Elsie de Wolfe
|Elsie de Wolfe|
Elsie de Wolf in The Shades of Night (1901)
|Born||December 20, 1859?|
|Died||July 12, 1950(aged 90)|
|Occupation||Actress, interior decorator, author|
Elsie de Wolfe, also known as Lady Mendl, (December 20, 1859? – July 12, 1950) was an American actress, interior decorator, nominal author of the influential 1913 book The House in Good Taste, and a prominent figure in New York, Paris, and London society. According to The New Yorker, "Interior design as a profession was invented by Elsie de Wolfe," although the praise is not strictly true. De Wolfe was certainly the most famous name in the field until the 1930s, but the profession of interior decorator/designer was recognized as a promising one as early as 1900, five years before she received her first official commission, The Colony Club in New York. During her married life (from 1926 until her death in 1950) the press often referred to her as Lady Mendl. She was born in New York and died at Versailles, France.
In the 18th century, interior decoration was the purview of upholsterers, (who sold fabrics and furniture), and architects, (who employed a variety of craftsmen and artisans to complete interior design schemes for clients). By the late 19th century, the skills of designers such as Candace Wheeler and design firms like the Herter Brothers were well known.
While Elsie de Wolfe was not the first interior decorator, she reaped maximum publicity through her social and commercial contacts, becoming the field's most famed practitioner of the early 20th century. Among de Wolfe's distinguished clients were Amy Vanderbilt, Anne Morgan, the Duke and Duchess of Windsor and Henry and Adelaide Clay Frick. She transformed the interiors of wealthy homes from dark wood, heavily curtained palaces into light, intimate spaces featuring fresh colors and a reliance on 18th-century French furniture and accessories.
In her autobiography, de Wolfe — born Ella Anderson de Wolfe and the only daughter of a Canadian-born doctor —called herself a "rebel in an ugly world." Her sensitivity to style and color was acute from childhood. Arriving home from school one day, she found her parents had redecorated the drawing-room:
- She ran [in]... and looked at the walls, which had been papered in a [William] Morris design of gray palm-leaves and splotches of bright red and green on a background of dull tan. Something terrible that cut like a knife came up inside her. She threw herself on the floor, kicking with stiffened legs, as she beat her hands on the carpet.... she cried out, over and over: "It's so ugly! It's so ugly."
Hutton Wilkinson, president of the Elsie de Wolfe Foundation, clarifies that many things de Wolfe hated, such as "pickle and plum Morris furniture," are prized today by museums and designers. “De Wolfe simply didn't like Victorian, the high style of her sad childhood," Wilkinson said, "and chose to banish it from her design vocabulary."
Elsie de Wolfe's first career choice was that of actress. She originally appeared with The Amateur Comedy Club in New York City as Lady Clara Seymour in "A Cup of Tea," (April 1886), and as Maude Ashley in "Sunshine," a one act comedy by Fred W. Broughton (December 1886). Her success led to a full-time theatrical career, making her professional debut in Sardou's Thermidor in 1891, playing the rôle of Fabienne with Forbes-Robertson. In 1894 she joined the Empire Stock Company under Charles Frohman. In 1901 she brought out The Way of the World under her own management at the Victoria Theatre, and later toured the United States in the role. On stage, she was neither a total failure nor a great success; one critic called her “the leading exponent of the peculiar art of wearing good clothes well.” She became interested in interior decorating as a result of staging plays, and in 1903 she left the theater to launch a career as a decorator.
Undoubtedly one of the first interior designers, Elsie De Wolfe is considered by some to have invented the occupation, although evidence reveals the profession existed before she made her considerable name. Through her efforts, American homes were introduced to a succession of sophisticated yet simple ideas, generally based on Elsie's preference for late 18th century French style. Many elements aided her in becoming such an influential figure in the emerging field - her social connections, her reputation as an actress and her success in decorating the interior of the house she shared with her close friend, Elisabeth Marbury.
Preferring a brighter scheme of decorating than was fashionable in Victorian times, she helped convert interiors of dark, heavy draperies and overly ornate furnishings into light, soft, more feminine rooms. She made a feature of mirrors, which both illuminated and expanded living spaces, brought back into fashion furniture painted white or pale colors, and indulged her taste for Chinoiserie, chintz, green and white stripes, wicker, Trompe-l'oeil effects in wallpaper, and trellis work motifs, suggesting the allure of the garden. As de Wolfe claimed: “I opened the doors and windows of America, and let the air and sunshine in.” Her inspiration came from 18th century French and English art, literature, theater and fashion.
Elsie de Wolfe's taste was also practical, eliminating in her schemes the clutter that occupied Victorian homes, enabling people to entertain more guests comfortably. She also popularized the chaises longue, faux-finish treatments, and animal print upholstery.
