Didier François

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Didier François
Didier François playing the Nyckelharpa
Didier François playing the Nyckelharpa
Born (1969-04-02) 2 April 1969 (age 48)
Brussels
Residence Paris
Nationality Belgian
Education 1992 - 1999, he studied violin
Occupation musician and music teacher specialized in nyckelharpa, composer and sculptor
Television VPRO NED 1 "Vrije geluiden", ARTE B. "Cinquante degrés nord", EXQI Culture
Website www.didierfrancois.be

Didier François (born in Brussels on 2 April 1969) is a Belgian musician specialized in nyckelharpa and a sculptor living in Paris.

Studies[edit]

From 1992 to 1999 François studied violin with Myriam Quersin (successor to Arthur Grumiaux at the Brussels Conservatory) and composition with Daan Manneke at the Amsterdam Conservatory. He also participated in several jazz workshops with Philip Catherine, Hein Van De Geyn and Maarten Weiler.

Teaching[edit]

Didier François has taught nyckelharpa at the Scuola di Musica Popolare di Forlimpopoli, Italy[1] and Akademie Burg Fürsteneck, Germany[2] as a member of the European Nyckelharpa Training. He conducts seminars and workshops on relaxation technique based on the Belgian violin school of Arthur Grumiaux: relaxed and fluid movements for beauty of sound, freedom of expression and avoidance of tendinitis.[3] He is also a member of the Cadence project supported by the European Commission.[4][5]

personal posture to avoid back tension

Performances[edit]

Discography[edit]

  • Nyckelharpa solo, 2011, HomeRecords.be (4446079)
  • Sjansons Patinées HomeRecords.be (4446047)
  • Double CD: Didier Francois, Gilles Chabenat - Gabriel Yacoub HomeRecords.be (4446033)
  • Falling Tree Long Distance Records (3073722 WAG331)
  • locuras de vanelo Artrisjok Records
  • 44 duetti Béla Bartòk, with Marco Ambrosini, Wild Boar Records (WBM 21022)
  • Alicantes Map Records
  • Duo Philip Masure Didier Francois Map Records

Nyckelharpa[edit]

François is known for his unusual technique and posture when playing the nyckelharpa. Holding the instrument in front of the chest, one is able to move both arms in a more natural and relaxed fashion. Using a violin shoulder rest to keep the nyckelharpa away from the body so it can swing freely also causes it to sound more open.[6]

Shoulder rest to keep the back of the instrument free for vibration

For many years François worked with the Nyckelharpa builder Joos Janssens (Dunières) for the further evolution of the instrument. Later with the nyckelharpa and bow builder Jean Claude Condi (Mirecourt), he helped with the creation of a study instrument for children. He himself plays nyckelharpas of both builders.

References[edit]

  1. ^ Didier François: Insegnante di Nyckelharpa, Scuola di Musica Popolare di Forlimpopoli (in Italian)
  2. ^ Referentendetails, Burg Fürsteneck (in German)
  3. ^ Didier François, "Playing in a Relaxed Way to Avoid Tendonitis", CADENCE — Nyckelharpa Cooperation.
  4. ^ Participants, CADENCE website.
  5. ^ CADENCE – Cultural ADult Education and Nyckelharpa Cooperation in Europe, 2011, Reichelsheim: Verlag der Spielleute / Tullinge: Tongång, ISBN 978-3-943060-00-3
  6. ^ a b "Tussen kunst en kunst - Didier François & de nyckelharpa", SABAM Magazine 64/2011, p. 27
  7. ^ "Didier François - Le musicien belge emmène la nyckelharpa au-delà de ses territoires connus", Paris, Trad Magazine 124 - Mars/Avril 2009 (in French)

External links[edit]