19 March 1917|
|Died||2 December 1950
|Associated acts||Member of the Romanian Academy|
Dinu Lipatti (Romanian pronunciation: [ˈdinu liˈpati] ( listen); 1 April [O.S. 19 March] 1917 – 2 December 1950) was a Romanian classical pianist and composer whose career was cut short by his death from causes related to Hodgkin's disease at age 33. He was elected posthumously to the Romanian Academy.
Constantin Lipatti (from childhood called by the diminutive "Dinu") was born in Bucharest into a musical family: his father was a violinist who had studied with Pablo de Sarasate and Carl Flesch, his mother a pianist. For his baptism, which occurred not shortly after birth as is usual, but when he was old enough to play the piano, the violinist and composer George Enescu agreed to be his godfather. Lipatti played a minuet by Mozart at his own baptism. He studied at the Gheorghe Lazăr High School, while studying piano and composition with Mihail Jora for three years. He then attended the Bucharest Conservatoire, studying under Florica Musicescu, who also taught him privately. In June 1930, the best pupils at the Conservatoire gave a concert at the Bucharest Opera, and the 13-year-old Lipatti received a huge ovation for his performance of the Grieg Piano Concerto in A minor. In 1932 he won prizes for his compositions: a Piano Sonatina, and a Sonatina for Violin and Piano. That year he also won a Grand Prize for his symphonic suite Les Tziganes.
He entered the 1933 Vienna International Piano Competition but finished second to Polish pianist Bolesław Kon, some say controversially. Alfred Cortot, who thought Lipatti should have won, resigned from the jury in protest. Lipatti subsequently studied in Paris under Cortot, Nadia Boulanger (with whom he recorded some of Brahms's Waltzes Op. 39), Paul Dukas (composition) and Charles Munch (conducting). At eighteen, Lipatti gave his recital debut in Paris at the École Normale. On 17 May 1935, three days before the concert, his friend and teacher, Paul Dukas, died and in his memory Lipatti opened his program with J. S. Bach's Jesu, Joy of Man's Desiring in the transcription by Myra Hess, the first piece he publicly performed as an adult pianist.
Lipatti's career was interrupted by World War II. Although he gave concerts across the Nazi-occupied territories, as the war grew closer he fled his native Romania with his companion and fellow pianist, Madeleine Cantacuzene, settling in Geneva, Switzerland where he accepted a position as professor of piano at the conservatory. It was at this time that the first signs of his illness emerged. At first, doctors were baffled, but in 1947 he was diagnosed with Hodgkin's disease
He and Madeleine eventually married in 1947 but Lipatti's health continued to decline. As a result, his public performances became considerably less frequent after the war. His energy level was improved for a time by then experimental injections of cortisone and his collaboration with record producer Walter Legge between 1947 and 1950 resulted in the majority of the recordings of Lipatti's playing.
Lipatti gave his final recital, also recorded, on 16 September 1950 at the Besançon Festival in France. Despite severe illness and a high fever, he gave superb performances of Bach's Partita No. 1 in B-flat major, Mozart's A minor Sonata, K. 310, Schubert's G flat major and E flat major Impromptus, Op. 90, and thirteen of the fourteen Chopin Waltzes which he played in his own integral order. Coming to the last one, No. 2 in A-flat, he found he was too exhausted to play it and he offered instead Jesu, Joy of Man's Desiring, the piece with which he had begun his professional career only fifteen years before. He died less than 3 months later in Geneva aged 33, from a burst abscess on his one lung. Lipatti is buried at the cemetery of Chêne-Bourg next to his wife Madeleine (1915-1982), a noted piano teacher.
Lipatti's piano playing was, and is, widely appreciated for the absolute purity of his interpretations, at the service of which he used a masterful pianistic technique. Lipatti is particularly noted for his interpretations of Chopin, Mozart and Bach, but he also made recordings of Ravel's Alborada del Gracioso, Liszt, Enescu, and the Schumann and Grieg piano concertos. His recording of Chopin's Waltzes has remained in print since its release and has long been a favorite of many classical music-lovers.
Lipatti never recorded any music of Beethoven. It is a common misconception, however, that Lipatti did not perform Beethoven's music until late in his career. The Waldstein Sonata had been a feature of Lipatti's repertoire since 1935. He also performed the Emperor Concerto in Bucharest twice during the 1940–41 season, and even stood ready to record it for EMI in 1949. An internal memo from Lipatti's recording producer Walter Legge, dated 23 February 1948, states that "Lipatti ha[d] his heart set on doing a Beethoven Concerto in 1949" and nominates the Emperor Concerto, given that Lipatti had already performed it.
