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An eraser, (also called a rubber outside of U.S., from the material first used) is an article of stationery that is used for removing writing from paper. Erasers have a rubbery consistency and come in a variety of shapes, sizes and colours. Some pencils have an eraser on one end. Less expensive erasers are made from synthetic rubber, but more expensive or specialized erasers are vinyl, plastic, or gum-like materials. Cheaper erasers can be made out of synthetic soy-based gum.
Before rubber erasers, tablets of wax were used to erase lead or charcoal marks from paper. Bits of rough stone such as sandstone or pumice were used to remove small errors from parchment or papyrus documents written in ink. Crustless bread was used as an eraser in the past; a Meiji-era (1868-1912) Tokyo student said: "Bread erasers were used in place of rubber erasers, and so they would give them to us with no restriction on amount. So we thought nothing of taking these and eating a firm part to at least slightly satisfy our hunger."
In 1770 English engineer Edward Nairne is reported to have developed the first widely marketed rubber eraser, for an inventions competition. Until that time the material was known as gum elastic or by its Native American name (via French) caoutchouc. Nairne sold natural rubber erasers for the high price of three shillings per half-inch cube. According to Nairne, he inadvertently picked up a piece of rubber instead of breadcrumbs, discovered rubber's erasing properties, and began selling rubber erasers. The invention was described by Joseph Priestley on April 15, 1770, in a footnote: "I have seen a substance excellently adapted to the purpose of wiping from paper the mark of black-lead-pencil. ... It is sold by Mr. Nairne, Mathematical Instrument-Maker, opposite the Royal-Exchange." In 1770 the word rubber was in general use for any object used for rubbing; the word became attached to the new material sometime between 1770 and 1778.
However, raw rubber was perishable. In 1839 Charles Goodyear discovered the process of vulcanization, a method that would cure rubber, making it durable. Rubber erasers became common with the advent of vulcanization.
On March 30, 1858, Hymen Lipman of Philadelphia, USA, received the first patent for attaching an eraser to the end of a pencil. It was later invalidated because it was determined to be simply a composite of two devices rather than an entirely new product.
Erasers may be free-standing blocks (block and wedge eraser), or conical caps that can slip onto the end of a pencil (cap eraser). A barrel or click eraser is a device shaped like a pencil, but instead of being filled with pencil lead, its barrel contains a retractable cylinder of eraser material (most commonly soft vinyl). Many, but not all, wooden pencils are made with attached erasers. Novelty erasers made in shapes intended to be amusing are often made of hard vinyl, which tends to smear heavy markings when used as an eraser.
Pencil or cap erasers
Originally made from natural rubber, but now usually from cheaper SBR, this type contains mineral fillers and an abrasive such as pumice with a plasticizer such as vegetable oil. They are relatively hard (in order to remain attached to the pencil) and frequently colored pink.
Artist's gum eraser
The stylized word "Artgum" was first used in 1903 and trademarked in the USA in 1907. That type of eraser was originally made from oils such as corn oil vulcanized with sulfur dichloride although may now be made from natural or synthetic rubber or vinyl compounds. It is very soft yet retains its shape and is not mechanically plastic, instead crumbling as it is used. It is especially suited to cleaning large areas without damaging paper. However, they are so soft as to be imprecise in use. The removed graphite is carried away in the crumbles, leaving the eraser clean, but resulting in a lot of eraser residue. This residue must then be brushed away with care, as the eraser particles are coated with the graphite and can make new marks. Art gum erasers are traditionally tan or brown, but some are blue.
Good quality plasticized vinyl or other "plastic" erasers, originally trademarked Mylar in the mid-20th century, are softer, non-abrasive, and erase cleaner than standard rubber erasers. This was because the removed graphite did not remain on the eraser as much as rubber erasers, but was instead absorbed onto the discarded vinyl scraps. Being softer and non-abrasive, they were less likely to damage canvas or paper. Engineers favor this type of eraser for work on technical drawings due to their gentleness on paper with less smearing to surrounding areas. They often come in white and can be found in a variety of shapes. More recently, very low-cost erasers are manufactured from highly plasticized vinyl compounds and made in decorative shapes.
Kneaded erasers have a plastic consistency and are common to most artists' standard toolkit. They can be pulled into a point for erasing small areas and tight detail erasing, molded into a textured surface and used like a reverse stamp to give texture, or used in a "blotting" manner to lighten lines or shading without completely erasing them. They gradually lose their efficacy and resilience as they become infused with particles picked up from erasing and from their environment. They are not suited to erase large areas because of their tendency to deform under vigorous erasing.
