Chang in Hong Kong in 1954
|Born||Zhang Ying (張煐)|
September 30, 1920
|Died||September 8, 1995 (aged 74)|
Los Angeles, California, United States
|Pen name||Liang Jing (梁京)|
|Alma mater||St. Mary's Hall|
University of Hong Kong
|Spouse||Hu Lancheng (1944–1947)|
Ferdinand Reyher (1956–1967)
Eileen Chang (September 30, 1920 – September 8, 1995), also known as Zhang Ailing or Chang Ai-ling, was a Chinese writer during the 20th century.
Eileen was born with an aristocratic lineage and educated bilingually in Shanghai. She gained literary prominence in Japanese-occupied Shanghai between 1943 and 1945. However, her meteoric rise was short-lived due to her wartime marriage to Hu Lancheng, who was deemed as a Japanese collaborator, and the Communist takeover of China, after which she fled the country. In the late 1960s and early 1970s, she was rediscovered by scholars such as C. T. Hsia and Shui Jing. Together with the re-examination of literary histories in the post-Mao era during the late 1970s and early 1980s, her work became popular once again among Taiwan, Hong Kong, Mainland China, and the Chinese diaspora communities. 
Chang’s most important contribution was her construction of an alternative wartime narrative, one that deviated from the grand accounts of national salvation and revolution.  In her most important works, her impressionistic view of modern history displays colors, lines, shapes, textures, and moods, which are often crystallized in the changing styles of women’s clothes. 
Childhood and youth
Chang was born Zhang Ying (張煐) in Shanghai, China. She was the first child of Zhang Zhiyi (張志沂) (1896–1953) and Huang Suqiong (黃素瓊) (1893–1957). Chang's maternal great-grandfather, Huang Yisheng (黃翼升) (1818–1894), was a prominent naval commander. Chang's paternal grandfather, Zhang Peilun (1848–1903), was son-in-law to Li Hongzhang 李鴻章(1823–1901), who became an influential court official during the Qing Dynasty and married her paternal grandmother, Li Ju'ou (李菊耦) (1866–1916). Her childhood had also been shared with paternal aunt Zhang Maoyuan (張茂淵) (1898–1991).
In 1922, when Chang was two years old, the family relocated to Tianjin. When she was three, her father began to introduce her to Tang poetry. In 1924, her father often brought back prostitutes or concubines and was also addicted to opium. This resulted in fights between Chang's parents. During this time, her mother decided to travel with her aunt to France to study. She returned in 1927, as her husband had promised to end the turmoil with his drug usage and his extramarital affairs, and so the family settled back in Shanghai in 1928. However,Her parents eventually divorced in 1930. Chang and her younger brother Zhang Zijing (張子靜) (1921–1997) were raised by their father.
Upon graduation from high school, Chang had a fight with her stepmother and father. Eventually, she contracted dysentery. Instead of obtaining treatment for her, her father beat her and forced her to stay in her bedroom for six months. Chang ran away to live with her mother shortly after her 18th birthday; they remained in a new apartment for nearly two years, until she began to attend university and briefly lived in Hong Kong.
Chang started school at age 4. Other than native Chinese, Chang had obtained excellent English skills. Although she said her family was not religious, she graduated from an all-female Christian high school, St. Mary's Hall, Shanghai in 1937. Chang’s mother valued modern education. Under her influence, at an early age, Chang began training in painting, piano and English. 
In 1939, Chang was accepted to the University of London on a full scholarship, but because of the Second Sino-Japanese War, she was not able to attend. Instead, she studied English Literature at the University of Hong Kong, where she met her lifelong friend, Fatima Mohideen (炎櫻) (died 1995). When Chang was one semester short of earning her degree in December 1941, Hong Kong fell to the Empire of Japan.
Chang met her first husband Hu Lancheng (胡蘭成) in 1943, when she was 23 and he was 37. They were married the following year in a private ceremony. Fatima Mohideen was the sole attendee. In the few months that he courted Chang, Hu was still married to his third wife. Despite Hu's being labelled a traitor for collaborating with the Japanese during World War II, Chang continued to remain loyal to Hu. Shortly thereafter, Hu chose to move to Wuhan to work for a newspaper. While staying at a local hospital, he seduced a 17-year-old nurse, Zhou Xunde (周訓德), who soon moved in with him. When Japan was defeated in 1945, Hu used another identity and hid in the nearby city of Wenzhou, where he married Fan Xiumei (范秀美). Chang and Hu divorced in 1947.
