Emotions and culture
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According to some theories, emotions are universal phenomena, albeit affected by culture. While some emotions are universal and are experienced in similar ways as a reaction to similar events across all cultures, other emotions show considerable cultural differences in their antecedent events, the way they are experienced, the reactions they provoke and the way they are perceived by the surrounding society. According to other theories, termed social constructionist, emotions are more deeply culturally influenced. Emotion’s components are universal, but the patterns are social constructions.
- 1 Cultural Studies of Emotions
- 2 The Pioneers of Culture and Emotions
- 3 Cultural Norms of Emotions
- 4 Culture and Emotion Regulation
- 5 Challenges in Cultural Research of Emotions
- 6 See also
- 7 References
- 8 External links
Cultural Studies of Emotions
Research on the relationship between culture and emotions dates back to 1872 when Darwin argued that emotions and the expression of emotions are universal. Since that time, the universality of the six basic emotions (i.e., happiness, sadness, anger, fear, disgust, and surprise) has ignited a discussion amongst psychologists, anthropologists, and sociologists. While emotions themselves are universal phenomena, they are always influenced by culture. How emotions are experienced, expressed, perceived, and regulated varies as a function of culturally normative behavior by the surrounding society. Therefore, it can be said that culture is a necessary framework for researchers to understand variations in emotions.
The Pioneers of Culture and Emotions
In Darwin’s opening chapter of The Expression of the Emotions in Man and Animals, (1872/1998) Darwin considered the face to be the preeminent medium of emotional expression in humans, and capable of representing both major emotions and subtle variations within each one. Darwin’s ideas about facial expressions and his reports of cultural differences became the foundation for ethological research strategies. Silvan Tomkins’ (1962, 1963) Affect Theory built upon Darwin’s research, arguing that facial expressions are biologically based, and universal manifestations of emotions. The research of Paul Ekman (1971) and Carroll Izard (1971) further explored the proposed universality of emotions, showing that the expression of emotions were recognized as communicating the same feelings in cultures found in Europe, North and South America, Asia, and Africa. Ekman (1971) and Izard (1971) both created sets of photographs displaying emotional expressions that were agreed upon by Americans. These photographs were then shown to people in other countries with the instructions to identify the emotion that best describes the face. The work of Ekman, and Izard, concluded that facial expressions were in fact universal, innate, and phylogenetically derived. Some theorists, including Darwin, even argued that “Emotion. . . is neuromuscular activity of the face”. Many researchers since have criticized this belief and instead argue that emotions are much more complex than initially thought. In addition to pioneering research in psychology, ethnographic accounts of cultural differences in emotion began to emerge. Margaret Mead, a cultural anthropologist writes about unique emotional phenomena she experienced while living among a small village of 600 Samoans on the island of Ta’u in her book Coming of Age in Samoa. Gregory Bateson, an English anthropologist, social scientist, linguist, and visual anthropologist used photography and film to document his time with the people of Bajoeng Gede in Bali. According to his work, cultural differences were very evident in how the Balinese mothers displayed muted emotional responses to their children when the child showed a climax of emotion. In displays of both love (affection) and anger (temper) Bateson’s notes documented that mother and child interactions did not follow Western social norms. The fieldwork of anthropologist Jean Briggs details her almost two year experience living with the Utku Inuit people in her book Never in Anger: Portrait of an Eskimo Family . Briggs lived as the daughter of an Utku family describing their society as particularly unique emotional control. She rarely observed expressions of anger or aggression and if it were expressed, it resulted in ostracism.
