Doctor Who (film)
|156 – Doctor Who|
|Doctor Who television movie|
1996 promotional poster
|Producer||Peter V. Ware
Matthew Jacobs (co-producer)
|Executive producer(s)||Philip David Segal
Jo Wright (for the BBC)
|Incidental music composer||John Debney
|Length||85 mins (UK)
89 mins (US)
|Originally broadcast||12 May 1996 (Canada)
14 May 1996 (USA)
27 May 1996 (UK)
Doctor Who, also referred to as Doctor Who: The Movie  to distinguish it from the television series of the same name, is a British-American-Canadian television film continuing the British science fiction television series Doctor Who. Developed as a co-production between BBC Worldwide, Universal Studios, 20th Century Fox and the American network Fox, the 1996 television film premiered on 12 May 1996 on CITV in Edmonton, Alberta, Canada (which was owned by WIC at the time before being acquired by Canwest Global in 2000), 15 days before its first showing in the United Kingdom on BBC One and two days before being broadcast in the United States on Fox. It was also shown in some countries for a limited time in cinemas.
The film was the first attempt to revive Doctor Who following its suspension in 1989. It was intended as a back-door pilot for a new American-produced Doctor Who TV series and introduced Paul McGann as the Eighth Doctor in his only televised appearance as the character until "The Night of the Doctor" in 2013. It also marks the final appearance of Sylvester McCoy as the Seventh Doctor and the only appearance of Daphne Ashbrook as companion Grace Holloway. Although a ratings success in the United Kingdom, the film did not fare well on American television and no series was commissioned. The series was later relaunched on the BBC in 2005. The only official Doctor Who episodes between the film and the new series were a 1999 spoof, Doctor Who and the Curse of Fatal Death, and a 2003 animation, Scream of the Shalka.
Although the film was primarily produced by different people than the 1963–89 series and intended for an American audience, the producers chose not to produce a "re-imagining" or "reboot" of the series but rather a continuation of the original narrative. The production was filmed in Vancouver, British Columbia, to date the only episode of Doctor Who filmed in Canada.
- 1 Plot
- 2 Production
- 3 Broadcast and reception
- 4 Commercial releases
- 5 References
- 6 External links
As the film opens, the Master has been tried on Skaro and found guilty of a "list of evil crimes". His death sentence at the hands of the Daleks has been carried out. His last wish was for his remains to be returned to Gallifrey by his archenemy, the Doctor, currently in his seventh incarnation.
During the trip back to Gallifrey in the Doctor's TARDIS, the Doctor is reading H. G. Wells' The Time Machine and listening to a torch singer on an old gramophone - which at one point skips on the word "Time" until thumped back into shape. The box containing the Master's remains shakes violently and breaks open allowing a sentient ooze to escape from it. The ooze enters the TARDIS controls and forces an emergency landing in Chinatown in San Francisco, California on 30 December 1999. As the Doctor steps from the TARDIS to find his bearings, he is shot by a gang who are chasing down Chang Lee, a young Chinese-American man. The Doctor manages to sputter out a few sentences to Lee, before fainting from pain. Lee calls for an ambulance, and the Doctor is rushed to a nearby hospital. The surgeons find, through X-rays, that the Doctor has two hearts, but they assume the X-ray image is a double exposure. They put The Doctor under pain drugs while they remove the bullets from his right shoulder and left leg before calling in a cardiologist. As cardiologist Dr Grace Holloway starts to operate with a cardiac probe, the Doctor wakes up, tries to prevent the operation by explaining his non-terrestrial origins and tells Grace he needs a beryllium atomic clock, but he is quickly put under anaesthetic and passes out once again. The Doctor's anatomy confuses Grace, who accidentally damages his circulatory system with a probe, killing him. The Doctor is declared dead, and his body is placed into a morgue. Lee steals the Doctor's possessions, including the TARDIS key, and runs off. Meanwhile, the ooze, which had stowed itself away on the ambulance, attacks and takes over the body of the ambulance driver, Bruce. When Bruce's wife comments on his change in behavior the next morning, the Master, now controlling his body, murders her.
