Schoebel played along to silent films in Champaign, Illinois early in his career. After moving on to vaudeville late in the 1910s, he played with the 20th Century Jazz Band in Chicago in 1920. In 1922-23 he was a member of the New Orleans Rhythm Kings, then led his own band, known variously as the Midway Gardens Orchestra, the Original Memphis Melody Boys and the Chicago Blues Dance Orchestra, before joining Isham Jones in 1925. After returning to Chicago he played with Louis Panico and Art Kassel, and arranged for the Melrose Publishing House.
In the 1930s Schoebel wrote and arranged, working as the chief arranger for the Warner Brothers publishing division. From the 1940s onward he did some performing with Conrad Janis, Blue Steele's Rhythm Rebels (1958), and with his own ensembles in St. Petersburg, Florida. He continued to play up until his death.
Schoebel was never famous as a performer, but he wrote a number of standards, including "Bugle Call Rag", "Stomp Off, Let's Go", "Nobody's Sweetheart Now", "Farewell Blues", and "Prince of Wails". "Prince of Wails" was the only composition Schoebel ever recorded as a leader, in 1929 as Brunswick 4652. He also wrote "I Never Knew What A Girl Could Do", "Oriental", and "Discontented Blues" while a member of the New Orleans Rhythm Kings.
- Kernfeld, Barry Dean, and Stanley Sadie. "New Orleans Rhythm Kings." The New Grove Dictionary of Jazz. London: Macmillan, 1988.
- New Orleans Rhythm Kings biography. The Red Hot Jazz Archive. Retrieved June 29, 2006.
- Kennedy, Rick. Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz. Bloomington: Indiana UP, 1994. Print.
- Kenney, William Howland. Chicago Jazz: A Cultural History, 1904-1930. New York: Oxford UP, 1993.
|This article on an American jazz pianist is a stub. You can help Wikipedia by expanding it.|