In 1905, Stanford White, the architect for The Colony Club and a longtime friend, helped de Wolfe secure the commission for its interior design. The building, located at 120 Madison Avenue, (near 30th Street), would become the premier women's social club on its opening two years later, much of its appeal owing to the interiors de Wolfe arranged. Instead of the heavy, masculine overtones then pervasive in fashionable interiors, Elsie used light fabric for window coverings, painted walls pale colors, tiled the floors, and added wicker chairs and settees. The effect centered on the illusion of an outdoor garden pavilion. (The building is now occupied by the American Academy of Dramatic Arts.)The success of the Colony Club proved a turning point in her own life and career, launching her fame as the most sought-after interior decorator of the day.
Over the course of the next six years, Elsie designed interiors for many prestigious private homes, clubs and businesses on both the East and West coasts. By 1913, her reputation had grown so that her studio took up an entire floor of offices on 5th Avenue. That year she received her greatest commission - from coal magnate Henry Clay Frick, one of the richest men in America at the time. On his retirement, he moved from Pennsylvania to New York City, where his mansion was constructed by Thomas Hastings between 1912 and 1914. Sir Charles Allom, known for his work remodeling Buckingham Palace, was engaged to decorate a number of rooms on the first floor of the home, while Elsie was hired to arrange the second floor, including the sleeping quarters. Earning a steep commission for every piece of art or furniture she purchased for Frick, Elsie became a very rich woman.
Elsie de Wolfe continued to design interior spaces for notable clients, and wrote regularly for the press, including a column in Good Housekeeping and feature articles for Vogue.
During World War I, she volunteered as a nurse in France, for which service she won the Croix de Guerre. It wasn't until nearly the end of her career that, at the age of 61, Elsie married.
Marriage and family
De Wolfe's 1926 marriage to diplomat Sir Charles Mendl was page one news in the New York Times. The marriage was platonic and one of convenience. The pair appeared to have married primarily for social amenities, entertaining together, but keeping separate residences. In 1935, when de Wolfe published her autobiography, she didn't even mention her husband in it.
The Times reported "the intended marriage comes as a great surprise to her friends," a veiled reference to the fact that since 1892 de Wolfe had been living openly in what many observers accepted as a lesbian relationship. As the paper put it: "When in New York she makes her home with Miss Elizabeth Marbury at 13 Sutton Place."
The daughter of a prosperous New York lawyer, Elisabeth (Bessy) Marbury, like de Wolfe, was also a career pioneer. She was one of the first female theater agents and one of the first woman Broadway producers. Her clients included Oscar Wilde and George Bernard Shaw. During their nearly 40 years together, Marbury was initially the main support of the couple. Dave Von Drehle speaks of "the willowy De Wolfe and the masculine Marbury... cutting a wide path through Manhattan society. Gossips called them "the Bachelors." Expecting nothing to change in their relationship due to her marriage to Mendl, de Wolfe remained Marbury's lover until the latter's death in 1933.
In 1926 the New York Times described de Wolfe as "one of the most widely known women in New York social life," and in 1935 as "prominent in Paris society."
Her morning exercises were famous. In her memoir, de Wolfe wrote that her daily regimen at age 70 included yoga, standing on her head, and walking on her hands. "I have a regular exercise routine founded on the Yogi method," Elsie said, "introduced to me by Anne Vanderbilt and her daughter, Princess Murat. I stand on my head (and) I can turn cart wheels. Or I walk upside-down on my hands." 
In 1935, Paris experts named her the best-dressed woman in the world, noting that she wore what suited her best, regardless of fashion.
De Wolfe had embroidered taffeta pillows bearing the motto "Never complain, never explain." On first seeing the Parthenon, De Wolfe exclaimed "It's beige—my color!" At her house in France, the Villa Trianon, she had a dog cemetery in which each tombstone read, "The one I love the best."
In popular culture
- In Irving Berlin's Harlem On My Mind the singer professes to prefer the "low-down" Harlem ambience to her "high-falutin' flat that Lady Mendl designed."
- One of the color schemes she popularized was the inspiration for the Cole Porter song "That Black and White Baby of Mine" (whose lyrics include the lines "All she thinks black and white/She even drinks black and white").
- In Cole Porter's lyric about modern scandals, "Anything Goes," he observes, "When you hear that Lady Mendl, standing up/Now turns a handspring landing up-/On her toes/Anything goes!"
- Cole Porter also refers to her in the song Farming from the musical Let's Face It! . The lyric describes the celebrities who have gone back to nature: Kit Cornell is shelling peas, Lady Mendl's climbing trees, Farming is so charming they all say!"
- The House in Good Taste. New York: The Century Company. 1913.
- Hutton Wilkinson, ed. (2004) . The House in Good Taste. Rizzoli. ISBN 0-8478-2631-7. (Reprint)
- Elsie de Wolfe's Recipes for Successful Dining. New York: D. Appleton-Century Company. 1934.