Late in the night, the Doctor starts breathing again and regenerates into a new body, and leaves the morgue in a state of confusion, donning parts of costumes intended for the New Year's party later that night. He follows Grace as she leaves the hospital, and convinces her that, though his appearance is different, he is the same man she operated on earlier when he pulls out the remains of a probe she had inserted during the surgery. Grace - who has resigned from her job at the hospital after the administration chose to cover up the botched surgery and destroy the Doctor's tell-tale X-rays - takes the Doctor home.
Meanwhile, Lee returns to the TARDIS with the key, and enters the time machine. The Master arrives soon afterwards and tells Lee that the Doctor stole the TARDIS from him, as well as his body, which he wants to retrieve. He convinces Lee to open the Eye of Harmony, which he is able to do thanks to his human retinal pattern. The Doctor recovers his memory and tries to keep his own eyes shut to prevent the Master from seeing through them. The Doctor also warns Grace that if they do not shut the Eye before midnight, the entire planet may be sucked into it, and that to close it, he needs an atomic clock. Grace disbelieves the Doctor initially, but when he demonstrates that the nature of reality is already changing by walking through her bay windows without breaking them, she agrees to take him to the unveiling of an atomic clock at the San Francisco Institute of Technological Advancement and Research. They are given a lift to the Institute in an ambulance driven by Lee and the Master, whom the Doctor does not yet recognize. However, when the Master removes his sunglasses, revealing non-human eyes, the Doctor and Grace abandon the ambulance and steal a police motorcycle, but not before the Master is able to shoot Grace's wrist with a strange, bile-like fluid from his mouth.
At the Institute, the Doctor and Grace manage to collect the integrated circuit chip with the atomic clock mechanism by subterfuge, and make their way back to the TARDIS. Once there, the Doctor is able to install the chip and close the Eye, but discovers that the Eye has been open for too long, and that they must revert time to before the Eye was opened to prevent the destruction of the Earth. However, before the Doctor can route power to the TARDIS, the Master takes control of Grace using the bile which has infected her, and forces her to knock out the Doctor. The Doctor is chained above the Eye, his eyes forced open so as to allow the Master to take his remaining regenerations. When the Doctor awakes, he tries to talk Lee out of the Master's spell initially to no avail; however, when the Master lies to Lee in order to get him to open the Eye again, Lee refuses, causing the Master to kill him. The Master then releases his control of Grace, returning her eyes to human appearance, and then forces her to open the Eye. While the Master begins the process of transferring the Doctor's remaining regenerations to him, Grace is able to connect the last power circuit in the console room, sending the TARDIS into a time-holding pattern just moments after the turn of midnight, staving off destruction of the Earth. When Grace tries to return to help the Doctor, she is thrown over a balcony and killed by the Master, but her interference has given the Doctor enough time to push the Master into the Eye itself, apparently killing him. The action causes the Eye to close, and time to revert to a few moments before midnight, bringing both Grace and Lee back to life.
As the three recover, they find the world is safe. As Lee departs after returning the rest of the Doctor's possessions, the Doctor warns him not to be in San Francisco during next year's Christmas Day. The Doctor then asks Grace to travel with him in the TARDIS, but she politely refuses and also leaves. The Doctor returns to the TARDIS and pilots off to a new adventure. As he returns to the book he was reading before being forced to Earth, the gramophone skips at the same point, leading the Doctor to exclaim "Oh no, not again!"
- Until 2013's "The Night of the Doctor", the television movie was Paul McGann's sole televised story as the Doctor. It has inspired an ongoing Doctor Who novel line, comic strip, and audio series that featured the Eighth Doctor for years, beyond the TV series' return in 2005. The Eighth Doctor was also featured in a series of BBC7 audio plays since 2007.
- The Seventh Doctor is seen wearing a different costume from the one he wore during his 1987–1989 tenure: gone are the question mark pullover and umbrella. The costume does include the original hat, which is actually owned by Sylvester McCoy.
- When reluctantly filling out an emergency medical treatment form, Chang Lee (who had only met the semi-conscious Seventh Doctor minutes earlier and did not know his identity) gives the Doctor's name as "John Smith", a recurring alias originally given to the Second Doctor by companion Jamie McCrimmon in The Wheel in Space.
