Eric Gamalinda

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Eric Gamalinda
Born Eric Gamalinda
Manila, Philippines
Nationality Filipino

Eric Gamalinda (born in Manila, Philippines) is a poet, fiction writer, playwright, and experimental filmmaker. His work has been described as “luminous” (Arthur Sze) and “wonderful and vibrant” (Michael Burkard). “Gamalinda is a marvelous poet,” wrote D. Nurkse, poet laureate of Brooklyn. “His wistful, fierce, enthralled voice seems to speak the true language, the sotto voce language we can’t hear in our world of binary and mutually destructive opposites.”

Recognition for his work includes a New York State Council of the Arts grant for film and media [2014], the Cultural Center of the Philippines Independent Film and Video Awards [2004], the Asian American Literary Award and the Alice James Books New York/New England Selection for Zero Gravity [poems, 2000], the New York Foundation for the Arts [fiction, 1998], the Philippine Centennial Literary Prize for My Sad Republic [novel, 1998], the Philippine National Book Award twice for Planet Waves [novel, 1990] and My Sad Republic [2000], and the Asiaweek Short Story Competition [1985]. He has also won the Philippines’ top literary prize, the Palanca Memorial Awards, several times for poetry, fiction, non-fiction and playwriting. He was a featured poet in The Dodge Festival's Poets Among Us program in 1996. In 2009, his novel, The Descartes Highlands, was shortlisted for the Man Asian Prize. In 2010, his three-act play, Resurrection, was staged off-Broadway at the Clurman Theater on 42nd Street by Diverse City Inc.

He has been in residence at Civitella Ranieri [Italy], Association d’Art de La Napoule [France], Chateau de Lavigny Residence pour Ecrivains [Switzerland], Fundacion Valparaiso [Spain], The Rockefeller Foundation in Bellagio [Italy], Hawthornden Castle International Retreat for Writers [Scotland], and The Corporation of Yaddo, The MacDowell Colony, The Helene Wurlitzer Foundation of New Mexico, The Virginia Center for the Creative Arts, Ledig House International Writers Colony [US]. In 2013 he returned to Fundacion Valparaiso to work on a new novel.

He was publications director of the Asian American Writers Workshop until 1997, Distinguished Visiting Writer at the University of Hawaii in Manoa in 1999, and Visiting Scholar at New York University’s Asia Pacific American Studies Program in 2002-2003. He currently teaches at Columbia University’s Center for the Study of Ethnicity and Race.



Poetry—Amigo Warfare [Cherry Grove Collections, Cincinnati OH, 2007], Zero Gravity [Alice James Books, Farmington ME, 1999]; Lyrics from a Dead Language [Anvil Publishers, Manila, 1991]

Novels—The Descartes Highlands [Akashic Books, 2014]; My Sad Republic [University of the Philippines Press, 2000]; Empire of Memory, Confessions of a Volcano [both Anvil Publishers, Manila, 1992, 1990]; Planet Waves [New Day, Manila, 1989]

Short fiction—People Are Strange Black Lawrence Press, New York, 2012]; Peripheral Vision [New Day, 1992]

Anthology—Flippin': Filipinos on America [Asian American Writers Workshop, New York, 1996]

His stories have been published in Harper's Magazine and anthologized in Manila Noir [Akashic Books]; Charlie Chan is Dead 2: At Home in the World [Penguin]; The Thirdest World [factory school]; Bold Words: A Century of Asian American Writing [Rutgers University Press]; Juncture: New Experimental Writing [Soft Skull]; In My Life: Encounters with the Beatles [Fromm International]; Balikbayan: Racconti filippini contemporanei [Feltrinelli, Milan]. A new story will soon appear in Manila Noir [Akashic Books].

His poems have been anthologized in Language for a New Century [W.W. Norton]; Structure & Surprise [Teachers & Writers Collaborative]; Stranger at Home [Interpoezia/Numina Press]; Saints of Hysteria [Soft Skull Press]; Poetry Daily [Sourcebooks Inc.]; Sweet Jesus [The Anthology Press]; Returning a Borrowed Tongue [Coffee House Press]; Brown River, White Ocean [Rutgers University Press]; Lo Ultimo de Filipinas: Antologia Poetica [Huerga y Fierro, Madrid].

His essays have been anthologized in Vestiges of War: The Philippine–American War and the Aftermath of an Imperial Dream [New York University Press, 2003] and Pinoy Poetics [Meritage Press, CA, 2004].