An earworm, sometimes known as a brainworm, sticky music, or stuck song syndrome, is a catchy piece of music that continually repeats through a person's mind after it is no longer playing. Phrases used to describe an earworm include "musical imagery repetition", "involuntary musical imagery", and "stuck song syndrome". The word earworm is a calque from the German Ohrwurm. The earliest known usage is in Desmond Bagley's 1978 novel Flyaway.
Researchers who have studied and written about the phenomenon include Theodor Reik, Sean Bennett, Oliver Sacks, Daniel Levitin, James Kellaris, Philip Beaman, Vicky Williamson, and, in a more theoretical perspective, Peter Szendy. The phenomenon is common and should not be confused with palinacousis, a rare medical condition caused by damage to the temporal lobe of the brain that results in auditory hallucinations.
Incidence and causes
Researcher Vicky Williamson at Goldsmiths, University of London, found in an uncontrolled study that earworms correlated with music exposure (having heard the song recently or frequently), but could also be triggered by experiences that trigger the memory of a song (involuntary memory) such as seeing a word that reminds one of the song, hearing a few notes from the song, or feeling an emotion one associates with the song. The list of songs collected in the study showed no particular pattern, other than popularity.
According to research by James Kellaris, 98% of individuals experience earworms. Women and men experience the phenomenon equally often, but earworms tend to last longer for women and irritate them more. Kellaris produced statistics suggesting that songs with lyrics may account for 73.7% of earworms, whereas instrumental music may cause only 7.7%.
Scientists at Western Washington University found that engaging the working memory in moderately difficult tasks (such as anagrams, Sudoku puzzles, or reading a novel) was an effective way of stopping earworms and of reducing their recurrence. Another publication points out that melodic music has a tendency to demonstrate repeating rhythm which may lead to endless repetition, unless a climax can be achieved to break the cycle.
With mental illness
In a 2006 book by Daniel Levitin entitled This Is Your Brain on Music: The Science of a Human Obsession, he states that research has shown musicians and people with obsessive–compulsive disorder (OCD) are more likely to suffer from earworm attacks. An attack usually involves a small portion of a song, a hook, equal to or less than the capacity of one's auditory short-term memory. Levitin reports that capacity as usually 15 to 30 seconds. Simple tunes are more likely to get stuck than complex pieces of music. He also mentions that in some situations, OCD medications have been known to minimize the effects.
Jean Harris, who murdered Herman Tarnower, was obsessed by the song "Put the Blame on Mame", which she first heard in the film Gilda. She would recall this regularly for over 33 years and could hold a conversation while playing it in her mind.
In popular culture
||This section appears to contain trivial, minor, or unrelated references to popular culture. (June 2016)|
In Arthur C. Clarke's 1957 science fiction short story "The Ultimate Melody", a scientist, Gilbert Lister, develops the ultimate melody – one that so compels the brain that its listener becomes completely and forever enraptured by it. As the storyteller, Harry Purvis, explains, Lister theorized that a great melody "made its impression on the mind because it fitted in with the fundamental electrical rhythms going on in the brain." Lister attempts to abstract from the hit tunes of the day to a melody that fits in so well with the electrical rhythms that it dominates them completely. He succeeds and is found in a catatonic state from which he never awakens.
In Fritz Leiber's Hugo Award-nominated short story "Rump-Titty-Titty-Tum-TAH-Tee" (1959), the title describes a rhythmic drumbeat so powerful that it rapidly spreads to all areas of human culture, until a counter-rhythm is developed that acts as an antidote.
In Joe Simpson's 1988 book Touching the Void, he talks about not being able to get the tune "Brown Girl in the Ring" by Boney M out of his head. The book tells of his survival, against the odds, after a mountaineering accident in the remote Siula Grande region of South America. Alone, badly injured, and in a semi-delirious state, he is confused as to whether he is imagining the music or really hearing it.
In episode 20 of season 7 of SpongeBob SquarePants, entitled "Ear Worm" (2010), SpongeBob gets a song stuck in his head called "Musical Doodle". The episode refers to the earworm as a physical creature that enters one's head upon listening to a catchy song.
In the Dexter's Laboratory episode titled "Head Band", a contagious group of viruses force their host to sing what they are saying to the same "boy band" tune. The only way to be cured of the Boy Band Virus is for the viruses to break up and start their own solo careers.
E. B. White's 1933 satirical short story "The Supremacy of Uruguay" (reprinted in Timeless Stories for Today and Tomorrow) relates a fictional episode in the history of Uruguay where a powerful earworm is discovered in a popular American song: "thanks for unforgettable nights I never can replace." The Uruguayan military builds a squadron of pilotless aircraft armed with phonographs playing a highly amplified recording of the earworm, and conquers the entire world by reducing the citizens of all nations to mindless insanity. "[T]he peoples were hopelessly mad, ravaged by an ineradicable noise ... No one could hear anything except the noise in his own head."