During the time they were briefly apart in New York (Chang in New York City, Reyher in Saratoga), Chang wrote to Reyher that she was pregnant with his child. Reyher wrote back to propose. Although Chang did not receive the letter, she telephoned the following morning to inform Reyher she was arriving in Saratoga. Reyher had a chance to propose to her in person, but insisted that he did not want the child. Chang had an abortion shortly afterward. On August 14, 1956, the couple married in New York City. After the wedding, the couple moved back to New Hampshire. After suffering a series of strokes, Reyher eventually became paralyzed, before his death on October 8, 1967.
On September 8, 1995, Chang was found dead in her apartment on Rochester Avenue in Westwood, Los Angeles, by her landlord.  According to her friends, Chang had died of natural causes several days before her building manager discovered her body after becoming alarmed that she had not answered her telephone, her death certificate states that she died from cardiovascular disease. According to Chang's will, she was cremated without any memorial service, and her ashes scattered in the Pacific Ocean.
At the age of 10, Chang's mother renamed her Ailing, a transliteration of Eileen, in preparation for her entrance into an English school. While in high school, Chang read Dream of the Red Chamber (Hong Lou Meng, 紅樓夢), one of the Four Great Classical Novels of Chinese literature, which would influence her work throughout her career. Chang already displayed great literary talent and her writings were published in the school magazine. The following year, she wrote her debut short novel at the age of 12.
In 1943, Chang was introduced to the prominent editor Zhou Shoujuan (周瘦鵑), and gave him a few pieces of her writing. With Zhou's backing, Chang soon became the most popular new writer in Shanghai. Within the next two years, she wrote some of her most acclaimed works, including Love in a Fallen City (Qing Cheng Zhi Lian, 傾城之戀) and "The Golden Cangue" (Jin Suo Ji, 金鎖記). Several short stories and novellas were collected in Romances (Chuan Qi, 傳奇) (1944). It had instantly become a bestseller in Shanghai. As a result, Chang immediately received attention from Chinese readers and also the literary circle.
A collection of her essays appeared as Written on Water (Liu Yan, 流言) in 1945. Her literary maturity was said to be far beyond her age. "The essay form became a means for Eileen Chang constantly to redefine the boundaries between life and work, the domestic and the historic, and meticulously to weave a rich private life together with the concerns of a public intellectual." In 20th Century China, Chang was one of the few writers who experimented with new literary language. In her essay entitled "writing of One's own," Chang retrospectively remarks on her use of a new fictional language in her novella Lianhuantao Chained Links 
In the early days of her career, Chang was famously associated with this comment:
To be famous, I must hurry. If it comes too late, it will not bring me so much happiness ... Hurry, hurry, or it will be too late, too late!
In 1945, Chang’s reputation waned due to postwar cultural and political turmoil. The situation worsened after the Communist takeover in 1949. Eventually, Chang left mainland China and went to Hong Kong in 1952, realizing her writing career in Shanghai was over. In Hong Kong, she worked as a translator for the United States Information Service for three years. While there, she wrote The Rice Sprout Song (Yang Ge, 秧歌), her first novel written entirely in English. During her sojourn in Hong Kong, she translated a variety of English books into Chinese. Most notably include books by Ernest Hemingway (The Old Man and the Sea) and The Legend of Sleepy Hollow. She then left for the United States in 1955, never to return to mainland China again.
In 1963, Chang finished her English semi-biographical novels, The Fall of the Pagoda and The Book of Change. Both were believed to be her attempts to offer an alternative writing style to mainstream America; she did not succeed. The full-length novels were not published until 2010, 15 years after her death. In 1967, Chang held a short-term job at Radcliffe College.
In 1969, upon the invitation of Shih-Hsiang Chen (陳世驤), a professor of Oriental Languages at the University of California, Berkeley, Chang became a senior researcher at the Center for Chinese Studies of Berkeley. She did research on the special terms used by the Chinese Communists as well as on Dream of the Red Chamber. In 1971, Professor Chen died, and Chang subsequently left her position at Berkeley.
