Domenico di Pace Beccafumi
Domenico di Pace Beccafumi
|Died||May 18, 1551|
Domenico di Pace Beccafumi (1486 – May 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, where he learned from the artists who had just done their first work in the Vatican, but soon returned to Siena. However, while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.
Pavement of Duomo di Siena
In addition to painting, he also directed the celebrated pavement of the cathedral of Siena from 1517 to 1544, a task that took over a century and a half. The pavement shows vast designs in commesso work—white marble, that is, engraved with the outlines of the subject in black, and having borders inlaid with rich patterns in many colours. From the year Beccafumi was engaged in continuing this pavement, he made very ingenious improvements in the technical processes employed, and laid down scenes from the stories of Ahab and Elijah, of Melchisedec, of Abraham and of Moses. He made a triumphal arch and an immense mechanical horse for the procession of the emperor Charles V on his entry into Siena.
Critical assessment and legacy
Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world. Buildings are often transected, and perspectives awkward. The setting is often hallucinogenic; the colors, discordant. For example, in the Nativity (Church of San Martino) hovering angels form an architectural hoop, and figures enter from the shadows of a ruined arch. In his Annunciation, the Virgin resides in a world neither in day or dusk, she and the Angel Gabriel shine while the house is in shambles. In Christ in Limbo (Pinacoteca Nazionale, Siena), an atypically represented topic, Christ sways in contrapposto as he enters a netherworld of ruins and souls. S.J. Freedberg compares his vibrant eccentric figures to those of the Florentine mannerist contemporary Rosso Fiorentino, yet more "optical and fluid". While all the elements of the expected religious scenes are here, it is like a play in which all the actors have taken atypical costumes, and forgotten some of their lines.
In Medieval Italy, Siena had been an artistic, economic, and political rival of Florence; but wars and natural disasters caused a decline by the 15th century. Stylistically, Beccafumi is among the last in a line of Sienese artists, a medieval believer of miracles awaking in Renaissance reality.
Partial anthology of works
- The Miraculous Communion of St Catherine of Siena (1513) - J. Paul Getty Museum, Los Angeles
- Saint Catherine of Siena Receiving the Stigmata (1513) - J. Paul Getty Museum, Los Angeles
- Trinity triptych (1513) - Oil on wood, 152 x 228 cm, Pinacoteca Nazionale, Siena
- Marriage of St Catherine (1514–1515) - Pinacoteca Nazionale, Siena
- St. Paul (1515) - Oil on wood, 190 x 150 cm, Museo dell'Opera Metropolitana, Siena
- Marcia (1519), National Gallery, London
- Stigmatization of St. Catherine of Siena (1515) - Oil on wood, 208 x 156 cm, Pinacoteca Nazionale, Siena
- The Betrothal of the Virgin (1518) - Fresco, 295 x 304 cm, Oratory of San Bernardino, Siena
- Tanaquil (1519) - Oil on wood, 92 x 53 cm, National Gallery, London
- Self Portrait (1520)
- St. Lucy (1521) - Oil on wood, Pinacoteca Nazionale, Siena
- Mystical Marriage of St. Catherine (1521) - Hermitage, St. Petersburg
- Frescoes -Palazzo Bindi-Segardi, Siena
- Frescoes of scenes from Roman historyPalazzo Pubblico, Siena (1529–1535)
- The Holy Family with Young Saint John (1523–1524) - Oil on panel, diameter 86 cm, Museo Thyssen-Bornemisza, Madrid
- Fall of the Rebel Angels (c. 1524) -Pinacoteca Nazionale, Siena
- Fall of the Rebel Angels (c. 1528) - Oil on wood, 347 x 225 cm, San Niccolò al Carmine, Siena
- Vision of St. Catherine of Sienna (1528) - Philbrook Museum of Art, Tulsa
- The Baptism of Christ (1528) -Philbrook Museum of Art, Tulsa
- The Nativity - Allentown Art Museum, Allentown
- Venus and Cupid with Vulcan (1528) - New Orleans Museum of Art, New Orleans
- Holy Family with St. John (c. 1530) -Oil on panel, diameter 84 cm, Uffizi, Florence
- Holy Family with Saint Anne - Private collection
- Escape of Clelia and the Roman Virgins - Uffizi, Florence
- Punishment of Dathan - Pisa Cathedral
- Drawing for Christ in Limbo (Stolen)
- Christ in Limbo (1535) - Pinacoteca Nazionale, Siena
- Moses and the Golden Calf (1536–1537) - Oil on wood, 197 x 139 cm, Pisa Cathedral
- Saint Bernard of Siena Preaching (1537) - Musée du Louvre, Paris
- Saint Anthony and the Miracle of the Mule (1537) - Musée du Louvre, Paris
- Saint Francis receives the stigmata (1537) - Musée du Louvre, Paris
- Birth of the Virgin (1543) - Oil on wood, 233 x 145 cm, Accademia, Siena
- Annunciation (1545–1546) - Oil on wood, Saints Martino and Vittorio, Sarteano
- Coronation of the Virgin (1540s) - Santo Spirito, Siena
- Madonna with infant and St. John (1540) - Oil on panel, 90 x 65 cm, Galleria Nazionale d'Arte Antica, Rome
- Holy Family with Angels - National Gallery of Art, Washington, DC
- Holy Family and St. John - Alte Pinakothek, Munich
- Statues of Angels (1548–1550) - Presbytery of Siena Cathedral
- Judith with the Head of Holofernes - The Wallace Collection, London.
