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Ancient Sumerian bas-relief portrait depicting Enheduanna

Enheduanna (Sumerian: 𒂗𒃶𒁺𒀭𒈾[citation needed], also transliterated as Enheduana, En-hedu-ana, or variants;[1] fl. 23rd century BC)[2] was a daughter of Sargon of Akkad, High Priestess of the moon god Nanna (Sin)[3] in the Sumerian city-state of Ur.

Enheduanna has left behind a corpus of literary works, definitively ascribed to her, that include several personal devotions to the goddess Inanna and a collection of hymns known as the "Sumerian Temple Hymns" (certain texts not ascribed to her might also be her works[4]). This makes her one of the earliest authors and poets known by name in world history.[5]

She was the first known woman to hold the title of EN, a role of great political importance that was often held by royal daughters.[6] She was appointed to the role by her father, King Sargon of Akkad. Her mother was probably Queen Tashlultum.[7][8] Enheduanna was appointed to the role of High Priestess in a shrewd political move by Sargon to help secure power in the Sumerian south where the City of Ur was located.[9]

She continued to hold office during the reign of Rimush, her brother. It was during the reign of Rimush that she was involved in some form of political turmoil, expelled, then eventually reinstated as high priestess. Her composition 'The Exaltation of Inanna' or ‘nin me sar2-ra’[10] details her expulsion from Ur and eventual reinstatement (Franke 1995: 835). This correlates with 'The Curse of Akkade'[11] in which Naram-Sin, under whom Enheduanna may have also served, is cursed and cast out by Enlil. After her death, Enheduanna continued to be remembered as an important figure, perhaps even attaining semi-divine status.[12]

Archaeological and textual evidence[edit]

A modern reconstruction of the Ziggurat of Ur (background) looms over the ruins of the Giparu, the temple complex where Enheduanna lived and was buried

Enheduanna is well-known from archaeological and textual sources. Two seals bearing her name, belonging to her servants and dating to the Sargonic period, have been excavated at the Royal Cemetery at Ur.[13][14] In addition, an alabaster disc bearing her name and likeness was excavated in the Giparu at Ur, which was Enheduanna's main residence. The statue was found in the Isin-Larsa (c. 2000–1800 BCE) levels of the Giparu alongside a statue of the priestess Enannatumma.[15]

Copies of Enheduanna's work, many dating to hundreds of years after her death, were made and kept in Nippur, Ur and possibly Lagash alongside Royal inscriptions which indicates that they were of high value, perhaps equal to the inscriptions of Kings (Westenholz 1989:540).

Literary work[edit]

Ancient Akkadian cylinder seal depicting Inanna, the subject of many of Enheduanna's hymns, resting her foot on the back of a lion, c. 2334-2154 B.C.

Enheduanna composed 42 hymns addressed to temples across Sumer and Akkad including Eridu, Sippar and Esnunna.[16] The texts are reconstructed from 37 tablets from Ur and Nippur, most of which date to the Ur III and Old Babylonian periods (Sjöberg and Bergman 1969:6–7). This collection is known generally as 'The Sumerian Temple Hymns'. The temple hymns were the first collection of their kind; in them Enheduanna states: “My king, something has been created that no one has created before.”[17] The copying of the hymns indicates the temple hymns were in use long after Enheduanna's death and were held in high esteem.

Her other famous work is 'The Exaltation of Inanna'[18] or 'Nin-Me-Sar-Ra'[19] which is a personal devotion to the goddess Inanna and also details Enheduanna's expulsion from Ur.

Enheduanna's authorship raises the issue of female literacy in ancient Mesopotamia; in addition to Enheduanna royal wives are known to have commissioned or perhaps composed poetry[20] and the goddess Nindaba acted as a scribe: As Leick notes "to some extent the descriptive epithets of Mesopotamian goddesses reveal the cultural perception of women and their role in ancient society".[21]

The majority of Enheduanna's work is available in translation at the Electronic Text Corpus of Sumerian Literature.[22] It has also been translated and compiled into a unified narrative by Sumerian scholar Samuel Noah Kramer and poet Diane Wolkstein. Their version, published under the title Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer, was published by Harper Perennial in 1983.

