Life and work
In 1934, she joined the Cabaret Cornichon, known throughout Switzerland for its caustic satire, and she remained an important member of the company until 1942. Her stage partners included Max Werner Lenz and Voli Geiler. She married the germanist, Karl Schmid in 1940: there were two children from the marriage, a son and a daughter, born in 1942 and 1943 respectively. In 1943, she wrote the period piece, Wer wirft den ersten Stein? (Who will throw the first stone?) – an indictment against anti-Semitism in Switzerland. However, it was considered too controversial by the Schauspielhaus Zürich, a view shared soon afterwards by the Basler Stadttheater. It was not until October 1944, with Hitler’s downfall looming, that the play was first performed (to rave reviews) by an ad hoc company at a private theatre in Basel. With the war over, she immediately went to Germany, where she met the master of political innuendo, Werner Finck. He engaged her to appear at his theatre, ‘Die Mausefalle’, (The Mousetrap) in Stuttgart, but – ever the individualist – Attenhofer did not want to lose her independence. Instead she wrote her ‘One-Woman-Show’, a compilation of the best of the Cornichon sketches. Leaving her family behind, she toured Europe with it in the 1970s, performing in four languages.
In her 1989 retrospective, Réserve du Patron, Attenhofer held an imaginary conversation with her late husband about their lives. In 1990 she was awarded the Oberrheinischen Kulturpreis by the Goethe Foundation in Basel; eight years later she was honoured with the gold medal of the Canton of Zürich for her understanding of democracy and her humanity.
- Muscionico, Daniele; Arifé Aksoy (2010-10-14). "Die widerspenstige Patriotin". Die Weltwoche (41): 56–57. Retrieved 2015-03-03.
- Sprecher, Thomas (1999-06-18). "Eine aussergewöhnliche Frau" (PDF). Neue Zürcher Zeitung. Retrieved 2015-03-03.
- Weltwoche 2010-10-14 p. 57
The above contains some information translated from the article in the German Wikipedia at de:Elsie Attenhofer