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|Born||Estelle Ruth Goodwin
24 January 1883
Lee, Kent, UK
|Died||20 June 1984
Woodland Hills, California, U.S.
|Years active||1903– 1983|
|Spouse(s)||Francis Barlow Bradley (1928-1929) (his death)
Robert Barton Henderson (1944-1984) (her death)
Estelle Winwood (24 January 1883 – 20 June 1984) was an English stage and film actress who moved to the United States in mid-career and became celebrated for her wit and longevity.
Early life and early career
Born Estelle Ruth Goodwin in Lee, Hundred of Blackheath, Kent in 1883, she decided at the age of five that she wanted to be an actress. With her mother's support, but her father's disapproval, she trained with the Lyric Stage Academy in London, before making her professional debut in Johannesburg at the age of 20. During the First World War she joined the Liverpool Repertory Company before moving on to a career in London's West End.
Broadway and West End career
She moved to the U.S. in 1916 and made her Broadway début in New York City. Until the beginning of the 1930s, she divided her time between New York City and London. Throughout her career, her first love was the theatre; and, as the years passed, she appeared less frequently in London and became a frequent performer on Broadway, appearing in such plays as A Successful Calamity (1917), A Little Journey (1918), Spring Cleaning (1923), The Distaff Side (1934), The Importance of Being Earnest (which she also directed, 1939), When We Are Married (1939), Ladies in Retirement (1940), The Pirate (1942), Ten Little Indians (1944), Lady Windermere's Fan (1947), and The Madwoman of Chaillot (1948).
A reluctant film and television actress
Like many stage actors of her era, she expressed a distaste for films and resisted the offers she received during the 1920s. Finally, she relented and made her film début in Night Angel (1931), but her scenes were cut before the film's release. Her official film début came in The House of Trent (1933), and Quality Street (1937) was her first role of note. She made no cinematic films during the 1940s but expressed a willingness to participate in the new medium of television, starring in a television production of Blithe Spirit in 1946. During the 1950s, she appeared more frequently in television than she did in film in such series as Robert Montgomery Presents, Alfred Hitchcock Presents, and The Donna Reed Show. She played the character Hortense in the episode "Where's There's a Will" (August 30, 1960) on the ABC sitcom The Real McCoys starring Walter Brennan. Her few films from that period include The Glass Slipper (1955), The Swan (1956), and 23 Paces to Baker Street (1956).
Her other film credits include Darby O'Gill and the Little People (1959), The Misfits (1961), The Magic Sword (1962), The Notorious Landlady (1962), Dead Ringer (1964), Camelot (1967) and The Producers (1968). She later denigrated the last film, saying she could not imagine why she had done it except for the money.
Her other work for television included guest roles in Dennis the Menace, The Twlight Zone; Thriller; Dr. Kildare; The Man from U.N.C.L.E.; The Name of the Game; Bewitched; Batman; Love, American Style; Cannon; Police Story, and an excellent, showcasing, last episode of Perry Mason, entitled "The Final Fadeout", in which she plays a fading actress who ends up as a second defendant.
Winwood's final film appearance, at age 92 in Murder by Death (1976), was as Elsa Lanchester's character's ancient nursemaid. In this film, she joined other veteran actors spoofing some of the most popular detective characters in murder mysteries on film and television (Dick and Dora Charleston, Jessica Marbles, etc.). When she took on her final major television role in a 1979 episode of Quincy, she officially became, at age 96, the oldest actor working in the U.S., narrowly beating out fellow British actress Ethel Griffies. She continued making appearances until she was 100 years old. When she died at age 101, she was the oldest member in the history of the Screen Actors Guild.
Winwood was married four times, once to successful theatre director, film director and producer Guthrie McClintic. McClintic was later married to actress Katharine Cornell. Another marriage was to Arthur Chesney, a brother of the Oscar-winning Welsh actor Edmund Gwenn. Winwood had no children by any of her marriages.
She was very good friends with Tallulah Bankhead, who died in 1968. She, Bankhead, and actresses Eva Le Gallienne and Blyth Daly were dubbed "The Four Riders of the Algonquin" in the early silent film days, because of their appearances together at the "Algonquin Round Table". Winwood appeared as a character in Answered Prayers, Truman Capote's final, unfinished, thinly veiled roman à clef. In the novel, which uses her real name, she attends a drunken dinner party with Bankhead, Dorothy Parker, Montgomery Clift, and the novel's narrator, P.B. Jones.
On her 100th birthday, she was asked how it felt to have lived so long. Her response was, "How rude of you to remind me!" Bette Davis, a co-star from Dead Ringer, was photographed at Winwood's side on the occasion in Hollywood, California.
- The House of Trent (1933)
- "Quality Street" (1937)
- The Glass Slipper (1955)
- The Swan (1956)
- 23 Paces to Baker Street (1956)
- Darby O'Gill and the Little People (1959)
- Alive and Kicking (1959)
- The Misfits (1961)
- The Magic Sword (1962)
- The Notorious Landlady (1962)
- Dead Ringer (1964)
- Camelot (1967)
- The Producers (1968)
- Jenny (1970)
- Murder by Death (1976)
|Wikimedia Commons has media related to Estelle Winwood.|
- Estelle Winwood at the Internet Broadway Database
- Estelle Winwood at the Internet Movie Database
- Eva Le Gallienne, Estelle Winwood
- Estelle Winwood at Find a Grave
- Estelle Winwood lithograph from magazine The Theater 1918