Eugene Tsui

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Eugene Tsui
Eugene Tsui Speaks 2010
Tsui giving a lecture.
Born September 14th, 1954-
Cleveland, Ohio
Occupation Architect
Spouse(s) Elisabeth Montgomery
Website Tsui Design and Research Inc.

Eugene Tssui (also spelled Tsui, born September 14, 1954)[1] is an American architect. His built projects are known for their use of ecological principles and highly experimental "biologic" design, a term coined by Tssui himself in the 2010 issue of World Architecture Review.[2][3] He has also proposed a number of massive, radical projects, such as a bridge over the Strait of Gibraltar and a 2-mile-high tower capable of housing 1 million residents.[4][5][6]

Biography[edit]

Tssui was born in Cleveland, Ohio, the child of Chinese immigrants, and was raised in Minneapolis, Minnesota. Despite the encouragement of his friends and family to pursue medicine, and a wide variety of interests in his youth (including piano and drum playing, martial arts, and flamenco dance) Tssui decided to pursue architecture. After working in numerous offices and institutions, including the Organizing Committee of the 1976 Montreal Summer Olympics, where he was accepted at Columbia University's Graduate School of Design, based on his professional work in architecture offices.[1] His unconventional designs did not match the expectations of the university, and he left to be apprenticed under architect Bruce Goff instead. He later received a bachelor of architecture from the University of Oregon, along with graduate studies at the University of California, Berkeley where he earned two masters and a doctorate.[1][7][8][9] Tssui specializes in nature-influenced architecture, preferring shapes and forms inspired by living creatures and natural constructions to standard rectilinear designs. He has won numerous scholarships and grants for his work in architecture, including those from the Graham Foundation and the National Endowment for the Arts.[7][8]

Apart from his work in architecture, Tssui has pursued assorted other areas of interest. His efforts in design extend out to clothing and furniture, and often reflect similar concerns about movement, weight, and sustainability as appear in his architectural designs. He also pursued a number of athletic endeavors. The most notable titles to his name include the super middleweight boxing title in the 2005 Ringside World Championships, the world's largest amateur boxing tournament, and the Presidential Sports Award, both of which he won eight times. He is also a four-time Senior Olympics Gymnastics All-Around Champion.[2][10][11]

Tssui is married to sociologist and educator Elisabeth P. Montgomery, Ph.D.[12]

Philosophy and Style[edit]

“Nature is an incomparable educator. If we take care to look and listen, we will find great answers. The aesthetic visual enjoyment of nature is not enough. We must look further and deeper into a world of mystery, extraordinary beauty and perfect intelligence.”

—from ‘’Evolutionary Architecture’’ .[1]

Tssui believes nature to be an incomparable educator, with knowledge of design and construction borne of the necessary adaptation to constantly-evolving systems. Exploring the hows and whys of nature's workings, and looking at the active and reactive relationships of organisms with the surroundings are some of the driving forces behind Tssui's designs. According to Tssui, humans are students of nature, who is the educator. In order to create efficient and sustainable living spaces and lifestyles, architecture must draw from nature to achieve the optimum solution to a given problem. Tssui searches for design elements that work to place the responsibility of environmental and human health back into the daily conscience and behaviors of human life. This outlook must then be expressed in the building’s spaces, both interior and exterior, as well as in the detailing, and relationship with the site. Tssui also underlines the desire to create responsive buildings which not only work in tandem with and prevent further damage to the environment, but also restore damage that has already been done.[1]

From this philosophy, Tssui’s work derives a biomimetic aspect, which he initially discussed in terms of evolutionary architecture and has in more recent years begun to refer to as ‘’biologic design’’.[1] Deriving from the Latin bio, meaning alive or natural, and logic, meaning well-reasoned, Tssui’s conception of biologic architecture asks the question “What would nature do given this context, requirements, and functional goals?” The goal of this approach is to make buildings that take into account challenges of the environment and apply the "knowledge" exemplified by other natural organisms inhabiting the site—in this way preparing for the environment, and ultimately deflect normally-disastrous calamities.[3] Some key aspects of Tssui's biologic design include:

  • structures that take into account the surrounding area, including materials on-hand and challenges presented by the environment
  • high strength-to-weight ratios, structures strong in tension and compression
  • aero/hydrodynamic shapes which distribute and relieve stress on the structure and minimize materials needed to build
  • interior design that encourages exercise, health, and fitness
  • efficient ventilation, insulation, and temperature control systems that depend on natural circulation
  • endurance to weather and other environmental changes
  • using non-imported materials for construction
  • production of structures whose exterior design and interior workings create no adverse effects on the environment

From these aspects of design, the resulting architecture works in tandem with the environment, drawing inspiration from the ecosystems around the structure to produce a sustainable and adapted building.[1][3] As a result of these tenets, Tssui derives a distinctive style of architecture which makes use of curvilinear forms, sails, "wings," egg-and-sphere-shaped structures, closing wall and roof systems, and other elements which are highly reflective of the natural world. Those who have lived in Tssui's spaces have spoken of the design exuding "freedom and energy," and ultimately encouraging creativity.[13]

Built projects[edit]

Located at Harbin Hot Springs, Middletown, California, built 2003. Five large, two-story spheres containing classrooms, offices, dormitories and cafeteria, surrounded by two outdoor swimming pools for Watsu classes.

Tssui's built designs include the Watsu School at Harbin Hot Springs ("a series of five spherical buildings connected by a string of hallways and surrounded by a trough of cooling water"[5]), several residential homes embodying his ecological principles,[6] and his firm's headquarters in Emeryville.

His design for his parents' house in Berkeley, California is known for its unusual round shape and its structural concept. Officially called "Ojo del Sol" ("eye of the sun"), it is also known as the "Fish House" and, according to Tssui, is based on the anatomy of a tardigrade. The materials used in making the Ojo del Sol include cheap and recycled materials that draw inspiration from the Cholla cactus which is virtually fireproof. Tssui designed the house with the goal of making it the "safest house in the world", intended to survive fires, earthquakes, flooding, and termites.[14][15][16][17]

The headquarters for Tssui's company, Tsui Design and Research Inc. is also a building of his design. The building was started in 1991 and its final phase of construction completed in 1998; the design utilized recycled materials for construction, and was built with energy conservation in mind.[18]

Tssui also designed a zero-energy dwelling, known as the ZED Residence, located in the foothills of Mount Shasta, California. The geodesic dome maximizes the “strength-to-weight” ratio found in many super-strong objects, and dissipates forces from wind and earthquakes.[2] Other projects include his showcase building in Shenzhen, China, known as the Ecological House of the Future.[19] He is also the designer behind the Reyes Residence in Oakland, California, which is notable for its dragonfly-like roof ventilation "wings."[20]

Proposals and In-Progress Projects[edit]

Two-mile high, tensile structure based on a tension/compression "spine" with a hollow, mirrored center, to allow sunlight to reflect from the inner core; the entire building is in tension and suspended like a giant maypole. Twelve levels are open to the sun and wind and planted with forests, rivers, lakes and hillsides. Building flexes under stress-and-strain. Houses one-million inhabitants.

Some of Tssui's notable unbuilt proposals include:

  • the Gibraltar Bridge, which would span 13 kilometres (8.1 mi) and include a floating island equipped with wind-powered and underwater turbines, capable of powering most of Morocco and southern Spain;[21][22]
  • the "Eye-in-the-Sky" Tower, a 600-metre (2,000 ft)-tall observation tower in Shenzhen, China, equipped with over 92 eggbeater wind turbines and 50 panels of photovoltaic solar panels, alternately proposed for Oakland, California;[8][23]
  • the two-mile-high Ultima Tower, which would house one million people over 500 floors.[24][25]
  • the Nexus Floating Sea City, which would span 4.7 miles long by 2.5 miles wide with the ability to accommodate 100,000 people. Planned for the coast of Florida, the Floating Sea City would be mobile and have the ability to grow its own food.[26]
  • the DNA tower, framed for San Leandro, California, which would have vertical gardens to grow food, a solar updraft tower to generate electricity, gymnasiums, and government offices.[27]
  • Telos Window to the World, a 12,000-square-foot two-story guitar-shaped residence. The project has been approved by the Planning Department of the city of San Pablo. The construction budget is $800,000 with a planned completion of February 2015.[12]