List of compositions[edit]

  • Nin-me-šara, "The Exaltation of Inanna", 153 lines, edited and translated first by Hallo and van Dijk (1968), later by Annette Zgoll (1997) in German. The first 65 lines address the goddess with a list of epithets, comparing her to An, the supreme god of the pantheon. Then, En-hedu-ana speaks in the first person to express her unhappiness at being exiled from the temple and the cities of Ur and Uruk. En-hedu-ana asks for intercession of Nanna. Lines 122–135 recite divine attributes of Inanna.
  • In-nin ša-gur-ra (named by incipit), 274 lines (incomplete), edited by Sjöberg (1976) using 29 fragments.
  • In-nin me-huš-a, "Inanna and Ebih", first translated by Limet (1969)
  • The Temple Hymns, edited by Sjöberg and Bergmann (1969): 42 hymns of varying length, addressed to temples.
  • Hymn to Nanna, edited by Westenholz

Modern relevance[edit]

In 1983, Diane Wolkstein and Samuel Noah Kramer included English translations of several of Enheduanna's poems in their book Inanna: Queen of Heaven and Earth, a compilation of ancient Sumerian poems about the goddess Inanna.[23] Wolkstein's adaptation became the basis of various other publications, including Judy Grahn's Queen of Swords (1987) Alice Notley's The Descent of Alette (1996), and Annie Finch's Among the Goddesses (2010). Jungian analyst Betty De Shong Meador in 2001 translated works by Enheduanna and wrote two books on the subject: Inanna: Lady of Largest Heart[24] and Princess, Priestess, Poet: The Sumerian Temple Hymns of Enheduanna.[25] Minnesota author Cass Dalglish has published a "contemporary poetic adaptation" of Nin-me-sar-ra in 2008.[26]

Being not only the earliest known poet in world history, but also one of the earliest women known to history, Enheduanna has received substantial attention in feminism.[27]

Enheduanna is the subject of the episode "The Immortals" of the science television series Cosmos: A Spacetime Odyssey, where she was voiced by Christiane Amanpour.

In 2015, the IAU named a crater on Mercury after Enheduanna.[28] Under IAU rules, all new craters on Mercury must be named after an artist, composer, or writer who was famous for more than 50 years and has been dead for more than three years.

See also[edit]


