Encomium Emmae Reginae

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Encomium Emmae Reginae
Gesta Cnutonis Regis
British.Library.MS.Add.33241.jpg
Queen Emma of Normandy receiving the Encomium Emmae Reginae from the author (kneeling), with her sons Harthacnut and Edward the Confessor in the background. The illustration is found in the extant 11th-century copy of the Encomium
Author(s) "The Encomiast", an anonymous monk of St Bertin's or St Omer's abbey
Patron Emma of Normandy
Audience Harthacnut's court
Language Latin
Date 1041 / 1042
Manuscript(s) (1) BL, Add. 33241; (2) NLW, Hengwrt 158 (=Peniarth 281); (3) BL, Add. 6920; (4) Bibliothèque Nationale, Fonds Lat. 6235; (5) Courtenay Compendium (olim Exeter, Devon Record Office)
Personages Emma, Harthacnut, Thorkill, etc.

Encomium Emmae Reginae or Gesta Cnutonis Regis is an 11th-century Latin encomium in honour of Queen Emma of Normandy, consort of Kings Æthelred the Unready and Cnut the Great of England, and mother of kings Harthacnut and Edward the Confessor. It was written in 1041 or 1042, probably by a monk of Saint-Omer.

Manuscripts[edit]

Until 2008, it was believed that there was just a single manuscript surviving from that time, lavishly illustrated and believed to be the copy sent to Queen Emma or a close reproduction of that copy. One leaf has been lost from the manuscript in modern times but its text survives in late paper copies. A new manuscript has been found in the library of the Earl of Devon, however, believed to have been compiled in 1043, around two years after the other surviving text.[1] It adds detail to the content, showing the rise and succession of Edward the Confessor in a very positive light. The other manuscript offers him just a fleeting mention. The new manuscript has been acquired by the Royal Library of Denmark.[2]

Date and provenance[edit]

It is usually thought that the text was written in 1041 or 1042, in response to a politically delicate situation that had recently arisen at the English court.[3] Harthacnut (reigned 1040–42), Emma's son by Cnut, was king of England, and Edward, her son by Æthelred, had been invited back from exile in Normandy and sworn in as Harthacnut's successor. The concurrent presence of a king and another claimant to the throne was a recipe for unrest, especially considering that Edward's brother, Ælfred (d. 1036), had earlier been betrayed (as rumour had it, at the instigation of Earl Godwine).[4] As the portrait above emphasises, the work appears to have been specifically directed at Harthacnut and Edward, instilling a message about their past and future.[4] As such, the Encomium is a heavily biased and selective work. Commissioned by Queen Emma herself, it strives to show her and Cnut in as favourable a light as possible: thus it silently glosses over Emma's first marriage to Æthelred the Unready, contests that Harold Harefoot, Cnut's son by his first wife Ælfgifu, was indeed a son of Cnut, and puts the blame for Ælfred's murder squarely on Harold.[5][6]

Despite its shortcomings the Encomium is an important primary source for early 11th-century English and Scandinavian history.

Authorship[edit]

The anonymous author, often simply referred to as "The Encomiast", was probably a Flemish monk,[3] as he identifies himself in the text as a monk of St Bertin's or St Omer's. He mentions that he wrote the work at the specific request of his patroness Emma, to whom he shows some gratitude, and that he had witnessed Cnut when the king visited the abbey on his journey homeward.[7]

Form and content[edit]

The form and style of the text show much indebtedness to classical authors. Virgil and his Aeneid are explicitly cited in the prefatory letter and in Book I, Chapter 4, while influences from Sallust, Lucan, Ovid, Horace, Juvenal and Lucretius have also been detected.[8]

The Encomium divides into three books. The first deals with Sweyn Forkbeard and his conquest of England. The second deals with his son, Cnut the Great, his reconquest of England, his marriage to Emma and his period of rule. The third book deals with events after Cnut's death: Emma's troubles during the reign of Harold Harefoot and the accession of her sons, Harthacnut and Edward the Confessor to the throne.

According to the medievalist Eleanor Parker, "The Encomium reveals an active and forceful woman participating in the writing of history, reshaping the story of her own life in a way that suited her interests."[9]

Footnotes[edit]

  1. ^ "Sotheby's auction lot for the newly discovered manuscript". Retrieved 2008-11-28. [permanent dead link]
  2. ^ "Encomium Emmæ: Unique manuscript secured for the Royal Library in Copenhagen". Medieval Histories. 28 June 2012. Retrieved 9 December 2013. 
  3. ^ a b Stafford, Queen Emma, p. 28.
  4. ^ a b Stafford, Queen Emma, p. 29.
  5. ^ Tyler, "Talking about history", p. 361.
  6. ^ Encomium Emmae Reginae, ed. Campbell, Bk II. ch. 16–7, 18, Bk III., ch. 1.
  7. ^ Campbell, Encomium, p. xix.
  8. ^ Tyler, "Talking about history", p. 362.
  9. ^ "The Queen's Encomium", History Today (Vol. 67/5, May 2017).

References[edit]

  • Campbell, Alistair (editor and translator) (1949) Encomium Emmae Reginae. (Camden 3rd series; no. 72.) London: Royal Historical Society
  • Campbell, Alistair (editor and translator) and Simon Keynes (supplementary introduction) (1998). Encomium Emmae Reginae. Cambridge University Press ISBN 0-521-62655-2
  • Stafford, P. (1997), Queen Emma and Queen Edith: Queenship and Women's Power in Eleventh-Century England, Oxford 
  • Tyler, Elizabeth M. (2005). "Talking about History in Eleventh-Century England: The Encomium Emmae Reginae and the Court of Harthacnut". Early Medieval Europe. 13 (4): 359–83. doi:10.1111/j.1468-0254.2005.00162.x. 

Further reading[edit]

  • Lifshitz, Felice (1989). "The Encomium Emmae Reginae: A 'Political Pamphlet' of the Eleventh Century?". Haskins Society Journal. 1: 39–50. 
  • Orchard, Andy (2001). "Literary Background to the Encomium Emmae Reginae". Journal of Medieval Latin. 11: 156–83. 
  • Tyler, Elizabeth M. (1999). "'The Eyes of the Beholders were Dazzled': Treasure and Artifice in Encomium Emmae Reginae". Early Medieval Europe. 8 (2): 247–70. doi:10.1111/1468-0254.00046. 

External links[edit]