Egyptian Revival architecture

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Egyptian Revival architecture
Egyptian Hall, Piccadilly - Shepherd, Metropolitan Improvements (1828), p295.jpg
Neues Museum Aegyptischer Hof.jpg
2043-05370 De Grote Tempel van de vrijmetselaarsloge Les Amis Philanthropes.jpg
Top: The Egyptian Hall in London (1812-destroyed in 1905); Centre: 1862 lithograph of the Aegyptischer Hof (English: Egyptian court), from the Neues Museum (Berlin); Bottom: Interior of the Temple maçonnique des Amis philanthropes in Brussels (Belgium)
Years activeLate 18th-present-present

Egyptian Revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the public awareness of ancient Egyptian monuments generated by Napoleon's conquest of Egypt and Admiral Nelson's defeat of the French Navy at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte, began in 1809 and was published as a series through 1826. The size and monumentality of the façades discovered during his adventure cemented the hold of Egyptian aesthetics on the Parisian elite. However, works of art and architecture (such as funerary monuments) in the Egyptian style had been made or built occasionally on the European continent and the British Isles since the time of the Renaissance.


Egyptian influence before Napoleon[edit]

Likely inspired by ancient Roman practice, Europeans would both resume importing and begin copying Egyptian obelisks to sit in town squares in the early modern period. The most important example is probably the Obelisk of Domitian, a copy erected in 1651 by Bernini on top of the Fontana dei Quattro Fiumi in Piazza Navona, Rome. It influenced the obelisk constructed as a family funeral memorial by Sir Edward Lovatt Pierce for the Allen family at Stillorgan in Ireland in 1717, one of several Egyptian obelisks erected in Ireland during the early 18th century. Others may be found at Belan, County Kildare; and Dangan, County Meath. The Casteltown Folly in County Kildare is probably the best known, albeit the least Egyptian-styled.

Egyptian buildings had also been built as garden follies. The most elaborate was probably the one built by Frederick I, Duke of Württemberg in the gardens of the Château de Montbéliard. It included an Egyptian bridge across which guests walked to reach an island with an elaborate Egyptian-influenced bath house. Designed by the duke's court architect, Jean Baptiste Kleber, the building had a billiards room and a bagnio.

Post-Napoleonic era[edit]

The Egyptian Gate (1827–1830) in Tsarskoe Selo (St. Petersburg, Russia)

New after the Napoleonic invasion was a sudden increase of the number of works of art and the fact that, for the first time, entire buildings began to be built to resemble those of ancient Egypt. In France and Britain this was at least partially inspired by successful war campaigns undertaken by each country while in Egypt.

Foire du Caire building (1828), from Paris, the earliest manifestation of Egyptian Revivalism: façade adorned with heads of the Egyptian goddess Hathor

According to David Brownlee, the 1798 Karlsruhe Synagogue, an early building by the influential Friedrich Weinbrenner was "the first large Egyptian building to be erected since antiquity."[1] According to Diana Muir Appelbaum, it was "the first public building (that is, not a folly, stage set, or funeral monument) in the Egyptian revival style."[2] The ancient Egyptian influence was mainly shown in the two large engaged pylons flanking the entrance; otherwise the windows and entrance of the central section were pointed arches, and the overall plan conventional, with Neo-Gothic details.

Among the earliest monuments of the Egyptian Revival in Paris is the Fontaine du Fellah, built in 1806. It was designed by François-Jean Bralle. A well-documented example, destroyed after Napoleon was deposed, was the monument to General Louis Desaix in the Place des Victoires was built in 1810. It featured a nude statue of the general and an obelisk, both set upon an Egyptian Revival base.[3] Another example of a still standing site of Egyptian Revival is the Egyptian Gate of Tsarskoe Selo, built in 1829.

A street or passage named the Place du Caire or Foire du Caire (Fair of Cairo) was built in Paris in 1798 on the former site of the convent of the "Filles de la Charité". No. 2 Place du Caire, from 1828, is essentially in overall form a conventional Parisian structure with shops on the ground floor and apartments above, but with considerable Egyptianizing decoration including a row of massive Hathor heads and a frieze by sculptor J. G. Garraud.[4]

One of the first British buildings to show an Egyptian Revival interior was the newspaper office of the Courier on the Strand in London. It was built in 1804 and featured a cavetto (coved) cornice and Egyptian-influenced columns with palmiform capitals.[5] Other early British examples include the Egyptian Hall in London, completed in 1812, and the Egyptian Gallery, a private room in the home of connoisseur Thomas Hope to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book Household Furniture (1807), were a prime source for the Regency style of British furnishings.

