham
Harry and Walter Go to New York Lissa Chestnut
1977 Annie Hall Annie Hall
Looking for Mr. Goodbar Theresa Dunn
1978 Interiors Renata
1979 Manhattan Mary Wilkie
1981 The Wizard of Malta Narrator
Reds Louise Bryant
1982 Shoot the Moon Faith Dunlap
1984 The Little Drummer Girl Charlie
Mrs. Soffel Kate Soffel
1986 Crimes of the Heart Lenny Magrath
1987 Radio Days New Years Singer
Baby Boom J.C. Wiatt
1988 The Good Mother Anna Dunlop
1989 The Lemon Sisters Eloise Hamer
1990 The Godfather Part III Kay Adams Michelson
1991 Father of the Bride Nina Banks
1993 Manhattan Murder Mystery Carol Lipton
Look Who's Talking Now Daphne Voice
1995 Father of the Bride Part II Nina Banks
1996 The First Wives Club Annie Paradis
Marvin's Room Bessie Wakefield
1997 The Only Thrill Carol Fitzsimmons
1999 The Other Sister Elizabeth Tate
2000 Hanging Up Georgia Mozell
2001 Town & Country Ellie Stoddard
Plan B Fran Varecchio
2003 Something's Gotta Give Erica Barry
2005 Terminal Impact Narrator
The Family Stone Sybil Stone
2007 Because I Said So Daphne Wilder
Mama's Boy Jan Mannus
2008 Mad Money Bridget Cardigan
Smother Marilyn Cooper
2010 Morning Glory Colleen Peck
2012 Darling Companion Beth Winter
2013 The Big Wedding Ellie Griffin
2014 And So It Goes Leah
5 Flights Up Ruth Carver
2015 Love the Coopers Charlotte Cooper
2016 Finding Dory Jenny Voice
2017 Hampstead Emily Walters
2018 Book Club Diane
2019 Poms Post-production

Television[edit]

Year Title Role Notes
1970 Love, American Style Louise Segment: "Love and Pen Pals"
Rod Serling's Night Gallery Nurse Frances Nevins Segment: "Room with a View"
1971 The F.B.I. Diane Britt Episode: "Death Watch"
Mannix Cindy Conrad Episode: "The Color of Murder"
1977 The Godfather Saga Kay Adams Corleone 4 episodes
1992 Running Mates Aggie Snow Television film
1994 Amelia Earhart: The Final Flight Amelia Earhart
1997 Northern Lights Roberta Blumstein
2001 Sister Mary Explains It All Sister Mary Ignatius
2002 Crossed Over Beverly Lowry
2003 On Thin Ice Patsy McCartle
2006 Surrender, Dorothy Natalie Swallow
2011 Tilda Tilda Watski Pilot
2016 The Young Pope Sister Mary 10 episodes

Awards and nominations[edit]

Honors[edit]

Accolades[edit]

Association Year Categeory Nominated Work Result
AARP Movies for Grownups Awards 2004 Best Actress Something's Gotta Give Won
2004 Best Grownup Love Story (shared with Jack Nicholson) Something's Gotta Give Won
2006 Best Grownup Love Story (shared with Craig T. Nelson) The Family Stone Won
2011 Best Supporting Actress Morning Glory Nominated
2016 Best Grownup Love Story (shared with Morgan Freeman) Five Flights Up Won
Academy Awards 1978 Best Actress Annie Hall Won
1982 Best Actress Reds Nominated
1997 Best Actress Marvin's Room Nominated
2004 Best Actress Something's Gotta Give Nominated
Alliance of Women Film Journalists Awards 2008 Actress Most In Need of a New Agent Because I Said So Nominated
American Comedy Awards 1988 Funniest Lead Actress in a Motion Picture Baby Boom Nominated
1997 Funniest Lead Actress in a Motion Picture The First Wives Club Nominated
Awards Circuit Community Awards 1996 Best Actress in a Leading Role Marvin's Room Nominated
BAFTA Awards 1978 Best Actress in a Leading Role Annie Hall Won
1980 Best Actress in a Leading Role Manhattan Nominated
1983 Best Actress in a Leading Role Reds Nominated
Behind the Voice Actors Awards 2017 Best Vocal Ensemble in a Feature Film Finding Dory Nominated
CableACE Awards 1994 Actress in a Movie or Miniseries Running Mates Nominated
1995 Actress in a Movie or Miniseries Amelia Earhart: The Final Flight Nominated
Critics Choice Movie Awards 1997 Best Actress Marvin's Room Nominated
2004 Best Actress Something's Gotta Give Nominated
Dallas-Fort Worth Film Critics Association Awards 2004 Best Actress Something's Gotta Give Nominated
David di Donatello Awards 1982 Best Foreign Actress Reds Won
Daytime Emmy Awards 1990 Outstanding Achievement in Directing – Special Class CBS Schoolbreak Special Nominated
Fontogramas de Plata 1979 Best Foreign Movie Performer Interiors