- Much of the movie's plot rests on a revelation that the Doctor is half-human, "on [his] mother's side". Following the movie, several Eighth Doctor Adventures novels seek either to explain or elaborate on this premise, often with conflicting results. Alien Bodies suggests that only the Eighth Doctor is half-human, while Unnatural History and The Gallifrey Chronicles suggest that the Doctor was sired from a union of a Victorian lady called Penelope Gate and a Time Lord named Ulysses. The Taking of Planet 5 takes a different approach, suggesting that the Doctor slowly became half-human through repeated regeneration in close proximity to humans, causing the Doctor to absorb aspects of their DNA. Although the issue has yet to be explicitly revisited on-screen, in "Journey's End" a second version of the Doctor is created through a combination of the Doctor's and his human companion's physiologies; unimpressed with his half-human body, this new Doctor wonders how humans can manage with only one heart. In the 2008 Doctor Who comic book The Forgotten the Doctor states that, upon finding out that the Master had escaped from the box, he used the Chameleon Arch to deceive the Master with the fiction of being half-human.
Daleks and the Master
- Although the Doctor's most famous alien adversaries, the Daleks, are not seen in the film, they are heard condemning the Master to death during the film's opening sequence (sporting their trademark war cry of "EX-TER-MIN-ATE!").
- The Master tried to use the Eye of Harmony to obtain a new set of regenerations before, in The Deadly Assassin. He was also offered a new set of regenerations by the Time Lords in The Five Doctors, but his continued quest for regenerations in later stories like Planet of Fire implies that he never received them.
- Although the TARDIS interior changed several times throughout the original series, the movie's set was the most dramatic change yet, replacing the sterile white corridors and "roundel"-based design with a steampunk theme reminiscent of Jules Verne. Several subsequent tie-in novels attempted to explain the change.
- This film introduces the idea of including Earth-centric elements on the TARDIS control console, such as an early 20th-Century automobile handbrake, apparently used for a similar purpose. This was used again in the 2005 and 2010 designs of the console.
- The Deadly Assassin (1976) established that the Eye of Harmony is held on Gallifrey; its inclusion on the TARDIS in the film conflicts with this.
- The film further states that the "Eye" can only be opened with the scan of a human retina, a fact apparently tied to the Doctor's own partially human retinal pattern.
References to other stories
- The book that the Doctor sits down to read at the beginning and the end of the movie is The Time Machine by H. G. Wells. The Doctor shared an adventure with Wells in the Sixth Doctor serial Timelash and would meet him again in the Tenth Doctor comic "The Time Machination". In 1973's Frontier in Space, the Master is seen reading Wells' The War of the Worlds. In the untelevised story Shada, Professor Chronotis can be seen with a copy of The Time Machine, which is later visible throughout the episode.
- This is one of six Doctor Who adventures to be set on New Year's Eve 1999 and New Year's Day 2000. The comic strip Plastic Millennium, published in the Doctor Who Magazine Winter 1994 Special; Craig Hinton's Virgin Missing Adventures novel Millennial Rites (October 1995); Justin Richards's Past Doctor Adventures novel Millennium Shock (May 1999), the Short Trips: Seven Deadly Sins story "Suitors, Inc." (2005) and the Fourth Doctor's segment from the comic The Forgotten (2008) all take place on those dates, as do elements of the Torchwood episode "Fragments".
- The "time tunnel" effect of the 2005 Doctor Who series onwards is reminiscent of the vortex that the TARDIS travels through in the opening credits and climax of the television movie which in itself is reminiscent of the vortex in the opening and closing sequences of 1974-1980.
- Yee Jee Tso would later return in 2002 to play Major Jal Brant in the Seventh Doctor audio drama Excelis Decays and Doctor Reece Goddard in the Sixth Doctor webcast Real Time.
- Daphne Ashbrook would later return in 2004 alongside Paul McGann's Eighth Doctor as Perfection in the audio drama The Next Life.
- Tso and Ashbrook returned to Big Finish together playing Captain Ruth Matheson and Warrant Officer Charlie Sato of UNIT in the audio dramas Tales From The Vault and Mastermind, both part of the Companions Chronicles series, in 2011 and 2013.
|Episode||Broadcast date||Run time||Viewers
|"Doctor Who"||12 May 1996
14 May 1996 (US)
27 May 1996 (UK)
- The decreased run time in the UK is not due to editing, but is a result of PAL speedup.