Cultural Norms of Emotions
Culture provides structure, guidelines, expectations, and rules to help people understand and interpret behaviors. Several ethnographic studies suggest there are cultural differences in social consequences, particularly when it comes to evaluating emotions. For example, as Jean Briggs described in the Utku Eskimo population, anger was rarely expressed, and in the rare occasion that it did occur, it resulted in social ostracism. These cultural expectations of emotions are sometimes referred to as display rules. Psychologists (Ekman & Friesen, 1969; Izard, 1980; Sarni, 1999) believe that these rules are learned during a socialization process. Ekman and Friesen (1975) have also suggested that these “unwritten codes” govern the manner in which emotions may be expressed, and that different rules may be internalized as a function of an individual's culture, gender or family background. Miyamoto & Ryff (2011) used the term cultural scripts to refer to cultural norms that influence how people expect emotions to be regulated. Cultural scripts dictate how positive and negative emotions should be experienced and combined. Cultural scripts may also guide how people choose to regulate their emotions which ultimately influences an individual’s emotional experience. For example, research suggests that in Western cultures, the dominant social script is to maximize positive emotions and minimize negative emotions. In Eastern cultures, the dominant cultural script is grounded in “dialectical thinking” and seeking to find a middle way by experiencing a balance between positive and negative emotions. Because normative behaviors in these two cultures vary, it should also be expected that their cultural scripts would also vary. Tsai et al. (2007) argues that not only do cultural factors influence ideal affect (i.e., the affective states that people ideally want to feel) but that that the influence can be detected very early. Their research suggests that preschool aged children are socialized to learn ideal affect through cultural products such as children storybooks. They found that European American preschool children preferred excited (vs. calm) smiles and activities more and perceived an excited (vs. calm) smile as happier than Taiwanese Chinese preschoolers. This is consistent with American best sellers containing more excited and arousing content in their books than the Taiwanese best sellers. These findings suggest that cultural differences in which emotions are desirable or, ideal affect, become evident very early.
Culture and Emotional Experiences
A cultural syndrome as defined by Triandis (1997) is a “shared set of beliefs, attitudes, norms, values, and behavior organized around a central theme and found among speakers of one language, in one times period, and in one geographic region”. Because cultures are shared experiences, there are obvious social implications for emotional expression and emotional experiences. For example, the social consequences of expressing or suppressing emotions will vary depending upon the situation and the individual. Hochschild (1983) discussed the role of feeling rules, which are social norms that prescribe how people should feel at certain times (e.g. wedding day, at a funeral). These rules can be general (how people should express emotions in general) and also situational (events like birthdays). Culture also influences the ways emotions are experienced depending upon which emotions are valued in that specific culture. For example, happiness is generally considered a desirable emotion across cultures. In countries with more individualistic views such as America, happiness is viewed as infinite, attainable, and internally experienced. In collectivistic cultures such as Japan, emotions such as happiness are very relational, include a myriad of social and external factors, and reside in shared experiences with other people. Uchida, Townsend, Markus, & Bergseiker (2009) suggest that Japanese contexts reflect a conjoint model meaning that emotions derive from multiple sources and involve assessing the relationship between others and the self. However, in American contexts, a disjoint model is demonstrated through emotions being experienced individually and through self-reflection. Their research suggests that when American’s are asked about emotions, they are more likely to have self-focused responses “I feel joy” whereas as Japanese typical reaction would reflect emotions between the self and others “I would like to share my happiness with others.”
Culture and Emotion Regulation
Emotions play a critical role in interpersonal relationships and how people relate to each other. Emotional exchanges can have serious social consequences that can result in either maintaining and enhancing positive relationships, or becoming a source of antagonism and discord (Fredrickson, 1998; Gottman & Levenson, 1992). Even though people may generally “want to feel better than worse” (Larsen, 2000), how these emotions are regulated may differ across cultures. Research by Yuri Miyamoto suggests that cultural differences influence emotion regulation strategies. Research also indicates that different cultures socialize their children to regulate their emotions according to their own cultural norms. For example, ethnographic accounts suggest that American mothers think that it is important to focus on their children’s successes while Chinese mothers think it is more important to provide discipline for their children. To further support this theory, a laboratory experiment found that when children succeeded on a test, American mothers were more likely than Chinese mothers to provide positive feedback (e.g. “You’re so smart!”), in comparison to Chinese mothers who provided more neutral or task relevant feedback (e.g. “Did you understand the questions or did you just guess?”; Ng, Pomerantz, & Lam, 2007). This shows how American mothers are more likely to “up-regulate” positive emotions by focusing on their children’s success whereas Chinese mothers are more likely to “down-regulate” children’s positive emotions by not focusing on their success. Americans see emotions as internal personal reactions; emotions are about the self (Markus & Kityama, 1991). In America, emotional expression is encouraged by parents and peers while suppression is often disapproved. Keeping emotions inside is viewed as being insincere as well as posing a risk to one’s health and well being. In Japanese cultures however, emotions reflect relationships in addition to internal states. Some research even suggests that emotions that reflect the inner self cannot be separated from emotions that reflect the larger group. Therefore, unlike American culture, expression of emotions is often discouraged, and suppressing one’s individual emotions to better fit in with the emotions of the group is looked at as mature and appropriate.