Later revivals[edit]

4th Precinct Police Station (1836) in New Orleans

Egyptian Revival architecture enjoyed considerable popularity in other countries as well. The first Egyptian Revival building in the United States was the 1824 synagogue building of Congregation Mikveh Israel Synagogue in Philadelphia, Pennsylvania[6] It was followed by a series of major public buildings in the first half of the 19th century including the 1835 Philadelphia County Prison, Philadelphia, Pennsylvania, United States, the 1836 Fourth District Police Station in New Orleans and the 1838 New York City jail known as the Tombs. Other public buildings in Egyptian style included the 1844 Old Whaler's Church in Sag Harbor, New York, the 1846 First Baptist Church in Essex, Connecticut, the 1845 Egyptian Building of the Medical College of Virginia in Richmond and the 1848 United States Custom House in New Orleans. The most notable Egyptian structure in the United States was the Washington Monument, begun in 1848, this obelisk originally featured doors with cavetto cornices and winged sun disks, later removed. The National World War I Museum and Memorial in Kansas City, Missouri is another example of Egyptian revival architecture and art.[7]

The Tombs (1838) in New York City
Entrance to Egyptian Avenue and the Lebanon Circle of Highgate Cemetery (1838–1839), London
Egyptian Building of the Medical College of Virginia (1845), Richmond, Virginia
The York Street Synagogue (1878) in Sydney
Krasnoyarsk regional museum. Krasnoyarsk, Russia (1913–1929)
1914 Masonic temple built in Egyptian revival style, Charlotte, North Carolina (1914–1987)
The Scottish Rite Temple (1921) in Mobile, Alabama
National Museum of Beirut (1930–1937), Beirut
The National World War I Museum and Memorial (1921) in Kansas City, Missouri

The South African College in the then-British Cape Colony features an "Egyptian building" constructed in 1841; the Egyptian Revival building of the Cape Town Hebrew Congregation is also still standing.

The York Street Synagogue was Australia's first Egyptian revival building, followed by the Hobart Synagogue, the Launceston Synagogue and the Adelaide Hebrew Congregation, all by 1850. The earliest obelisk in Australia was erected at Macquarie Place, Sydney in 1818.[8]

The expeditions that eventually led to the discovery in 1922 of the treasure of Tutankhamun's's tomb by archaeologist Howard Carter resulted in a 20th-century revival. The revival during the 1920s is sometimes considered to be part of the Art Deco style. This phase gave birth to the Egyptian theatre movement, largely confined to the United States. The Egyptian Revival decorative arts style was present in furniture and other household objects, as well as in architecture.

List of buildings[edit]

Post-modern variants[edit]

See also[edit]


  1. ^ David Brownlee, Frederich Weinbrenner: Architect of Karlsruhe, University of Pennsylvania Press, 1986. p. 92.
  2. ^ Diana Muir Appelbaum, "Jewish Identity and Egyptian Revival Architecture", Journal of Jewish Identities, 2012, 5(2) p. 7.
  3. ^ Curl, James Stevens (2005). The Egyptian Revival. Psychology Press. p. 276. ISBN 9780415361194.
  4. ^ James Stevens Curl, The Egyptian Revival, Routledge/* Post-Napoleonic era */ , London, 2005. p. 267.
  5. ^ Egyptomania: Egypt in Western Art, 1730–1930, Jean-Marcel Humbert, Michael Pantazzi and Christiane Ziegler, 1994, pp. 172–3
  6. ^ Diana Muir Appelbaum, "Jewish Identity and Egyptian Revival Architecture", Journal of Jewish Identities, 2012 5(2)
  7. ^ "Elements of the Museum and Memorial | National WWI Museum and Memorial". National WWI Museum and Memorial. 2013-03-01. Retrieved 2018-11-02.
  8. ^ Humbert, Jean-Marcel and Price, Clifford, eds., Imhotep Today: Egyptianizing Architecture, UCL Prewss, 2003, pp. 167 ff.
  9. ^ Appelbaum, Diana Muir (2012). "Jewish identity and Egyptian revival architecture". Journal of Jewish Identities. 5 (2): 1–25. doi:10.1353/jji.2012.0020. Archived from the original on 2015-10-25.
  10. ^ Historic England
  11. ^ Egytpian House, Hertford
  12. ^ The History of the Jews of Philadelphia from Colonial Times to the Age of Jackson, pages 365-366 (Philadelphia, Jewish Publication Society, 1956, 1975) by Edwin Wolf, II and Maxwell Whiteman
  13. ^ "Medical College of Richmond (now Egyptian Building, Medical College of Virginia) by Thomas S. Stewart". Archived from the original on 2006-01-12.
  14. ^ "History - Downtown Presbyterian Church". Archived from the original on 2015-03-24.

External links[edit]