Dracula in the Provinces

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Dracula in the Provinces
Dracula in the Provinces.jpg
Italian film poster
Directed by Lucio Fulci
Written by Lucio Fulci
Bruno Corbucci
Pupi Avati
Mario Amendola
Starring Lando Buzzanca
Music by Franco Bixio
Fabio Frizzi
Vince Tempera
Cinematography Sergio Salvati
Edited by Ornella Micheli
Release date
Running time
100 minutes
Language Italian

Il cav. Costante Nicosia demoniaco ovvero: Dracula in Brianza, internationally released as Dracula in the Provinces and Young Dracula, is a 1975 Italian horror-comedy film directed by Lucio Fulci and produced by Pupi Avati.[1][2][3] It starred Lando Buzzanca, John Steiner and Sylva Koscina. Joe D'Amato and Sergio Salvati were 2nd unit cameramen, Fabio Frizzi provided the music score, and Giannetto ("Zombi 2") de Rossi handled the special effects.


Costante Nicosia (Lando Buzzanca), a businessman of Sicilian origins, is a boorish, irascible, man having married for wealth. He is the new boss of a recently inherited toothpaste factory and the owner of a local Rome basketball team. Nicosia is abusive to his employees and to his hunchbacked side-kick Peppino (Antonio Aliocca). Nicosia is also extremely superstitious. Peppino is less of a friend than a good luck charm as far as the insnsstitive Nicosia is concerned. He believes that it brings good luck to rub a hunchback's hump. In one day, a black cat crosses Nicosia's path, and he breaks a mirror in his apartment. Superstition demands that he persuade a virgin to urinate over the broken shards of glass in order to halt the tide of bad luck. Abusively, he passes a decrepit old spinster who lives next door to him mistakenly assuming that she has never done the "deed". Nicosia's relationship with his wife Mariu (Sylva Koscina) is scarcely more convivial for he is also antagonstic towards her.

Reluctantly bowing to family pressure, Nicosia employs his loafing brother-in-law into a menial post at the factory. But he fires him the following day after catching the man asleep on the job, snoring loudly. That evening at a family gathering at his apartment, he is accosted by his ungrateful in-laws who try to shame him into giving the feckless mans his job back. Instead of acquiescing to family practice, he bursts into an escalating tirade of rudeness against the singers figure of his Great Aunt Maria (Grazia Spadaro). The old woman finally responds to his cynical remarks by uttering a curse. Nicosia dismisses her at first, that is until the old woman threatens of pour oil onto the floor; this heavy duty bit of magical business breaks Nicosia's nerve, and he recants in a babbling panic. As Nicosia grovels for the curse to be lifted, and the old woman refuses to do so.

A few days later, Nicosia is on a plane to Bucharest, Romania where he expects to attend a business conference. A tall, gaunt, suave man seated nearby introduces himself as Count Dragalescu (John Steiner), and after some small talk, he invites the troubled industrialist to visit him at his castle while in the region. Upon arriving at the hotel, Nicosia discovers that the conference has been postponed, leaving him stranded at the hotel for the entire weekend. Another businessman, named Meniconi (Franco Nebbia), tells him that there are no prostitutes to be had in the region, and that he has failed to seduce any of the local women, even after buying sexy lingerie to bribe them. He confides to Nicosia that he has taken to wearing the lingerie, brand name "Hot Night in Havana" himself. Rather the spend the weekend in this wretched hotel, Nicosia decides to call on the Count.

Upon arriving in a taxi, Nicosia sees that the castle is very much what one would expect from a Romanian nobleman's abode, complete with lighting and thunder to amplify the Gothic effect. Count Dragalescu greets his guest in the cavernous dining hall. Suddenly, a group of revelers stagger down the large staircase into the dining hall. The Count introduces his companions (three women and a man) to the wary guest. The women greet Nicosia in a lavish, tactile manner. When Boris, the screaming camp male of the party, tries to greet Nicosia too, he backs up nervously away and declines. Laughing, the Count sends Nicosia up to his room to prepare for dinner.

A little later, when Nicosia comes back down the stairs, well dressed in a tuxedo, he finds himself overdressed for the occasion. Very awkwardly, Nicosia sits down at his place at the dinner table near a very naked Count Dragalescu and his bevy of naked women. The evening gets even more debauched when Nicosia has a little too much to drink, strips off all his clothes too, cavorts with the tree nude women of the assembled throng, and then passes out cold. The next morning, he wakes up in his bed with the mirthfully grinning Dragalescu laying next to him. Running in horror from the castle, the half-dressed Nicosia catches the first plane back to Italy.

Back in Italy and working at his toothpaste company, Nicosia is rather tense and uptight. He greets all his employees who speak to him with a clenched and furious tone. While overseeing his basketball team at practice, he is knocked off balance when the coach tells the team, "you've got the big one!" Nicosia repeats the phrase "big one" over and over, and then collapses in the locker room when he sees a row of naked men's bottoms in the showers.

Nicosia goes to his physician Dr. Paluzzi (Rossano Brazzi) who suggests that he try making out with his mistress, and if he can't do that, the doctor adds that he must have been "deflowered while drunk." This attempt to re-establish his heterosexualty fails, however because the tormented Nicosia feels compelled to bite her with and suck blood out of her neck.

Even more stricken, first with anxiety and then with abject self-pity, Nicosia calls on Great Aunt Maria to beg her to remove the curse, which he assumes, is responsible for his misfortune of homosexuality and blood craving. However, she claims that she had nothing to do with his urge for blood. She recommends that he visit the Magician of Noto (Ciccio Ingrassia) in Sicily for help and he complies in desperation. Upon arriving at the Magician of Noto's residence, Nicosia clearly sees from the posture and tone of voice, the magician is a fake. But Nicosia accepts his advice: the curse on him will be lifted only if he re-employs his brother-in-law. Nicosia leaves, where it is revealed to the viewers that the whole thing was a deliberate stunt organized by his in-laws into tricking Nicosia into giving his brother-in-law's job back. Returning home far from being cured, he responds to his needy wife's sexual advances by plunging his fang-like teeth into her bare bottom during foreplay.

Over the next several months, Nicosia adopts a devil-may-care aggression; he re-fires his lazy brother-in-law, arranges to visit prostitutes to satisfy his urge to bite, and isolates himself from family and friends. Finally, he satisfies his craving for blood by setting up a blood-bank at his factory-site and compelling all employees to attend. Just as he seems to have surrendered to total cynicism, his wife arrives at the factory with a baby; his newborn son that was conceived that night of their passion. Rejoicing at his proof of his potency, Nicosia throws off the shackles of his paranoia and goes to greet and hold his baby son. Only to discover in the final shot that the baby sports a protruding pair of fangs...



  1. ^ Roberto Chiti; Roberto Poppi; Enrico Lancia. Dizionario del cinema italiano: I film. Gremese, 1991. ISBN 8876059350. 
  2. ^ Marco Giusti. Dizionario dei film italiani stracult. Sperling & Kupfer,1999. ISBN 8820029197. 
  3. ^ Paolo Mereghetti. Il Mereghetti - Dizionario dei film. B.C. Dalai Editore, 2010. ISBN 8860736269. 

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