Other Aspects of Career[edit]

Teaching

Tssui has worked in professorial duties and as a lecturer at a number of universities, including:

Design

In addition to his architectural designs, Tssui also designs clothes. Some notable examples include prototypes with sequin-like solar panels which would allow the wearer to charge and power their personal electronic devices.[32] Tssui's clothing designs have appeared in magazines such as Mondo 2000 and Hyphen. The 2008 Winter cover of the magazine Hors Ligne also features one of Tssui's clothing designs.[33]

Tssui's clothing design is described as "moving architectural clothing" and reflects the biologic principles found in his architecture, in that his clothing designs are meant to adapt to the wearer's physical activity as well as protect from the elements. Some of the stylistic influence of his architecture also bleeds over into his clothing design, with ridges, spines, and wings all featuring in his designs.[34]

In his furniture design, Tssui uses principals of maximum strength using the least amount of materials: similar principles which are found in his biologic style of architecture.[4]

Movies and Other Media

Tssui was the subject of the film TELOS: The Fantastic World of Eugene Tssui, which premiered at the Architecture and Design Film Festival in Los Angeles on March 13, 2014. The film held screenings at various locations in the United States as well as abroad.[35][36]

Additionally, Tssui has appeared on various television channels, including PBS, the Discovery Channel, CTV News Channel[32] and Asian television channels CCTV[37] and SinoVision.[7][38][39] A number of short films have featured him and his work as a subject, including "Nature's Blueprints." [40][41] Tssui has also contributed to a number of short films, including "S.A.C.E.Y./SAFE PLACE ALTERNATIVE" and "Time To Save the Wolves," for which he composed the piano music.[42][43]

He has also been featured on radio, and has interviewed with Jack Foley.[44]

Bibliography[edit]

Books and Periodicals

  • Evolutionary Architecture: Nature As A Basis For Design (Wiley and Sons, 1999 ISBN 9780471117261) This book features a foreword by Louis L. Marines, who was president of the American Institute of Architects, and an introduction by Tssui's mentor, Bruce Goff.
  • The Urgency of Change (China Building and Construction Press, 2002 ISBN 9787112051557)
  • The Architecture of Eugene Tsui (ISSN 1000-8373)
  • Learning from Nature Before it's too Late (ISSN 1000-8373)
  • Nature Leads Us to the Future: Leave No Trace (ISSN 1000-8373)
  • Beyond Green Building: Transformation of Design and Human Behavior (China Science Publishing and Media, Ltd. 2015 ISBN 9787030447241)

Other

  • Eugene Tsui, Architectural Drawings Print Portfolio (1990)
  • Evolutionary Architecture: The Drawings and Plans of Eugene Tsui 1992 (Pomegranate Calendars and Books, 1992)
  • Evolutionary Architecture: The Drawings and Plans of Eugene Tsui 1993 (Pomegranate Calendars and Books, 1993)

References[edit]

