Domenico di Pace Beccafumi

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Domenico Beccafumi
Domenico Beccafumi 064.jpg
Self-portrait, 1525–1530
Born Domenico di Pace Beccafumi
Montaperti, Italy
Died May 18, 1551
Siena, Italy
Nationality Italian
Known for Painter
Movement Mannerism

Domenico di Pace Beccafumi (1486 – May 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.


Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.

Pavement of Duomo di Siena[edit]

In addition to painting, he also directed the celebrated pavement of the cathedral of Siena from 1517 to 1544, a task that took over a century and a half. The pavement shows vast designs in commesso work—white marble, that is, engraved with the outlines of the subject in black, and having borders inlaid with rich patterns in many colours. From the year Beccafumi was engaged in continuing this pavement, he made very ingenious improvements in the technical processes employed, and laid down scenes from the stories of Ahab and Elijah, of Melchisedec, of Abraham[2] and of Moses. He made a triumphal arch and an immense mechanical horse for the procession of the emperor Charles V on his entry into Siena.

Critical assessment and legacy[edit]

The beheading of Spurius Cassius Viscellinus, fresco (1532–1535), Palazzo Pubblico, Siena.

Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world. Buildings are often transected, and perspectives awkward. The setting is often hallucinogenic; the colors, discordant. For example, in the Nativity (Church of San Martino) hovering angels form an architectural hoop, and figures enter from the shadows of a ruined arch. In his Annunciation, the Virgin resides in a world neither in day or dusk, she and the Angel Gabriel shine while the house is in shambles. In Christ in Limbo (Pinacoteca Nazionale, Siena), an atypically represented topic, Christ sways in contrapposto as he enters a netherworld of ruins and souls. S.J. Freedberg compares his vibrant eccentric figures to those of the Florentine mannerist contemporary Rosso Fiorentino, yet more "optical and fluid". While all the elements of the expected religious scenes are here, it is like a play in which all the actors have taken atypical costumes, and forgotten some of their lines.

In Medieval Italy, Siena had been an artistic, economic, and political rival of Florence; but wars and natural disasters caused a decline by the 15th century. Stylistically, Beccafumi is among the last in a line of Sienese artists, a medieval believer of miracles awaking in Renaissance reality.

Holy Family with St. John.

Partial anthology of works[edit]



  1. ^ Hence his nickname Il Mecherino.
  2. ^ a b "Study for the Figure of Abraham (Getty Museum)". Retrieved 17 January 2015. 
  3. ^ "The Miraculous Communion of Saint Catherine of Siena (Getty Museum)". Retrieved 17 January 2015. 
  4. ^ "Saint Catherine of Siena Receiving the Stigmata (Getty Museum)". Retrieved 17 January 2015. 
  5. ^ [1] Archived August 12, 2003 at the Wayback Machine
  6. ^ [2] Archived December 8, 2004 at the Wayback Machine
  7. ^ "Marcia". Retrieved 17 January 2015. 
  8. ^ [3] Archived April 27, 2005 at the Wayback Machine
  9. ^ "Image" (JPG). Retrieved 18 February 2015. 
  10. ^ "Image" (JPG). Retrieved 18 February 2015. 
  11. ^ [4][dead link]
  12. ^ "spurius cassius vecellinus". Flickr. Retrieved 17 January 2015. 
  13. ^ "Domenico Beccafumi". Retrieved 17 January 2015. 
  14. ^ "god". Flickr. Retrieved 17 January 2015. 
  15. ^ "Uffizi Gallery Museum in Florence. Uffizi Tickets Reservation - The Uffizi Gallery". Retrieved 17 January 2015. 
  16. ^ [5] Archived February 27, 2005 at the Wayback Machine
  17. ^ [6] Archived February 14, 2005 at the Wayback Machine
  18. ^ "La Prdication de saint Bernardin de Sienne". Retrieved 17 January 2015. 
  19. ^ "Saint Antoine et le miracle de la mule". Retrieved 17 January 2015. 
  20. ^ "Saint Franois recevant les stigmates". Retrieved 17 January 2015. 
  21. ^ [7] Archived March 8, 2005 at the Wayback Machine
  22. ^ "Sito Prenotazioni Galleria Barberini - Domenico Beccafumi - Madonna col Bambino e San Giovannino". Retrieved 2015-02-18. 
  23. ^ [8][dead link]
  24. ^ "Domenico Mecarino (Beccafumi) : Jésus-Christ : Saint Jean-Baptiste : Sainte Vierge : Saint Joseph : Image". Retrieved 18 February 2015. 
  25. ^ "Domenico Beccafumi - Angelo Portacero (Duomo di Siena, 1550)". Retrieved 2015-02-18. 
  26. ^ [9] Archived September 5, 2004 at the Wayback Machine
  27. ^ [10][dead link]

External links[edit]