Easy Virtue (2008 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Easy Virtue
Theatrical release poster
Directed by Stephan Elliott
Produced by Barnaby Thompson
Joseph Abrams
James D. Stern
Written by Stephan Elliott
Sheridan Jobbins
Based on Easy Virtue
by Noël Coward
Starring Jessica Biel
Colin Firth
Kristin Scott Thomas
Ben Barnes
Music by Marius de Vries
Cinematography Martin Kenzie
Edited by Sue Blainey
Distributed by Ealing Studios
Release date
  • 7 November 2008 (2008-11-07) (United Kingdom)
  • 29 May 2009 (2009-05-29) (Canada)
Running time
97 minutes[1]
Country United Kingdom
Language English
Box office $US18,463,793[2]

Easy Virtue is a 2008 British romantic comedy film based on Noël Coward's play of the same name. The play was previously made into the silent movie Easy Virtue (1928) by Alfred Hitchcock. This adaptation is directed by Stephan Elliott, written by Elliott and Sheridan Jobbins, and stars Jessica Biel, Ben Barnes, Colin Firth and Kristin Scott Thomas. The score contains many Coward and jazz-age songs, some of which are sung or partially sung by the cast.

Easy Virtue is a social comedy in which a glamorous American widow, Larita, impetuously marries a young Englishman, John Whittaker, in the South of France. When they return to England to meet his parents, his mother takes an immediate and strong dislike to the new daughter-in-law, while his father, Jim, finds a kindred spirit. Family tensions escalate.

The film was screened at the Toronto International Film Festival and London Film Festival[3] prior to its 7 November release by Pathé in the UK. Subsequently, the film was also screened at the Rio International Film Festival,[4] Middle East International Film Festival in Abu Dhabi,[5] and the Rome Film Festival.[6] It closed the Adelaide Film Festival prior to the Australian theatrical release on 12 March 2009.[7] In May 2009 it was released in the US.[8]

In the United States, the film enjoyed some commercial success. Sony Pictures Classics paid an estimated $US1 million to acquire the film's distribution rights in the United States, Latin America and South Africa.[9] The film went on to gross $US2.5 million in limited theatrical release in the United States.[2]


Larita (Jessica Biel), a glamorous American widow and successful racecar driver, meets young John Whittaker (Ben Barnes) in Monaco. They marry, and he takes his bride home to meet his family at their dauntingly large rural mansion, where seven generations of Whittakers have been gentleman farmers. There she meets her icy cold mother-in-law, Veronica (Kristin Scott Thomas) and disheveled, sad-eyed father-in-law, Major Jim Whittaker (Colin Firth).

Veronica, already predisposed to dislike her new daughter-in-law ("John's floozy") is further disappointed to find that she is a brash American who, like the Major, speaks fluent French. Larita also meets John's former girlfriend and neighbour Sarah Hurst (Charlotte Riley), who is gracious about the marriage. Larita remains calm in the face of her new mother-in-law's disdain, even being so bold as to reveal having been previously married.

Time passes, and to Larita's disappointment, John is not eager to leave the estate (portrayed by Flintham Hall, Nottinghamshire) so that they can find a home of their own. Larita is bored and miserable in the countryside and hates blood sports like hunting, and indeed any of the entertainment country English people seem to enjoy. She reads Lady Chatterley's Lover, by D.H. Lawrence, which shocks her husband's female relatives, and she doesn't want to play tennis. She also dislikes Veronica's stuffy decor, her constant entertaining of her friends and the overcooked food. Worse still, she suffers from hay fever. She tries to get along with her mother-in-law, but Veronica refuses to accept her and naturally resents her attempts to bring some American traditions into the situation.

Larita makes some inadvertent gaffes, accidentally killing the family chihuahua and giving some joking advice to the younger daughter, Hilda (Kimberley Nixon), that unfortunately results in embarrassment to, and enmity from, the daughters. Sarah comes to the Whittakers' parties, and to play tennis, accompanied by her brother Philip (Christian Brassington), on whom Hilda has a crush. Philip, however, is infatuated with Larita, which further angers Hilda. To Veronica's horror, she and her hunting party discover John and Larita making love in an outbuilding. Larita finds herself increasingly isolated and demoralized by her mother-in-law's derision, verbal attacks and dirty tricks. Larita's only sympathetic friends are the Major and the servants, whom she treats better than Veronica does. Larita retreats to the Major's workshop to help him work on his motorcycle. Still troubled from having lost all his men in the war, Jim Whittaker has lost interest in his home, and any love between him and his wife has long since gone.