Commonly sold in retail outlets with school supplies and home improvement products, this soft, malleable putty appears in many colors and under numerous brand names. Intended to adhere posters and prints to walls without damaging the underlying paint, poster putty works much the same as traditional kneaded erasers, but with a greater tack or lifting strength. Poster putty does not erase so much as lighten by lifting graphite, charcoal or pastel off a drawing. In this regard, it does not smudge or damage work in progress. Repeatedly touching the putty to a drawing pulls ever more medium free, gradually lightening the work in a controlled fashion. Poster putty can be shaped into fine points or knife edges, making it ideal for detailed or painstaking work. It can be rolled across a surface to create visual textures. Poster putty loses its efficacy with use, becoming less tacky as the material grows polluted with debris and oils from the user's skin.
The electric eraser was invented in 1932 by Arthur Dremel of Racine, Wisconsin, USA. It used a replaceable cylinder of eraser material held by a chuck driven on the axis of a motor. The speed of rotation allowed less pressure to be used, which minimized paper damage. Originally standard pencil-eraser rubber was used, later replaced by higher-performance vinyl. Dremel went on to develop an entire line of hand-held rotary power tools.
A fibreglass eraser, a bundle of very fine glass fibres, can be used for erasing and other tasks requiring abrasion. Typically the eraser is a pen-shaped device with a replaceable insert with glass fibres, which wear down in use. The fibres are very hard; in addition to removing pencil and pen markings, such erasers are used for cleaning traces on electronic circuit boards to facilitate soldering, removing rust, and many other applications. As an example of an unusual use, a fibreglass eraser was used for preparing an archaeological fossil embedded in a very hard and massive limestone.
Felt chalkboard erasers or blackboard dusters are used to erase chalk markings on a chalkboard. Chalk writing leaves light-coloured particles weakly adhering to a dark surface (e.g., white on black, or yellow on green); it can be rubbed off with a soft material, such as a rag. Erasers for chalkboards are made, with a block of plastic or wood, much larger than an eraser for pen or pencil, with a layer of felt on one side. The block is held in the hand and the felt rubbed against the writing, which it easily wipes off. Chalk dust is released, some of which sticks to the eraser until it is cleaned, usually by hitting it against a surface.
Various types of eraser, depending upon the board and the type of ink used, are used to erase a whiteboard.
Dedicated erasers that are supplied with some ballpens and permanent markers are intended only to erase the ink of the writing instrument they are made for; sometimes this is done by making the ink bond more strongly to the material of an eraser than the surface it was applied to.
- Teiyûkai (1926). Kôbu daigakkô mukashibanashi (in Japanese). Tokyo: Teiyûkai. pp. 25–26.
- See the footnote on page xv at the end of the preface to the following: Priestley, Joseph (1770). A Familiar Introduction to the Theory and Practice of Perspective. London: J. John and J. Payne.
- Joseph Priestley (1769). A Familiar Introduction to the Study of Electricity. J. Dodsley; T. Cadell, successor to Mr. Millar; and Johnson and Payne. p. 84.
- R.B. Simpson (ed.), Rubber Basics, iSmithers Rapra Publishing, 2002, ISBN 185957307X, p.46 "Rubber"
- "Reckendorfer v. Faber 92 U.S. 347 (1875)". Justia. Retrieved 2014-03-24.
- "How eraser is made".
- Reg. No. 60496 & No. 435240, ERASERS OR ELASTIC COMPOSITIONS FOR ERASING MARKS FROM AND CLEANING DRAWINGS, TRACINGS, PICTURES 
- US patent 2676160
- Piedmont-Palladino, Susan (Summer 2005). "The Invisible History of Erasing". Blueprints (National Building Museum): 2.
- Rendering with Pen and Ink (The Thames & Hudson Manuals), Robert W Gill. 1984, p191-193
- Stecher, Rico (2008). "A new Triassic pterosaur from Switzerland (Central Austroalpine, Grisons), Raeticodactylus filisurensis gen. et sp. nov." (PDF). Swiss J. Geosci. Birkhäuser Verlag, Basel. doi:10.1007/s00015-008-1252-6. Retrieved 16 January 2015.
- U.S. Patent 3875105
- Petroski, Henry (1989). The Pencil: A History of Design and Circumstance..
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