- Drawing of Abraham
- St. Peter - -Woodcut, Cleveland Museum of Art
- Angels drawing (1524–25) -San Francisco
- Painting in Italy 1500–1600, S.J. Freedberg, (Penguin History of Art, 2nd Edition, 1983).
- Hence his nickname Il Mecherino.
- One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. 3 (11th ed.). Cambridge University Press. pp. 601–602.
- "Study for the Figure of Abraham (Getty Museum)". Getty.edu. Archived from the original on 25 November 2005. Retrieved 17 January 2015.
- Chisholm 1911.
- "The Miraculous Communion of Saint Catherine of Siena (Getty Museum)". Getty.edu. Retrieved 17 January 2015.
- "Saint Catherine of Siena Receiving the Stigmata (Getty Museum)". Getty.edu. Archived from the original on 28 September 2012. Retrieved 17 January 2015.
-  Archived August 12, 2003, at the Wayback Machine
-  Archived December 8, 2004, at the Wayback Machine
- "Marcia". Insecula.com. Archived from the original on 20 May 2008. Retrieved 17 January 2015.
-  Archived April 27, 2005, at the Wayback Machine
- "Image" (JPG). Kfki.hu. Retrieved 18 February 2015.
- "Image" (JPG). Kfki.hu. Retrieved 18 February 2015.
- [dead link]
- "spurius cassius vecellinus". Flickr. Retrieved 17 January 2015.
- "Domenico Beccafumi". Epdlp.com. Retrieved 17 January 2015.
- "god". Flickr. Retrieved 17 January 2015.
- "Uffizi Gallery Museum in Florence. Uffizi Tickets Reservation - The Uffizi Gallery". Arca.net. Archived from the original on 29 June 2001. Retrieved 17 January 2015.
-  Archived February 27, 2005, at the Wayback Machine
-  Archived February 14, 2005, at the Wayback Machine
- "La Prdication de saint Bernardin de Sienne". Insecula.com. Archived from the original on 18 February 2015. Retrieved 17 January 2015.
- "Saint Antoine et le miracle de la mule". Insecula.com. Archived from the original on 18 February 2015. Retrieved 17 January 2015.
- "Saint Franois recevant les stigmates". Insecula.com. Archived from the original on 18 February 2015. Retrieved 17 January 2015.
-  Archived March 8, 2005, at the Wayback Machine
- "Sito Prenotazioni Galleria Barberini - Domenico Beccafumi - Madonna col Bambino e San Giovannino". Galleriaborghese.it. Archived from the original on 2015-03-07. Retrieved 2015-02-18.
- http://www.nga.gov/cgi-bin/pimage?12131+0+0. Retrieved November 7, 2005. Missing or empty
- "Domenico Mecarino (Beccafumi) : Jésus-Christ : Saint Jean-Baptiste : Sainte Vierge : Saint Joseph : Image". Insecula.com. Archived from the original on 30 September 2007. Retrieved 18 February 2015.
- "Domenico Beccafumi - Angelo Portacero (Duomo di Siena, 1550)". Scultura-italiana.com. Archived from the original on 2015-09-24. Retrieved 2015-02-18.
-  Archived September 5, 2004, at the Wayback Machine
-  Archived April 1, 2009, at the Wayback Machine
|Wikimedia Commons has media related to Domenico Beccafumi.|
- Domenico Beccafumi in the "A World History of Art"
- Domenico di Pace Beccafumi. paintings
- Texts on Wikisource: