Eclair (company)

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IndustryMotion picture production company
HeadquartersParis-Vanves, France
Number of locations
London, UK
Vanves, Berlin
Germany, France
New York City, USA
Karlsruhe, Germany
Madrid, Spain
Barcelona, Spain
Liège, Belgique
Rabat, Morocco
Key people
Charles Jourjon Edit this on Wikidata

Eclair is a business unit of Ymagis Group offering creative and distribution services for the motion pictures industries across Europe and North America such as editing, color grading, restoration, digital and theatrical delivery, versioning. Eclair used to be a film production, film laboratory and movie camera manufacturing company established in Épinay-sur-Seine, France by Charles Jourjon in 1907.

Film productions[edit]

The pioneering company produced many silent shorts in France starting in 1908, and soon thereafter in America. The American division produced films from 1911-1914 such as the Robin Hood, one of the first filmed version of the classic story in 1912.

Camera Products[edit]

Originally a production company, they started building cameras in 1912. Among their early models was the Caméréclair of 1928, then the Camé 300 Réflex, both successful studio cameras. Their real breakthrough design, the Caméflex (shoulder-held portable 35mm camera with instant-change magazines, with later 16/35mm dual format option) introduced in 1947, played a major part in the French New Wave by allowing for a freer form of shooting 35mm fiction films.

Later 16mm silent models such as the 1960 Eclair NPR (aka "Eclair 16" or "Eclair Coutant") and the 1971 Eclair ACL were documentary cinema favorites. The NPR also saw considerable use in television production and was the standard camera used by 16mm film crews in the BBC's Film Department. Due to its light weight and ergonomic design, which housed the tape reels at the back of the camera rather than on top, the NPR was seen as a considerable improvement over its predecessors. For 16mm cameramen out in the field, this ease of use and manoeuvrability was vital to capture the right shot, often in hostile conditions.[1] NPR stands for Noiseless Portable Reflex and ACL comes from the letters of the names of its designers Agusti (Austin) Coma and Jacques Lecoeur. The last models designed by Eclair in the early-1980s came too late to save the company from bankruptcy and were hardly produced, if at all : the Eclair EX16 (similar to ACL with fixed viewfinder and 24/25fps fixed motor) and the Eclair PANORAM (first dual format 16+Super16 camera with "Varigate" system)

The instant clip-on design of the camera magazine of the Caméflex and later the NPR, ACL, EX16 and PANORAM models' coaxial magazines revolutionized filmmaking, in particular documentary films, since magazine changes could now be made in seconds without the need to spend time lacing the film in the camera. The ACL model used a focal plane shutter for exposure and a side-to-side oscillating mirror for reflex viewing to keep the camera body size to a minimum [2]

Famous camera users[edit]

Jean-Luc Godard used an Eclair Cameflex when filming Breathless in 1959. Godard wished to film using ambient light, and the Cameflex was the only motion picture camera capable of using ASA 400 35 mm Ilford HPS still camera film. Cinematographer Raoul Coutard spliced the 18-meter still camera rolls into 120-meter rolls for use as motion picture film, and pushed it to ASA 800 during development.[3] A handheld Eclair camera was used in the shower scene in the 1960 film, Psycho.

An Eclair 16 was used by L.M. Kit Carson (and discussed, on camera) in Jim McBride's ground-breaking film, David Holzman's Diary (1967). Two years later, the NPR was chosen by director Michael Wadleigh to shoot his documentary Woodstock. Wadleigh used sixteen NPR cameras, and in Woodstock: From Festival to Feature, he explained some of the challenges he faced using a then seven-year-old camera in a manner that would have been unheard of for 35mm movie cameras, let alone the relatively untried NPR. That they succeeded so spectacularly is a testament to the NPR's sturdiness.

Later Company History[edit]

The company was acquired in late 1968 by British film producer Harry Saltzman who then founded the Éclair-Debrie (UK) Ltd company and moved production to the United Kingdom. Meanwhile, Soremec-Cehess took over the French side of the company and resumed production in France, so English Eclair cameras (similar to the French product with minor differences) were manufactured simultaneously for a few years until Éclair-Debrie (UK) Ltd ceased activities in 1973. Production then continued in France only with a good degree of success, but the company eventually declined in the late-1970s and early-1980s until it was eventually sold to Aaton S.A. in 1986 who ceased all camera production, offering only a license for maintenance of the many existing cameras.

The film processing and post-production side of Éclair continues to operate.


  1. ^ Ellis, John; Hall, Nick (2017): ADAPT. figshare. Collection.
  2. ^ John, Ellis,; Nick, Hall, (2017-11-09). "ADAPT". figshare. doi:10.17637/rh.5987551.v1.
  3. ^ The Criterion Collection. Breathless DVD. Special Features, disc 2. Coutard and Rissient. 2007.

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