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Doctor Who (series 5)

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Doctor Who (series 5)
A DVD boxset cover consisting of a man with black hair reaching forward over a logo which says "Doctor Who". He is wearing a bowtie and tweed jacket. Looking out from behind him is young woman with red hair, wearing a red shirt and brown jacket. The background is blue and shows a masked reptilian humanoid, a statue with open jaws, the head of a robot, and a robot-like creature with an eyestalk.
DVD box set cover art
Country of origin United Kingdom
No. of stories 10
No. of episodes 13 (+2 supplemental)
Original network BBC One
Original release 3 April (2010-04-03) – 26 June 2010 (2010-06-26)
Series chronology
← Previous
2008–2010 specials
Next →
Series 6
List of Doctor Who episodes (2005–present)

The fifth series of British science fiction television programme Doctor Who was originally broadcast on BBC One in 2010. The series began on 3 April 2010 with "The Eleventh Hour" and ended with "The Big Bang" on 26 June 2010. The series was led by head writer and executive producer Steven Moffat, who took over after Russell T Davies, who ended his involvement with the show after The End of Time. The series comprises 13 episodes, six of which Moffat wrote. Piers Wenger and Beth Willis served with Moffat as executive producers, while Tracie Simpson and Peter Bennett served as producers. Though it is the fifth series since the show's revival in 2005 and the thirty-first since it began in 1963, the series features the production codes being reset.

This is the first series to feature Matt Smith as the eleventh incarnation of the Doctor, an alien Time Lord who travels through time and space in his TARDIS, which appears to be a British police box on the outside. Karen Gillan is also introduced as the Doctor's new companion Amy Pond, with her fiancé Rory Williams portrayed by Arthur Darvill, who is in seven episodes, and travels with the Doctor and Amy and is also a regular in the next series. Alex Kingston returns as River Song, a mysterious woman from the Doctor's future who summons the Doctor twice in this series. The main story arc concerns a pattern of cracks in the universe which appear over several episodes, sometimes going unnoticed by the characters. It is discovered that they have the power to erase things from existence, and this happens to Rory, causing Amy to forget him. In the series finale it is revealed that the cracks were caused by the TARDIS exploding and the Doctor is forced to reboot the universe to the state which it was in without the cracks.

The seven episodes of the series which were not written by Moffat were penned by guest writers. Mark Gatiss, Toby Whithouse, Simon Nye, Richard Curtis, Gareth Roberts each wrote one episode each, while Chris Chibnall wrote a two-episode story. The series was meant to be fantastical to stand out among other science fiction and fantasy shows and the production team pushed a fairy-tale quality because Moffat believed media aimed at children was some of the most popular among adults. The episodes were directed by directors who were all new to Doctor Who. Filming started in late July 2009 and lasted for approximately nine months and was filmed mostly in Wales with the exception of "The Vampires of Venice" and "Vincent and the Doctor", which had scenes filmed abroad in Trogir, Croatia. There were design changes from the previous series including a new logo, title sequence, variation of the theme music, interior and exterior of the TARDIS, and version of the Doctor's sonic screwdriver.

The series premiere was watched by 10.085 million viewers, the highest watched premiere since "Rose" of the first series, and also broke records on BBC America in the United States and BBC's online iPlayer. Though overnight ratings had declined compared to other series, one writer calculated that viewership had not changed significantly when time-shifted ratings were taken into account. The series received positive reviews, with praise going to Moffat's story arc as well as the acting of Smith, Gillan and Darvill. However, many reviewers noted that Amy lacked character development and the series did not contain as much heart and emotion as previously in the show. The series gained many awards and nominations; "Vincent and the Doctor" and the two-part finale were both nominated for the Hugo Award for Best Dramatic Presentation (Short Form) with the award going to the latter. Smith also became the first actor portraying the Doctor to be nominated for a BAFTA award, though he did not win. The series was accompanied with a soundtrack as well as tie-in books and video games; four of the latter were released episodically on the BBC's website and advertised as additional episodes of the series.


