Ecstasy (Lou Reed album)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Ecstasy
Ecstasy (Lou Reed album).jpg
Studio album by
ReleasedApril 4, 2000
StudioSear Sound studios, NYC
GenreRock
Length77:15
LabelReprise
ProducerLou Reed, Hal Willner
Lou Reed chronology
Perfect Day
(1999)
Ecstasy
(2000)
The Very Best of Lou Reed
(2000)

Ecstasy is the eighteenth solo studio album by American rock musician Lou Reed, released on April 4, 2000 by Reprise Records. A concept album about Reed's personal experiences with marriage and relationships, it is his final rock album that is not a collaboration.[1]

The cover photography is by Stefan Sagmeister, who instructed Reed to masturbate behind a curtain to express the feeling of unashamed ecstasy.[2]

Songs[edit]

The album begins with "Paranoia in the Key of E" which alternates between the I-IV chords in E major. Patrick Stickies for Stereogum writes that the song "gives way to a swaggering strut more effective and danceable than anything the Rolling Stones could manage in the same century."[3] The song explores themes of marriage, decadence, and debauchery.

"Mystic Child" is based around the A chord and follows a straightforward rock beat, much like its predecessor on the album, "Paranoia in the Key of E". The lyrics reference alcohol ("Liquor shifting through the brain"), insanity ("The manic depressive goes insane"), and "Situation X".[3]

The album continues with "Mad" hailed by critic Robert Christgau as "the most original song on the record"[4] and in a review for Rolling Stone, he referred to it as "amazing." The song is told from the perspective of a man cheating on his partner. The lyrics may reference a previous song by Lou Reed dating back to his time in the Velvet Underground: "Pale Blue Eyes," and the lyrics "But mostly you just make me mad, baby you just make me mad." Both songs describe illicit affairs in Reed's life.

The title track "Ecstasy" explores themes of masochism and obsession. The melody is unusual compared to most of the album which is in the genre of straightforward rock. The song alternates between the F and E major chords[5] commonly associated with the E Phrygian dominant scale, used regularly in flamenco.

"Modern Dance", described by Christgau as an "existentialist joke,"[6] reflects on Reed's past decisions, musing over whether he should live somewhere else: "Maybe its time to see Tangiers, A different life-style, some different fears, And maybe I should be in Edinburgh, In a kilt in Edinburgh." Reed also references pollution (The smell of exhaust, the smell of strife) and ponders over past relationships ("It's all downhill after the first kiss"). The song follows a I-II-IV chord progression in A major before the D major becomes a D minor chord.[7]

"Tatters" is cited by Mark Deming as "document[ing] a relationship at the point of collapse."[3] The song is a slow tempo reflection on relationships in theme with the rest of the album exploring marriage, affairs and their emotional and physical extremities.

"Future farmers of America" is a two-chord rock and roll commentary on race relations, described by critic Kristin Sage Rockermann as "cringe-inducing."[3] Running at just over three minutes, it is one of the shorter songs on the album.

"Turning Time Around" is another slow tempo ballad-like exploration a romantic relationship, opening by posing the question, "What do you call love?"

"White Prism" is cited by Mark Deming as where "Eros is usually messy" on the album.[4] The song explores themes of aging and sex. It is in G major.

"Rock Minuet" is one of the more lauded songs on the album, cited by Julian Schnabel as one of his favourite songs by Lou Reed. The song follows a straightforward riff played on guitar while Reed plays a solo over it. Strings are also used with his wife and frequent collaborator Laurie Anderson playing electric violin. The song is played in 3/4 time, mirroring the French social dance. The song explores the "unhealthy and perverse,"[5] by documenting the life of a young man and his affiliations with drugs and lurid sexual fantasies ("thrill of the needle and anonymous sex") relating it to his fathers abusive nature ("His mother on all fours, ah, with his father behind").

"Baton Rouge" is described by Mark Deming as being "an eccentric but moving elegy for a love that didn't last."[3] It is in G major.