In 1972, Chang relocated to Los Angeles. In 1975, she completed the English translation of Shanghai Flowers, a celebrated Qing novel written in Wu Chinese by Han Bangqing. Among her papers retrieved from the University of Southern California, the manuscript for the translated English version was found after her death and published. In 1978, Crown Magazine published "Lust, Caution" (色，戒), “Xiang Jian Huan”(相見歡) and “Fu Hua Lang Rui”(浮花浪蕊), all written by Eileen Chang.
During the 1970s, many creative writers in Taiwan have been influenced by her. Several generations of “Chang School writers" (張派作家) are said to have emerged. Notable Taiwanese authors include Chu T’ien-wen (朱天文), Chu T’ien-hsin (朱天心), Lin Yao-de (林燿德), Yuan Chiung-chiung (袁瓊瓊).
Like Taiwan in the 1970s, in Mainland China in the 1980s and 1990s, a group of young women authors emerged who were clearly inspired by Chang.  The name Eileen Chang became synonymous with the glories of a bygone era. Notable Mainland China authors who are influenced by Chang include Wang Anyi (王安忆), Su Tong (苏童), and Ye Zhaoyan (叶兆言). 
Dominic Cheung, a poet and professor of East Asian languages at the University of Southern California, said that had it not been for the Chinese Civil War, Chang would have been a recipient of the Nobel Prize in Literature. 
Works in English translation
- Half a Lifelong Romance (1948, English: 2016; trans. by Karen S. Kingsbury)
- Love in a Fallen City (1943, published in English in October 2006 by New York Review Books) Translated by Karen S. Kingsbury. ISBN 1-59017-178-0
- The Golden Cangue (金鎖記) is found in Modern Chinese Stories and Novellas, 1919–1949 (ed. Joseph S M Lau et al.) HC ISBN 0-231-04202-7 PB ISBN 0-231-04203-5
- Lust, Caution (色，戒) Translated by Julia Lovell. New York: Anchor Books, 2007. ISBN 978-0-307-38744-8
- Naked Earth (tr. of 赤地之戀) Hong Kong: Union Press, 1956.
- The Rice Sprout Song: a Novel of Modern China (tr. of 秧歌 by the author) HC ISBN 0-520-21437-4, PB ISBN 0-520-21088-3
- The Rouge of the North (tr. of 怨女) HC ISBN 0-520-21438-2 PB 0520210875
- Traces of Love and Other Stories PB ISBN 962-7255-22-X
- The Sing-song Girls of Shanghai (Eileen Chang's tr. of Han Bangqing's novel) ISBN 0-231-12268-3
- Written on Water (tr. of 流言 by Andrew Jones) ISBN 0-231-13138-0
- Sealed Off (封鎖)
- Jasmine Tea (茉莉香片)
The following scripts were penned by Chang:
- Bu Liao Qing (1947) (不了情, Unending Love, modified from novel 多少恨, published as movie script)
- Tai Tai Wan Sui (1947) (太太萬歲, Long Live the Missus!)
- Ai le zhongnian (1949) (哀樂中年, The Sorrows and Joys of Middle Age)
- Jin Suo Ji (1950) (金鎖記, The Golden Cangue)
- Qing Chang Ru Zhan Chang (1957) (情場如戰場, The Battle of Love, script written in 1956)
- Ren Cai Liang De (unknown) (人財兩得, script written in 1956)
- Tao hua yun (1959) (桃花運, The Wayward Husband, script written in 1956)
- Liu yue xin niang (1960) (六月新娘, The June Bride)
- Wen rou xiang (1960) (溫柔鄕)
- Nan bei yi jia qin (1962) (南北一家親)
- Xiao er nu (1963) (小兒女, Father Takes a Bride)
- Nan Bei Xi Xiang Feng (1964) (南北喜相逢)
- Yi qu nan wang (1964) (一曲難忘, a.k.a. 魂歸離恨天)
The following are films adapted from Eileen Chang's novels:
- Qing Cheng Zhi Lian (1984) (傾城之戀, Love in a Fallen City)
- Yuan Nu (1988) (怨女)
- Hong Meigui Yu Bai Meigui (1994) (紅玫瑰與白玫瑰, The Red Rose and the White Rose)
- Ban Sheng Yuan (1997) (半生緣, Eighteen Springs)
- Lust, Caution (2007) (色，戒)
In popular culture
Malaysian singer Victor Wong wrote a song titled "Eileen Chang" ("Zhang Ailing") in 2005.
