Everybody Sing (film)

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Everybody Sing
Everybody Sing poster.JPG
theatrical release poster
Directed by Edwin L. Marin
Produced by Harry Rapf
Written by Add'l dialogue:
James Gruen
Milton Merlin (uncredited)
Contributing:
Bert Kalmar (uncredited)
Harry Ruby (uncredited)
Dalton Trumbo (uncredited)
Screenplay by Florence Ryerson
Edgar Allan Woolf
Story by Florence Ryerson
Edgar Allan Woolf
Starring Allan Jones
Judy Garland
Fanny Brice
Music by {see article}
Cinematography Joseph Ruttenberg
Edited by William S. Gray
Production
company
Distributed by Loew's Inc.
Release dates
  • February 4, 1938 (1938-02-04) (US)
Running time
80 or 91 minutes[1]
Country United States
Language English
Budget $795,000[2]
Box office $1,003,000[2]

Everybody Sing is a 1938 American musical comedy film starring Allan Jones, Judy Garland, and Fanny Brice, and featuring Reginald Owen and Billie Burke. The film was a significant step in Garland's career.

Plot[edit]

Young Judy Bellaire (Judy Garland) has trouble fitting in at school, causing trouble by introducing her jazzy style into music class and being expelled as a result. Returning home to her dysfunctional and financially challenged family, where her playwright father, actress mother, and beautiful elder sister, Sylvia (Lynne Carver) compete for attention along with the funny Russian maid, Olga (Fanny Brice) and the hunky cook, Ricky (Allan Jones), who is not-so-secretly in love with Sylvia. Judy foils her father's attempt to ship her off to Europe by escaping from the ship and then trying out for a musical show as a blackface singer, taking advantage of her love of jazz to enchant the show's producer, who hires her and makes her a star of his new show. Meanwhile, Ricky cuts a record, musically expressing his love for Sylvia. Nevertheless, Sylvia is forced into engagement with another man.

When the distraught parents discover their younger daughter is appearing in a musical show, Sylvia rejoins her love, who is also appearing in the show. Finally, all the cast members are reunited, including the Russian maid, who finds her lost love, Boris. The movie's happy ending includes an extravagant stage piece with gorgeously attired chorus girls, happily reunited parents and child, and the happy kiss between Sylvia and Ricky, who is now the producer of a successful musical show.

Cast[edit]

Cast notes

  • Everybody Sings is the final film Allan Jones appeared in for M-G-M, and the first M-G-M contract film for Monte Wooley.[3]

Music[edit]

Allan Jones introduces in Everybody Sing the pop standard "The One I Love", with lyrics by Gus Kahn and music by Bronisław Kaper and Walter Jurmann. The film also includes three other songs from the same composing team: "(Down On) Melody Farm," "Swing Mr. Mendelssohn," and "The Show Must Go On". The music and lyrics for "Quainty, Dainty Me" and "Snooks (Why? Because!)" are by Bert Kalmar and Harry Ruby.[1] The "Snooks" number is based on the character "Baby Snooks" played on Broadway and on the radio by Brice.[3] The St. Brendan's Boys Choir, directed by Robert Mitchell, provided the singing voices for the schoolgirl chorus that backs Judy on her numbers.[4]

The musical numbers were staged by Dave Gould, except for "Qainty, Dainty Me, which was staged by Seymour Felix; the dance director was Val Raset. Fanny Brice's dancing was doubled by Iola Cochran.[1]

Production[edit]

Working titles for the film were "The Ugly Ducking" – a reference to Garland's character[5] – and "Swing Fever".[3][1] Principal photography took pl;ace from September 2-3 and then late September t0 December 21, 1937. Retakes took place January 8-10, 1938.[1]

After a stalled career, this was one of the films marking the picking up of momentum in Judy Garland's ascent to stardom. Following the sensational audience reaction to her singing "You Made Me Love You" to a picture of Clark Gable in Broadway Melody of 1938 (1937), she was rushed into shooting two films back to back, Thoroughbreds Don't Cry (1937) and this film, which was held for later release.[6]

According to TCM.com:

As important as the film itself in the development of Garland's career was a seven-week, seven-city promotional tour that started in Miami Beach and included stops in New York and Chicago. With Garland mentor Roger Edens accompanying her on the piano, she stepped alone for the first time onto huge stages to sing in front of adoring crowds and began to establish the audience rapport that would, in time, make her one the world's greatest live entertainers.[5]

Reception[edit]

The reviewer for Film Weekly wrote that Garland's singing put the film into the "excellent" class, and that "Anyone who stands up to Miss Brice at her own comedy game is very good indeed."[5]

According to MGM's records the film earned $655,000 in the US and Canada and $348,000 elsewhere, resulting in an overall loss of $174,000.[2]

References[edit]

  1. ^ a b c d e Everybody Sing at the American Film Institute Catalog
  2. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study .
  3. ^ a b c "Notes" TCM.com
  4. ^ "Music" TCM.com
  5. ^ a b c Fristoe, Roger. "Article: Everybody Sing (1937)" TCM.com
  6. ^ Hirschhorn, Clive (1991) [1981]. The Hollywood Musical (2nd ed.). New York: Portland House. p. 139. ISBN 0-517-06035-3. 

External links[edit]