StoryEpisodeTitleDirected byWritten byOriginal air dateProd.
UK viewers
(millions) [1]
2031"The Eleventh Hour"Adam SmithSteven Moffat3 April 2010 (2010-04-03)1.110.0986
The failing TARDIS crashlands outside the house of seven-year-old Amelia Pond (Caitlin Blackwood), who welcomes newly regenerated Eleventh Doctor into her house to investigate the crack in her bedroom wall. He must use the TARDIS to regulate its engines, and promises he will return in five minutes which Amelia waits for. However, the TARDIS takes him twelve years into the future, where he joins the adult "Amy" Pond and her boyfriend Rory Williams in capturing the shapeshifting alien known as Prisoner Zero who has escaped from the crack in Amy's wall. Failure to capture the alien will lead to the destruction of Earth by the galactic police force known as the Atraxi. After the Earth is saved, the Doctor tests the newly remodelled TARDIS and accidentally returns for Amy two years later, the night before her wedding to Rory, and where she joins him for the promised travels of space and time.
2042"The Beast Below"Andrew GunnSteven Moffat10 April 2010 (2010-04-10)1.28.4286
The Doctor takes Amy to the distant future, where they explore the Starship UK, a spaceship holding the population of Britain (with the exception of Scotland) after they fled Earth due to dangerous solar flares. They discover that the ship is guided by a Star Whale, who is being tortured out of fear that when left to make its own decisions it will abandon them. Believing that the future cannot go on this way, the Doctor prepares to render the Star Whale brain-dead so it will continue to operate the ship but not feel it; however, Amy discovers that it is willing to serve the ship as it could not stand the children crying because of the solar flares.
2053"Victory of the Daleks"Andrew GunnMark Gatiss17 April 2010 (2010-04-17)1.38.2184
The Doctor and Amy respond to a call from Winston Churchill (Ian McNeice) and visit him during the London Blitz, where he has employed "Ironsides", a scientific creation apparently created by Professor Bracewell (Bill Paterson); however, the Doctor sees though the ruse and recognises the Ironsides as his arch-enemies, the Daleks. The Daleks use the Doctor's testimony that he is the Doctor to activate the "Progenitor Chamer", which contains pure Dalek DNA to restore their race with five brand new Daleks in larger, redesigned casings. The Daleks reveal their plan to detonate a device built around Bracewell, who is revealed to be an android created by the Daleks, and destroy planet Earth. As the device begins to activate, the Doctor and Amy convince Bracewell that he is human, which deactivates the device.
206a4"The Time of Angels"Adam SmithSteven Moffat24 April 2010 (2010-04-24)1.48.5987
River Song (Alex Kingston), a woman from the Doctor's future, summons the Doctor and Amy to help her and Father Octavian (Iain Glen) and his group of militarized clerics destroy the last Weeping Angel in the site of the crashed ship Byzantium on the planet Alfava Metraxis. However, it is revealed that all statues in the stone labyrinth where the ship has crashed are Angels and are becoming more powerful from the radiation leaking from the ship. As the Angels surround the group and several clerics are revealed to be dead, the Doctor destroys the gravity globe that had been causing the labyrinth not to be affected by gravity.
206b5"Flesh and Stone"Adam SmithSteven Moffat1 May 2010 (2010-05-01)1.58.5086
In continuation from "The Time of Angels", the group find themselves standing upside-down on the ceiling of the labyrinth, thirty feet above the opening of the Byzantium, which they enter to try escaping from the Weeping Angels. In the interior of the ship, a crack very similar to the one that appeared in Amy's bedroom in "The Eleventh Hour" appears, which the Doctor discovers erases persons and objects from existence and was caused by an explosion on 26 June 2010. Meanwhile, it is discovered that a projection of an Angel entered Amy's eye after she looked into an Angel's eye in the previous episode, and the Doctor instructs her to keep her eyes closed. As the gravity fails, the Weeping Angels fall into the crack, erasing them from history and from Amy's eye, and the Doctor takes Amy to her house on her request. He resists her attempt to seduce him and discovers that the day of Amy and Rory's wedding is 26 June 2010.
2076"The Vampires of Venice"Jonny CampbellToby Whithouse8 May 2010 (2010-05-08)1.67.6886
The Doctor takes Amy and Rory to 16th century Venice as a romantic date, where they meet a man named Guido (Lucian Msamati) whose daughter Isabella (Alisha Bailey) was entered into the House of Calvierri, a school for girls. Guido is distressed because Isabella did not recognize him on the street and bore vampire-like fangs. The Doctor, Amy and Rory investigate the school, where they discover that the city's patron, Rosanna Calvierri (Helen McCrory), is a race of vampiric fish from another planet and has sealed off Venice in attempt to overtake it and make it a place for her race to live after they fled their planet after seeing the cracks in the universe on their own planet. She transforms the girls admitted to her school into her race to serve as mates for ten thousand of her male children waiting in the water. Despite the Doctor's reasoning, she activates a storm which will flood Venice, but the Doctor deactivates the device and she sacrifices herself, now being the last of her kind and no longer having hope for her species. As they leave, Amy asks Rory to stay and travel with her.
2087"Amy's Choice"Catherine MorsheadSimon Nye15 May 2010 (2010-05-15)1.77.5584
The Doctor, Amy and Rory find themselves travelling between two realities; in one, Amy and Rory are happily married but are being pursued by elderly people possessed by aliens, while in another they are in a powerless TARDIS that will slowly crash into a cold star which will freeze them to death. A man known as the Dream Lord (Toby Jones) says that he has put them in this trap and they must decide which is real and which is fake and die in the false one to wake up in the real reality and escape the trap. When Rory dies in the future reality, Amy decides that it must be fake because she does not want a life without Rory. At the conclusion it is revealed that psychic pollen had entered the TARDIS and caused the dream state, and the Dream Lord is revealed to be a psychic manifestation of the Doctor's dark side and self-loathing.
209a8"The Hungry Earth"Ashley WayChris Chibnall22 May 2010 (2010-05-22)1.86.4986
The Doctor, Amy and Rory arrive in Wales in 2020, where Dr. Nasreen Chaudhry (Meera Syal) and Tony Mack (Robert Pugh) are drilling into the Earth for a mining experiment. Mack's son-in-law, Mo (Alun Raglan), had previously been dragged below the ground; this then happens to Amy. The Doctor discovers that reptilian humanoids the Silurians have been disturbed by the drilling project and reach the surface, where they kidnap Mo's son Elliot (Samuel Davies). Rory and the Doctor capture one known as Alaya (Neve McIntosh); the Doctor instructs Rory, Tony, and Mo's wife Ambrose (Nia Roberts) to leave Alaya alone as anything done to her may have been seen as an act of war. As a Silurian is about to vivisect Amy as he had done to Mo, the Doctor takes Nasreen on the TARDIS below where they discover an immense Silurian civilisation.
209b9"Cold Blood"Ashley WayChris Chibnall29 May 2010 (2010-05-29)1.97.4985
Amy and Mo escape and discover Elliot is being held in an observation chamber. The Doctor is captured and ordered to execution by Alaya's sister Restac (Neve McIntosh), but Amy and Mo interrupt the trial. They contact Rory, Tony, and Ambrose to inform them they are sending a transport up for them and Alaya, the completion of which will leave them all free to return to the surface. However, Ambrose had killed Alaya out of revenge and they return her body to her people. A deal is made that the Silurians will hibernate for a thousand years as humanity was not ready to share the planet with them. Tony and Nasreen decide to stay and hibernate as well. As they leave with Elliot, they find a crack in the cavern which the Doctor reaches into to investigate and pulls out what is later revealed to be a piece of the TARDIS. Before they leave, Restac shoots Rory and he dies and is consumed by the crack, erasing him from existence and Amy's memory altogether.
21010"Vincent and the Doctor"Jonny CampbellRichard Curtis5 June 2010 (2010-06-05)1.106.7686
When visiting the Musée d'Orsay, the Doctor finds a creature in the window of a church in Vincent van Gogh's The Church at Auvers, and the Doctor takes Amy back to meet von Gogh (Tony Curran) and discover why that creature was in the painting. Welcoming them, van Gogh works with the Doctor to find a lone Krafyis, a lost and blind members of an alien species whom only van Gogh can see. Van Gogh kills the creature, though he empathises with its pain. Before leaving, the Doctor and Amy take van Gogh to the present where he discovers that people will admire him. This gives hope to Amy that he made more work and didn't commit suicide. But Amy is devastated to learn that he still did, though she also learns that the sunflower painting was also dedicated to her.
21111"The Lodger"Catherine MorsheadGareth Roberts12 June 2010 (2010-06-12)1.116.4487
The TARDIS dematerialises with Amy still inside, leaving the Doctor stranded in present-day Colchester. He tracks the disturbance that caused the TARDIS to behave that way to the second floor of a flat, where people have been persuaded to go up to but have never come down. The Doctor rents part of the downstairs apartment occupied by Craig Owens (James Corden), a man who wishes to confess his love for his close friend Sophie (Daisy Haggard). When Sophie is lured up to the second floor, the Doctor and Craig enter it and discover that it is really a TARDIS-like spaceship disguised by perception filter and has been luring passerby to find a suitable pilot. When Craig does not want to leave this counteracts the ship's protocols, breaks the ship's hold on the house and allows the TARDIS to land. On the TARDIS, Amy discovers her engagement ring from Rory.
212a12"The Pandorica Opens"Toby HaynesSteven Moffat19 June 2010 (2010-06-19)1.127.5788
River Song summons the Doctor and Amy to 102 A.D. where she shows them a painting by Vincent van Gogh that depicts the TARDIS exploding and contains the coordinates of Stonehenge. Underneath Stonehenge, they discover a prison box called the Pandorica, which is fabled to contain the most powerful and feared being in the universe. However, it is revealed that the Pandorica is empty and an Alliance of the Doctor's enemies arrive to put him in the Pandorica, as the Alliance believe the Doctor is causing the cracks with the TARDIS. The trap with the Pandorica, which was constructed from Amy's memories, also contains an Auton (artificial life form) version of Rory, who shoots Amy. Meanwhile, the TARDIS takes River outside Amy's house on 26 June 2010 and explodes, causing the cracks to widen and the universe to begin erasing.
212b13"The Big Bang"Toby HaynesSteven Moffat26 June 2010 (2010-06-26)1.136.7089
The Doctor from the future gives Rory his sonic screwdriver and Rory uses it to get him out of the Pandorica; they place the dead Amy in the Pandorica, which will force her to stay alive until her DNA is given to the Pandorica in the form of seven-year-old Amelia in 1996, who places her hand on the Pandorica by way of instructions left by the Doctor. As the universe is collapsing, the Doctor rescues River from the time loop in the exploding TARDIS and realises that if he flew the Pandorica, which contains a restoration field, and collided with the exploding TARDIS it would restore the universe, though this process erases him from history as it closes the cracks. However, Amy is able to bring him back at her wedding with Rory due to the Doctor's final words to her as he was being erased, and the newly wedded couple continue to travel with him.

