Do Not Fold, Spindle or Mutilate
|Do Not Fold, Spindle or Mutilate|
|Based on||the novel by
Doris Miles Disney
|Screenplay by||John D. F. Black|
|Directed by||Ted Post|
|Theme music composer||Jerry Goldsmith|
|Country of origin||United States|
|Producer(s)||Lee Rich (executive producer)
Robert Jacks (producer)
|Editor(s)||Folmar Blangsted, A C E|
|Cinematography||Stanley Cortez, A.S.C.|
|Running time||73 minutes|
|Production company(s)||Samuel Goldwyn Studios|
|Original release||November 9, 1971|
Do Not Fold, Spindle or Mutilate is a 1971 American television film made for ABC Movie of the Week. Directed by Ted Post, it stars Helen Hayes, Myrna Loy, Mildred Natwick, Sylvia Sidney, John Beradino and Vince Edwards, with the screenplay adapted by John D. F. Black from a novel of the same name by Doris Miles Disney. Both the novel and film are noteworthy as a pre-World Wide Web foray into the idea of virtual reality.
||This article's plot summary may be too long or excessively detailed. (May 2015)|
Residing in the Los Angeles County city of Pasadena, four middle class ladies in their late sixties (Helen Hayes, Myrna Loy, Mildred Natwick and Sylvia Sidney) habitually meet for lunch and exchange small talk with their waitress (Dodo Denney). During the meal they discuss an "amusing" project to create a fictitious profile of a young woman and submit it to a computer dating service. Several days later, they start receiving letters from potential suitors and derive additional amusement from reading them out loud. Meanwhile, after dark, in a car parked in front of her home on a quiet residential street, a young woman (Diane Shalet) becomes alarmed by the aggressive behavior of her date (Vince Edwards) whose attempts to force himself upon her cause her to scramble out of his car and, when he comes out and attempts to manhandle and restrain her, she tearfully runs into the house, as her mother (Margaret Wheeler) calls out through the window, "Ruthie". The man gets back in his car and drives away while his audible thoughts reveal that he has difficulty relating to women and the resulting resentment and rage he feels towards them. He tries to recall the name of another prospect for a relationship and settles on the fictitious "Rebecca" submitted to the "Scientific Associates" computer dating agency by the aged ladies.
Composing a letter on his portable typewriter, he introduces himself, giving his name, exact address and phone number, which makes his words seem, in the opinion of the ladies, like those of "an accountant". In the meantime, he walks down the street, thinking "it would be a break if Rebecca has a little bread, that's a big plus, yeah, to have a chick with money, makes everything so easy..." Entering a flower shop, he is asked by the European-accented florist (Leonidas Ossetynski), "how goes with the book writing, Mal?", answering, "great, great, I've got two publishers fighting over me." When the florist says, "then I guess you won't sell the movie rights to that guy from studio.", he replies, "oh, not yet." Inquiring of the florist, "what've you got that's cheap?", he gets two bunches of spring flowers and leaves.
Returning home, he takes a bubble bath, dreaming of his date, "here she comes down the street, five-seven, blonde, blue eyes, twenty-three, great figure, heh, I'd know her anywhere. Hi, Rebecca, these are for you. I'm Mel Weston." An hour or so later, sitting in his car across from the house, he sees two of the ladies go in, but no sight of a young woman. Going back to his place, he is enraged over wasting time and money on the flowers and smashes them against a lamp. Then, using a pay phone, he pretends to be a physician on an emergency call and gets the phone number corresponding to the ladies' address. Calling their house, he makes a date at the Pasadena cocktail lounge, "The Velvet Trap", at 5:30, even though the ladies try to put him off by pretending to be engaged.