Emotional Perception and Recognition
The role of facial expressions in emotional communication is often debated. While Darwin believed the face was the most preeminent medium of emotion expression, more recent scientific work challenges that theory. Furthermore, research also suggests that cultural contexts behave as cues when people are trying to interpret facial expressions. In everyday life, information from people’s environments influences their understanding of what a facial expression means. According to research by Masuda et al. (2008), people can only attend to a small sample of the possible events in their complex and ever- changing environments, and increasing evidence suggests that people from different cultural backgrounds allocate their attention very differently. This means that different cultures may interpret the same social context in very different ways. Since Americans are viewed as individualistic, they should have no trouble inferring people’s inner feelings from their facial expressions, whereas Japanese people may be more likely to look for contextual cues in order to better understand one’s emotional state. Evidence of this phenomenon is found in comparisons of Eastern and Western artwork. In Western art there is a preoccupation with the face that does not exist in Eastern art. For example, in Western art the figure occupies a larger part of the frame and is clearly noticeably separated from the ground. In East Asian artwork, the central figure is significantly smaller and also appears to be more embedded in the background. In a laboratory setting Masuda et al. also tested how sensitive both Americans and Japanese would be to social contexts by showing them pictures of cartoons that included an individual in the context of a group of four other people. They also varied the facial expressions of the central figure and group members. They found that American participants were more narrowly focused with judging the cartoon’s emotional states than the Japanese participants were. In their recognition task they also observed that the Japanese participants paid more attention to the emotions of the background figures than Americans did.
Challenges in Cultural Research of Emotions
One of the biggest challenges in cultural research and human emotions is the lack of diversity in samples. Currently the research literature is dominated by comparisons between Western (usually American) and Eastern Asian (usually Japanese or Chinese) sample groups. This limits our understanding of how emotions vary and future studies should include more countries in their analyses. Another challenge outlined by Matsumoto (1990) is that culture is ever changing and dynamic. Culture is not static. As the cultures continue to evolve it is necessary that research capture these changes. Identifying a culture as “collectivistic” or “individualistic” can provide a stable as well as inaccurate picture of what is really taking place. No one culture is purely collectivistic or individualistic and labeling a culture with these terms does not help account for the cultural differences that exist in emotions. As Matsumoto argues, a more contemporary view of cultural relations reveals that culture is more complex than previously thought. Translation is also a key issue whenever cultures that speak different languages are included in a study. Finding words to describe emotions that have comparable definitions in other languages can be very challenging. For example, happiness, which is considered one of the six basic emotions, in English has a very positive and exuberant meaning. In Hindi, Sukhi is a similar term however it refers to peace and happiness. Although happiness is a part of both definitions, the interpretation of both terms could lead to researchers to making assumptions about happiness that actually do not exist.
Culture affects every aspect of emotions. Identifying which emotions are good or bad, when emotions are appropriate to be expressed, and even how they should be displayed are all influenced by culture. Even more importantly, cultures differentially affect emotions, meaning that exploring cultural contexts is key to understanding emotions. Through incorporating sociological, anthropological, and psychological research accounts it can be concluded that exploring emotions in different cultures is very complex and the current literature is equally as complex, reflecting multiple views and the hypothesis.
- Affect display
- Group emotion
- Cultural Emotion Expressions
- Emotion classification
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- Culture and Emotion Lab at Stanford university.
- Science Daily Article
- David Matsumoto
- Cultural Dynamics and Emotions Network
- Emotional Culture and Identity