Supplemental episodes[edit]

Two additional scenes were specially filmed for "The Complete Fifth Series" boxset which reveal what occurred between selected regular episodes.[2] The first installment is set between "The Eleventh Hour" and "The Beast Below", while the second is set between "Flesh and Stone" and "The Vampires of Venice".

TitleDirected byWritten byOriginal release date
Meanwhile, in the TARDIS... (Part 1)Euros LynSteven Moffat8 November 2010 (2010-11-08) (home video release)
On board the TARDIS for the first time, Amy asks the Doctor several questions about the TARDIS and the Doctor himself. He reveals they are in space, leading directly into "The Beast Below".
Meanwhile, in the TARDIS... (Part 2)Euros LynSteven Moffat8 November 2010 (2010-11-08) (home video release)
The Doctor rejects Amy's advances and Amy accesses records of his previous companions. The Doctor then decides it is time to take her back to Rory, leading directly into "The Vampires of Venice".


Matt Smith and Karen Gillan are turned to the side and smiling as if taking a picture. Gillan is holding up a DVD boxset of the series.
Matt Smith (left) was cast as the Eleventh Doctor, while Karen Gillan (right) was cast as his companion Amy Pond.

The series introduced a new incarnation of the Doctor, the Eleventh, played by Matt Smith. This followed the departure of David Tennant as the Tenth Doctor, who left the role to help ease the transition from Davies to Moffat's showrunning.[3] Smith's agent had called him and suggested that he try out for the role.[4] Moffat was looking to cast a middle-aged actor, who was "young enough to run but old enough to look wise".[5] However, when Smith became the third person to audition, the production team knew "[they] had their man", even though he was only 26 when cast.[6] The producers were cautious about casting Smith because they felt that a 26-year-old actor could not play the Doctor adequately; BBC Head of Drama and executive producer Piers Wenger shared the sentiment, but noted that Smith was capable enough to play the role.[7][8] Moffat also stated that Smith did not appear to be youthful at all.[5] Smith's casting in the role was revealed during an episode of Doctor Who's companion show Doctor Who Confidential, during which he described the role as "a wonderful privilege and challenge that I hope I will thrive on".[7][8]

Karen Gillan was cast as Amy Pond,[9] the Doctor's companion.[10] Andy Pryor, the casting director, suggested Gillan to Moffat after her performance in the fourth series episode "The Fires of Pompeii", in which she played a soothsayer, but Moffat originally thought she was "short and dumpy".[6] Later, however, he stated that she was "exactly right for the role" though she portrayed the character differently from how he originally wrote.[5] Gillan auditioned for the role in both her natural Scottish accent and an English one, and it was not until after she was cast that it was decided Amy would be Scottish.[11][12] Gillan commented that she felt the Scottish accent better suited the character.[13] For the first and last episodes, a young version of Amy, known as "Amelia", was played by Gillan's real-life 10-year-old cousin Caitlin Blackwood. Though the two actresses had not met until the set of the show, Gillan recommended Blackwood for the role, although Blackwood still had to undergo rigorous auditions first.[14][15] Blackwood and Gillan did get to act together in "The Big Bang", which Gillan initially found "weird", though the two actresses became used to it quickly.[16]

Alex Kingston, who played the character River Song in the fourth series episodes "Silence in the Library" and "Forest of the Dead", reprised her role in the two-part stories "The Time of Angels"/"Flesh and Stone" and "The Pandorica Opens"/"The Big Bang".[17] Kingston did not expect the return, but Moffat always intended for River to return to the series.[18] Arthur Darvill appeared in seven episodes as Rory Williams, Amy Pond's fiancé, and was also a companion in six of those episodes. Darvill had previously worked with Smith on a play entitled Swimming with Sharks.[19] For his audition, Darvill received two scenes from the first episode and one from the sixth, but beyond the fact Rory was Amy's boyfriend he was not informed of details of the character.[20] Moffat stated that what stood out about Darvill's audition was "just how funny" he was.[21] Darvill felt "privileged" to be part of the show, and was pleased with Rory's storyline.[22]

Notable guest stars included James Corden, Annette Crosbie, Tony Curran, Iain Glen, Daisy Haggard, Terrence Hardiman, Toby Jones, Helen McCrory, Neve McIntosh, Ian McNeice, Stephen Moore, Bill Nighy, Sophie Okonedo, Bill Paterson, Meera Syal, and Nina Wadia.[23][24]


Crew and series numbering[edit]

Doctor Who was renewed for a fifth series in September 2007.[25] Russell T Davies was succeeded by Steven Moffat as executive producer and head writer,[26] and Julie Gardner was replaced as executive producer by Piers Wenger,[27] who had previously replaced Gardner as Head of Drama for BBC Wales.[28] Beth Willis also serves as an executive producer,[29] and the series is produced by Tracie Simpson and Peter Bennett.[29] However, Murray Gold stayed on as composer for the new series.[30]

When Doctor Who was relaunched in 2005, the new series was marketed as series 1, although it had been on BBC television for 26 years from 1963 to 1989. When this series was confirmed by the BBC in September 2007, it was referred to as "series 5",[31] following on from series 4 in 2008. In August 2009 Doctor Who Magazine announced that this series was to be produced and marketed as "Series One".[32] The January 2010 edition featured an interview with Moffat, in which he called Series One "exciting", Series Thirty-One "awe-inspiring" and Series Five "boring and a lie". In the same issue, he jokingly referred to the season as "series Fnarg", an ongoing joke in subsequent issues.[33] The March edition, referring to it as Series Thirty-One, confirmed production codes in the range 1.1 to 1.13.[34] However, BBC Programme listings,[35] the BBC iPlayer[36] and DVDs[37] refer to it as "Series 5".


