Ellen Lupton

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Ellen Lupton
Born Ellen Lupton
Philadelphia, Pennsylvania, USA
Nationality American
Education Cooper Union, Art
Known for Writer, Curator, Educator, and Graphic Designer
Movement DIY, constructionism
Awards AIGA Medal (2007)
Website http://elupton.com/

Ellen Lupton (born 1963) is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the curator of contemporary design at Cooper Hewitt, Smithsonian Design Museum in New York City, NY and the director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, MD, where she also serves as director of the Center for Design Thinking. She has written numerous books on graphic design for a variety of audiences. She is a contributor to several publications, including Print, Eye, I.D., Metropolis, and The New York Times.

Early life and education[edit]

Lupton was born in Philadelphia, Pennsylvania in 1963[1] and grew up in Baltimore, MD.[2] Her parents divorced in 1973 when she and her twin sister, Julia, were ten years old.[3] As a self-professed "art girl" from a family of English teachers, her love of typography combined her love of art and writing.[1][4]

Lupton attended Cooper Union College in 1981 as a fine art student, where she discovered graphic design and the "expressive potential of typography."[1][5] Lupton described this discovery of graphic design as "a revelation... Design really wasn't in the mainstream back then. It was esoteric. It was the thing you did if you were very 'neat,' which I wasn't.”[1]

Career[edit]

After graduating, Lupton was offered a position as curator of the newly-founded Cooper Union Herb Lubalin Study Center of Design and Typography.[6][1] This combined her long-standing interests in writing and design in her first curatorial position.[1] With an interest in the do-it-yourself movement, Lupton took advantage of limited resources to visually construct the history of graphic design, surprising peers in her ability to meld the visual and verbal.[1] These exhibits provided an arena in which "objects, images, and text functioned as both the method of communication and the subject of inquiry."[1] At this time, Lupton began to write critically about typography and design, utilizing a post-structuralist framework to understand how design is embedded in political, economic, and social contexts, saying, "Typography and architecture are not neutral containers for the content or programs they are thought to neatly accommodate. These are fundamental insights of modern and post-modern thinking."[4] She has cited Ferdinand de Saussure, Roland Barthes, Jacques Derrida, and Michel Foucault as informing her (albeit more populist) work.[4]

In 1992, Lupton joined Cooper Hewitt as curator of contemporary design. At this time, Lupton also began writing books about the design world.

In 1997, Lupton became a chair of the undergraduate graphic design program at MICA. She served in this role until 2002.[7] In 2003, she launched a new MFA program in graphic design at MICA and has served as the director of that program ever since.[7]

D.I.Y. method[edit]

Lupton has cited an interest in the rise of social media, the imagining of online spaces, and the do-it-yourself design movements which shape the design industry.[8] With the booming interest in self-help books in the early aughts, Lupton co-wrote D.I.Y.: Design It Yourself with graduate students from MICA. This book showcased ordinary people and new ways of designing their own work, from blog pages to book covers. "People don't just eat food anymore, they present it; they don't look at pictures, they take them; they don't buy T-shirts, they sell them.[9]

Personal life[edit]

Lupton is married to J. Abbott Miller, a partner in the New York office of the international design firm Pentagram. They live in Baltimore with their children, Ruby and Jay, and dogs, Jack and Kevin, who are both chihuahua-jack-russell mixes.

Lupton also collaborates design work with her twin sister Julia Lupton, who has a PhD in Renaissance Studies. They wrote a few books together, including Design Your Life: The Pleasures and Perils of Everyday Things and D.I.Y Kids. Although the different versions are directed towards different age groups, Ellen and Julia were able to create a do-it-yourself book for children to which the parents could become more involved with arts and crafts.

Selected Exhibitions[edit]

  • The Senses: Design Beyond Vision, April 3 - October 28, 2018 (Curated with Andrea Lipps). Exploration of experimental works and practical solutions providing new ways to experience the world. Featured work from Christopher Brosius, KunstLAB Arnhem, Studio Roos Meerman, and Maya+Rouvelle.
  • Beauty—Cooper Hewitt Design Triennial, February 12, 2016 - August 21, 2016.[10] Presented seven kinds of beauty — extravagant, intricate, ethereal, transgressive, transformative, emergent, and elemental — through the international work of 63 designers and teams.
  • How Posters Work, April 17, 2015 - January 18, 2016.[11] Showcased the designer's perception in terms of principles of composition, perception, and storytelling, featuring over 125 posters from the Cooper Hewitt collection.
  • Graphic Design: Now in Production, October 22, 2011 - January 22, 2012.[12] Explored the broadening reach of graphic design over the past decade from a specialized profession to a widely deployed tool.
  • Skin Show, May - September 2002.[14] Brought artificial life into modern furniture, fashion, architecture, and media. Focused on the many different shapes and forms of household furniture.
  • Mixing Messages: Graphic Design in Contemporary Culture, Fall1996 - Winter 1997 (Graphics designed with Jennifer Roos, Frederick Gates, and Christine McKee).[15] Critical survey of graphic design in the US from 1980 to 1995, with a focus on aesthetic, cultural, and technological changes.
  • Elaine L. Cohen, Modern Graphic Designer, February 7 - May 23, 1995 (Designed with Christine McKee).[17] Focus on the groundbreaking designs of books, book covers, and signage from the 1950s through the 60's.
  • Living with AIDS: Education through Design, December 1, 1993 - January 2, 1994. Survey of contemporary AIDS posters addressing diverse audiences.
  • Mechanical Brides: Women and Machines from Home to Office, August 17, 1993 - January 2, 1994 (Curated with Sheri Sandler, designed with Boym Studio).[18] Exploration of the design and production of objects central to the women's work throughout the twentieth century, including the washing machine, telephone, electric iron, and typewriter. Considered a visual history of the relationship between women and "feminine" appliances.