- After All. New York: Harper and Brothers. 1935.
- Flynn Kuhnert, Hutton Wilkinson (2015). The Walk To Elsie's. London: Cecil Court Press. ISBN 978-0990885801.
- Charlie Scheips (2014). Elsie de Wolfe's Paris: Frivolity Before the Storm. New York: Abrams. ISBN 978-1419713897.
- List of interior designers
- The Decoration of Houses a manual of interior design by Edith Wharton and Ogden Codman
- Victorian decorative arts
- Ludwig Bemelmans,The one I loved the best (1955)
- The Great Lady Decorators: The Women Who Defined Interior Design, 1870-1955 by Adam Lewis (2010), Rizzoli, New York. ISBN 978-0-8478-3336-8
- The Shades of Night at the Internet Broadway Database
- "Lady Mendl" was frequently used by the press during her married life. "Elsie de Wolfe" is the name that appears as author of her published books; modern biographers usually use this form of the name. "Lady Elsie de Wolfe Mendl" is mentioned by The Encyclopedia of World Biography Supplement, volume 20, Gale Group, 2000. "Ella Anderson de Wolfe" is given by the Encyclopædia Britannica as her name "in full," adding "married name 'Lady Mendl'"
- Ella A. DeWolfe, age 1, is found on the 1860 United States Federal Census
- "LADY MENDL DIES IN FRANCE AT 84," July 13, 1950, p. 25. (Birth, death dates: with regard to her date of birth, the Times says she "rarely discussed her childhood" and "differences of opinion existed... one source said she was born on Dec. 20, 1865 on West Twenty-Second Street, a daughter of Stephen de Wolfe, a physician of Wolfville, N. S., and Georgiana (Copeland) de Wolfe of Aberdeen, Scotland.")
- Flanner, Janet (1938) "Handsprings Across the Sea," The New Yorker, 1938-01-15, as posted online : "Twenty years after  she had made a million and an international name by inventing the new fashionable profession of interior decorating.
- Ghostwritten by Ruby Ross Wood: Abercrombie, Stanley (1999), "100 Years That Changed Our World," Interior Design 12/1/1999, as presented online  In 1913... Elsie de Wolfe publishes her book The House in Good Taste, based on previously published articles ghost written for her by Ruby Ross Wood. In 1914, Ruby Ross Wood and Rayne Adams write The Honest House.
- Goodyear, Dana (September 14, 2009). "Lady of the House". The New Yorker: 60–65.
- Candee, Helen Churchill, How Women May Earl a Living, New York: Macmillan & Co, 1900, pp. 103-105.
- Webster, Katherine (2001) "A Decorator’s Life: Elsie De Wolfe 1865 – 1950", Canadian Interior Design website ( "the first lady of interior decoration," "without question the first woman to create an occupation as designer")
- Webster, Katherine (2001) "A Decorator’s Life: Elsie de Wolfe 1865 – 1950", Canadian Interior Design website 
- Sparke, Penny; Mitchell Owens; Elsie De Wolfe (2005). Elsie De Wolfe: The Birth of Modern Interior Decoration. Acanthus Press. ISBN 0-926494-27-9.: "Considered the mother of interior decoration" is from a synopsis of this book, attributed to "Book News, Inc., Portland, OR," at bookseller's website .
- Cummings, Mary (2004), "The Interior Realm of the Hamptons."("Stretching things...")
- De Wolfe, Elsie (1935). After All. New York and London: Harper and Brothers.; (Reaction to Morris wallpaper, p. 2-3)
- Wilkinson, Hutton (2004) note in de Wolfe, Elsie (2004) . Hutton Wilkinson, ed. The House in Good Taste. Rizzoli. ISBN 0-8478-2631-7., p. 225
- New International Encyclopedia
- Franklin, Ruth (2004) "A Life in Good Taste: The fashions and follies of Elsie de Wolfe," The New Yorker, Sept. 27, 2004.
- "Elsie de Wolfe to Wed Sir Charles Mendl; Their Wedding Set for Tomorrow in Paris," The New York Times, March 9, 1926, p. 1: early career as actress, "most widely known women in New York social life."
- Munhall, Edward. "Elsie de Wolf: The American pioneer who vanquished Victorian gloom". Architectural Digest. Retrieved 27 October 2011.
- Gray, Christopher (2003), "Streetscapes/Former Colony Club at 120 Madison Avenue; Stanford White Design, Elsie de Wolfe Interior," The New York Times, September 28, 2003 
- Franklin, Ruth (September 27, 2004), "A Life in Good Taste: The Fashions and Follies of Elsie de Wolfe." The New Yorker . ("according to Hilda West, de Wolfe’s longtime secretary, de Wolfe had simply decided she wanted a title).
