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For the 2004 French film, see Dogora: Ouvrons les yeux.
Dogora, the Space Monster
Dogora 1964.jpg
Original Japanese poster
Directed by Ishirō Honda[1]
Produced by Yasuyoshi Tajitsu
Tomoyuki Tanaka[1]
Written by Jojiro Okami (story)[1]
Shinichi Sekizawa[1]
Starring Yosuke Natsuki
Yōko Fujiyama
Hiroshi Koizumi
Nobuo Nakamura
Robert Dunham
Akiko Wakabayashi
Jun Tazaki
Susumu Fujita
Seizaburô Kawazu
Eisei Amamoto
Music by Akira Ifukube[1]
Cinematography Hajime Koizumi[1]
Edited by Ryohei Fujii[1]
Distributed by Toho (Japan)
Release dates
August 11, 1964 (Japan)
December 20, 1966 (U.S.)
Running time
83 minutes
Country Japan
Language Japanese
English (Dubbed)

Dogara, the Space Monster, released in Japan as Uchū Daikaijū Dogora (宇宙大怪獣ドゴラ?, lit. "Giant Space Monster Dogora"), is a 1964 Japanese tokusatsu science fiction film produced and released by Toho Studios. Directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya, the film starred Nobuo Nakamura, Akiko Wakabayashi, and Hollywood actor Robert Dunham. The film tells the story of a huge jellyfish-like creature from space that attacks Japan.

The film was released straight to television in the United States, in the Winter of 1966 by American International Television as Dagora, the Space Monster.


As an amorphous alien lifeform annihilated a television satellite above Japan, a similar creature on Earth suddenly thwarted the efforts of a local branch of the International Diamond Robbery Ring. The diamonds they sought vanished, and similar unexplained events continued to occur across the globe. The gangsters thought they were in luck however, for they caught word of a shipment of raw diamonds in Yokohama. The professional thieves took advantage of this ripe opportunity and attempted a heist on an armored car; unfortunately for them, they were fooled and escaped with nothing but candy...

Meanwhile, Inspector Kommei's investigation of these strange events led him to the crystallographer Dr. Munakata. In the process of tracking down the solo “jewel thief” Mark Jackson, the police came to learn of the mysterious events of the armored car heist. A nearby coal truck had begun to lift off the ground by some unknown force and disappear into the atmosphere. The creature from outer space was deemed to be the culprit, an alien beast that drew its energy from carbon. Dr. Munakata, confident in a remarkable scientific discovery, left for the coalmines near northern Kyushu, where it was proposed that the strange being would make its next appearance. Mark Jackson, whose motives were still unclear, also took leave for Kyushu, as the realization was finally made that the candy recovered at the heist was likely his doing. It was probable that he had, in truth, absconded with the true gems. Hamako, one of the gangsters responsible for the failed heist, prepared to double-cross her comrades and retrieve the diamonds for herself.

As Dr. Munakata arrived at Dogora's next likely target, unidentified objects began to show on radar. A swarm of wasps was attacking Dogora in retaliation for the disturbance of their hives in the mines, and as they attacked, solid crystal sections of the monster began to fall to the Earth below. Over Dokaiwan Bay, as night fell, evacuation orders were put into effect as the jellyfish-like monster began to descend from the sky. The self-defense force fired, to no avail. The monster continued to absorb carbon-based materials wherever they could be located, and the abomination even destroyed the Wakato Bridge in the process. The military continued to unleash their artillery at the alien creature, and succeeded in momentarily silencing their foe. Unfortunately, the creature was only undergoing mitosis, and the horror remained...

Noting the crystallizing effects of the wasp venom on Dogora, mass production was soon ordered for the creation of a similar toxin. The gangsters, still desperate for a successful heist, tracked Mark Jackson and Inspector Kommei and almost immediately jumped to the conclusion that Mark had hidden the real diamonds in a safe-deposit box. Hamako left to retrieve the stash, but instead fled solo with the stolen goods. The thieves left Jackson and Kommei tied and doomed to death-by-dynamite, but the two men joined forces and only barely managed to escape.

Meanwhile, Dogora attacked once again, but this time, powerful artificial wasp venom quickly ate away at the creature. The robbers and the police clashed at the beach, and in the heat of a vicious gunfight, the gang was completely wiped out by a falling crystal boulder, once a section of Dogora's extraterrestrial flesh. The wasp venom finally took full effect, and Dogora was no more...

It was soon discovered that the diamonds Hamako had retrieved from the safe-deposit box were, in fact, synthetic; and Mark had always been on the side of law enforcement. As this truth came to light, Dr. Munakata and his secretary left for the UN to discuss the peaceful potential of the Dogora incident with the world. With the thieves out of the picture and the monster defeated, peace returned to Japan and the whole of Planet Earth.



The film is unusual for Toho's giant monster series in that the creature is non-anthropomorphic and not presented by an actor in a costume.

There were originally plans to feature Robert Dunham in a series of films based on the "Mark Jackson" character he played in this film. However, those plans never came to fruition.

English Version[edit]

As with its release of Attack of the Mushroom People, American International Television bought the rights to Toho's international dub in 1965 for television syndication. Since the film wouldn't play in US theaters, AIP-TV left Toho's English dub intact and added a new Dagora, the Space Monster title card. Allegedly, the name of the monster was changed to "Dagora" so that audiences wouldn't think the monster was a dog. Beyond the removal of the opening credits, the film was unedited. This version played for many years on late night TV and was released on home video by Video Yesteryear in 1983. The Media Blasters DVD uses the same dubbing featured in the AIP-TV version, but the edits are not retained.



  1. ^ a b c d e f g h i j k l m n o p q Stuart Galbraith IV (16 May 2008). The Toho Studios Story: A History and Complete Filmography. Scarecrow Press. pp. 212–213. ISBN 978-1-4616-7374-3. 

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