Eduard Wiiralt

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Eduard Wiiralt
Native name Eduard Viiralt
Born (1898-03-20)March 20, 1898
Saint Petersburg Governorate
Died January 8, 1954(1954-01-08) (aged 55)
Nationality Estonian
Education Anton Starkopf
Alma mater Pallas (art school),
Dresden Academy of Art

Eduard Wiiralt (real name, Eduard Viiralt; March 20, 1898, Saint Petersburg Governorate – January 8, 1954, Paris) was a well-known Estonian graphic artist.[1]

In art history, Wiiralt is considered as the most remarkable master of Estonian graphic art in the first half of his century; the most well-known of his works include „Inferno”, „Cabaret”, „Heads of Negroes”, „Sleeping Tiger” and „Head of a Camel”.


Eduard Wiiralt was born in the town of Goubanitzy in the St. Petersburg governorate as a son of estate servants. In 1909, the family moved to Estonia, where the father was employed in the Varangu estate in the Järva County. At age of 17 Wiiralt entered Tallinn School of Applied Art. There one of his teachers was the famous Estonian painter and draughtsman Nikolai Triik, who exerted strong influence on the work of the young artist.[2] However, Wiiralt did not graduate due to the start of the German occupation and revolution.

Wiiralt continued his studies in Tartu in art school Pallas in the sculpture studio of Anton Starkopf in 1919. There the teachings in the art of engraving were strongly guided by the manuals and the works of the old masters, thus influencing his artistic technique even to his later years.[3] Again, the studies were interrupted by participating in the Estonian War of Independence. In 1922–1923, Wiiralt continued his studies, as a grantee of Pallas, in the Dresden Academy of Art in Germany under the supervision of Professor Selmar Werner. In his works of that period a certain influence of German expressionism may be observed.[4] Wiiralt returned to Tartu in the fall of 1923. In 1924 he graduated from Graphic Arts Department of art school Pallas leading its graphic studio during following year.

He went to Paris in 1925 and lived there almost without interruption until 1938. In Paris he created his etching Hell. In 1937 the International Graphic Exhibition in Vienna recognized him as the leading engraver in Europe, honoring him with its Gold Medal. From July 1938 to February 1939 he lived and worked in Marrakesh Morocco, returning the following year to his homeland Estonia.[5]

He survived World War II in Estonia. In 1944 he made an attempt to return to his beloved Paris but wat took him instead to Germany and later to Sweden. In was not tuntil the fall of 1946, that he reached Paris again. At the end, he lived in the southern part of the city, Sceaux, at Rue Houdan 61. Eduard Wiiralt died at the age of 55 in Paris, in the Danncourt hospital due to gastric cancer and was buried in the Père Lachaise Cemetery on 12 January 1954.


Wiiralts work is represented in several collections in both Europe and America, including: some Paris museums, the Albertina in Vienna, the Hamburg Kunsthalle, the Cabinet des Estampes in Antwerp, the Berlin Kupfertsichkabinett, the Prints Division of The New York Public Library, the National Museum in Stockholm, the Calografia Nationale in Rome, the Museum of Western Art in Moscow. His complete work consists of some 450 engravings, etchings, wood engravings and lithographs. He was a Societaire of the Salon d'Automne and of Salon des Independents in Paris and an Honorary Member of The Royal Society of Etchers and Engravers in London.[5]


  1. ^ "Eduard Wiiralt"
  2. ^ Kangilaski, O. (1959). Eduard Wiiralt. Tallinn: Eesti Riiklik Kirjastus. p. 4. 
  3. ^ Kangilaski, O. (1959). Eduard Wiiralt. Tallinn: Eesti Riiklik Kirjastus. p. 9 (Appendix). 
  4. ^ Kangilaski, O. (1959). Eduard Wiiralt. Tallinn: Eesti Riiklik Kirjastus. p. 9 (Appendix). 
  5. ^ a b Eduard Wiiralt : (1898-1954). Levin, Mai,. Tallinn. ISBN 9789949485475. OCLC 949267818. 


  • Kangilaski, O. (1959). Eduard Wiiralt (in Estonian). Tallinn: Eesti Riiklik Kirjastus. p. 136. 

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