- Aldrich,, Robert; Garry Wotherspoon (2002). Who's Who in Gay and Lesbian History. New York: Routledge. ISBN 0-415-15983-0. p. 494 ("famous lesbian relationship... openly received...")
- Bunyan, Patrick (2002). All Around the Town. Fordham Univ Press. ISBN 0-8232-1941-0. p. 204 ("Miss Marbury... was the lesbian lover of Elsie De Wolfe...")
- Von Drehle, Dave (2003). Triangle: The Fire That Changed America. Atlantic Monthly Press. ISBN 0-87113-874-3. "willowy Dewolfe and the masculine Marbury..." p. 72
- Curtis, Charlotte (1982), "A Decorative Collaboration." The New York Times . ("Miss Marbury was born to a fortune she herself enhanced. Her attachment to Miss de Wolfe lasted more than 40 years, during which time Miss Marbury paid more than half of their shared household expenses.")
- Schnake,, Robert A.; Kim Marra (1998). Passing Performances: Queer Readings of Leading Players in American Theater. Michigan: The University of Michigan Press. ISBN 0-472-09681-8. p. 124 ("Mendl...assured the enraged Marbury that he had no intentions of replacing her in de Wolfe's affections, and that marriage was purely one of convenience, and that perhaps as a business woman she could understand the social and commercial value of such a contract. A few weeks later, de Wolfe traveled to New York for a personal reconciliation with her long time companion, and the two continued their post-war pattern...until Marbury's death in 1933. ")
- De Wolfe, Elsie, After All (1935), p. 256.
- "PARIS EXPERTS PICK 20 'BEST DRESSED'; Ten American Women Among Those Considered Leaders in Smart Attire. Mrs. W. K. Vanderbilt One. Ina Claire, Constance Bennett, and Kay Francis Others—Duchess of Kent Among Americans." The New York Times, November 26, 1935, p. 27. Two days later, November 28th, p. 33, the Times reported that Lady Mendl, just arriving in Paris, said she did not agree and that Mrs. Reginald Fellowes (a.k.a. Daisy Fellowes) of Paris and London was the best-dressed woman anywhere. The Times reported Lady Mendl as "scoffing at the report that she spent $40,000 a year for clothes. She spends around $10,000 annually — certainly no more than $15,000 — she declared." $10,000 in 1935 dollars is roughly equivalent to $138,000 in 2005 dollars 
- Hadley, Albert (2004): Foreword to de Wolfe, Elsie (2004) . Hutton Wilkinson, ed. The House in Good Taste. Rizzoli. ISBN 0-8478-2631-7., p. xv
- Wilkinson, Hutton (2004), note in de Wolfe, Elsie (2004) . Hutton Wilkinson, ed. The House in Good Taste. Rizzoli. ISBN 0-8478-2631-7., p. 229 ("Beige, my color!")
- Rich, B. Ruby (2001): "Frames of mind: Dykes take on decor heaven." The Advocate. Los Angeles: Aug 14, 2001., Iss. 843/4; p. 64 ("It's beige—my color!")
- Wilkinson, Hutton (2004) note in De Wolfe, Elsie (2004) . Hutton Wilkinson, ed. The House in Good Taste. Rizzoli. ISBN 0-8478-2631-7., p. 232 ("The one I loved the best")
- Porter lyric: Irving Berlin: A Hundred Years, Columbia CGK 40039, track 8: "Harlem On My Mind," sung by Ethel Waters: 1:44
- Musicals! 15 Hit Songs from Classic Musical Shows, Angel CDC 0777 7 54835 2 9, track 8, "Anything Goes," 4:35
- Malcolm Lazin (August 20, 2015). "Op-ed: Here Are the 31 Icons of 2015's Gay History Month". Advocate.com. Retrieved 2015-08-21.
- Flanner, Janet (1938) "Handsprings Across the Sea," The New Yorker, 1938-01-15, as posted online ; profile of de Wolfe
- Works by Elsie De Wolfe at Project Gutenberg
- Works by or about Elsie de Wolfe at Internet Archive
- "A Decorator's Life: Elise De Wolfe 1865–1950", Canadian Interior Design <http://www.canadianinteriordesign.com/kwi/Page_2/Elsie_De_Wolfe.htm>
- "Elsie de Wolfe" Encyclopædia Britannica <http://www.britannica.com/EBchecked/topic/154188/Elsie-de-Wolfe>
- The house in good taste (University of Wisconsin Digital Collections)
- Sarah E. Mitchell, "Review of Elsie de Wolfe, The House in Good Taste", Vintage Designs
- Elsie de Wolfe House
- Penny Sparke, Elsie de Wolfe: The Birth of Modern Interior Decoration, ISBN 0-926494-27-9
- A Decorator’s Life: Elsie De Wolfe 1865 – 1950, Canadian Interior Design
- Her stage career on IMDb
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