Books[edit]

Books published by Lupton[edit]

Awards[edit]

  • AIGA Gold Medal for Lifetime Achievement, 2007.[7]
  • Recipient, Iris Award for History of Decorative Arts, 1999.[7]
  • AIGA Fifty Books/Fifty Covers award, for Design Culture Now, 2000.[7]
  • AIGA Fifty Books/Fifty Covers award, for Graphic Design in the Mechanical Age, 1999.[7]
  • I.D. Magazine Distinction Award, packaging category, for Graphic Design in the Mechanical Age, 1999.[7]
  • First place, American Association of Museums publication design award, for Graphic Design in the Mechanical Age, 1999.[7]
  • Norton Family Foundation’s Curator’s Grant, $50,000 grant for exhibition development, 1997.[7]
  • Winner, 1996 New York Magazine Award. Awarded to 10 New Yorkers who are shaping the life of the city.[7]
  • Recipient of the Chrysler Design Award, with J. Abbott Miller, 1993. [7]
  • AIGA, National Board of Directors, 1992 - 1995.[7]
  • Panelist, New York State Council on the Arts, 1994 to the present.[7]
  • Juror, Architectural League’s Young Architects Competition, 1995.[7]
  • Winner, Best of Show award, Aldus Magazine annual design competition, 1994 for design of book The IOO Show.[7]
  • Chair, American Center for Design “100 Show,” 1993.[7]

See also[edit]

References[edit]

  1. ^ a b c d e f g h Feo, Katherine. "Ellen Lupton". AIGA. Retrieved 22 November 2011. 
  2. ^ Essmaker, Tina (April 15, 2014). "Ellen Lupton on The Great Discontent (TGD)". The Great Discontent. Retrieved 2018-04-23. 
  3. ^ Lupton, Ellen (2010-08-02). "In Praise of the Broken Home". Opinionator. Retrieved 2018-04-24. 
  4. ^ a b c Hunter, Lawrie (2006). "Critical Form as Everyday Practice, An Interview with Ellen Lupton". Information Design Journal. 14, 2. 
  5. ^ "Ellen Lupton: Quotes on Design & Typography | PRINT Magazine". Print Magazine. 2017-04-24. Retrieved 2018-04-23. 
  6. ^ "The Herb Lubalin Study Center of Design and Typography". Retrieved 1 December 2011. 
  7. ^ a b c d e f g h i j k l m n o p Lupton, Ellen. "Ellen Lupton, CV". elupton.com. Retrieved 2018-04-23. 
  8. ^ "Ellen Lupton ' design zealot | D*Hub". www.dhub.org. Retrieved 2018-04-24. 
  9. ^ Armstrong, Helen (2009). Graphic Design Theory: Readings From The Field. New York, NY, USA: Princeton Architectural Press. pp. 110–137. ISBN 978-1-56898-772-9. 
  10. ^ "Beauty—Cooper Hewitt Design Triennial | Exhibitions | Collection of Cooper Hewitt, Smithsonian Design Museum". collection.cooperhewitt.org. Retrieved 2018-04-24. 
  11. ^ "How Posters Work | Exhibitions | Collection of Cooper Hewitt, Smithsonian Design Museum". collection.cooperhewitt.org. Retrieved 2018-04-24. 
  12. ^ Blauvelt,, Andrew. "Graphic Design: Now in Production". Walker Art Center. Retrieved 26 April 2012. 
  13. ^ Lupton, Ellen. "Living World". Retrieved 1 December 2011. 
  14. ^ Lupton, Ellen. "Skin Show". Retrieved 6 December 2011. 
  15. ^ Lupton, Ellen. "Mixing Messages". Retrieved 6 December 2011. 
  16. ^ a b Lupton, Ellen. "Letterhead Show". Retrieved 1 December 2011. 
  17. ^ Lupton, Ellen. "Elaine L. Cohen". Retrieved 6 December 2011. 
  18. ^ Lupton, Ellen. "Brides Show". Retrieved 6 December 2011. 
  19. ^ "Back Issues: Emigre 51". Emigre.com. Retrieved 2009-09-09. 

External links[edit]