Du Barry Was a Lady (film)
|Du Barry Was a Lady|
|Directed by||Roy Del Ruth|
|Screenplay by||Irving Brecher|
|Adaptation by||Nancy Hamilton|
|Additional dialogue by||Wilkie Mahoney|
|Based on||Du Barry Was a Lady|
by Herbert Fields
Buddy G. DeSylva
|Produced by||Arthur Freed|
|Edited by||Blanche Sewell|
|Music by||Cole Porter|
|Distributed by||Loew's, Inc.|
|Box office||$3.5 million|
Du Barry Was a Lady is a 1943 American musical comedy film directed by Roy Del Ruth, starring Red Skelton, Lucille Ball, Gene Kelly, and Tommy Dorsey and His Orchestra. It is based on the 1939 stage musical of the same name. Shot in Technicolor, the film was produced and distributed by Metro-Goldwyn-Mayer.
Entertainer May Daly's nightclub act includes her portrayal of Madame Du Barry of days of yore. Equally smitten with her are coatroom attendant Louis Blore and master of ceremonies Alec Howe, but unfortunately for both, May persists in holding out for a wealthy husband, her current interest being rich, haughty Willie.
A telegram arrives notifying Louis that in the Irish Sweepstakes he is the winner of a prize of $150,000. Louis immediately and publicly declares his love for May, who is teased by Alec that she now has no reason to stay with Willie and avoid Louis, who is a sweeter fellow. After accidentally swallowing a drugged drink, Louis falls into a deep sleep and dreams that he is King Louis XV at Versailles, holding court with Madame Du Barry (May) and holding off her colorful suitor, the Black Arrow (Alec), a Robin Hood-like character. Tommy Dorsey's orchestra, dressed in formal 18th-century suits, entertains the palace occupants. Louis then escapes Du Barry's palace and slips into a local tavern, in peasant dress, to confront the Black Arrow, who is inciting the tavern-goers to march angrily to the palace to overthrow the greedy king. Louis, confused, unwittingly marches with them.
After swordplay and the sentencing of the Black Arrow to the guillotine, Louis awakens from his dream. He realizes that May is in love with Alec and generously offers them a wedding gift of $10,000. May declines, saying she has changed her mind about money's importance. Everybody ends up happy until a tax collector arrives to demand that Louis pay him $80,000.
- Red Skelton as Louis Blore/Louis XV
- Lucille Ball as May Daly/Madame Du Barry
- Gene Kelly as Alec Howe/The Black Arrow
- Virginia O'Brien as Ginny
- Rags Ragland as Charlie/Dauphin
- Zero Mostel as Rami, the Swami/Taliostra
- Donald Meek as Mr. Jones/Duc de Choiseul
- Douglass Dumbrille as Willie/Duc de Rigor
- George Givot as Cheezy/Count de Roquefort
- Louise Beavers as Niagara
- Tommy Dorsey and His Orchestra as themselves
- Hugh Beaumont as footman (uncredited)
- Clara Blandick as old lady on subway (uncredited)
- Charles Coleman as Charlie, the doorman (uncredited)
- Ava Gardner as cologne girl (uncredited)
- Marilyn Maxwell as Miss February – Vargas calendar girl (uncredited)
- Lana Turner as herself (uncredited)
- Paul Newlan as marching rebel on King Louis' left (uncredited)
- Martha Mears as Lucille Ball's singing voice (uncredited)
Musical numbers featured Tommy Dorsey and His Orchestra (featuring Buddy Rich and Ziggy Elman), Dick Haymes, Jo Stafford, The Pied Pipers, Six Hits and a Miss, and the Music Maids. Lucille Ball's singing voice was dubbed by Martha Mears in most of the picture, but her real voice is heard in "Friendship".
Music and lyrics are by Cole Porter, except where noted.