Looking for Mr. Goodbar

Won
Golden Globe Awards 1978 Best Actress in a Motion Picture – Drama Looking for Mrs. Goodbar Nominated
1978 Best Actress in a Motion Picture – Comedy or Musical Annie Hall Won
1982 Best Actress in a Motion Picture – Drama Reds Nominated
1983 Best Actress in a Motion Picture – Drama Shoot the Moon Nominated
1985 Best Actress in a Motion Picture – Drama Mrs. Soffel Nominated
1988 Best Actress in a Motion Picture – Comedy or Musical Baby Boom Nominated
1994 Best Actress in a Motion Picture – Comedy or Musical Manhattan Murder Mystery Nominated
1995 Best Actress in a Miniseries or Motion Picture Made for Television Amelia Earhart: The Final Flight Nominated
2004 Best Actress in a Motion Picture – Comedy or Musical Something's Gotta Give Won
Golden Raspberry Awards 2008 Worst Actress Because I Said So Nominated
Iowa Film Critics Awards 2004 Best Actress Something's Gotta Give Won
Italian Online Movie Awards 2004 Best Actress Something's Gotta Give Nominated
Kansas City Film Critics Circle Awards 1977 Best Actress Annie Hall Won
Los Angeles Film Critics Association Awards 1981 Best Actress Reds Nominated
Monte-Carlo TV Festival 2017 Outstanding Actress in a Drama Television Series The Young Pope Nominated
National Board of Review Awards 1977 Best Supporting Actress Annie Hall Won
1996 Best Acting by an Ensemble The First Wives Clubs Won
2003 Best Actress Something's Gotta Give Won
National Society of Film Critics Awards 1977 Best Actress Annie Hall Won
1980 Best Actress Manhattan Nominated
1982 Best Actress Reds Nominated
1983 Best Actress Shoot the Moon Nominated
1988 Best Actress Baby Boom Nominated
New York Film Critics Circle Awards 1977 Best Actress Annie Hall Won
1977 Best Actress Looking for Mr. Goodbar Nominated
1981 Best Actress Reds Nominated
1982 Best Actress Shoot the Moon Nominated
2005 Best Supporting Actress The Family Stone Nominated
Online Film & Television Association Awards 1997 Best Adapted Song for "You Don't Own Me" The First Wives Club Nominated
2017 Best Supporting Actress in a Motion Picture or Limited Series The Young Pope Nominated
People's Choice Awards 1978 Favorite Motion Picture Actress Annie Hall Nominated
1979 Favorite Motion Picture Actress Interiors Nominated
1982 Favorite Motion Picture Actress Reds Nominated
1983 Favorite Motion Picture Actress Shoot the Moon Nominated
Phoenix Film Critics Society Awards 2004 Best Actress in a Leading Role Something's Gotta Give Nominated
Primetime Emmy Awards 1995 Outstanding Lead Actress in a Miniseries or a Special Amelia Earhart: The Final Flight Nominated
Prism Awards 2004 Television Movie or Miniseries On Thin Ice Won
2004 Performance in a Television Movie or Miniseries On Thin Ice Nominated
Santa Barbara International Film Festival 2001 Modern Master Award Hanging Up Won
Satellite Awards 2004 Best Actress in a Motion Picture – Comedy or Musical Something's Gotta Give Won
2005 Best Supporting Actress in a Motion Picture – Comedy or Musical The Family Stone Nominated
Screen Actors Guild Awards 1995 Outstanding Performance by a Female Actor in a Television Movie or Miniseries Amelia Earhart: The Final Flight Nominated
1997 Outstanding Performance by a Female Actor in a Leading Role Marvin's Room Nominated
1997 Outstanding Performance by a Cast in a Motion Picture Marvin's Room Nominated
2004 Outstanding Performance by a Female Actor in a Leading Role Something's Gotta Give Nominated
Southeastern Film Critics Association Awards 2003 Best Actress Something's Gotta Give Nominated
The Stinkers Bad Movie Awards 2000 Worst On-Screen Group (shared with Lisa Kudrow & Meg Ryan) Hanging Up Nominated
Washington DC Area Film Critics Association Awards 2003 Best Actress Somethings Gotta Give Nominated

Books[edit]

As writer[edit]

  • Then Again, New York: Random House, 2011, ISBN 9781400068784
  • Let's Just Say It Wasn't Pretty, New York: Random House, 2014, ISBN 9780812994261

As photographer[edit]

As editor[edit]

References[edit]

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Further reading[edit]

External links[edit]