Producer Philip Segal had been trying for some years to launch a new American-produced series of Doctor Who, but the Fox Network — the only American network that showed any interest — was only prepared to commit to a single telemovie. It was hoped that, would the telemovie be successful, Fox might be persuaded to reconsider a series; however, the telemovie's ratings performance in America was not strong enough to hold Fox's interest.
The production budget for the movie (as revealed in the book Doctor Who: Regeneration) was US$5 million, with the Fox Network spending $2.5 million, BBC Television contributing $300,000, and the remaining $2.2 million split between BBC Worldwide and Universal Television.
Miranda, the wife of Bruce, is played by Eric Roberts' real-life wife, Eliza Roberts.
The producers of the television movie compiled several lists of actors to consider for the part of the Doctor. Among early thoughts were Michael Crawford, Tim Curry, Eric Idle, Billy Connolly, Trevor Eve, Michael Palin, Robert Lindsay, and Jonathan Pryce. All were uninterested in the project, or unavailable for the intended filming dates.
Casting sessions took place in March 1994; actors who actually auditioned for the role include Liam Cunningham, Mark McGann, Robert Lindsay, Tim McInnerny, Nathaniel Parker, Peter Woodward, John Sessions, Anthony Head, and Tony Slattery. Paul McGann was first considered around the time of these auditions, but did not formally audition for the part until later.
Among the actors who were invited to audition for the role of the Doctor but declined the opportunity were Christopher Eccleston and Peter Capaldi. Eccleston and Capaldi would go on to play the Ninth and Twelfth incarnations of the Doctor respectively in the revived series of Doctor Who which began in 2005. Eccleston turned down the offer to audition for the TV Movie because at the time he felt he was not yet an established enough actor and did not want to be associated with a "brand name" so early in his career. Capaldi declined because he felt it was unlikely that he would be given the part.
The movie was filmed on 35mm film in Vancouver, British Columbia, the first time any Doctor Who story had been filmed in North America (although the 1985 Sixth Doctor story The Two Doctors was originally planned for New Orleans). It is, to date, the only Doctor Who production to be entirely mounted outside of the UK (whereas all other episodes shot on foreign soil included at least some studio taping in the UK). Until the 2011 Eleventh Doctor stories "The Impossible Astronaut" and "Day of the Moon", the film was the only story to have principal photography in North America, followed by the 2012 story "The Angels Take Manhattan".
In the 2005 Doctor Who Confidential episode "Weird Science", and on the DVD commentary, Sylvester McCoy reveals that during the sequence where he locks the casket with his sonic screwdriver, he held the tool pointing the wrong way around (although in the original series, it is seen being used both ways). The sonic screwdriver was blurred in post-production to conceal the error. This is also the only time the Seventh Doctor was seen using a sonic screwdriver.
The opening pre-credits sequence went through a number of modifications, with several different voice-overs recorded. At one stage the voice-over was to be made by the old Master, played by Gordon Tipple; in the end this was not used. Tipple is still credited as "The Old Master", though in the final edit his appearance is very brief, stationary, and mute. Had the original pre-titles voice-over been used, it would have been unclear what incarnation of the Doctor Sylvester McCoy portrays in the movie (as he is simply credited as "The Old Doctor"). Only the rewritten narration (as read by Paul McGann) makes his number of regenerations clear. The sequence of the TARDIS flying through the time vortex was briefly reused in the opening of Doctor Who and the Curse of Fatal Death, as the Master observes Rowan Atkinson's Doctor.
Instead of designing a new Doctor Who logo for this film, it was decided instead to use a modified version of the logo that was used for the Jon Pertwee era of the original series (with the exception of the final season). This logo, being the last logo used on an "official" Doctor Who broadcast before the 2005 revival, is to this day used by the BBC for most Doctor Who merchandise relating to the first eight Doctors.
John Debney was commissioned to write the score for this film, and intended to replace Ron Grainer's original theme with a new composition. Ultimately Debney did in fact use an arrangement of Grainer's music for the theme, although Grainer goes uncredited.