  1. ^ a b c d e f g Eugene Tsui, Evolutionary Architecture: Nature as a Basis for Design (John Wiley & Sons, 1999), ISBN 978-0471117261 – via Questia Online Library (subscription required).
  2. ^ a b c Mabanta, Alex. "The man behind the world's safest house". Retrieved 22 February 2015. 
  3. ^ a b c Eugene Tsui, World Architecture Review Learning From Nature Before It Is Too Late (2010), ISSN 1000-8373, p. 60.
  4. ^ a b Anh-Minh Le, "Eugene Tsui: Eco-conscious and outrageous", San Francisco Chronicle, September 14, 2007.
  5. ^ a b Melanie Colburn, "Evolving Spaces", Hyphen, April 1, 2008.
  6. ^ a b Mark K. Miller, "Nature's Architect", Popular Science, June 1994, pp. 74-77.
  7. ^ a b c Eugene Tsui Bio at Tsui Design & Research, Inc.
  8. ^ a b c Kushner, Eve (May 2007). "Towering Vision". The Monthly. 
  9. ^ Tssui, Eugene (2002). The Urgency of Change. China Building and Construction Press. ISBN 9787112051557. 
  10. ^ "Chiropractic Patient Takes 2005 World Amateur Boxing Title". Retrieved 14 March 2015. 
  11. ^ "Eugene Tssui Bio on TelosMovie.com". Retrieved 21 March 2015. 
  12. ^ a b "Eugene Tssui, green architect like a stand-in for nature". Retrieved 1 February 2015. 
  13. ^ Dalzell, Tom. "How Quirky is Berkeley? Eugene Tssui's Fish House, Part 2". Retrieved 28 March 2016. 
  14. ^ Michelle Locke, "Love It or Loathe It : Berkeley Architect's Design a Sea Change in Housing". Associated Press in Los Angeles Times, March 12, 1995.
  15. ^ Saul Rubin, San Francisco Curiosities: Quirky Characters, Roadside Oddities & Other Offbeat Stuff (Globe Pequot, 2010), ISBN 978-0762765775, pp. 121-122. Excerpts available at Google Books.
  16. ^ "Home is what comes naturally", Nature, May 20, 1999 (subscription required).
  17. ^ "Jennifer Viegas "'Indestructible' Animal Inspires Safest House," Discovery News". Retrieved 21 March 2015. 
  18. ^ "Tsui Design & Research". Retrieved 3 March 2015. 
  19. ^ McDonald, Coby. "Berkeley Architect Aims to Transform the World—One Outlandish Project at a Time". Retrieved 22 February 2015. 
  20. ^ "Reyes Residence". Retrieved 6 March 2015. 
  21. ^ "Floating Bridge Links Europe With Africa", Popular Mechanics, August 2004, p. 26.
  22. ^ Jon Clarke and Colin Freeman, "'Afro-tunnel' may still be a bridge too far", The Sunday Telegraph, April 30, 2006.
  23. ^ Eliza Strickland, "Eugene Tsui Says It's Time for Thinking Big. How big? The Emeryville architect proposed a 2,340-foot tower for Oakland and a two-mile high structure that could house all of San Francisco." East Bay Express, June 2, 2008.
  24. ^ Erik Bard, "Sky City Fantasies", The Village Voice, February 19, 2002.
  25. ^ Blain, Loz (April 4, 2008). "Two-mile high termite nest proposed to counter the population challenge". Gizmag. 
  26. ^ McCallum, Tom. "Megastructures and the Future of Architecture". Retrieved 22 February 2015. 
  27. ^ Davis, Jaquelyn. "An Architect and a Tardigrade". Retrieved 22 February 2015. 
  28. ^ "Berkeley Lab Energy Technologies Area". Retrieved 6 March 2015. 
  29. ^ "Ohio University Features". Retrieved 6 March 2015. 
  30. ^ "NCSU Office of the Provost". Retrieved 13 March 2015. 
  31. ^ "Peking University website". Retrieved 14 March 2015. 
  32. ^ a b "Vimeo link to CTV Interview". Retrieved 2 February 2015. 
  33. ^ "Hors Ligne". Hors Ligne. Switzerland: Promoedition SA. 2008. 
  34. ^ "Eugene Tsui: Biomorphic Future Vision". Retrieved 15 March 2015. 
  35. ^ Caren Jao, "TELOS: The Fantastic World of Eugene Tssui Debuts at L.A. Architecture & Design Film Festival", Architectural Record, March 14, 2014.
  36. ^ "TELOS: The Fantastic World of Eugene Tssui News Page". Retrieved 2 February 2015. 
  37. ^ "CCTV site". Retrieved 2 February 2015. 
  38. ^ "SinoVision site". Retrieved 2 February 2015. 
  39. ^ "SinoVision site". Retrieved 2 February 2015. 
  40. ^ "Nature's Blueprints". Retrieved 27 February 2015. 
  41. ^ "Rebels That Change the World". Retrieved 27 February 2015. 
  42. ^ ""Time to Save the Wolves" on Vimeo". Retrieved 17 March 2015. 
  43. ^ ""S.A.C.E.Y./ SAFE PLACE ALTERNATIVE" M.I.S.S.S.E.Y. Inc. on Vimeo". Retrieved 17 March 2015. 
  44. ^ "Cover to Cover with Jack Foley, with guest Eugene Tssui". Retrieved 23 March 2015. 

External links[edit]