The Whittaker estate has fallen on hard times. John, once in the shadow of his dragon-lady mother, loses his independence and seems immature to her as he is drawn into family life. In addition, John's affection for Larita seems to be waning, as he complains about his wife to Sarah, who finds his overture inappropriate.

Finally, Hilda obtains a newspaper cutting revealing scandalous secrets about Larita's first marriage to a much older man who was dying of cancer: she had helped him die using poison. John withdraws from Larita, while the Major scolds his daughters for their cruelty. At Veronica's next big party, John refuses to dance with Larita, so the Major dances a tango with her. She determines to leave the marriage, and on her way out of the mansion, she apologizes to Sarah for having interrupted her relationship with John. She hopes that Sarah will take John back. Veronica and her daughters confront Larita one last time, and an argument ensues in which Veronica and Larita trade barbs, and Larita advises the daughters to leave and see the world while they still can. Larita finally leaves after casually destroying a priceless bust, but the Major goes with her. Furber (Kris Marshall), the family butler, wishes them well.




Coward's play was adapted to the screen by Stephan Elliott and Sheridan Jobbins but hardly any feature of the original play remains besides the main characters, and even they do not greatly resemble Coward's cast.

In his autobiography, Present Indicative published in 1937, Coward describes his object in the play as being "to compare the declasse woman of to-day with the more flamboyant demi-mondaine of the 1890s." He goes on to say, "The line that was intended to establish the play on a basis of comedy rather than tragedy, comes at the end of the second act when Larita, the heroine, irritated beyond endurance by the smug attitude of her 'in-laws', argues them out of the room."[11]

Although the play was made into a silent film in 1928 directed by Alfred Hitchcock and starring Isabel Jeans and Franklin Dyall, this film is not mentioned in Coward's autobiography. The 2008 version of the film is favourably reviewed by the Noël Coward Society.[citation needed]


Filmmaker Stephan Elliott instructed Kristin Scott Thomas to play Mrs. Whittaker as a "mustache-twirling... Disney witch."[citation needed] Initially, the actress responded by suggesting this is the worst direction she had ever received, but later embraced her character's wickedness and somewhat haggard appearance and unflattering wardrobe.[citation needed]


The film was shot in studio at the Ealing Studios in London, and on location at:


The score for the film was produced by Marius de Vries and the film's director Stephan Elliott. It features several songs by Cole Porter and Noël Coward. It was performed by the Easy Virtue Orchestra - which was assembled specifically for the film. Jessica Biel makes her musical debut singing two tracks which are featured on the soundtrack album. Ben Barnes sings several songs on the sound track, including "Room With a View", while Colin Firth makes a guest appearance on the closing track.

Featured in the closing credits is a cover version, in 1920's faux-jazz style, of "When The Going Gets Tough, The Tough Get Going" (c. 1986), performed by Colin Firth, Ben Barnes, Jessica Biel, and Andy Caine. The song was written by Billy Ocean, Robert John "Mutt" Lange, Wayne Brathwaite, and Barry Eastmond.[13] The British jazz renditions of the songs 'Car Wash' and 'Sex Bomb' were also included.[14]

A soundtrack album was released on 3 November 2008 in stores and on iTunes.[15]


Critical response[edit]

Review aggregation website Rotten Tomatoes gives the film a score of 53% based on 120 reviews.[16] Metacritic gives the film a score of 58% based on reviews from 28 critics.[17]

Colm Andrew of the Manx Independent gave the film 7/10 and said it was "a frothy affair but the source material is good - the script is workmanlike but at least it doesn't try to be clever and the quality of the acting makes sure the lines resonate soundly".[18] Some critics felt that the movie’s insistent jazz-age lilt is ultimately at odds with a play written in 1924 that attacks the hypocrisy, smugness and benighted values of the English landed gentry between the wars. The screenplay includes scattered Coward bons mots, but the witticisms don’t come as thick or as fast as in his later plays.[10]

