Digital Devil Story: Megami Tensei
|Digital Devil Story: Megami Tensei|
Famicom cover art
|Platform(s)||Famicom, PC88, MSX, X1, FM-7, mobile, Super Famicom|
Digital Devil Story: Megami Tensei[a] refers to two distinct role-playing video games based on a trilogy of science fantasy novels by Japanese author Aya Nishitani. One version was developed by Atlus and published by Namco in 1987 for the Famicom—Atlus would go on to create further games in the Megami Tensei franchise. A separate version for personal computers was co-developed by Atlus and Telenet Japan and published by Telenet Japan during the same year. An enhanced port for the Super Famicom by Opera House was released in 1995.
The story sees Japanese high school students Akemi Nakajima and Yumiko Shirasagi combat the forces of Lucifer, unleashed by a demon summoning program created by Nakajima. The gameplay features first-person dungeon crawling and turn-based battles or negotiation with demons in the Famicom version, and a journey through a hostile labyrinth as Nakajima featuring real-time combat in the Telenet version.
Development on both versions of the video game began following the release of an original video animation adaptation of Nishitani's first Digital Devil Story book in early 1987. Nishitani was deeply involved with the design and scenario. The gameplay mechanics in Atlus' role-playing version of the game were based on the Wizardry series, but with an added demon negotiation system considered revolutionary for the time. Atlus and Telenet Japan worked on their projects simultaneously, playing against genre expectations for their respective platforms. The Famicom version proved the more popular with both critics and gamers, spawning a sequel titled Digital Devil Story: Megami Tensei II in 1990.
The Famicom version of Digital Devil Story: Megami Tensei is a traditional role-playing video game in which the player takes control of a party composed of two humans and a number of demons. The party explores a large dungeon using a first-person perspective. The human characters use a variety of weapons and items, with the primary weapons being swords and guns. The items, which can range from healing items to different types of currency, are picked up from enemies or found in chests scattered through the dungeon. Weapons and accessories are purchased at different shops found within the dungeon. Progress is saved using a password system.
Battles are turn-based, with random encounters taking place while exploring dungeons. At the end of a successful battle, experience points, money, and items are obtained. Experience points are shared by Nakajima and Yumiko; by gaining enough experience points, their levels raise, and they are given one ability point each, which can be given to one of five character attributes: strength, intelligence, attack, dexterity, and luck. During battles, the player can try to persuade enemy demons to join them, in exchange for magnetite, money, or items. The player can keep seven demons at a time, of which up to four can be summoned at the same time; summoned demons aid the player in battles with physical and magic attacks, but cost money to summon, and consume magnetite as the player walks around. The demons' attitude towards the player is governed by the moon phase, which cycles through eight phases from new to full. Demons do not level up; instead, the player can create stronger demons by visiting a special location and fusing two of their allied demons together into a new one.
The version for personal computers (PC) is an action role-playing game which plays from a top-down perspective. Controlling Nakajima, the player explores the labyrinthine levels of a dungeon populated by enemies. Combat plays out in real time, with Nakajima fighting demons using both short-range melee attacks and ranged magic attacks. Each section of the dungeon ends in a powerful boss character.
The plot sees Akemi Nakajima, a clever and bullied high school student who is the reincarnation of the deity Izanagi, develop a computer program which summons demons from Makai, the realm of demons. Initially using his program to gain revenge on his tormentors, the program goes out of control and he unleashes a horde of demons. The demons are commanded by Lucifer, who resurrects the demonic gods Loki and Set following their defeat by Nakajima and Yumiko. With help from his friend Yumiko Shirasagi, a transfer student that became interested in Nakajima and is the reincarnation of the goddess Izanami, Nakajima takes her into Makai to help combat the demons. The pair travel into a vast subterranean labyrinth, where they defeat Lucifer's generals—including Loki and Set—before fighting Lucifer himself and defeating him, closing the entrance to Makai.
Digital Devil Story: Megami Tensei began as a trilogy of science fantasy books written by Japanese author Aya Nishitani. Published by Tokuma Shoten, the novels were a major success in Japan. The novels were first adapted into an original video animation (OVA), which retold the events of the first novel. Following the completion of the OVA in 1987, Tokuma Shoten decided to expand the series into video games. The license to develop a game based on Nishitani's work was simultaneously acquired by two companies; Atlus and Telenet Japan. The two companies were willing to work on the same project, but wanted to differentiate their products. As the Famicom was noted for action-based titles and PCs for traditional role-playing games, the two companies decided to respectively play against platform expectations. Two different game projects were created with Tokuma Shoten's supervision under the Digital Devil Story: Megami Tensei title; Atlus created a traditional role-playing game which was published by Namco, while Atlus and Telenet collaborated on an action role-playing game which would be published by Telenet. The two versions were developed concurrently, although the version by Telenet was the first to be completed.
The Atlus version was directed by Kouji Okada, while the scenario's original elements were written by Kazunari Suzuki. Sprite and promotional artwork was designed by Esaki Minoru, and the music was composed by Tsukasa Masuko. During the early phases, the gameplay concept was a near-copy of the gameplay style of the Wizardry series, attributed by Suzuki to their superiors being fans of the series. Suzuki insisted on the inclusion of some new feature which would distinguish it from Wizardry. This resulted in the creation of the demon negotiation system. Okada later stated that demon negotiation was decided upon from an early stage. Speaking later about the first-person exploration, Okada was highly critical, feeling that after all their efforts "All we had left after everything was said and done were lots and lots of long, winding dungeons!". Storage space on the cartridge was a recurring concern for the team, with Suzuki using unspecified programming tricks to include high-quality sprite graphics. Due to the rules of the gaming industry at the time, the teams and studios either went uncredited or had pseudonyms, with Masuko being credited as "Project Satan".