With the changes to the show, Moffat wanted to reassure the audience that "nothing has really been lost" and it was the same show and the same character of the Doctor.[38] The story arc of the cracks in the universe was inspired by a crack in the wall of Moffat's son's bedroom.[39] Moffat wanted to make sure the show appealed to even young children; if they could not follow the plot, there would be "big pictures" to entertain them.[40] Moffat believed that Doctor Who was fundamentally for children but it was something everybody loved, comparing it to Star Wars and Toy Story. He considered the "most popular form of entertainment" to be a children's story. Of the series, he said they "pushed the fairytale side of it" as Doctor Who "now has to be the most fantastical of the fantasy shows" to be more vibrant and "bonkers" than any other fantastical show.[41]

In an interview in 2013, Moffat stated that he had worked out a rough idea for how his first series as the showrunner would work in the event that David Tennant had decided to stay in the show as the Tenth Doctor; this would have entailed a similar premise to the beginning of "The Eleventh Hour" as broadcast;

A man with short brown hair appears to be talking.
Showrunner Steven Moffat wrote six episodes for the series.

Moffat wrote six episodes for the series.[6] The rest were penned by guest writers, as Moffat believed that Doctor Who benefited from different voices.[43] However, he stated that the concepts of the episodes were mostly supplied by him, as he had a "pretty good idea" of what would happen in each episode slot.[43] Moffat knew all of the guest writers "to some degree" and called meeting with them "quite joyous".[44] However, Matthew Graham, co-creator of Life on Mars and writer of the second series episode "Fear Her", was not able to write an episode as he was slated to because he did not believe he would have enough time. Moffat later contacted him and asked him to write a two-part episode for the next series, which became "The Rebel Flesh"/"The Almost People".[45]

With the first episode, Moffat intended to introduce the Eleventh Doctor and have him establish his new identity[15] while the second was intended to show the Doctor's need for a companion and Amy's importance to him.[46] For the third episode, he asked Mark Gatiss to write an episode concerning "Churchill versus the Daleks".[47] Moffat wanted to incorporate the popular Daleks into the new series[48] and was also considering redesigning them.[49] Gatiss and Moffat as well as the production team worked together to create Daleks that were big and more colourful, similar to the Daleks found in the films of the 60s.[50]

For the fourth and fifth episode, Moffat planned a two-part sequel to his 2007 episode "Blink", which featured the Weeping Angels.[51][52] These two episodes, "The Time of Angels" and "Flesh and Stone", were intended to be a more action-oriented than "Blink", and also showed the Angels had a plan rather than scavenging.[52] He also decided to flesh out the Angels as villains themselves and show more of what they can do.[53] "Flesh and Stone" ends with Amy attempting to seduce the Doctor; Moffat believed this was consistent with the character that had been built up from the first episode.[39]

Toby Whithouse originally planned to write a different episode, but Moffat and Wenger thought it was too similar to other episodes in the series and Whithouse wrote "The Vampires of Venice" instead, while his original episode was pushed to the next series.[54][55] Whithouse was asked to write "a big bold romantic episode" that would be a "good jumping off point" for new viewers to Doctor Who. Moffat figured that in the middle of the series a viewer could "start watching it again" and that it should be "something romantic and funny".[43] For the next episode, Moffat asked comedy writer Simon Nye to write a story that challenged the relationship between Amy and the Doctor. The episode, titled "Amy's Choice", was intended to be Amy's decision between excitement with the Doctor or life with Rory.[56] The scene in which Rory dies in the false reality was intended to be when Amy realised her feelings for him.[57] Nye wanted to stress that Amy really did love Rory and he was not "just a cypher boyfriend or fiancé".[56]

Moffat contacted Chris Chibnall to write a two-part episode involving the Silurians, villains who had not appeared in the show for over 25 years. As the Silurians were not as well known as other monsters, Moffat instructed Chibnall to reintroduce them. The Silurians featured were intended to be a different branch than those previously seen and bore a different design, which used expensive facial prosthetics and eliminated their third eye.[58] Richard Curtis, who had previously worked with Moffat in the 1999 Comic Relief special Doctor Who and the Curse of Fatal Death, was contacted by Moffat to return the favour and write an episode, which became "Vincent and the Doctor".[59] Curtis had the idea of an episode about van Gogh for "a long while" and was interested in the fact that van Gogh never knew he was famous. Gillan noted that there was a different approach and style to the episode, and it was more character-driven.[60]

Neil Gaiman had written an episode, but it was pushed to the next series due to budget constraints and was replaced with "The Lodger" instead.[61] "The Lodger" was adapted from a comic strip of the same name writer Gareth Roberts had done for Doctor Who Magazine, although he said most of it started "from scratch"[62] The story was inspired by wishing to see the Doctor in normal, every-day human circumstances, as well as Roberts' enjoyment of stories set on Earth rather than in space.[62][63] Roberts was interested in doing a television version of the story, but he never mentioned it. However, Moffat was a fan of the comic story and immediately asked to adapt it into an episode when he became showrunner.[62][63]

Aspects of the finale came to Moffat as he was planning the story arc for the series, though he left room to improvise as the story developed.[64] "The Big Bang" ends with the wedding of Amy and Rory. Moffat stated that he had always intended for them to get married "from the off".[38] The finale also left many questions that would be answered with the next series, concerning the identity of River Song and "The Silence" which appeared to cause the TARDIS to explode.[16]


During the first episode, the Eleventh Doctor still wears his previous incarnation's costume, but costume designer Ray Holman stated that the costume was broken down and distressed. Over the course of the first episode, he would find his own identity and pick out his defining costume.[65] Smith tried on a wide variety of things to find a look he would feel comfortable and confident in and would identify his Doctor.[65][66] Smith brought in braces and a tweed jacket;[66] Holman believed that the tweed jacket was "a bit old for him" but showed that he was a "professor and student at the same time" and gave him "that quality that the Doctor's still learning, but also has some authority".[65] Smith suggested a bow tie, which Holman and others did not approve of, but once he had put it on they decided they had the costume.[65] Smith stated he was inspired by the Second Doctor's costume after watching The Tomb of the Cybermen.[17] Other influences included the "element of a professor" and "big, dusty boots like Indiana Jones".[67] The men's clothing store Topman reported that their bow tie sales had risen 94% for the month of April 2010, connected to when the series began airing.[68]

Gillan had substantial input into Amy's costume, as well as her hair and make-up.[12] In the first episode, Holman stated that Amy's identity was not clear and she wore her own clothes later on.[65] Gillan thought that Amy had inner confidence to wear clothes that showed "a bit of skin from time to time".[12] She tried on many things, but when it came to short skirts she "just thought it was right" and showed that Amy was "comfortable and confident about her look".[69] She believed that the skirts reflected what young women typically wear at her age.[70] Executive producer Piers Wenger also noted that Amy's 1970s flying jacket, which she wears "quite a lot", reflected Gillan was a "born adventurer" and Amy developed a love for travel and adventure.[65]

Design changes[edit]

In front of a fiery background, steely gray block letters spell out "DOCTOR WHO". In between the two words is a large D and W which are angeled together to form a box; atop of the structure is a bright lamp light.
The redesigned Doctor Who title card for series 5, featuring a new logo, the first major change since the series' revival.

