Elizabeth Watts (born 1979) is a British operatic soprano.
Watts was born in Norwich, and studied archaeology at Sheffield University and graduated with first class honours. Beginning in 2002, she studied music at the Royal College of Music with Lillian Watson. She graduated in 2005 with distinction and the Queen Elizabeth the Queen Mother Rose Bowl, awarded annually for outstanding achievement. From 2005 to 2007, she was a member of the Young Singers’ Programme at English National Opera. In the 10/11 season she was Pamina/Die Zauberflöte for Welsh National Opera and Marzelline/Fidelio for the Royal Opera House, Covent Garden.
Life and career
In 2006, Watts won the Kathleen Ferrier Award. She represented England at the 2007 Cardiff Singer of the World Competition, reaching the final and winning the prestigious Rosenblatt Song Prize Competition. She was chosen as a BBC Radio 3 New Generation Artist from 2007-2009. In 2011 she won a Borletti-Buitoni Trust Award..
Her earliest US appearances were in Boston with the Handel and Haydn Society of Boston in 2006 and with Cal Performances in San Francisco. She made her debut at Santa Fe Opera in July 2008. Recently Watts sang Mozart Requiem with the Boston Handel & Haydn Society and Harry Christophers which will be released on CD.
Watts’ other recordings include discs of Schubert Lieder and Bach Arias, both of which were chosen as Gramophone Magazine Editor’s Choice. She has also released recordings of Thomas Arne’s Artaxerxes, Handel’s Messiah with the Huddersfield Choral Society and Brahms Requiem with the London Philharmonic Orchestra. In January 2011, Watts was appointed as an Artist in Residence at London's Southbank Centre for the 2011-12 season.
- George Hall (19 June 2007). "Cardiff Singer of the World final (St David's Hall, Cardiff)". The Guardian. Retrieved 2008-08-09.
- "Elizabeth Watts soprano BBT Award Winner 2011". Borletti-Buitoni Trust. Retrieved 22 February 2011.
- Lloyd Schwartz (26 September 2006). "Orpheus ascending". Boston Phoenix. Archived from the original on 2011-05-19. Retrieved 2008-08-09.
- Joshua Kosman (2 October 2006). "Mark Morris keeps tastiest morsels of 'King Arthur' to cook up vibrant theatrical stew of song and dance". San Francisco Chronicle. Retrieved 2008-08-09.
- Anthony Tommasini (4 August 2008). "From Handel, Faithlessness and Devotion". New York Times. Retrieved 2008-08-09.
- Anon (2011). "Southbank Centre Classical Music 2011_12 Season" (PDF). Southbank Centre Press Release notes. Archived from the original (PDF) on 10 June 2015. Retrieved 14 May 2011.