DJ Earworm is a mash-up DJ from San Francisco. His stage name is likely a nod to the catchiness that he tries to infuse into his work.
In the 2016 CBS summer comedy-thriller BrainDead in which the brains of Washington D.C. politicians are infected and controlled by literal earworms, the song "You Might Think" by The Cars is used recurringly both as a meta joke about earworm songs, and as a way for the infected to signal to each other.
- Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. First Vintage Books. pp. 41–48. ISBN 978-1-4000-3353-9.
- "Earworms: Why songs get stuck in our heads". 2012-03-07.
- "Oxford Dictionaries: "earworm"". Oxford University Press. Retrieved July 4, 2013.
- Liikkanen, L. A. (2012). "Inducing involuntary musical imagery: An experimental study" (PDF). Musicae Scientiae 16 (2): 217–234. doi:10.1177/1029864912440770.
- Liikkanen, Lassi A. (2008). "Music in Everymind: Commonality of Involuntary Musical Imagery" (PDF). Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10) (Sapporo, Japan): 408–412. ISBN 978-4-9904208-0-2.
- "earworm", wordspy.com
- Desmond Bagley, Flyaway (1978), p. 41: "I fell into a blind, mindless rhythm and a chant was created in my mind what the Germans call an 'earworm' something that goes round and round in your head and you can't get rid of it. One bloody foot before the next bloody foot."
- Reik, Theodor (1953). The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Grove Press.
- Bennett, Sean (August 30, 2002). Musical Imagery Repetition (Master). Cambridge University.
- Levitin, Daniel (2006). This Is Your Brain on Music: The Science of a Human Obsession. New York, New York: Dutton, Penguin. ISBN 0452288525. Retrieved August 7, 2012.
- Kellaris, James J. (Winter 2001). "Identifying Properties of Tunes That Get 'Stuck in Your Head'". Proceedings of the Society for Consumer Psychology (Scottsdale, AZ: American Psychological Society): 66–67.
- Beaman, C. P.; Williams, T. I. (2010). "Earworms (stuck song syndrome): Towards a natural history of intrusive thoughts". British Journal of Psychology 101 (4): 637. doi:10.1348/000712609X479636.
- Chatterjee, Rhitu (6 March 2012). "Earworms: Why songs get stuck in our heads". BBC News. Retrieved 7 March 2012.
- Szendy, Peter (2012). Hits. Philosophy in the Jukebox. translated by William Bishop. Fordham University Press.
- Moore, David R.; Fuchs, Paul Paul Albert; Rees, Adrian; Palmer, Alan; Plack, Christopher J. (January 21, 2010). The Oxford Handbook of Auditory Science: The Auditory Brain. Oxford University Press. p. 535. Retrieved July 3, 2013.
- Adams, Cecil (October 16, 2009), "Why do songs get stuck in your head?", The Straight Dope
- Hoffman, Carey (2001-04-04). "Songs That Cause The Brain To 'Itch': UC Professor Investigating Why Certain Tunes Get Stuck In Our Heads". University of Cincinnati. Retrieved 2012-08-06.
Of the 1,000 respondents, the kind of music respondents said they got stuck on most recently were songs with lyrics for 73.7 percent, jingles or ads for 18.6 percent and an instrumental tune for 7.7 percent.
- Gray, Richard (24 March 2013). "Get that tune out of your head - scientists find how to get rid of earworms". The Daily Telegraph. Retrieved 25 March 2013.
- Got a song stuck in your head? Solving an anagram can help get rid of it, Daily Mail, 24 March 2013
- Schwanauer, Stephan M.; Levitt, David A. (1993). Machine Models of Music. MIT Press. p. 174. ISBN 978-0-262-19319-1.
- "Listen up - new research shows chewing gum could remove that stuck record in your head", University of Reading, 22 April 2015
- Díaz de Chumaceiro, Cora L. (October 16, 2004). "Jean Harris' Obsessive Film Song Recall". PsyArt.
- Chorost, Michael, "The Ultimate Melody by Arthur C. Clarke", The Web site of aleph
- Pretor-Pinney, Gavin (2010), The Wavewatcher's Companion, Bloomsbury Publishing, p. 218, ISBN 978-0-7475-8976-1
- Simpson, Joe (1988). Touching the Void.
- "Ear Worm: Musical Doodle". Nick.com. Retrieved July 18, 2012.
- "Dexter's Laboratory: Head Band / Stuffed Animal House / Used Ink". TV.com. Retrieved 29 May 2014.
- "The Supremacy of Uruguay". www.armandobronca.com. Retrieved January 17, 2014.
- Vadim Prokhorov (22 June 2006), "Can't get it out of my head", The Guardian
- Divya Singhal (December 8, 2011), Why this Kolaveri Di: Maddening Phenomenon of Earworm