The series introduced a new logo, which was announced in October 2009. According to the BBC, it is the eleventh version of the logo to front the show.[71] Moffat stated that the insignia of "DW" in the shape of the TARDIS was "something really new".[72] The logo was incorporated in a new title sequence, which was not revealed to an audience outside of the BBC until first transmission of "The Eleventh Hour"; prior press screenings and previews had used a variation of the previous sequence.[73] Moffat wanted a new version of the theme tune, and composer Murray Gold wanted it to "sound a bit reckless". The new variation, composed by Gold, incorporated a new melody played by electronic trumpets and a faster tempo.[74][75] The new theme angered some fans, with the BBC receiving 70 complaints as of 18 April 2010.[74] In response, a Doctor Who spokesman stated,

"The arranger has made alterations to the music four times since 2005, so change is nothing new. It is important for the regeneration of the show to keep revisiting the score while always retaining the haunting and ground-breaking essence of the original."[74]

A new TARDIS prop was used, featuring the St John Ambulance logo that had been used in the early days of the show as well as in the Peter Cushing films of the early 60s, of which Moffat was a fan.[76] Moffat said it was one thing he "really wanted to do" and it was for "no other reason than that [he] thought it was prettier" and he wanted the St. John Ambulance sticker on the front.[41] It is also a brighter blue like Cushing's TARDIS.[77]

A new set of the interior of the TARDIS was also designed, which Moffat estimated was three times bigger than the previous set. Moffat did not decide to create the new interior specifically for the new Doctor, but the brief to the set designer was to create a design that would suit Smith's Doctor.[78] Though he loved the old set, Moffat thought it was time for a new one to "surprise people", and believed that the spirit of a new era was to change everything.[15] Piers Wenger said that it took "quite a long time to get the design right" and they were careful not to make it too futuristic-looking, as "futuristic" meant nothing to the Doctor.[78] The set was designed by Edward Thomas.[79] The previous TARDIS interior was shown at the beginning of "The Eleventh Hour"; the Time Rotor on console had to be rebuilt due to the explosion special effects that were used in The End of Time.[79] In "The Eleventh Hour", the sonic screwdriver is destroyed, and a new version, featuring a green light and metal claws, was created.[80] Smith liked to keep the prop with him at all times "twirling it around and flicking it" which resulted in him breaking four of them.[81] The noise made by the screwdriver was added in post-production using a synthesizer.[82] Moffat described the changes as starting with a "clean slate" which made sense after the previous cast and crew had left.[44]


All the directors of the series were new to Doctor Who. Moffat commented that he wanted to "shake things up" and it was "never too early to get rid of the safety net."[83] Adam Smith directed the first episode as well as the fourth and fifth.[84] Andrew Gunn, Ashley Way, Jonny Campbell, Toby Haynes, and Catherine Morshead each directed two episodes.[85]

Filming of "The Eleventh Hour" with Matt Smith and Karen Gillan.

When rehearsing episodes four and five, the first episodes to be produced, director Adam Smith suggested that Smith and Gillan "have an adventure" where they could experience something exciting and laugh and scream. He took them to a "real white knuckle ride" on a boat in Cardiff Bay.[84] Filming began on 20 July 2009 on Southerndown beach, Vale of Glamorgan in scenes for "The Time of Angels" and "Flesh and Stone".[86] Moffat wrote that typically with television the first day of filming "will probably be something fairly inconsequential and involve a minor character getting shot, or a close up of a hand or something" which differed from the "iconic" scene involving the Doctor, Amy, River Song and the TARDIS.[87] Forest scenes in "Flesh and Stone" were filmed at Puzzlewood in the Forest of Dean over nine nights in July 2009.[88]

Episodes two and three made up the second production block.[17] Scenes in "The Beast Below" were filmed in an orangery at Margam Country Park, Port Talbot during a night shoot on 22 September 2009. Half of a scene in "The Pandorica Opens" featuring Liz 10 (Sophie Okonedo) from "The Beast Below" was filmed there as well.[89] Scenes for Amy and Rory's town of Leadworth in the first episode, "The Eleventh Hour", were filmed in the village of Llandaff in Cardiff over various dates in the autumn of 2009: 29 September, 5–7 October, and 20 November.[90]

The fourth production block, consisting of "The Hungry Earth" and "Cold Blood", was filmed in October and November 2009 with location filming done in Llanwynno, Wales.[91] Scenes for "Cold Blood" were also filmed at the Plantasia botanical garden in Swansea on 13 November 2009[92] as well as in Cardiff's Temple of Peace and other locations and unusual sets for the Silurian city.[93] "The Vampires of Venice" and "Vincent and the Doctor" were filmed mainly in the town of Trogir in Croatia, which was used as Venice and Paris respectively.[60][94] However, a small crew did go to Venice to take wide shots of coastal buildings; the episode was not filmed there because it would take too long to cover up the modern shops in present-day Venice.[94] Scenes in "The Vampires of Venice" were also filmed at Atlantic College, Caerphilly Castle, Castell Coch, the Town Hall of Trogir, and Llancaich Fawr Manor.[95]

The grounds for the estate at Margam Country Park was then used for the placement of "Foamhenge", a lightweight replica of Stonehenge for "The Pandorica Opens".[89] Several other scenes from "The Pandorica Opens" and "The Big Bang" were also filmed there during the first few days of February 2010.[89] The Pandorica chamber was filmed on set in the Upper Boat Studios, the largest set ever built there.[96][97] Additional scenes in "The Big Bang" were filmed in Brangwyn Hall and Miskin Manor.[16] "Amy's Choice" was partially filmed in Skenfrith, Wales to represent "Upper Leadworth".[21]

Filming of the series lasted approximately nine months.[98] Production blocks were arranged as follows:

Block[17] Episode Title Director Writer Producer Code
1 "The Time of Angels"
"Flesh and Stone"
Adam Smith Steven Moffat Tracie Simpson 1.4
2 "Victory of the Daleks"
"The Beast Below"
Andrew Gunn Mark Gatiss
Steven Moffat
Peter Bennett 1.3
3 "The Eleventh Hour" Adam Smith Steven Moffat Tracie Simpson 1.1
4 "The Hungry Earth"
"Cold Blood"
Ashley Way Chris Chibnall Peter Bennett 1.8
5 "The Vampires of Venice"
"Vincent and the Doctor"
Jonny Campbell Toby Whithouse
Richard Curtis
Tracie Simpson
Patrick Schweitzer
6 "The Pandorica Opens"
"The Big Bang"
Toby Haynes Steven Moffat Peter Bennett 1.12
7 "The Lodger"
"Amy's Choice"
Catherine Morshead Gareth Roberts
Simon Nye
Tracie Simpson
Patrick Schweitzer



Final ratings for the fifth series.