"Science Fiction," a chapter from the book Daughter by Taiwanese writer Lo Yi-chin in 駱以軍 and translated by Thomas Moran and Jingling Chen, features quotations and themes from Eileen Chang's writings and life, in the collection The Reincarnated Giant: An Anthology of Twenty-First-Century Chinese Science Fiction, ed. Mingwei Song and Theodore Huters (Columbia University Press, 2018).
- Sun, Rui Zhen (May 22, 1988). "Eileen Chang's Brief Account of Life and Activities (張愛玲生平和創作活動簡記)". Xueshu yuekan (學術月刊) (in Chinese): 159–163. Retrieved March 24, 2019.
- "Chang, Eileen (Zhang Ailing) 1920–1995." Encyclopedia of Modern China, edited by David Pong, vol. 1, Charles Scribner's Sons, 2009, pp. 193-195. Gale Virtual Reference Library. Accessed 24 Mar. 2019.
- Lee, Lily Xiao Hong; Stefanowska, A.D., eds. (2006). Biographical dictionary of Chinese women, Volume 2. University of California Press. p. 274. ISBN 0-520-24449-4.
- Jiang, Li, Xiangdong, Aimin (June 1, 1999). "Discussion of the Relationship Between Eileen Chang's Family and Her Writings (论家世对张爱玲小说创作的影响)". Journal of Dalian University (in Chinese). 20 (03): 108. Retrieved March 3, 2019.
- Stevens, Wallace, and Holly Stevens. “Letters to Ferdinand Reyher: Edited with an Afternote by Holly Stevens.” The Hudson Review, vol. 44, no. 3, 1991, pp. 381–409. JSTOR.
- "Eileen Chang and Lust, Caution". Focus Features. November 26, 2007. Retrieved April 26, 2011.
- "Eileen Chang, 74, Chinese Writer Revered Outside the Mainland". The New York Times. Retrieved March 27, 2019.
- Chang, Eileen; Kingsbury, Karen (2007). Love in a Fallen City (New York Review Books Classics). New York Review Books Classics. p. 320. ISBN 1-59017-178-0.
- Wang,Ma, Weiping,Lin (1997). "Eileen Chang Fifty years of Research (张爱玲研究五十年述评)". Xueshu Yuekan (学术月刊) (in Chinese) (11): 88. Retrieved March 3, 2019.
- Nicole Huang, "Introduction," in Eileen Chang, Written on Water, translated by Andrew F. Jones (New York: Columbia University Press, 2005), ix-xvi.
- Zhang, Ailing, and Translated by Karen Kingsbury (2007). “Preface to the Second Printing of Romances” in Love in a Fallen City. New York Review Books, New York, p.14.
- Xia, Chih-tsing (2007). The Relationship Between Eileen Chang and Hu Lancheng (张爱玲与胡兰成的前世今生). ShanXi: Shi Fan University. p. 197. ISBN 9787561332702.
- "Fall of the Pagoda Records Eileen Chang’s Childhood". Beijing Today. April 30, 2010. Retrieved December 19, 2010.
- "Sept 3: Book Launch – Eileen Chang’s The Book of Change". August 27, 2010. Retrieved December 19, 2010.
- "Eileen Chang's first English autobiographical novel published". People's Daily. Retrieved December 19, 2010.
- Hoyan, Carole H. F. (1996). The life and works of Zhang Ailing : a critical study (Thesis). University of British Columbia.
- "The Dispute Between Eileen Chang and Chen Shizhen (张爱玲与陈世骧的争执)". epaper.anhuinews.com. Retrieved March 31, 2018.
- "University of California: In Memoriam, 1974". texts.cdlib.org. Retrieved March 31, 2018.
- Xiao, Song Xi Yue (2016). Eileen Chang's Life in the United States of America (张爱玲在美国的日子). Bejing: Zhongguo Hua qiao chu ban she. p. 203. ISBN 9787511359384.
- Lin Shan, Lv Bicheng, A Woman Genius, Beijing: Jilin Publishing Group Ltd., 2012.
- Su, Weizheng 蘇偉貞 (2006). Copying: On the Generations of Taiwanese Chang School Creative Writers 描紅：臺灣張派作家世代論 Taipei: Sanmin shuju.
- Wang, David Der-wei (2016). Methods to Imagine China. History· Fictional Writing· Narration (想象中国的方法 历史·小说·叙事).Tianjin: Baihua Wenyi chu ban she. p. 248-251.
|Wikiquote has quotations related to: Eileen Chang|