Ekoi skin-covered Ekpe headdress and mask
|Regions with significant populations|
|Traditional Ekoi Religions, Christianity|
|Related ethnic groups|
|Ibibio, Annang, Efik, Bahumono, Igbo, Mbube and Other Southern Bantoid peoples|
Ekoi people, also known as Ejagham, are a Bantoid ethnic group in the extreme southsouth of Nigeria and extending eastward into the southwest region of Cameroon. They speak the Ekoi language, the main Ekoid language. Other Ekoid languages are spoken by related groups, including the Etung, some groups in Ikom (such as Ofutop, Akparabong and Nde), some groups in Ogoja (Ishibori and Bansarra), Ufia and Yakö. The Ekoi have lived closely with the nearby Efik, Annang, Ibibio and Igbo people of southeastern Nigeria. The Ekoi are best known for their Ekpe headdresses and the Nsibidi text. They traditionally use Nsibidi ideograms, and are the group that originally created them.
The Ekoi in Nigeria are found in Cross River State. The Ekoid languages are spoken around this area, although English (the national language) is also spoken. The Ekoi in Cameroon are found in the South Western region of the country.
The Ekoi people, while all speaking the same language, have not tended to live in complete unison. Living in what is now Southeast Nigeria and Southwest Cameroon, the people were physically divided by British and German colonial holdings in Africa. When a German captain named Von Weiss was killed, the European power took measures to combat the native Ekoi people. However, the response was not uniform; not only were there no pitched battles, but some villages fled instead of fighting back. Moreover, Ekoi people in British controlled Nigeria did not act to help their ethnic compatriots.
Ekoi people taken into slavery across the Atlantic were notable in Cuba, where their art, seen in the forms of drums and headdresses, survives to this day.
The Ekoi believe that the heirs of the first settlers of their present settlement own the land; while newcomers are not allowed to buy land, they are able to purchase rights of settlement. Ekoi men have traditionally hunted, while women have engaged in agriculture, raising yams, plantains, and corn (maize). Women also fish, and both men and women participate in weaving. The arts, like body-painting and poetry, are also critical to men, as they are seen simultaneously as warriors and artists, though war has been largely uncommon in Ekoi history, save for the German-Ekoi War between 1899-1904.
Ngbe and Nnimm
The Ngbe and Nnimm societies were for males and females, respectively, in the Ekoi community. The Ngbe (Leopard) Society believed in the story of an old king named Tanze. When he died, he became a fish that was caught by a woman. A man killed the woman, created the leopard society, and Tanze became the body of a female drum. This tale raised the symbols of the roaring fish and the leopard as signs from God and so they would be referred to in every Ekoi court.
Leopards especially would be seen as important in Ekoi society. In times of ntuis (chiefs), the appointed ntui would leave his house and make a series of sacrifices, including those of skull-caps with leopard’s teeth, a staff bound with leopard’s skin, and a necklace of leopard’s teeth. Also, when a ntui died, his people would enter the jungle to bring back the ngbe as the ntui’s spirit returns to God. If they were not wary, it is believed a real leopard would attack them.
Initiates of Nnimm would be unmarried young girls. They would wear cursive body-painting and material dresses of calabash and shells, as well as leather necklaces. Bones of monkeys were matched with feather headdresses (the single feather at the back of the head was most important, as it was the Nnimm feather) and finished off with a cowrie-fringed wrapper. Nnimm plumes would become very important to Africans in Cuba.
Language, Writing, and Stories
The Ekoi language is one of the Ekoid languages, a Bantu language in the Niger–Congo dialect cluster. They are the creators of the Nsibidi script, a script which can be seen in many surviving artefacts found in the areas inhabited by the Ekoi/Ejagham people, and which roughly translates into “cruel letters.” It is an entirely African script, with virtually no Western influence. According to Ekoi folklore, the script was taught to them by mermaids. Nsibidi ideograms convey countless concepts; there are over 12 different symbols for love, 7 different symbols for hatred, 7 different symbols for speech, 8 different symbols for mirror, 14 different symbols for a set table, and 6 different symbols for journeys. Symbols that are shaded in usually mean danger or bad fortune, and include ideas of a dead body or the death of a friend. The Nsibidi script is used in the Ekoi languages and is understandable in reading and writing. Still, the script’s importance is emphasized more through its beauty and artistic aesthetics than through its ability to shape cohesive sentences.
The Ekoi have a large number of spoken stories. One creation tale tells of God creating the first man and woman and allowing them to live in a hut. God tells the man to impregnate the woman and leaves before the child is born. When the child is born, God instructs the man and woman to care for their new child. At the end of the tale it is revealed that all people are descendants of this man and woman.
Another tale that explains the natural world tells of Eagle and Ox playing hide-and-seek. Eagle finds Ox immediately and then hides on Ox’s horns where Ox cannot see him. Ox goes to every animal and asks if they had seen Eagle, but Eagle tells them all not to say anything. Finally, Fowl tells Ox that Eagle is on his horns. Enraged, Eagle seizes Fowl and swears that he will take his children for this offense. It is said that because of this, eagles eat younger fowls.
|Wikimedia Commons has media related to Ekoi people.|
- Joshua Project - Ejagham, Ekoi of Cameroon Ethnic People Profile
- Ekoi. Britannica Online Encyclopedia. Retrieved 2009-01-24.
- Anene, J.C. (December 1961). "THE NIGERIA—SOUTHERN CAMEROONS BOUNDARY (An Ethno-Political Analysis)". Journal of the Historical Society of Nigeria. 2: 186–195 – via JSTOR.
- Thompson, Robert Farris. (2010). Flash of the Spirit : African & Afro-American Art & Philosophy. Random House US. ISBN 9780394723693. OCLC 1031963287.
- Jeffreys, M. D. W. (1939). "Some Notes on the Ekoi". The Journal of the Royal Anthropological Institute of Great Britain and Ireland. 69 (1): 95–108. doi:10.2307/2844232. ISSN 0307-3114. JSTOR 2844232.
- Talbot, P. Amaury (1913). "4. Two Ekoi Stories". Man. 13: 6–8. doi:10.2307/2788493. ISSN 0025-1496. JSTOR 2788493.