- Medley: "Du Barry Was a Lady (Main Title)/Do I Love You?" – MGM Studio Orchestra
- "Du Barry Was a Lady" – MGM Studio Chorus
- "Nightclub Medley: Give Him to the Oo-La-La/Well, Did You Evah" [Partial] – MGM Studio Orchestra
- Oxford Boys Medley: "Thinking of You/A Cigarette, Sweet Music and You"
- Medley: "I'm Getting Sentimental Over You (music by George Bassman)/Well, Git It! (Sy Oliver)" – Tommy Dorsey
- "When Love Beckoned (On 52nd Street)" – MGM Studio Orchestra
- "Do I Love You?" – Gene Kelly
- "Do I Love You" – Tommy Dorsey & His Orchestra, The Pied Pipers
- "Salome" (music by Roger Edens, lyrics by E.Y. Harburg) – Virginia O'Brien
- "I Love an Esquire Girl" (music by Edens, lyrics by Lew Brown and Ralph Freed) – Tommy Dorsey & His Orchestra, The Pied Pipers, Red Skelton
- Medley: "Friendship/Do I Love You?/But in the Morning, No" – MGM Studio Orchestra
- "Ladies of the Bath" (Edens) – Red Skelton and chorus
- "Katie Went to Haiti" – Tommy Dorsey & His Orchestra, The Pied Pipers
- "Madame, I Love Your Crepes Suzette" (music by Burton Lane, lyrics by Ralph Freed) – Red Skelton
- "Song of Rebellion" (Edens) – Gene Kelly
- "Friendship" – Lucille Ball, Tommy Dorsey & His Orchestra, Gene Kelly, Virginia O'Brien, Red Skelton
MGM originally purchased the rights to Du Barry Was a Lady for $80,000 as a vehicle for Ann Sothern. Publicity posters (as seen above right) and the doll behind screen credits clearly bear Sothern's likeness. When Sothern turned down the revised role, MGM decided to cast Lucille Ball. Sothern reportedly turned down the role because she was pregnant with her daughter, Tisha Sterling.
The film used very little of the original Cole Porter score. According to Time Out, "this adaptation of the Cole Porter musical ditches most of the songs – and the lusty bawdiness that went with them – to fashion a vehicle for Skelton and Ball, in the process interpolating more 'suitable' numbers."
According to TCM: "MGM bought the rights to a popular stage property... then proceeded to make so many changes that it’s hardly the same show. Much of the Cole Porter score was scrapped for the film version...it retained only a few of the original songs and substituted new material by studio songwriters. The movie also cut out the racier overtones in the musical’s story." New characters were added, and many of the original characters' names were changed. The basic outline remained the same, although the relationships of some of the characters were different. In the film, Ginny (another singer) pines away for Louis, who is too infatuated with May Daly to notice, and it is only at the end that he realizes that Ginny loves him.
The dream sequence purposely was delayed by 58 minutes, with vaudeville-type acts performed as a floor show before the sequence got underway. The Louis XV/Mme. DuBarry scenes, unlike the play, featured very little singing.
Bosley Crowther, in his review for The New York Times, wrote, "they have caught most of the humor of the original, with a lot of Red Skelton's own thrown in. And they have added Rags Ragland and Zero Mostel to be funny when Mr. Skelton is not... particularly they have given the whole show a Technicolor sheen, an eye-filling opulence and splendor, which is fabulous in these rationed times."
- Du Barry Was a Lady at the American Film Institute Catalog
- The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- Du Barry Was a Lady (1943) Trivia at IMDb
- Fristoe, Roger. "Du Barry Was a Lady" (article) TCM.com. Accessed: October 30, 2015
- "Review. 'Du Barry Was a Lady' (1943)" New York Times, August 20, 1943
- Fordin, Hugh. "'DuBarry Was a Lady'", M-G-M's Greatest Musicals: The Arthur Freed Unit, Da Capo Press, 1975, ISBN 0306807300, p. 70
- "Straight From New York". The Milwaukee Sentinel. March 11, 1941. p. 14. Retrieved January 7, 2013.
- Films in Review , Volume 39. Vol. 39. National Board of Review of Motion Pictures. 1988. p. 135.
- Karol, Michael. Lucy A to Z: The Lucille Ball Encyclopedia, iUniverse, 2004, ISBN 0595752136, p. 128
- "Review. 'Du Barry Was a Lady'" Time Out. Retrieved November 19, 2021.
- "Top Grossers of the Season". Variety. January 5, 1944. p. 54.