Final consolidated viewing figures showed that the premiere, "The Eleventh Hour", was watched by 10.085 million viewers,[99] the highest-watched premiere since "Rose" and the eighth highest figure for an episode of Doctor Who since it was revived in 2005.[100] In the US, the first episode set a record for BBC America, with an average of 1.2 million viewers and 0.9 million in the adults aged 25–54 demographic.[101] Within one week of broadcast, "The Eleventh Hour" received 1.27 million hits on BBC's online iPlayer service, the record for most requests in a week.[102] It went on to become the most requested episode of 2010 with 2.2 million views; Doctor Who was also named the most watched programme of the year on the service.[103]

"The Hungry Earth" received the lowest overnight ratings since the series had returned in 2005 with 4.4 million viewers[104] but in terms of final consolidated ratings, "The Lodger" received the lowest of the series.[99] The episodes were also given an Appreciation Index, a measure of how much the audience enjoyed the programme. The BBC considers a score 85 or above "excellent"; "Victory of the Daleks" and "Amy's Choice" were the only ones to come below that, with 84.[105][106] "The Time of Angels" and "The Lodger" both scored 87,[107][108] which was subsequently beaten by "The Pandorica Opens" (88).[109] The finale, "The Big Bang", scored 89, the highest for the series and for the four main channels on the day it was broadcast.[110]

Based on overnight ratings, the series was reported as averaging six million viewers, a drop of 1.2 million from the previous series. However, managers at the BBC claimed that overall viewing numbers had not declined as more people watched it online or after recording it.[111] Stephen Bray of Den of Geek decided to "put things straight" and figured that, with final ratings taken into account of the first eleven episodes of the series (the final two ratings not having been released when the article was published), the series averaged 7.8 million viewers, beating the average of all the episodes of the second series (7.5 million), the third series (7.7 million) and the first eleven episodes of the fourth series (7.7 million).[112]

Critical reception[edit]

"And when Season 5 went big, it was electric. The likes of "The Eleventh Hour", the "Time of Angels/Flesh and Stone" two-parter, "Amy's Choice" and the series closing double-bill of "The Pandorica Opens" and "The Big Bang" delivered absolutely mesmerising TV gold. Bursting well out of its budgetary constraints, we got excitement, adventure, and enormous spectacle...That's not to say everything worked. Episodes like "Victory of the Daleks" (easily the least successful Who outing this year) stumbled with a limp plot that did little justice to the Daleks' rejuvenation. Indeed, the weaker episodes of the series seemed dogged by the kind of silly, slap-dash dips into strained logic that tainted the worst of [Davies]'s Doctor Who and episodes like "Vampires of Venice" and "The Lodger" simply couldn't bust out of previous seasons' bad habits. Even Moffat misfired with his own "The Beast Below" in a story that collapsed under the weight of its own ambitions."

IGN's Matt Wales on the series[113]

Series 5 has received generally positive reviews from critics. Matt Wales of IGN gave the entire series a "great" rating of 8.5 out of 10, saying that it "mightn't have been perfect" but rebooted the show "with a burst of creative energy" and "got bold, exciting, witty, smart, home-grown event television back on the small screen". He praised Smith for "[dazzling] with a performance that painted the Doctor as thoroughly alien" and the "effortless" character development of the Doctor, but was more critical of the character of Amy Pond. He thought that she was "thoroughly watchable" with Gillan's acting abilities and chemistry with Smith, but criticised the character for being "frequently painted in largely two-dimensional strokes that made for a brash, sometimes irritating turn" and the series as a whole for lacking "heart to ground the elaborate sci-fi trimmings". Of the story, he praised Moffat's "beautifully conceived" story arc and the complexities of the narrative.[113]

Zap2it's Sam McPherson gave the series an A and thought it was the show's strongest series since its revival in 2005. He praised Smith and Gillan, though he noted that Amy did not have much character development, and considered Darvill "might just be one of the best actors on television currently". However, he noted that most of the episodes took place on Earth or spaceships, and wished to see the Doctor, Amy and Rory "branch out more in the future".[114] Dave Golder of SFX gave the series four out of five stars, noting that it looked "very promising" though "there was a tentative, slightly awkward feel to the series", similar to the first series. He also labelled Smith as "magnificent" and Gillan as "lovely, although so far Amy's character has been so dictated by the requirements of the arc plot that it's difficult to feel that we've really got to know her yet".[115]

In a review of the first six episodes, Dan Martin of The Guardian thought that they were strong and it was "generally funnier [and] appears to have rewritten the rule that said Doctor Who had to out-epic itself every year". However, he was critical of the lack of emotion that had previously inhibited the show, and did not yet empathise with Amy.[116] When reviewing the first eleven episodes, Martin noted that the series had been put at a high expectation due to the quality of Moffat's previous Doctor Who episodes, which may have caused disappointment to those who expected "dark, adult versions of Who every week" as Moffat took more of a fairy-tale approach and his dialogue was "less soapy and more spiky" than that of Davies. Revisiting previous issues, he noted that there was less emotion but "when someone did die ... it ploughed heavy into the heart" and Amy was "a revelation", though she sometimes "felt a little one-note".[117]

Gem Wheeler of Den of Geek gave the series five out of five stars, particularly praising Smith's Doctor. Wheeler noted that Amy "seemed a little underwritten at first, but the series finale helped to fill in the apparent gaps in her personality" and also praised Darvill.[118] Slice of SciFi reviewer Michael Hickerson praised Moffat's "fascinating" story arc which made the series seem more consistent, as it gave the audience answers as it went along and also explored its impact on the characters. He called it "the best season of the new series" though "there has yet to be a perfect season of the show. This one just comes closer than a lot of others".[119] However, Gavin Fuller of The Daily Telegraph, while optimistic that it would "go from strength to strength next year", called the series "something of a curate's egg, and perhaps not quite as strong as previous years overall".[120] Radio Times's Patrick Mulkern praised Moffat for "[rebooting] the series with an ambitious game-plan, a delightful fairy-tale vibe adults can enjoy too, and [finding] stars in Matt Smith, Karen Gillan and Arthur Darvill". However, while he praised Moffat's other episodes, he considered "The Beast Below" a "turkey".[121]

The A.V. Club ranked Doctor Who the 25th best show of 2010, saying that it "lacked a truly weak episode" and highlighting "The Time of Angels"/"Flesh and Stone", "Vincent and the Doctor", and "The Lodger" as the best episodes.[122] Digital Spy ranked the programme the third best of 2010, commenting that it "gave us some terrific episodes — the beautifully tragic 'Vincent and the Doctor', the wonderfully-paced opener and the well-imagined finale ... but also the multi-colored monstrosity 'Victory of the Daleks'. Overall, a decent enough start for the new team, but with such a strong pedigree, we couldn't help but feel a little underwhelmed."[123]


