First edition cover
|Media type||Print (Hardback)|
|Pages||242 (hardback first edition)|
|LC Class||PZ4.D346 En PS3554.E4425|
It is a light-hearted farce that foreshadows much of his later, more mature work. Set at small Logos College in West Texas, End Zone is narrated in first person by Gary Harkness, a blocking back on the American football team during the school's first integrated year. Critics are divided on the literary merit of End Zone.
Gary spends time playing football, picnicking with a girl named Myna, and contemplating nuclear warfare. Its meditative but ultimately playful nature, spry dialogue, and deep but mostly unconnected themes make End Zone perhaps the most easily accessible of DeLillo's early works.
The metaphor of football as warfare is challenged in the line "warfare is warfare."
A reviewer for Kirkus Reviews argued that DeLillo "seems to have at his natural command a kind of articulate mobility one cannot help but admire. [...] It's hard to take a body count of all those ideas which freefall off every page but then 'the thing to do is to walk in circles.' And occasionally pause. . . ." In The New York Times Book Review, Thomas R. Edwards deemed End Zone an improvement over Americana and said that the writing "is continuously energetic, shifty, fun to watch for its own sake.” Edwards also argued that "[Gary's] fever, casually introduced in the final paragraph, hints at the uncertain but possible value of vulnerability, persisting without certitude in a world where others accept defensive systems —technologies, religion, games, the large or small cultisms that flourish where fear is.”
Anya Taylor at The City University of New York argued the book would endure, especially praising Gary's desert meditation on the end zone. Taylor discussed how the novel dramatizes certain limitations of language and negative social phenomena involving language (such as the covering of unpleasant truths through euphemisms, or the prevention of meaningful interaction through over-reliance on simplistic maxims), and interpreted the novel as "a book about the decline of language under the bombardment of terms from thermonuclear warfare, and an attempt to revive language through an ascetic disciplined ritual of silence and self-loss". Christopher Lehmann-Haupt of The New York Times stated that End Zone confirmed DeLillo as one of the best young writers of his time, writing that the author was skilled at building scenes for comedic effect and praising the football game that is considered the novel's centerpiece as well as the pick-up game in the snow.
Bill Beckett of The Harvard Crimson was less positive. While writing that End Zone has perhaps the best extended account of a football game ever written, and that the novel shows the author's "golden ear for the tin and tinsel of Americanese", Beckett also argued that "even isolated good satire can't hold together a disappointingly anticlimactic novel. DeLillo's buildup of suspense finally dissipates totally; many ominous hints are lost or forgotten by the end. [...] A season in the chaotic life of Gary Harkness, interesting as he is, does not suffice to make a satisfying whole."
Chad Harbach lauded End Zone in 2004 as "a wonderful and underrated novel". Daniel Roberts highly praised the novel in a 2018 retrospective for The Paris Review, where he wrote, "No novel nails the omnipresent violence of football better than End Zone". In 2007, however, the novel was listed by New York as one of the DeLillo's works that is "for fans only": "There’s little plot to speak of in this second novel, just a series of hilarious riffs on the parallels between football and nuclear war. That’s not the most original comparison to draw, and the ending—or rather, the lack of one—makes it an ultimately unsatisfying read." In 2011, Martin Amis listed End Zone among his favorite novels in DeLillo’s output. Jeff Somers conversely ranked it 10th out of 17 of the author’s books, arguing that it was extremely funny but also that "there’s not much of a story here, and after meandering about for a while, it sort of just stops dead in its tracks."
In 2007, Joshua director George Ratliff started pre-production on a feature film adaptation of End Zone. Josh Hartnett was announced for the role of Gary, with Sam Rockwell and Kat Dennings co-starring.
- Duvall, John N. (2008), The Cambridge Companion to Don DeLillo, Cambridge University Press, pp. x &, 55–60, ISBN 1139828088.
- END ZONE by Don DeLillo | Kirkus Reviews.
- Edwards, Thomas R. (1972-04-09). "A beautifully made football novel about thermonuclear war". The New York Times. ISSN 0362-4331. Retrieved 2019-12-24.
- Taylor, Anya (1977). "Words, War, and Meditation in Don DeLillo's End Zone". International Fiction Review: 68–70.
- Lehmann-Haupt, Christopher (1972-03-22). "A Touchdown for Don DeLillo". movies2.nytimes.com. Retrieved 2019-12-24.
- Beckett, Bill (1972-06-14). ""It's Only A Game, But It's the Only Game" | News | The Harvard Crimson". www.thecrimson.com. Retrieved 2019-12-24.
- Greif, Mark; Gessen, Keith; Kunkel, Benjamin; Roth, Marco (2004). N+1, Number One: Negation. n+1 Foundation, Inc. ISBN 978-0-9760503-0-8.
- Roberts, Daniel (2018-02-02). "Don DeLillo's Nuclear Football". The Paris Review. Retrieved 2019-12-24.
- "Our Guide to the Don DeLillo Oeuvre -- New York Magazine - Nymag". New York Magazine. Retrieved 2019-12-24.
- Amis, Martin (2011-11-14). "Laureate of Terror". The New Yorker. ISSN 0028-792X. Retrieved 2019-12-25.
- Somers, Jeff (2018-08-02). "Don DeLillo's Novels, Ranked". Barnes & Noble Reads. Retrieved 2019-12-24.
- Fleming, Michael (November 8, 2007). "Hartnett runs to 'End Zone'". Variety. Archived from the original on November 30, 2015.