"Like a Possum " has come under vitriolic criticism, one critic calling it "unbearable"[7] mostly due to its length at just over 18 minutes. Patrick Stickles of Stereogum describes the music as being "gargantuan guitar tones in the service of slowly bludgeoning a rudimentary two-chord riff", and a "monolithic tower of punishment."[3] However, Mark Deming writes "Never let it be said that Lou Reed has lost the ability to surprise his audience."[8]

"Like a Possum" is followed by "Rouge", a one-minute instrumental played on strings and bass.

The album concludes with "Big Sky", which Patrick Stickles describes as a "honest-to-god, uplifting, life-affirming, fist-pumping Rock Anthem, the likes of which he had so studiously avoided for nearly his entire career."[3] Mark Deming describes the song as a " rousing closer" and concludes that the it "proves that even his [Reed's] uneven works include a few songs you'll certainly want to have in your collection."[3]

Critical reception[edit]

Professional ratings
Aggregate scores
SourceRating
Metacritic69/100[9]
Review scores
SourceRating
AllMusic[10]
Robert ChristgauA[14]
Entertainment WeeklyB−[11]
Pitchfork Media6.5/10[12]
Rolling Stone[13]
Spin4/10[15]

Robert Christgau thought highly of the album, writing: "If his solo career produced a masterwork on the scale of whatever VU album you prefer, this de facto farewell is it."[1] Rolling Stone, in a four star review claimed the album to be "a complex, musically gorgeous synthesis of the obsessions that powered Reed's failed 1973 Berlin and his great marriage albums of the early Eighties, especially The Blue Mask".[16] In a review from Allmusic Mark Deming concludes in a 3 star review by writing that Lou "once again proves that even his uneven works include a few songs you'll certainly want to have in your collection"[17] before jocularly adding "as long as they're not about possums" referencing the song "Like a Possum" which he describes as being "the album's most spectacular miscalculation."

Mark Deming was not alone in his condemnation of "Like a Possum". In a review for Pitchfork, Kristin Sage Rockermann described an "attempt to pair a long poem with off-kilter sound collage, pushes "the possum" into the category of "the unbearable."[18] Patrick Stickles writing for Stereogum describes the song as a "monolithic tower of punishment."[19]

"Rock Minuet" was cited by Julian Schnabel as a favourite of Lou Reed and he recited the lyrics while appearing with Reed on the Spectacle Elvis Costello with... show.[20]

Robert Christgau placed the album at number 8 on his Pazz & Jop list for that year and the album came at number 63 on the critics poll. Christgau disapproved of the decision writing, "the voters' preference for young repeater Elliott Smith's soupiest album, not to mention old farts the Jayhawks' smiliest, gets me mad", referencing another song from the album: "Mad",[21] a song he praised as the most original on the record.[22]

Track listing[edit]

All tracks by Lou Reed

No.TitleLength
1."Paranoia Key of E"4:28
2."Mystic Child"5:01
3."Mad"4:29
4."Ecstasy"4:25
5."Modern Dance"4:09
6."Tatters"5:55
7."Future Farmers of America"3:01
8."Turning Time Around"4:21
9."White Prism"4:00
10."Rock Minuet"6:56
11."Baton Rouge"4:54
12."Like a Possum"18:03
13."Rouge"1:00
14."Big Sky"6:32

German vinyl release

Side one
No.TitleLength
1."Paranoia Key of E"4:28
2."Mystic Child"5:02
3."Mad"4:29
4."Ecstasy"4:25
Side two
No.TitleLength
1."Modern Dance"4:09
2."Tatters"5:56
3."Future Farmers of America"3:01
4."Turning Time Around"4:22
5."White Prism"4:00
Side three
No.TitleLength
1."Like a Possum"18:03
2."Rouge"1:01
Side four
No.TitleLength
1."Rock Minuet"6:55
2."Baton Rouge"4:55
3."Big Sky"6:32

Personnel[edit]

Musicians

Charts[edit]

Chart (2000) Peak

position

Dutch Albums (Album Top 100)[23] 68
German Albums (Offizielle Top 100)[24] 24
French Albums (SNEP)[25] 48
Norwegian Albums (VG-lista)[26] 20
UK Albums (OCC)[27] 54
US Billboard 200[28] 183

