Sir Edward Cuthbert Bairstow
|Born||22 August 1874|
Trinity Street, Huddersfield
|Died||1 May 1946(aged 71)|
|Education||Durham University (external Diplomas) Articled pupil to Sir Frederick Bridge - Westminster Abbey|
|Occupation||Organist, choir trainer, teacher and Composer|
Life and career
He studied the organ with John Farmer at Balliol College, Oxford, and while articled under Frederick Bridge of Westminster Abbey received tuition from Walter Alcock. He studied organ and theory at the University of Durham, receiving the Bachelor of Music in 1894, and the Doctor of Music in 1901.
After holding posts in London, Wigan and Leeds, he served as organist of York Minster from 1913 to his death, when he was succeeded by his former pupil Francis Jackson. Jackson went on to write a biography of Bairstow. He was knighted in 1932.
Notorious for his terseness and bluntness, Bairstow did not always endear himself to others. Asked whether he would be willing to follow the example of his predecessor at York, Thomas Tertius Noble, and emigrate to the United States, he replied that he would "rather go to the devil". Comfortably ensconced in Yorkshire, where he was a close friend of the equally blunt Charles Harry Moody, organist at Ripon Cathedral, he refused an offer to succeed Sydney Nicholson at Westminster Abbey. He instead recommended his erstwhile pupil Ernest Bullock, who was duly appointed to the post.
- 1893 Organist of All Saints, Norfolk Square
- 1899 Organist of Wigan Parish Church
- 1906 Organist of Leeds Parish Church
- 1913 Master of Music, York Minster
- 1932 Knighted for services to music
Bairstow's compositions are mainly for the church. He wrote 29 anthems, ranging from large-scale works for choir and organ such as Blessed city, heavenly Salem to miniatures like I sat down under his shadow and Jesu, the very thought of thee. Among his anthems, Let all mortal flesh keep silence is perhaps the best known. His service music includes published settings in D (Evening 1906, Communion 1913, Morning 1925), E♭ (Full Setting, 1923), and G (Evening, 1940), and several unpublished works. He also composed psalm chants, hymn tunes, and a cantata, The Prodigal Son, for choir and chamber orchestra.
Bairstow was also active as an instrumental composer, mainly for the organ, and some 12 pieces were published in his lifetime, among them the 1937 Sonata in E♭. His small output of chamber music includes a set of variations for two pianos and another set of variations for violin and piano, both long out of print.
- If the Lord had not helped me
- Blessed city, Heavenly Salem (based on the plainsong "Urbs beata")
- Lord, Thou hast been our refuge
- I sat down under his shadow
- Let all mortal flesh keep silence
- The Lamentations of Jeremiah
- Sing ye to the Lord
- Save us, O Lord
- Though I speak with the tongues of men
- Jesu grant me this I pray (Taken from "Orlando Gibbons")
- The King of love my shepherd is
- Evening Service in G minor
- Evening Service in D
- Evening song, for organ (From the Sibley Music Library Digital Score Collection)
- Prelude, Elegy and Toccata for organ (From the Sibley Music Library Digital Score Collection)
- Counterpoint and Harmony: MacMillan/Stainer & Bell, 1937, 1945 (2nd ed). Republished 2007 by the Bairstow Press, ISBN 1-4067-6086-2, ISBN 978-1-4067-6086-6.
- The Evolution of Musical Form: Oxford University Press, 1943.
- Singing Learned from Speech: A Primer for Teachers and Students: Macmillan, 1945.
- Francis Jackson. "Bairstow, Sir Edward C(uthbert)", Grove Music Online, ed. L. Macy (accessed 19 August 2005), grovemusic.com Archived 2008-05-16 at the Wayback Machine (subscription access).
- Francis Jackson: Blessed City: The Life and Works of Edward C. Bairstow 1874-1946. York, William Sessions Ltd., 1993. ISBN 1-85072-182-3, ISBN 978-1-85072-182-6; 2nd rev. ed. Hyperion Books, 1997. ISBN 1-85072-192-0, ISBN 978-1-85072-192-5