Alternative titles and labelling
There is some disagreement over exactly what the movie should be called. The production documentation only referred to the project as Doctor Who. Segal suggested the unofficial title Enemy Within as an alternative at Manopticon 5, apparently after being repeatedly asked what the actual title for the movie was. Both DVD releases are labelled Doctor Who: The Movie. The VHS release contains both the name Doctor Who and the phrase, The Sensational Feature Length Film (plausibly read as a subtitle). The most common fan usage appears to refer to it as "the television movie", the "TVM", or variations thereof.
Upon translation into French, this film was renamed Le Seigneur du Temps (literal translation: "The Lord of Time").
"TVM" is the production code used in the BBC's online episode guide. The actual code used during production is 50/LDX071Y/01X. Doctor Who Magazine 's "Complete Eighth Doctor Special" gives the production code as #83705. Big Finish Productions uses the code 8A, and numbers its subsequent Eighth Doctor stories correspondingly.
Broadcast and reception
Commercials on the Fox network advertising the film used special effects footage from the 1986 story The Trial of a Time Lord, although this footage was not used in the movie. This marked the first time that footage from the original BBC series had been shown on a major American network. The advertisements also used a different arrangement of the Doctor Who theme music from that heard in the film.
The movie received disappointing US ratings. It received 5.6 million viewers, a total 9% share of the audience. However, when shown on BBC One in the United Kingdom on Monday 27 May at 8.30pm, thirteen days after its American broadcast, it received over 9 million viewers in the UK alone (the highest drama ratings in Britain of the week). It received a 75% Audience Appreciation score.
Third Doctor actor Jon Pertwee died a few days after the US broadcast of the film, and the UK broadcast included an epitaph to the actor. The UK broadcast was also edited for broadcast in a pre-Watershed timeslot. The scenes where Chang Lee's friends are fired upon was cut because of the BBC's sensitivity about gun violence following the Dunblane massacre three months before. The operating room scene was also extensively cut, in particular the seventh Doctor's dying scream.
Maureen Paton in the Daily Express praised the movie "At last we have a grown-up hi-tech Doctor Who in Paul McGann...only a low-tech Luddite would miss the endearing amateurism of the old teatime serial format...the makers would be mad not to pursue the option of a series." Matthew Bond of The Times, by contrast stated "If the series is to return it will need stronger scripts than this simplistic offering, which struggled to fill eighty-five minutes and laboured somewhat in its search for wit". The letters pages of The Radio Times were divided between viewers who liked and disliked the TVM.
The movie was scheduled to be released on home video in the United Kingdom several weeks before broadcast to capitalize on the interest in the series returning. However, the British Board of Film Classification required the video release to have the same edits as the broadcast version, and so the release was delayed to a week prior to its debut broadcast on BBC One. Hundreds of fans queued in London at midnight in order to buy a copy at the earliest possible moment, however overall sales were impacted by the now-imminent broadcast.
The unedited version was released on DVD in the UK in 2001 titled as Doctor Who: The Movie, and was re-released in 2007 as a limited edition with an alternative cover sleeve (but with no change in content) as part of a series of classic series re-releases aimed at attracting fans of the revived series to the older shows.
Both the edited and unedited versions have also been released in countries such as Australia and New Zealand.
The 2010 DVD box set Revisitations contains the movie with a new, updated Special Edition DVD features. It included a new commentary with Paul McGann and Sylvester McCoy, an hour-long documentary on the time in between the film and the series' cancellation in 1989, a documentary on the 7 years it took to get the film made, a documentary on the 8th Doctor's comic strip adventures, a documentary on the media reaction the 8th Doctor, a documentary on the ties with Blue Peter and Doctor Who as well as all of the original features including the original commentary with Geoffrey Sax. On August 25, 2010, Dan Hall of 2entertain confirmed that this updated version would be released in North America sometime in the next twelve months following extensive negotiations with Universal Studios. Two months afterward, a North American DVD release date for the 2-disc Doctor Who: The Movie - Special Edition was announced to be February 8, 2011.