References[edit]

  1. ^ a b Christgau, Robert (October 27, 2013). "Toesucker Blues: Robert Christgau's Farewell Salute to Lou Reed". Spin. Retrieved June 22, 2014.
  2. ^ Sagmeister, Stefan (2013). Things I have learned in my life so far ([Updated edition]. ed.). New York: Abrams. ISBN 978-1419709647.
  3. ^ a b c d e f g h "Lou Reed's 'Ecstasy' Turns 20". Stereogum. April 2, 2020. Retrieved 2021-08-15.
  4. ^ a b "Robert Christgau: CG: Lou reed". www.robertchristgau.com. Retrieved 2021-08-16.
  5. ^ a b "Ecstasy". www.loureed.it. Retrieved 2021-08-16.
  6. ^ "Robert Christgau: CG: Lou reed". www.robertchristgau.com. Retrieved August 16, 2021.
  7. ^ a b "Modern Dance". www.loureed.it. Retrieved 2021-08-16.
  8. ^ Deming, Mark. "Ecstasy - Lou Reed | Songs, Reviews, Credits". AllMusic. Retrieved August 16, 2021.
  9. ^ "Ecstasy by Lou Reed". Metacritic. Retrieved 3 October 2016.
  10. ^ Deming, Mark. Ecstasy at AllMusic
  11. ^ Sinclair, Tom (2000-04-07). "Ecstasy". Entertainment Weekly.
  12. ^ Sage Rockermann, Kristin. "Lou Reed: Ecstasy: Pitchfork Review". web.archive.org. Archived from the original on 2002-06-19. Retrieved 3 September 2011.
  13. ^ Christgau, Robert (2000-04-13). "Lou Reed: Ecstasy : Music Reviews : Rolling Stone". web.archive.org. Archived from the original on 2009-02-16. Retrieved 3 September 2011.
  14. ^ "Robert Christgau: CG: Lou Reed". Retrieved 3 October 2016.
  15. ^ Vowell, Sarah (2000-05-01). "Reviews". Spin. SPIN Media LLC. pp. 21–2.
  16. ^ "Lou Reed: Ecstasy : Music Reviews : Rolling Stone". Rolling Stone. 2009-02-16. Archived from the original on 2009-02-16. Retrieved 2021-08-15.
  17. ^ Ecstasy - Lou Reed | Songs, Reviews, Credits | AllMusic, retrieved 2021-08-15
  18. ^ "Lou Reed: Ecstasy". Pitchfork. Retrieved 2021-08-15.
  19. ^ "Lou Reed's 'Ecstasy' Turns 20". Stereogum. 2020-04-02. Retrieved 2021-08-15.
  20. ^ Jamie (2011-11-02). "Cheaper Drugs Now !!: rock minuet by lou reed narrated by julian schnabel". Cheaper Drugs Now !!. Retrieved 2021-08-15.
  21. ^ "Robert Christgau: Pazz & Jop 2000: Albums While They Last". www.robertchristgau.com. Retrieved 2021-08-15.
  22. ^ "Robert Christgau: CG: Lou reed". www.robertchristgau.com. Retrieved 2021-08-15.
  23. ^ Hung, Steffen. "Lou Reed - Ecstasy". hitparade.ch. Retrieved 2022-03-03.
  24. ^ "Offizielle Deutsche Charts - Offizielle Deutsche Charts". www.offiziellecharts.de. Retrieved 2022-02-27.
  25. ^ "Tous les Albums classés par Artiste". www.infodisc.fr. Archived from the original on 2016-01-26. Retrieved 2011-01-07.
  26. ^ "norwegiancharts.com - Lou Reed - Ecstasy". norwegiancharts.com. Retrieved 2022-03-03.
  27. ^ "Lou Reed | Full Official Chart History | Official Charts Company". www.officialcharts.com. Retrieved 2022-03-03.
  28. ^ "Lou Reed > Charts & Awards > Billboard Albums". AllMusic. All Media Network. Retrieved 2010-09-02.