A recording of Chopin's Piano Concerto No. 1 in E minor, originally released under Lipatti's name, and said to have been a recording of a live performance in Switzerland in May 1948, proved not to be his contribution at all. In 1981, it emerged that the soloist on this recording was in fact a Polish pianist (and a fellow Cortot pupil), Halina Czerny-Stefańska, the joint winner of the 4th International Chopin Piano Competition, playing with the Czech Philharmonic Orchestra under Václav Smetáček. However, later on, an authentic recording by Lipatti of the Chopin Concerto was found.
The Pulitzer Prize-winning music critic Harold C. Schonberg wrote of Lipatti's 1947–48 Chopin concert recordings: "this is piano-playing of a stature that few artists of his generation could have come near approaching".
In addition to his pianistic accomplishments, Lipatti was a composer, who wrote in a neoclassical style with French and Romanian influences. His works include:
- Les Tziganes, symphonic suite (1934)
- Concertino in Classical Style, Op. 3 for piano and chamber orchestra (1936)
- Symphonie concertante for two pianos and orchestra (1938)
- Piano Sonatina for the left hand (1941)
- Danses roumaines for two pianos (1943) and for orchestra (1945)
- Concerto for organ and piano
- Aubade for woodwind quartet (ob, cl, bn, hn)
- Woodwind quintet - Quintet a vent a Monsieur Roger Cortet (unfinished / first part)
- Improvisation for Piano Trio
- Sonatina for violin and piano
- Piano Sonata in D minor
- Fantasie for piano, Op. 8
- Nocturne for piano
- 4 songs for voice and piano
- 6 Sonatas of Scarlatti (transcription for woodwind quintet)
- February 1937: Brahms, Waltzes, Op. 39, with Nadia Boulanger
- 14 January 1943: Lipatti, Concertino in Classical Style, with Hans von Benda and the Berlin Chamber Orchestra
- 4 March 1943: Lipatti, Sonatina for the Left Hand (Romanian Broadcasting)
- 18 October 1943: George Enescu, Piano Sonata No. 3 in D, Op. 25
- 1943: Enescu, Violin Sonata No 2 in F minor, Op,. 6 (George Enescu, violin)
- 1943: Enescu, Violin Sonata No. 3 in A minor, Op. 25 "In Romanian Popular Manner" (Enescu, violin)
- 1943: Enescu: Bouree from Suite No. 2 in D, Op, 10
- 20 February 1947: Scarlatti, Sonata in D minor, KK9 "Pastorale"
- 1 & 4 March 1947: Frédéric Chopin, Sonata No. 3 in B minor, Op. 58
- 18 & 29 September 1947: Grieg, Piano Concerto in A minor, with Alceo Galliera and the Philharmonia Orchestra
- 24 September 1947: Liszt, Sonetto del Petrarca no. 104
- 27 September 1947: Scarlatti: Sonata in E, KK 380; Chopin: Nocturne No. 8 in D-flat major, Op. 27, No. 2
- 2 October 1947: Bach, Keyboard Concerto No. 1 in D minor, BWV 1052 (arranged by Busoni), with Eduard van Beinum and the Concertgebouw Orchestra
- 9 & 10 April 1948: Schumann, Piano Concerto in A minor, with Herbert von Karajan and the Philharmonia Orchestra
- 17 April 1948: Maurice Ravel Alborado del gracioso from Miroirs
- 21 April 1948: Chopin, Barcarole in F-sharp major, Op. 60
- c. 1948: Lipatti, Concertino in Classical Style, Op. 3 (live, unidentified conductor and orchestra)
- 7 February 1950: Chopin, Piano Concerto No. 1 in E minor, Op. 11, with Otto Ackermann and the Tonhalle-Orchester Zurich and Chopin, Etudes, Op. 25/5 and Op. 10/5
- 22 February 1950: Schumann, Piano Concerto in A minor, with Ernest Ansermet and the Suisse Romande Orchestra
- 5 July 1950: Chopin, Mazurka No. 32 in C-sharp minor, Op. 50, No. 3
- 6-10 July 1950: Bach, Keyboard Partita No. 1 in B-flat, BWV 825; 4 Bach transcriptions by Busoni, Myra Hess, and Wilhelm Kempff; Mozart, Piano Sonata No. 8 in a, K. 310; Chopin, 14 Waltzes (ordered by Lipatti)
- 23 August 1950: Mozart, Piano Concerto No. 21 in C, K. 467 (Lipatti cadenzas), with Herbert von Karajan and the Orchestre du Festival de Lucerne
- 16 September 1950: Final Recital at Besançon (music of Bach, Mozart, Schubert, and Chopin)
- Anna Lipatti, La Vie du Pianiste Dinu Lipatti, Editions du Vieux Colombier, trans. Giveon Cornfield; quoted on Everest Records LP 3166
- Jeremy Siepmann, Liner notes for Chopin: 14 Valses, etc, EMI Cat. D114628, 1980
- Mark Ainley (2002). "Dinu Lipatti: Prince of Pianists". markainley.com. Retrieved 30 August 2015.
- Classics Today.com – Your Online Guide to Classical Music
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