Arriving at "The Velvet Trap", the ladies are shown to their table by the hostess (Patrecia Wynand). Mal arrives soon thereafter and as they observe and critique him from across the lounge, an attractive young woman in a minidress (Barbara Davis) comes in and sits at a table. Mal introduces himself and tells her that he's been waiting for her. She says that she has an appointment at 6:30, but offers to have a drink with him at her place. As they leave, the ladies comment that he may not have been "our Malcolm Weston at all, he was too thin" and "she was too heavy to ever be Rebecca". As Mal and the woman arrive at her place, he thinks, "I could move in here and work on a book while she's at her aunt's", and then she says, "twenty dollars honey, in advance". Astonished at hearing this, he calls her "tramp" and she replies, "well, I've been called worse". Anger boiling over, he says that he wouldn't give her twenty nickels and when she tells him to leave, he pours out his anger over being deceived and, since she then threatens to call the police, kills her by smashing a candlestick over her head. Back home, while the ladies wonder if they had, indeed seen "Malcolm Weston", at the murdered woman's place, police detective Hallum (John Beradino) arrives and asks Sergeant Lutz (Larry D. Mann) the woman's name and is told, "Brenda Bauer. Brenda Ames everywhere, but at the station." Returning to his own place, Weston realizes that he neglected to wipe his fingerprints at the murder site, so he packs his belongings, stuffs his typewriter into a duffel bag and drives to Brenda's apartment, but sees that her body had already been discovered, and drives away. At the precinct, detective Hallum questions a man (Paul Smith), "Don't get yourself in an uproar, Mr. Cutter, we really don't care why you went there". Cutter turns to his lawyer (Gary Vinson) and asks, "Do I answer that?" and the lawyer replies, "If you think you can...safely." The exasperated Hallum says to the lawyer, "For crying out loud, Mr. Jonas, you're making this guy sound as guilty as sin. Stop with the cagey act, will you, and explain to your client that unless the coroner declares Brenda Bauer hit herself on the head with that candlestick five times, we've got a murder case here. He's not a prime suspect. His fingerprints don't match the prints on that candlestick. Now tell him to start talking to me and you stop dancing and maybe we can go home. I'm tired." The diffident Jonas replies, "Well, seems reasonable, but I must insist on protecting my client's best interests." Hallum retorts, "then go out and hire him a lawyer who knows what he's doing. Like I said, I don't care why you went there. I just want to know when you made the appointment and if she said anything to you at all about what she expected to be doing before she met you. Now is that so hard to answer?" Cutter then says, "Well, as a matter of fact, we... we had a standing appointment...uh... every Tuesday at 6:30. we never saw each other any other time, or even talked on the phone. Just... uh... every Tuesday night at 6:30."
The next morning, the ladies look at their morning copy of The Pasadena Herald and see Brenda's photo under the front page headline "Girl Victim in Bludgeon Murder" and recognize her as the woman who left with the man presumed to be Mal Weston. Weston also sees the paper and realizes the victim wasn't Rebecca and calls the ladies' number, but they had already left the house to investigate and go to visit the hostess who is in the midst of bottle-feeding her baby and recognizes Brenda's photo in the paper. They then proceed to the address given by Weston to confirm if he is the same man they saw in the lounge. The door to his room is open and they go inside, commenting on his poor housekeeping. A man comes in, introducing himself as Tubbs (John Mitchum), the building manager. The ladies tell him they were paying a surprise visit to their nephew and leave. Weston calls the ladies again, but hangs up just before they walk in and pick up the phone. Hallum and Lutz arrive at Weston's apartment and learn from Tubbs that the ladies had already been there. Lutz says, "Have to be the same four that were at The Velvet Trap this morning and went to see that hostess after", and Hallum replies, "Looks like they got a jump on us. Got everywhere before we did." The ladies' phone rings again, but they are in the midst of visiting the precinct where, as they sit waiting, a handcuffed gum-chewing miscreant (William Sumper) stares at them and, as he is led past them, whispers something into the ear of one of the ladies (Mildred Natwick) and she promptly faints. In the meantime, Weston still gets no answer as he keeps calling the ladies' house.