The storyline of the game was based on the final novel in Nishitani's trilogy, Tensei no Shuuen,[b] although taking its title from the first novel, Megami Tensei.[c] Nishitani was deeply involved in planning the game, contributing suggestions and advice for the project. According to Okada, a major issue during development was faithfully following the novel's plot due to the limited hardware space on the Famicom cartridge, together with the necessity of creating a compelling gameplay experience. With this in mind, the team picked out key parts the novel's plot to include in the game while cutting out non-essential elements. One element that was not included was the questionable morality of the main protagonist, which was a prominent feature in the novels. Suzuki later commented that it was only because they were working with Namco that the game was ever released, due to its mature character designs and heavy use of religion in the narrative. The Cerberus demon, which would become a recurring feature in later Megami Tensei games, was a homage to the narrative of Nishitani's trilogy, at the same time emulating the trend for games to have a marketable mascot or character.
The PC version of the game was published by Telenet Japan for PC88, MSX, X1 and FM-7 models between July and September 1987. The PC88 version was re-released on April 25, 2006 by Kadokawa Shoten as part of a collection of fifteen games for the platform.
The Famicom version of Digital Devil Story: Megami Tensei was published by Namco on September 11, 1987. This version was later re-released through Atlus's dedicated mobile store; first for NTT DoCoMo mobile devices on February 26, 2004, then through the Vodafone live! service on December 1 of that year, and finally for BREW services on September 29, 2005. The mobile versions, while direct ports, featured graphical improvements, automatic mapping of dungeons and the ability to save anywhere in the game.
The game received an enhanced port for the Super Famicom by Japanese developer Opera House, combining the game with its sequel. For this version, the graphics was reworked, the gameplay adjusted, and the demon artwork redrawn by then-established series illustrator Kazuma Kaneko. The music was arranged by Hitoshi Sakimoto. Titled Kyuuyaku Megami Tensei,[d] the port was released on March 31, 1995. This version was re-released on the Virtual Console for Wii on July 3, 2012.
No version of the game has been released outside Japan. This has been attributed to Nintendo's policy of censoring religious references in games, which rendered the early Megami Tensei titles unsuitable for localization due to their central religious elements. A fan translation of Kyuuyaku Megami Tensei was released on August 28, 2014.
In its review, Famitsu compared the 3D dungeon exploration of the Atlus version to the Deep Dungeon series, with the critics giving praise to its gameplay and unusual setting. In an article about the game in 1991, Family Computer Magazine called it a "revolutionary RPG", praising its gameplay and atmosphere despite the design making it easy for players to get lost. Ohta Publishing magazine Continue cited its dark atmosphere and mechanics as both impressive given the limited hardware and innovative among role-playing games of the time. Kurt Kalata and Christopher J. Snelgrove of Hardcore Gaming 101 stated that it was "surprising how in depth the monster catching and fusing elements are given the game's age", praising its mechanics despite the age and high difficult curve. In contrast to their praise for the Famicom version, they referred to Telenet Japan's version as a poor clone of Gauntlet with low-quality graphics. While no specific sales figures are available, Okada said that the game was a commercial success, allowing Atlus breathing room to consider where to next take the series.
The mixture of demon negotiation and recruitment with the traditional role-playing mechanics were considered revolutionary for the time. UGO Networks writer K. Thor Jensen cited the game as the first successful use of cyberpunk aesthetics in video games, saying that the series' mix of science fiction elements and the occult "create a truly unique fictional cyberpunk world". In a 2012 feature on influential games, Game Informer's Kimberley Wallace attributed Digital Devil Story: Megami Tensei with pioneering the monster collecting gameplay popularized by the Pokémon series. In a 2015 retrospective on the game's 1992 successor Shin Megami Tensei, Touch Arcade's Shaun Musgrave noted the unusual game mechanics within its standardised role-playing formula, and its science fiction-inspired setting in contrast to the fantasy settings dominating the genre at the time.
Following the success of the game, Atlus decided to create a sequel, but instead of continuing to adapt Nishitani's work, they created an original story with an expanded narrative and refined gameplay. Titled Digital Devil Story: Megami Tensei II, the game was released for the Famicom in 1990. Digital Devil Story: Megami Tensei was the first game in the Megami Tensei series, with Atlus eventually buying the rights to the franchise and turning the series into their most famous intellectual property. Megami Tensei has been called the third most popular RPG series in Japan after Dragon Quest and Final Fantasy, and gone on to include multiple subseries and expansions into other media.
- Dejitaru Debiru Sutōrī Megami Tensei (デジタル・デビル
物語女神転生, lit. Digital Devil Story: Reincarnation of the Goddess)
- (転生の終焉, lit. Demise of the Reincarnation)
- (女神転生, lit. Reincarnation of the Goddess)
- (旧約・女神転生I-II, lit. The Old Testament: Megami Tensei)
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