Two main kinds of downstep can be distinguished. The first, more usually called automatic downstep, downdrift or catathesis, occurs when high and low tones come in the sequence H L (L) H; the second high tone tends to be lower than the first because of the intervening low toned syllable. That phenomenon is common in African languages, such as Chichewa.  It has also been argued that the same phenomenon causes English sentences, such as I really believe Ebenezer was a dealer in magnesium or I bought blueberries, bayberries, raspberries, mulberries, and brambleberries (if the sentences are pronounced with a falling intonation), to fall gradually in pitch, with each accented syllable (here underlined) slightly lower than the last.
Downstep proper, or non-automatic downstep, is another phenomenon found especially in West African languages such as Igbo. If two high tones are in succeeding syllables (thus in the sequence H H), the second is lower than the first. In such languages, when two high tones come one after the other, they are at the same height or, if there is a downstep, the second one is lower. The second high tone is also lower than the preceding one if there is an intervening low tone in the sequence H L H as described above. The high tones in a simple sentence tend to descend from the beginning to the end of the sentence in a series of steps, a phenomenon that Is known as tone terracing.
The symbol for the second kind of downstep in the International Phonetic Alphabet is a superscript down arrow, (↓). It is common to see instead a superscript exclamation mark (!) because of typographic constraints.
It has been shown that in most, if not all, cases of downstep proper, the lowering of the second high tone is from an intervening low-toned syllable that has dropped out. What was H L H has become H H. The missing low-toned syllable creates what is known as a 'floating tone'. An example occurs in Bambara, a language spoken in Mali. Its definite article is a floating low tone. With a noun in isolation, it docks to the preceding vowel and turns a high tone into a falling tone:
However, when it occurs between two high tones, it downsteps the following tone:
|/bá tɛ́/||it's not a river|
|/bá ꜜ tɛ́/||it's not the river|
The Japanese pitch accent may be compared to that. About 80% of Japanese words have an evenly rising pitch, something like in French, which carries over onto a following unstressed grammatical particle. However, about 20% of words have a drop in pitch between syllables, or before a grammatical particle:
In isolation, the first word has a high-low pitch, and the second and third are homonyms, with a low-high pitch. (The first syllable is low only when the word is said in isolation.) However, all three are distinct when they followed by the nominative particle ga:
- Yip (2002), p.148.
- Beckman & Pierrehumbert (1986), p.272.
- Myers (1996).
- Pierrehumbert (1980), pp.139ff, 329ff; Beckman & Pierrehumbert (1986), p.273.
- Connell (2001)
- Welmers (1974), pp.82ff
- Welmers (1974), p.87.
- Beckman Mary E. & Janet B. Pierrehumbert, (1986). "Intonational Structure in English and Japanese". Phonology Yearbook 3, 255-309.
- Connell, Bruce (2001) "Downdrift, Downstep, and Declination". Typology of African Prosodic Systems Workshop, Bielefeld University, Germany
- Crystal, David (2003). A dictionary of linguistics & phonetics. Wiley-Blackwell, pg. 130.
- Myers, Scott (1996). "Boundary tones and the phonetic implementation of tone in Chichewa", Studies in African Linguistics 25, 29-60.
- Pierrehumbert, Janet B. (1980) "The Phonology and Phonetics of English Intonation" Ph.D. Thesis, Massachusetts Institute of Technology.
- Welmers, William E. (1974). African Language Structures. University of California Press.
- Yip, Moira (2002). Tone. Cambridge University Press.