After the broadcast of "The Eleventh Hour", which introduced Amy as a kissogram in a skimpy policewoman outfit who watched the Doctor undress and change into his new costume, it was reported that several viewers had criticised the character and her occupation online and that it was "not fitting for a family show". Wenger defended the character, saying that, "The whole kissogram thing played into Steven's desire for the companion to be feisty and outspoken and a bit of a number. Amy is probably the wildest companion that the Doctor has travelled with, but she isn't promiscuous."[69] Gillan also defended her character, claiming that girls Amy's age often wore short skirts and Amy was a "strong female" and a "normal girl with normal impulses".[70] The BBC received 43 complaints over the scene in "Flesh and Stone" in which Amy attempts to seduce the Doctor. A member of pressure group Mediawatch-uk also commented that the scene seemed "slightly out of place in a children's programme".[124]

Awards and nominations[edit]

"Vincent and the Doctor" and "The Pandorica Opens"/"The Big Bang" were nominated for the 2011 Hugo Award for Best Dramatic Presentation (Short Form), with the award going to the latter. This was the fifth Hugo Award for Doctor Who and the fourth for Moffat, after "The Empty Child"/"The Doctor Dances", "The Girl in the Fireplace", and "Blink".[125] "Vincent and the Doctor" was nominated for the Bradbury Award for Outstanding Dramatic Presentation at the 2010 Nebula Awards,[126] but it lost to the film Inception.[127] The Mill, Doctor Who's computer-generated effects team, won a Royal Television Society Craft and Design Award for their work on "The Pandorica Opens".[128]

In Canada's Constellation Awards, Doctor Who's fifth series received six nominations. Smith and Tony Curran (Vincent van Gogh) were both nominated for Best Male Performance in a 2010 Science Fiction Television Episode, while Gillan was nominated for Best Female Performance for "Amy's Choice". Doctor Who was nominated for Best Science Fiction Television Series but lost to Stargate: Universe. Moffat and Curtis were both nominated for Best Overall 2010 Science Fiction Film or Television Script for "The Eleventh Hour" and "Vincent and the Doctor" respectively. Gold was the only winner, nominated for his music in the Best Technical Accomplishment in a 2010 Science Fiction Film or Television Production category.[129]

Smith was nominated for Leading Actor in the television division of the British Academy of Film and Television Arts awards, becoming the first actor portraying the Doctor to gain a BAFTA nomination.[130][131] He lost to Daniel Rigby for his work in the television film Eric and Ernie.[132] At the BAFTA Cymru awards, Mark Hutchinson won the "Lighting" category for his work on "The Eleventh Hour", while Barbara Southcott was nominated for "Make Up & Hair" for "Vampires of Venice" and William Oswald was nominated for the "Editing: Fiction" category for "The Time of Angels".[133]



Matt Smith and Karen Gillan promoting the series in Salford.

The first trailer for the fifth series was shown on television and released online shortly after the broadcast of the second part of The End of Time on 1 January 2010.[134] On 17 February, a new promotional image was released.[135] A second teaser trailer was released on 20 February,[136] a 3D version of which was shown in cinemas with Alice in Wonderland.[137] Moffat officially confirmed the start date of 3 April on BBC Breakfast on 19 March.[138] Also on 19 March, a trailer shown at the press screening of episode one was released online.[139] BBC America, who would show the series in the United States, released an extended trailer on 21 March.[140] Promotional touring for the series began on 29 March and ended the two days later, with Smith and Gillan presenting their first episode in Belfast, Inverness, Sunderland, Salford, and Northampton.[141] Touring in New York City took place on 14 April, where the first episode was screened in the Paley Center for Media and the Village East Movie Theatre.[142][143]


The fifth series of Doctor Who debuted on BBC One on 3 April 2010[138] with "The Eleventh Hour", an extended 65-minute episode.[69] It concluded with "The Big Bang" on 26 June.[144] The sixth episode, "The Vampires of Venice", was broadcast at 6:00 p.m. (BST), the earliest start time for an episode of Doctor Who since its return in 2005.[145]

International broadcast[edit]

The series was shown in Australia on the ABC's iview service, launching at midnight on 16 April 2010 before airing on ABC1 on 18 April 2010.[146] It began airing in the United States on 17 April 2010 on BBC America[147] and in Canada on the same date on Space.[148] This was the first airing of a full series of Doctor Who on BBC America first, with the first four series premiering on the Sci Fi Channel, with only reruns on BBC America.[149] The gap between UK and US airing was also shortened considerably.[147] In New Zealand, the series began airing on Prime from 2 May 2010.[150]

DVD and Blu-ray releases[edit]

On 7 June 2010, the first volume of Series 5 was released on DVD and Blu-ray format in Region 2, containing the episodes "The Eleventh Hour", "The Beast Below" and "Victory of the Daleks".[37][151] The second volume of the series was released on 5 July on DVD and Blu-ray, containing the episodes "The Time of Angels", "Flesh and Stone" and "The Vampires of Venice".[152][153] "Amy's Choice", "The Hungry Earth", and "Cold Blood" followed on the third volume, which was released in DVD and Blu-ray on 2 August 2010.[154][155] The fourth and final volume, containing "Vincent and the Doctor", "The Lodger", "The Pandorica Opens" and "The Big Bang" was released on DVD and Blu-ray on 6 September.[156][157]

A complete collection of the series' episodes was released on DVD and Blu-ray in Region 2 on 8 November 2010.[2][158] It was released in Region 1 the following day on 9 November.[159] In Region 4, the boxset was released on 2 December 2010.[160] The boxset contained the two "Meanwhile in the TARDIS" additional scenes, profiles of various enemies in "The Monster Files", cut down versions of Doctor Who Confidential, out-takes, in-vision commentaries, video diaries, and trailers and promos for the series.[2] The commentaries were a departure from the previous releases, as it only had six instead of a full thirteen.[119]

Series Episode name Number and duration
of episodes
R2/B release date R4/B release date R1/A release date
5 Doctor Who: Series 5, Volume 1
"The Eleventh Hour"
"The Beast Below"
"Victory of the Daleks"
1 × 65 min.
2 × 45 min.
7 June 2010
(D,B) [161]
1 July 2010
(D,B) [162]
Doctor Who: Series 5, Volume 2
"The Time of Angels" / "Flesh and Stone"
"The Vampires of Venice"
2 × 45 min.
1 × 50 min.
5 July 2010
(D,B) [163]
5 August 2010
(D,B) [164]
Doctor Who: Series 5, Volume 3
"Amy's Choice"
"The Hungry Earth" / "Cold Blood"
3 × 45 min. 2 August 2010
(D,B) [165]
2 September 2010
(D,B) [166]
Doctor Who: Series 5, Volume 4
"Vincent and the Doctor"
"The Lodger"
"The Pandorica Opens" / "The Big Bang"
2 × 45 min.
1 × 50 min.
1 × 55 min.
6 September 2010
(D,B) [167]
7 October 2010
(D,B) [168]
Doctor Who: The Complete Fifth Series 8 × 45 min.
3 × 50 min.
1 × 55 min.
1 × 65 min.
8 November 2010
(D,B) [169]
2 December 2010
(D,B) [170]
9 November 2010
(D,B) [171]
Doctor Who: Series 5, Part 1
"The Eleventh Hour"
"The Beast Below"
"Victory of the Daleks"
"The Time of Angels" / "Flesh and Stone"
"The Vampires of Venice"
1 × 65 min.
4 × 45 min.
1 × 50 min.
N/A N/A 15 March 2016[172]
Doctor Who: Series 5, Part 2
"Amy's Choice"
"The Hungry Earth" / "Cold Blood"
"Vincent and the Doctor"
"The Lodger"
"The Pandorica Opens" / "The Big Bang"
1 × 55 min.
5 × 45 min.
1 × 50 min.
N/A N/A 26 July 2016[173]
5, 6, 7,
Doctor Who: The Complete Matt Smith Years 30 × 45 min.
7 × 50 min.
1 × 55 min.
4 × 60 min.
1 × 65 min.
1 × 77 min.
N/A N/A 4 November 2014[174]



Pearson Education published four novelisations for use in schools to teach literacy

Episode name(s) Novelisation title Author First published
"The Eleventh Hour" The Eleventh Hour Trevor Baxendale 5 May 2011[175]
"Victory of the Daleks" Victory of the Daleks [a] Peter Gutiérrez 5 May 2011[176]
"The Time of Angels" and "Flesh and Stone" The Time of Angels Trevor Baxendale 5 May 2011[177]
"The Lodger" The Lodger[a] Peter Gutiérrez 5 May 2011[178]


In the BBC Books Doctor Who New Series Adventures line, a range of spin-off novels that began in 2005 with the Ninth Doctor and revitilisation of the television series, six novels were released corresponding to the series. On 22 April 2010 the first three, Apollo 23 by Justin Richards, Night of the Humans by David Llewellyn, and The Forgotten Army by Brian Minchin were released, featuring the Eleventh Doctor and Amy.[179][180][181] On 8 July 2010 three more novels were released, Nuclear Time by Oli Smith, The Glamour Chase by Gary Russell, and The King's Dragon by Una McCormack, each featuring the Doctor and Amy with Rory.[182][183][184]

Science fiction writer Michael Moorcock, who had watched Doctor Who since the beginning, also wrote a novel.[185] Entitled The Coming of the Terraphiles, the novel was an extended 345 pages and was released 14 October 2010.[186] On 16 September 2010, BBC Books released their first Doctor Who graphic novel, The Only Good Dalek, featuring the Doctor and Amy.[187] They also released The Brilliant Book of Doctor Who 2011, a guide to the series that featured behind-the-scenes information.[188] The book was made available in the UK on 30 September 2010.[189]

Video games[edit]

In March 2010, it was reported that Nintendo had signed a £10 million contract for Doctor Who games for Wii and DS. The games were marketed to Nintendo as the brand was known for being family-oriented and the Wii in particular was something families played together. The BBC also was certain to monitor the games and make sure they did not contain anything too violent.[190] Doctor Who: Evacuation Earth was released for the DS and featured the Daleks, whereas Doctor Who: Return to Earth featured the Cybermen and was released for the Wii. Both games featured the Eleventh Doctor and Amy Pond, voiced by Smith and Gillan respectively.[191] Evacuation Earth was released 12 November 2010,[192] while Return to Earth followed on 19 November.[193] Additionally, Wii remotes and DS styluses modeled after the sonic screwdriver were released to accompany the games.[194]

"Children don't just watch Doctor Who – they join in. They make up games, invent their monsters, create their own stories. Now, there’s something else – now they can be the Doctor in brand new episodes. Doctor Who: The Adventure Games will offer fans a unique opportunity to enter his world, face his challenges and grapple with his deadliest foes. By developing these games alongside the new TV series, we've been able to weave exciting narrative strands with the very finest game design to create a new kind of Doctor Who, which can be enjoyed by the whole family."

Steven Moffat[195]

In April 2010, the BBC announced The Adventure Games, four interactive episodes available free-to-download on the BBC Doctor Who website featuring the Doctor and Amy voiced by Smith and Gillan. Piers Wenger referred to them as four extra episodes in the series and everything included was part of the Doctor Who universe.[196] The game was developed by Charles Cecil and Sheffield-based game company Sumo, while the games were written by Phil Ford and James Moran and overseen by Moffat and the producers of the show.[197] Cecil was contacted by BBC Wales Editor of Interactive Iain Tweedale, who asked him about developing a Doctor Who game.[198] Smith and Gillan's movements and actions were captured by rotoscoping.[197]

As the Doctor is a pacifist and did not use the guns commonly found in video games, The Adventure Games utilised a more strategy and puzzle-based gameplay. Much of the first game was based around stealth, exploration, and puzzle-solving. The Doctor was also equipped with his sonic screwdriver, but as this was often used as a skeleton key in the show the game employs the solving of puzzles to advance instead of simply using the screwdriver.[199]

The first installment, "City of the Daleks", was originally scheduled to be released 5 June 2010,[200] but was made available two days earlier.[201] The BBC explained the early release as a testing procedure, and final tweaks were expected to be made prior to official release.[202] Within the first twelve days of availability, the game was downloaded over 500,000 times, and the traffic on the site had increased as a result.[203] The second game, "Blood of the Cybermen", was released on 26 June, after the airing of the series finale.[204] This was followed by the third game, "TARDIS", on 27 August[205] and "Shadows of the Vashta Nerada" on 22 December.[206]

Additionally, a mobile game app was developed by Tag Games for BBC Worldwide.[207] Titled "Doctor Who: The Mazes of Time", it allowed the gamer to play as both the Doctor and Amy and involved time travel, defeating enemies, and solving problems.[208] It featured over 100 puzzles, seven locations to travel to, music from the show, and the enemies being the Daleks, Cybermen, and Silurians.[209] The app was released for Apple IOS devices on 16 December 2010[210] and for Android on 17 August 2011.[211]


A two-disc soundtrack containing 63 tracks of the score from this series (from "The Eleventh Hour" to "The Big Bang"), as composed by Murray Gold, was released on 8 November 2010 by Silva Screen Records. It was the second "double album" following the previous release; Gold stated that the previous "double album" had been popular and Silvia Screen allowed another one. The tracks are presented in episode order, which Gold said "should give a sense of roaming through this gigantic scope".[75]


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External links[edit]