Different Drum

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This article is about the song written by Michael Nesmith. For the Linda Ronstadt album, see Different Drum (album). For the record label, see A Different Drum.
"Different Drum"
Single by The Stone Poneys featuring Linda Ronstadt
from the album Evergreen, Volume 2
B-side "I've Got To Know"
Released September, 1967
Format 7" single
Genre Rock, Folk rock, Baroque pop
Length 2:45
Label Capitol Records
Writer(s) Mike Nesmith
Producer(s) Nick Venet
The Stone Poneys featuring Linda Ronstadt singles chronology
"One for One"
"Different Drum"
"Up to My Neck in High Muddy Water"

"Different Drum" is a song written by Mike Nesmith in 1965 (also copyrighted that year) and originally recorded by the northern bluegrass band the Greenbriar Boys and included on their 1966 album, Better Late than Never!. The song tells of a pair of lovers, one of whom wants to settle down, while the other wants to retain a sense of freedom and independence. Its narrator is the lover who wants to remain free, telling the other that they "will both live a lot longer" if they part ways now.

The song reached a wider audience when Nesmith rushed through a version of it in a comedy bit while pretending to be Billy Roy Hodstetter, in the Monkees television show episode "Too Many Girls", which aired in December 1966. Davy Jones mentions this during the commentary track on some DVDs of this episode.[1]

Nesmith later rerecorded the song for his 1972 LP And the Hits Just Keep on Comin'. His version contains four verses, as opposed to the three in Ronstadt's version.

The Stone Poneys version[edit]

The song is best known for the 1967 version credited to the Stone Poneys[2] featuring a vocal performance by a young and up-and-coming singer named Linda Ronstadt. The song was Ronstadt's first hit single, reaching #13 on the Billboard Hot 100 as well as #12 on the Cash Box magazine singles chart. (It went to #1 in the Los Angeles market and #6 in Detroit.) [3] Ronstadt's version flips the gender references in Nesmith's original lyric, replacing "girl" with "boy" when describing her lover, but still referring to him being "pretty". The Stone Poneys had initially intended to record an "acoustic ballad version" of the song, but producer Nick Venet opted for a more complex instrumental approach, using an arrangement by Jimmy Bond (who also played bass), guitarist Al Viola, drummer Jim Gordon, strings led by Sid Sharp, and harpsichord played in baroque style (and largely improvised during the recording) by Don Randi. As a result, Ronstadt was the only member of the Stone Poneys who actually performed on the record.[4] Ronstadt later commented that she had been surprised and "completely confused" by the changed approach to the song, and that even years later she perceived "fear and a lack of confidence" in her performance. Nesmith, on the other hand, said that Ronstadt's performance of his song "infused it with a new level of passion and sensuality".[4]

Other versions[edit]

The song has been covered by many artists.


External links[edit]