Detective Hallum says to the ladies, "She'll be allright now. Sergeant Lutz was number one in his first aid class." He then tells Lutz to "get a steno in here to take this all down, we'll want an official record." After the story is told and the ladies are about to leave one of them (Helen Hayes) asks Hallum, "Would you like me to find out what that man said to Mrs. Saunders?" Hallum replies, "We know that character, m'am, we can guess what he said" and she asks, "What was it?" Hallum says, "Probably...", then stops and adds, "I really don't think you'd like to hear that" and she replies, to Hallum's consternation, "Oh, yes, I would." Before the ladies arrive home, Weston comes to their home, knocks on the door and then goes to the backyard. When the ladies come in, he threatens them, but when Mrs. Saunders faints again, he trips over her, falls, is partially stunned and then is completely knocked out when the ladies smash a vase over his head. Back at the precinct, as the ladies again give details to Hallum and Lutz and then leave, Lutz wonders, "How'd they do it?" and Hallum tugs at his tie and replies, "I don't know." Lutz continues, "I mean he really could've killed them all. Even without a gun. He could've done 'em all in. He could've." Hallum surmises, "He's not a pro. He killed that Bauer girl in a panic and a fit of passion. Maybe he didn't get panicky or passionate." The ladies walk away from the precinct, exchanging small talk about the experience, ending with, "It certainly has been one hell of a day, hasn't it, girls?"
Brief continuation in a similar form
On December 16, 1972, thirteen months after the November 9, 1971 ABC broadcast of Do Not Fold, Spindle or Mutilate, NBC broadcast The Snoop Sisters, a two-hour television film about two aged sisters who write mysteries as well as solve crimes which take place wherever they happen to be. Although they were not the same characters as those seen in Do Not Fold, they were played in the same style by two of the earlier telefilm's cast members, Helen Hayes and Mildred Natwick. The sister relationship from the earlier film, with Helen Hayes presented as the adventurous one, wandering into dangerous situations, and Myrna Loy as the cautious, level-headed one, was repeated in the 1972 film and the additional four ninety-minute episodes, with Mildred Natwick who played Helen Hayes' friend and co-adventurer in the 1971 film, taking over from Myrna Loy as the cautious sister.
Evaluation in film guides
In its title heading for this telefilm's write-up, Leonard Maltin's Movie Guide inserted a comma between "Spindle" and "or", although no such comma appears in the production's on-screen title. Maltin rated it "Average" (the other two rating possibilities being "Above average" or "Below average"), with the comment that "[W]ay in which prank turns frightening could've been handled far, far better; otherwise, good performances." Steven H. Scheuer's Movies on TV had a lower opinion of it, assigning 1½ stars (out of 4), with the opening sentence stating, "[T]his all-star comedy about murder tends to be a bit coy..."
- "This is the inscription on an IBM punched card. Frequently, office workers organize papers and forms by stapling or folding them together, or by impaling them on a spindle. Because Hollerith (punched) card readers scan uniform rectangular holes in a precise arrangement, any damage to the physical card makes it unusable. In the 1950's and 1960's, when punched cards became widespread, manufacturers printed a warning on each card; IBM's "Do not fold, spindle, or mutilate" was the best known." — Balaban, Naomi E.; Bobick, James E., eds. (April 1, 2011), The Handy Science Answer Book (Fourth ed.), Canton, MI: Visible Ink Press, p. 34, ISBN 978-1578593217
- Spindle" refers to a pointed vertical metal pin on a weighted base that many office workers utilized on their desks to hold stray notes and documents; the sheets of paper would be "skewered" on the pin to form a stacked bundle of pierced pages. This device is less in use nowadays because of the injury hazard presented by the sharpened tip.
- The Snoop Sisters at AllRovi
- Do Not Fold, Spindle or Mutilate at the Internet Movie Database
- Do Not Fold, Spindle or Mutilate at AllMovie
- Do Not Fold, Spindle or Mutilate at the TCM Movie Database
- Do Not Fold, Spindle or Mutilate at CampBlood Homo Horror Features
- Do Not Fold, Spindle or Mutilate at The Obscurity Factor: The Best Movies You Never Saw