In 2013 it was released on DVD again as part of the "Doctor Who: The Doctors Revisited 5-8" box set, alongside the classic serials Earthshock, Vengeance on Varos, and Remembrance of the Daleks. Alongside a documentary on the Eighth Doctor, it also features an introduction from current show runner Stephen Moffat.
|Doctor Who - Original Soundtrack Recording|
|Soundtrack album by John Debney|
|Label||John Debney Productions|
|Doctor Who soundtrack chronology|
Music from the movie was on a promotional-only soundtrack album published by the composer, John Debney. Additional music was contributed by John Sponsler and Louis Febre. Although the composer of the Doctor Who Theme, Ron Grainer, did not receive screen credit for his composition in the TV movie broadcast, the CD finally attributes the proper credit on its cover. The entire score was re-released with previously unreleased cues as the eighth disc of the eleven disc Doctor Who: The 50th Anniversary Collection on 29 September 2014.
All music composed by John Debney, except where noted.
|1.||"Prologue: Skaro" / "'DOCTOR WHO' Theme" (former composed by John Sponsler; latter composed by Ron Grainer)||1:38|
|2.||"Breakout" (composed by John Sponsler)||2:39|
|3.||"Wimps" / "Doctor #7 Is Shot" (former composed by John Sponsler; composed by Debney and John Sponsler)||1:44|
|4.||"Aftermath" (composed by Debney and John Sponsler)||1:09|
|5.||"X-Ray" / "Snake in the Bathroom" (former composed by John Sponsler; latter composed by Debney and John Sponsler)||1:28|
|6.||"'Who Am I?'" (composed by Louis Febre)||1:58|
|7.||"City Scape" (composed by Debney and John Sponsler)||1:07|
|8.||"Time" (composed by Debney and Louis Febre)||0:58|
|9.||"Primitive Wiring" / "The Unbruce" (former composed by Louis Febre; latter composed by Debney and Louis Febre)||1:40|
|10.||"Two Hearts" (composed by Debney and Louis Febre)||1:15|
|11.||"The Tardis" / "True Identity" (both composed by Debney and Louis Febre)||2:16|
|12.||"Night Walk" (composed by Debney and Louis Febre)||1:48|
|13.||"The Eye of Harmony" / "Half Human" (both composed by Louis Febre)||4:39|
|14.||"Until Midnight" / "Atomic Clock" (both composed by Louis Febre)||2:03|
|15.||"Green Eyes" (composed by John Sponsler)||0:48|
|16.||"The Chase" (composed by Debney and John Sponsler)||2:23|
|17.||"Beryllium Clock" / "Bragg's Key" (both composed by Louis Febre)||1:16|
|18.||"Slimed" (composed by Debney and Louis Febre)||2:08|
|19.||"Under the Influence" (composed by Louis Febre)||0:50|
|20.||"Crown of Nails" (composed by Debney and John Sponsler)||1:16|
|21.||"Lee's Last Chance" (composed by Debney and John Sponsler)||2:11|
|22.||"'Open The Eye'" (composed by Debney and John Sponsler)||2:29|
|23.||""Reroute Power!'" / "Temporal Orbit" (former composed by John Sponsler; latter composed by Debney and Louis Febre)||6:20|
|24.||"To Hold Death Back" (composed by Debney and Louis Febre)||1:48|
|25.||"Farewell" (composed by Debney and Louis Febre)||1:38|
|26.||"End Credits – "DOCTOR WHO" Theme" (composed by Ron Grainer)||0:50|
- Music Score produced by John Debney
- Executive album producers: John J. Alcantar III and Thomas C. Stewart
- Music Editor: Laurie Slomka
- CD Edited and mastered by James Nelson at Digital Outland
- CD Art direction: Mark Banning
- Front Cover concept: David Hirsch
- Special Thanks to Ryan K. Johnson
The television movie was novelised by Gary Russell and published by BBC Books in May 1996. It was the first novelisation of a televised Doctor Who story to not be published by Target Books (or related companies) since Doctor Who and the Crusaders in 1965.
Basing the adaptation on an early draft of the script, Russell adjusted some details to make it more consistent with the original series, and the novelisation also contains elements that were cut from the shooting script for timing reasons.
- The novel begins with the Seventh Doctor receiving a telepathic summons from the Master (similar to The Deadly Assassin) to collect his remains from Skaro and a short prologue detailing how the Doctor escapes from the planet with the casket. This was originally intended to be a pre-credits sequence in the movie, and was subsequently contradicted by the ending of the novel Lungbarrow, where Romana gives the Seventh Doctor the assignment to retrieve the Master's remains.