  1. ^ "En HeduAnna (EnHedu'Anna) philosopher of Iraq – 2354 BCE". Women-philosophers dot com. [permanent dead link][unreliable source?] "en" means high priest; With reference to Nanna, the Moon God, the title "heduana" is a poetic epithet the Moon ("adornment of the sky")
  2. ^ Binkley, Roberta (1998). "Biography of Enheduanna, Priestess of Inanna". University of Pennsylvania Museum. [unreliable source?] "ca. 2285-2250 B.C.E."
  3. ^ Gods, Demons, and Symbols of Ancient Mesopotamia: An Illustrated Dictionary by Jeremy Black and Anthony Green (1992, ISBN 0-292-70794-0), p. 134 (entry "Nanna-Suen").
  4. ^ Hallo, William W. and Van Dijk, J.J.A. (1968). The Exaltation of Inanna. Yale University Press. p. 3.
  5. ^ Dr. Aaron Ralby (2013). "Sargon the Great, c. 2300 BCE: The Fall of Sumer". Atlas of Military History. Parragon. pp. 48—49. ISBN 978-1-4723-0963-1. 
  6. ^ J Renger 1967: "Untersuchungen zum Priestertum in der altbabylonischen Zeit", Zeitschrift für Assyriologie und vorderasiatische Archäologie. Vol. 58. p. 118.
  7. ^ Elisabeth Meier Tetlow (2004). Women, Crime, and Punishment in Ancient Law and Society: The ancient Near East. Continuum International Publishing Group. ISBN 978-0-8264-1628-5. Retrieved 29 July 2011. 
  8. ^ Michael Roaf (1992). Mesopotamia and the ancient Near East. Stonehenge Press. ISBN 978-0-86706-681-4. Retrieved 29 July 2011. 
  9. ^ Franke, Franke, S. Kings of Akkad: Sargon and Naram-Sin" in Sasson, Jack, M. "Civilizations of the Ancient Near East". Scribener, New York, 1995, p. 831
  10. ^ ETCSL translation: t.4.07.2
  11. ^ ETCSL translation: t.2.1.5
  12. ^ Hallo, William W. and Van Dijk, J.J.A. The Exaltation of Inanna, Yale University Press, 1968 p. 5
  13. ^ Gadd, C. J. et al Ur Excavations Texts I – Royal Inscriptions" Trustees of the British Museum and of the Museum of the University of Pennsylvania, London, 1928
  14. ^ Woolley, Leonard. Ur Excavations II: The royal cemetery: a report on the pre-dynastic and Sargonid graves excavated between 1926 and 1931". For the Trustees of the two Museums by the Oxford University Press, Oxford, 1934 p.312, 334–335 & 358.
  15. ^ Weadock, P. 1975 'The Giparu at Ur.' Iraq 37(2): 101–128.
  16. ^ Sjoberg, A. W. and Bergman, S.J 1969 'The Collection of Sumerian Temple Hymns' J.J Augustin Publisher, New York p.5
  17. ^ (ETCSL translation: t.4.80.1, line 543–544 )
  18. ^ Hallo, William W. and Van Dijk, J.J.A. The Exaltation of Inanna, Yale University Press, 1968
  19. ^ Angelfire description
  20. ^ Leick, Gwendolyn. "Sex and Eroticism in Mesopotamian Literature" Routledge, London, 1994 pp. 112 & 116
  21. ^ Leick, Gwendolyn. "Sex and Eroticism in Mesopotamian Literature" Routledge, London, 1994 p. 65
  22. ^ [1]
  23. ^ Wolkstein, Diane and Samuel Noah Kramer. Inanna: Queen of Heaven and Earth: Her Stories and Hymns from Sumer. Harper & Row, NY 1983.
  24. ^ De Shong Meador, 2001
  25. ^ De Shong Meador, 2009
  26. ^ Dalglish, 2008
  27. ^ To mark International Women's Day in 2014, the British Council hosted a pre-launch event for Niniti International Literature Festival in Erbil, Iraq, where 'writer and previous NINITI participant Rachel Holmes [delivered] a TED Talk looking back on 5000 years of feminism, from major female Sumerian poet Enheduanna, to contemporary writers who [attended] the festival'. British Council Literature 'Poem for International Women's Day & NINITI International Festival of women writers in Iraq' [2]
  28. ^ Mercury Crater-naming Contest Winners Announced, IAU, press release, April 2015. The crater will appear in the IAU's Mercury gazetteer in due course.


  • Dalglish, Cass (2008). Humming The Blues: Inspired by Nin-Me-Sar-Ra, Enheduanna's Song to Inanna. Oregon: CALYX Books. ISBN 978-0-934971-92-8. 
  • De Shong Meador, Betty (2001). Inanna, Lady of Largest Heart: Poems of the Sumerian High Priestess Enheduanna, University of Texas ISBN 0-292-75242-3
  • Betty De Shong Meador, Princess, priestess, poet: the Sumerian temple hymns of Enheduanna, University of Texas Press, 2009, ISBN 978-0-292-71932-3
  • Hallo, William W. and Van Dijk, J.J.A. (1986). The Exaltation of Inanna, Yale University Press.
  • Roberts, Janet (2004). Enheduanna, Daughter of King Sargon: Princess, Poet, Priestess (2300 B.C.), Transoxiana 8 [3]
  • Sjoberg, Ake and E. Bermann, E. (1969). The Collection of the Sumerian Temple Hymns, Locust Valley, J.J. Augustin.
  • Sjoberg, Ake (1975). In-nin sa-gur-ra: A Hymn to the Goddess Inanna by the en-Priestess Enheduanna, Zeitschrift für Assyriologie und Vorderasiatische Archaeologie 65: 161–253.
  • Zgoll, Annette (1997). "Der Rechtsfall der En-hedu-Ana im Lied Nin-me-sarra", (En-hedu-Ana's legal case in the hymn Nin-me-sara) [Ugarit-Verlag, Muenster], 1997. For an English translation of Zgoll's translation of Nin-me-sara: http://www.angelfire.com/mi/enheduanna/Ninmesara.html

External links[edit]