A Dolly Varden, in this sense, is a woman's outfit fashionable from about 1869 to 1875 in Britain and the United States. It is named after a character in Charles Dickens, and the items of clothing referred to are usually a hat or dress.
The term "Dolly Varden" in dress is generally understood to mean a brightly patterned, usually flowered, dress with a polonaise overskirt gathered up and draped over a separate underskirt. The overdress is typically made from printed cotton or chintz, although it can be made from other materials such as lightweight wool, silk and muslin. An 1869 fashion doll in the collection of the V&A Museum of Childhood is dressed in the Dolly Varden mode; unusually the outfit is in dark colours. The Gallery of Costume in Manchester holds a more typical Dolly Varden dress in its collections, made of white linen with a pink and mauve flowered print.
A Dolly Varden hat, as it relates to the dress, is usually understood to mean a flat straw hat trimmed with flowers and ribbons, very like the 18th-century bergère hat. It is also closely related to the Pamela hat or "gipsy hat" that was popular during the earlier part of the century.
Although the typical Dolly Varden fashion of the large overskirt and polonaise died out with changes in fashion at the turn of the century, the names continued to be associated with chintz patterned fabrics and peplum style dresses. Even in the late 1930s, chintz patterned fashions might still have the name 'Dolly Varden' attached to them.
The Dolly Varden fashion fad inspired many popular songs, such as G.W. Moore's "Dressed in a Dolly Varden" and Alfred Lee's novelty song, "Dolly Varden", (published Cleveland, 1872) which contains the lyrics:
Have you seen my little girl? She doesn’t wear a bonnet.
She’s got a monstrous flip-flop hat with cherry ribbons on it.
She dresses in bed furniture just like a flower garden
A blowin' and a growin' and they call it Dolly Varden.
One of the most famous uses of the name in theatre was the Dolly Varden comic opera which opened in 1902 starring Lulu Glaser. Although the main character fit the image of the Dickens character, the play itself was based on The Country Wife by William Wycherley.
Another interesting occurrence of the name is in the eponymous decorative cake, a recipe for which features in the 1980 Australian Women's Weekly Children's Birthday Cake Book. Also known as a 'Princess Cake', the modern Dolly Varden cake uses the torso of a doll (sometimes called a doll pick) inserted into a conical cake which is then decorated as the doll's dress. 'Dolly Varden' aluminium cake tins are now broadly available from cookware retailers for this purpose. The name for the cake no doubt developed from the Dolly Varden dress. However, in the late 19th century, the Dolly Varden cake was different. Many recipes call for a double layered cake with one layer as a lemon or vanilla cake and the other as a rich spice or fruit cake. Chunks of cherries in the cake were often used to mimic the chintz of the fashion.
- The Ladies' Treasury (2005). "Fashion in the 1870s and '80s". Retrieved 6 February 2010.
- 1869 Fashion doll wearing Dolly Varden costume in the collection of the V&A Museum of Childhood. Retrieved 6 February 2010
- Dolly Varden dress in the collections database of the Gallery of Costume, Manchester. Retrieved 6 February 2010
- Cunnington, C. Willett (1937). English women's clothing in the nineteenth century (1990 reprint ed.). New York: Dover Publications. p. 302. ISBN 9780486319636.
- "Scans of two 1872 Dolly Varden themed music sheets". Archived from the original on 3 March 2016. Retrieved 21 January 2009.
- Levey, W. C. The Dolly Varden (polka music) composed by W.C. Levey Retrieved 6 February 2010
- Marciochi, Peter B. Moyle ; illustrated by Alan; Dyck, Chris van (1977). Inland fishes of California. Berkeley: University of California Press. p. 145. ISBN 9780520029750.
- "Dolly Varden".
- Cedro, Carmel. 'Dolly Varden: Sweet inspiration' Australasian Journal of Popular Culture, Volume 2, Number 1, 7 June 2012, pp. 37-46
- A more in-depth examination of various contemporary references to the Dolly Varden fashion, with illustrations