- More detail is given to Chang Lee and Grace's backstory, including his recruitment into the Triads and his seeking a father figure as well as flashbacks to Grace's childhood.
- The Eighth Doctor finds the Seventh Doctor's clothing in the hospital rather than the Fourth Doctor's scarf. Also, the sequence where Chang Lee and the Master see the Seventh Doctor in the Eye of Harmony features all the previous Doctors as originally drafted.
- The scene where the Doctor and Grace meet the motorcycle police officer is relocated to a traffic jam on the Golden Gate Bridge (impossible to film in the movie since it was shot on location in Vancouver).
- When the Doctor first kisses Grace, he immediately pulls back, grins apologetically and murmurs, "I'm sorry, don't know what came over me there." This makes the romantic nature of the kiss more ambiguous. Instead of the second kiss at the end, he gives her the Seventh Doctor's straw hat as a memento.
- The Doctor is still referred to as half-human, to which the Master comments, "The Doctor once claimed to be more than just a Time Lord — He should really have said less than a Time Lord!" This was a reference to a line cut from Remembrance of the Daleks.
- Instead of dying and being brought back to life, Grace and Lee are merely rendered unconscious, though aware of what is happening around them. Russell also spends some time showing the Doctor and them discussing what a "temporal orbit" is.
The novelisation was the first Doctor Who novel published by BBC Books. The book was actually published prior to the conclusion of Virgin Books' contract for publishing original Doctor Who fiction, so the next release by BBC Books did not occur for about a year when the Eighth Doctor Adventures series began with The Eight Doctors. The novelisation was released as a standalone work and is not considered part of this series. The Eighth Doctor Adventures series ran until 2005 when it was discontinued.
- Segal, Philip; Russell, Gary (2000). Doctor Who:Regeneration. London: HarperCollins. ISBN 0-00-710591-6.
- Cornell, Paul; Day, Martin; Topping, Keith (1995). The Discontinuity Guide. Doctor Who Books.
- BBC fact file
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- "8.01. Mastermind - Doctor Who - The Companion Chronicles". Big Finish. Retrieved 2014-03-08.
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- Bates, Philip (1 August 2014). "Capaldi could’ve been the Eighth Doctor!". Kasterborous.com. Retrieved 24 August 2014.
- Howe, David J.; Walker, Stephen James. "The TV Movie: Details". Doctor Who: The Television Companion. BBC Doctor Who website. Retrieved 2007-07-26.
- "The DWM Archive: Doctor Who (1996) - In Production". Doctor Who Magazine Special Edition (5). 2003-09-03 (cover date). p. 69. Check date values in:
- "A Brief History Of Time (Travel): Doctor Who (1996)". Shannonsullivan.com. Retrieved 2014-03-08.
- Howe, David J.; Walker, Stephen James; Stammers, Mark (2005). The Handbook: The Unofficial and Unauthorised Guide To The Production of Doctor Who. Tolworth: Telos. pp. 776–7. ISBN 1-903889-59-6.
- Bailey, David (April 2011). "Doctor Who". Doctor Who Magazine (Panini Comics) (#433): 61.
- "Doctor Who News: TV Movie re-released on DVD". Gallifreynewsbase.blogspot.com. Retrieved 2014-03-08.
- "Doctor Who News: TV Movie coming to North America". Gallifreynewsbase.blogspot.com. 2010-08-25. Retrieved 2014-03-08.
- Lambert, David (2010-10-27). "Doctor Who - Announced for February DVD: 'The Movie: Special Edition' and 'Story #063: The Mutants'".
- Doctor Who - Original Soundtrack Recording (CD Booklet). John Debney Productions. 1997. JDCD 005.
- "Millennium Effect". Retrieved 2008-09-28.
|Wikiquote has quotations related to: The Eighth Doctor|
- Doctor Who (1996) on TARDIS Data Core, an external wiki
- Doctor Who (1996) (TV) at the Internet Movie Database
- The TV movie at BBC Online
- Doctor Who (1996) at Doctor Who: A Brief History Of Time (Travel)
- Doctor Who (1996) at the Doctor Who Reference Guide
- Doctor Who (1996) reviews at The Doctor Who Ratings Guide
- The Whoniverse's review on Doctor Who: The Enemy Within DVD