Broadsheet and national British reviews were generally mixed or negative. Film Four's praised the casting of Biel and noted that, though Firth's and Thomas's casting was "hardly radical thinking, both offer something different from their previous period work".[19] Philip French of the Observer wrote that the film was "well enough designed and photographed, but witless, anachronistic, cloth-eared, lacking in both style and period sense",[20] while Peter Bradshaw of the Guardian attacked its script for "undermin[ing] the material by slipping arch modern phrases and gags into everyone's mouths".[21] The critic of the Times awarded it only one star out of five,[22] whilst Nicholas Barber of the Independent wrote that "every one of Elliott's straining efforts to turn Easy Virtue into a zany, risqué farce only makes it seems stuffier and starchier".[23] Stella Papamichael of digital spy added that British jazz renditions of 'Car Wash' and 'Sex Bomb' used in the film were totally distracting.[14]

Box office[edit]

The film earned $US18,463,608 worldwide.[2] The film earned $US2,656,784 in Canada and the United States, Sony Pictures Classics paid an estimated $US1 million for distribution rights in the United States, Latin America and South Africa.[9]


  1. ^ Easy Virtue BBFC Quote: Run Time 96m 48s
  2. ^ a b c "Easy Virtue (2009)". Box Office Mojo. Amazon. 
  3. ^ "A hugely enjoyable version of Noël Coward's twenties culture clash". The Times BFI London Film Festival. Archived from the original on 13 September 2008. Retrieved 28 October 2008. 
  4. ^ "Festival do Rio - Easy Virtue" (in Portuguese). Rio de Janeiro International Film Festival. Retrieved 17 May 2009. 
  5. ^ "Middle East International Film Festival - Abu Dhabi 2008 - Easy Virtue". Middle East International Film Festival. Archived from the original on 11 October 2008. Retrieved 13 September 2013. 
  6. ^ Aloisi, Silvia (29 October 2008). "Easy Virtue tops favorites at Rome film fest". Thomson Reuters. Retrieved 17 May 2009. 
  7. ^ "Easy Virtue perfect choice for closing Adelaide festival". The Age. Melbourne. 3 March 2009. Retrieved 8 March 2009. 
  8. ^ Holden, Stephen (22 May 2009). "Marry in Haste, Repent at Decaying Castle With Possessive Mater". The New York Times. 
  9. ^ a b Sharon Swart (15 October 2008). "Sony Classics snags 'Easy Virtue'". Variety. 
  10. ^ a b Adam Dawtrey (17 January 2008). "Elliott takes on 'Easy Virtue'". Variety. Retrieved 9 April 2009. 
  11. ^ Noël Coward. Present Indicative. Autobiography to 1931. Heinemann 1937. Methuen reissue, 2004. p. 267. ISBN 978-0-413-77413-2. 
  12. ^ "Filming locations". IMDB. Retrieved 2013-12-10. 
  13. ^ Soundtracks IMDb
  14. ^ a b Stella Papamichael (7 November 2008). "Easy Virtue". digital spy. Retrieved 13 September 2013. 
  15. ^ "Easy Virtue (Original Motion Picture Soundtrack)". iTunes. Retrieved 13 September 2013. 
  16. ^ "Easy Virtue (2008)". Rotten Tomatoes. Flixster. 
  17. ^ "Easy Virtue". Metacritic. CBS. 
  18. ^ Review by Colm Andrew, IOM Today
  19. ^ Child, Ben (10 November 2008). "You review: Easy Virtue". The Guardian. London. Retrieved 1 May 2010. 
  20. ^ French, Philip (9 November 2009). "Review: Easy Virtue". The Guardian. London. 
  21. ^ Bradshaw, Peter (7 November 2009). "Review: Easy Virtue". The Guardian. London. 
  22. ^ Wendy Ide (6 November 2008). "Review: Easy Virtue". The Times. London. Retrieved 1 May 2010. 
  23. ^ Nicholas Barber (9 November 2008). "Review: Easy Virtue". The Independent. London. 

External links[edit]